tag:blogger.com,1999:blog-31247480507146194652024-02-07T10:44:30.582+01:00Visione Sospesail cinema dell'assenzaViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.comBlogger298125tag:blogger.com,1999:blog-3124748050714619465.post-52621170543964032982023-12-31T18:38:00.002+01:002023-12-31T18:41:04.916+01:00Resoconti VIS #23: Archivio delle migliori 'cose' viste in questo 2023<p style="text-align: left;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO1BAooeNcnSIE6PKJzgR3IePECz1ut37a7w7KPflniGi7U5glWfJy2a-FU851QTws8eDBNvbutJcwd_pkgkPORt-Y6piUPWsjZsmvGgXJ8AuYaFZYulh8bJnAPA60Pfwj46uj1Ladz_aDdvIj3VVw3FkDrrxna5r9R9JBAGUo3qiuT7ktXgLnP486Pmg/s513/Post%20Testata%20Resoconti%202023.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO1BAooeNcnSIE6PKJzgR3IePECz1ut37a7w7KPflniGi7U5glWfJy2a-FU851QTws8eDBNvbutJcwd_pkgkPORt-Y6piUPWsjZsmvGgXJ8AuYaFZYulh8bJnAPA60Pfwj46uj1Ladz_aDdvIj3VVw3FkDrrxna5r9R9JBAGUo3qiuT7ktXgLnP486Pmg/s16000/Post%20Testata%20Resoconti%202023.jpg" /></a></div><div style="text-align: justify;"><span style="font-family: arial;">"La nostra unicità nell'universo! ohimè, è una cosa fin troppo inverosimile! Gli astronomi, a cui tocca talvolta realmente di scrutare un orizzonte staccato dalla terra, fanno capire che la goccia di vita che è nel mondo è senza importanza per il carattere totale del mostruoso oceano di divenire e trapassare: che un numero indeterminato di astri presentano condizioni simili a quelle della terra per la produzione della vita, moltissimi cioè, e però sempre un gruppo ristretto in confronto agli infiniti altri che non hanno mai avuto la vivente eruzione o che ne sono da lungo tempo guariti;<span><a name='more'></a></span> </span></div><div style="text-align: justify;"><span style="font-family: arial;"> </span></div><div style="text-align: justify;"><span style="font-family: arial;"> </span></div><div style="text-align: justify;"><span style="font-family: arial;"> </span></div><div style="text-align: justify;"><span style="font-family: arial;">che la vita su ognuno di questi astri, misurata sulla durata della sua esistenza, è stata un attimo, una vampata, con lunghi, lunghi spazi di tempo dietro di sé, e dunque in nessun modo la meta e lo scopo ultimo della sua esistenza. Forse la formica nel bosco immagina altrettanto fortemente di essere meta e scopo dell'esistenza del bosco, come facciamo noi quando alla fine dell'umanità, nella nostra fantasia, ricolleghiamo quasi involontariamente la fine della terra: anzi siamo ancora modesti quando ci fermiamo a ciò e non organizziamo, per i funerali dell'ultimo uomo, un crepuscolo universale del mondo e degli dèi. Anche l'astronomo più spregiudicato quasi non può immaginare la terra senza vita altro che come lo splendente e fluttuante tumulo dell'umanità."</span></div><p></p><p><span style="font-family: arial;"><span style="font-size: small;"><i>- <b>Friedrich Nietzsche</b> (Umano troppo umano II, 1879/80)</i></span></span></p><p><span style="font-family: arial;"><span style="font-size: x-small;"><i> </i></span></span></p><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="color: #ffa400; font-size: x-large;"><span><u><b>Best 5 Short Films</b></u></span></span><br /><span style="font-size: medium;"><br /><b>THE LOTTERY</b><br />Larry Yust (USA, 1969)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS36iPKcPUJj6Qh4_bWyTS64Hx5E6Sd86CQtAhUU6m4Kw9BAIJ8-UzeqFOXCjrEAcXJFVivQABs49q0Gm5n54qXWnSVYNqGecmc7exkf6HtH3nnjw4tiNxqd58JrmY0zXicYxQ3B7C8krqKcYfCiuTU_gxoY4bx7V3-JgNU-dGXl2UlHFmcr8V-dO-9Sc/s520/The%20Lottery.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS36iPKcPUJj6Qh4_bWyTS64Hx5E6Sd86CQtAhUU6m4Kw9BAIJ8-UzeqFOXCjrEAcXJFVivQABs49q0Gm5n54qXWnSVYNqGecmc7exkf6HtH3nnjw4tiNxqd58JrmY0zXicYxQ3B7C8krqKcYfCiuTU_gxoY4bx7V3-JgNU-dGXl2UlHFmcr8V-dO-9Sc/w400-h231/The%20Lottery.jpg" width="400" /></a><span style="font-family: arial;"><span style="font-size: medium;"> </span></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><span style="font-family: arial;"><span style="font-size: medium;"><i></i></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><br /><b>ENSTELLUNG</b><br />Riccardo Vaia, Cristina Pizzamiglio (Italia, 2022)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwrl6Fgvo1-jogCquWlg0K3XFisywMNY0GA7LBeKoxJ8clBrkNE6G5B-VeQc0_NbofyY2nQ4oabkNBCVFgOM5UEuDxSlmhEq__BVYjiAKLP-AHxZRYLO6fH77y5hiCQXH8N0QPGTbkqGUVYNkfUxqZ2Idu81dRXSsYDupaMalrfxnXu3WadG_Nm_JFJC8/s520/Enstellung.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwrl6Fgvo1-jogCquWlg0K3XFisywMNY0GA7LBeKoxJ8clBrkNE6G5B-VeQc0_NbofyY2nQ4oabkNBCVFgOM5UEuDxSlmhEq__BVYjiAKLP-AHxZRYLO6fH77y5hiCQXH8N0QPGTbkqGUVYNkfUxqZ2Idu81dRXSsYDupaMalrfxnXu3WadG_Nm_JFJC8/w400-h231/Enstellung.jpg" width="400" /></a></div><span style="font-size: medium;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><span style="font-family: arial;"><span style="font-size: medium;"><i></i></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><br /><b>REGINETTA</b><br />Federico Russotto (Italia, 2022)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5T1E82RHvRogeZHa3MYpx_0dQlu-oCGcHRRs32bAItX0G865jZT79tDb2WzlkerQbbWG7VqRbcENrPgT96vcb_yoT0SLhxKifoPKDbdwzgGnOFcyxDEg5mNBjGtDZdM-u2yDn1GIHBdaEa4uP7lt7COrDSqUNZbpUW_iUX_aDgejoy7y_8fLWVDrcOCQ/s520/Reginetta.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5T1E82RHvRogeZHa3MYpx_0dQlu-oCGcHRRs32bAItX0G865jZT79tDb2WzlkerQbbWG7VqRbcENrPgT96vcb_yoT0SLhxKifoPKDbdwzgGnOFcyxDEg5mNBjGtDZdM-u2yDn1GIHBdaEa4uP7lt7COrDSqUNZbpUW_iUX_aDgejoy7y_8fLWVDrcOCQ/w400-h231/Reginetta.jpg" width="400" /></a></div><span style="font-size: medium;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><span style="font-family: arial;"><span style="font-size: medium;"><i></i></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><br /><b>SKIN & BONE</b><br />Eli Powers (USA, 2022)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhecI11N-TyRJSFvvK-0yw2jEErWq4_UXXiycqCi7New_AKAmBS8Lr7QiJ_ii7NVXWv0Iu9v1dhDxMUzpBaL58HEDKjr_IwFOrN9-7y6-oByUOPitrCpGG6NCUEy2VUTt33uKvBwL_r2XHF4-5cXqBgApRyCrW8jqM9F7B4EtnvJnA2b-MdT9qrDijIIos/s520/Skin%20and%20Bone.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhecI11N-TyRJSFvvK-0yw2jEErWq4_UXXiycqCi7New_AKAmBS8Lr7QiJ_ii7NVXWv0Iu9v1dhDxMUzpBaL58HEDKjr_IwFOrN9-7y6-oByUOPitrCpGG6NCUEy2VUTt33uKvBwL_r2XHF4-5cXqBgApRyCrW8jqM9F7B4EtnvJnA2b-MdT9qrDijIIos/w400-h231/Skin%20and%20Bone.jpg" width="400" /></a><span style="font-family: arial;"><span style="font-size: medium;"> </span></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><span style="font-family: arial;"><span style="font-size: medium;"><i></i></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><br /><b>BALASTIERA #186 (Sandipt #186)</b><br />Adina Pintille (Romania, 2009)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghW57hLKEoycR-Fyq8EqAFC-VTMPBM7w6uFlNpiWmf9bFIS7JtdH5yLHxxLuQGhm9QqP4gZj1f-s8R02nmskvpC49tKnJGEAEiLh4qy36tFszuBMjUJdGKeUrtxoScwca3VXWFL7fQt-QE7llF59L-ZVKxO_i5Hvvgu1KK9zcnQMASR8M3aV5dhx2akmY/s520/Balastiera.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghW57hLKEoycR-Fyq8EqAFC-VTMPBM7w6uFlNpiWmf9bFIS7JtdH5yLHxxLuQGhm9QqP4gZj1f-s8R02nmskvpC49tKnJGEAEiLh4qy36tFszuBMjUJdGKeUrtxoScwca3VXWFL7fQt-QE7llF59L-ZVKxO_i5Hvvgu1KK9zcnQMASR8M3aV5dhx2akmY/w400-h231/Balastiera.jpg" width="400" /></a></div><span style="font-size: medium;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><span style="font-family: arial;"><span style="font-size: medium;"><i></i></span></span><p></p><p></p><p style="text-align: center;"><span style="font-family: arial;">____________________________________________________________<u><b><span style="color: #990000; font-size: x-large;"><span> </span></span></b></u></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="color: #6aa84f;"><u><b><span style="font-size: x-large;"><span>Special Mentions</span></span></b></u><br /><br /><span style="font-size: medium;"><span style="font-size: large;"><i><u><b>Documentaries</b></u></i></span></span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b> LEAP OF FAITH: WILLIAM FRIEDKIN ON THE EXORCIST</b> <br />Alexandre O. Philippe (USA, 2019)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheWNHhxXKgjqHwA4pwmjIAMBHYMAb9TbPemLJlmw_vREiaC2eOSSdaCxmLar-vVC3Dxqog7c0HgPQWYH6xkR5q5X4ps7jNNYDHJ2sCfEso1SPnYODM8TpP3ovZp0SBc4iJf6LaLeQgCG2t_olRroN3ltRAHpdElRbw1CPc10ImcuY1PwHjuitQs1TU-MY/s520/Leap%20of%20Faith%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheWNHhxXKgjqHwA4pwmjIAMBHYMAb9TbPemLJlmw_vREiaC2eOSSdaCxmLar-vVC3Dxqog7c0HgPQWYH6xkR5q5X4ps7jNNYDHJ2sCfEso1SPnYODM8TpP3ovZp0SBc4iJf6LaLeQgCG2t_olRroN3ltRAHpdElRbw1CPc10ImcuY1PwHjuitQs1TU-MY/w400-h231/Leap%20of%20Faith%202.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><br /></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>ITALY POSSESSED: A BRIEF HISTORY OF ITALIAN EXORCIST RIP-OFFS</b><br />Alessio Di Rocco, Giuliano Emanuele, Eugenio Ercolani (UK, Italia, 2020)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3oyYmvKzVCm5F4WQIl955xZPMF8vrBDqyjEXEUbpRa2nM9k2jOgcjNCVBBXkIT8QiqxQBZzJqa2lIjkzeO5B6UhkDYR-Ista4nXbzWKvrDQRZNNrox3PHhEfeSKh8jXnXniyuWX0gj3sMBv9VgYykrqGKpWKE5PujpCs0oeTCXYiSTh-57VqUI4A-Klw/s520/Italy%20Possessed.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3oyYmvKzVCm5F4WQIl955xZPMF8vrBDqyjEXEUbpRa2nM9k2jOgcjNCVBBXkIT8QiqxQBZzJqa2lIjkzeO5B6UhkDYR-Ista4nXbzWKvrDQRZNNrox3PHhEfeSKh8jXnXniyuWX0gj3sMBv9VgYykrqGKpWKE5PujpCs0oeTCXYiSTh-57VqUI4A-Klw/w400-h231/Italy%20Possessed.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><span style="font-family: arial;"><span style="font-size: medium;"><b></b></span></span><div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="color: #6aa84f; font-size: large;"><i><u><b>Special Mention Contemporary Films</b></u></i></span><br /><br /><b>BEGINNING (DASATSKISI)</b><br />Dea Kulumbegashvili (Georgia, Francia, 2020)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibdeb9KGVbjak4pQlUlH371ZJXqUXWKiiRw7aHNR2QFEcy9rsokz1qa8Ip4MuJtw1LCxwo-5bbOxOiJAWm-kOT0UpgViho8n8jSVvYchBdneYcde92jxiMdKDZfsU7UCs3xXlJAvyomd2glkiIJUfi3OrykaiPgWvLeSmfFEC22nZFj3vmoc8qq1xMQjU/s520/Beginning.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibdeb9KGVbjak4pQlUlH371ZJXqUXWKiiRw7aHNR2QFEcy9rsokz1qa8Ip4MuJtw1LCxwo-5bbOxOiJAWm-kOT0UpgViho8n8jSVvYchBdneYcde92jxiMdKDZfsU7UCs3xXlJAvyomd2glkiIJUfi3OrykaiPgWvLeSmfFEC22nZFj3vmoc8qq1xMQjU/w400-h231/Beginning.jpg" width="400" /></a></span></div><span style="font-family: arial;"><br /></span></div><div><div style="text-align: center;"><span style="font-family: arial;">____________________________________________________________</span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><p></p></div><div><div style="text-align: center;"><span style="font-family: arial; font-size: large;"><span><i><span style="color: #cc0000;"><u><b>CultZone</b></u></span></i></span></span><br /><br /><span style="font-family: arial;"><span style="font-size: medium;"><b>SYMPTOMS</b></span></span><br /><span style="font-family: arial; font-size: medium;">José Ramón Larraz (UK, Spagna, 1974)</span><br /></div><p></p><span style="font-family: arial;"></span><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDFIy_4zWV576Nn0EAnLZZshv_qmkS6ncDABaLKpxOH6nFZtA7JVvjlPwvfyzJIqUPCDILBRwVtsAmdqEH7wPgXMdrUDt8Zwx_aKYL9J5ma-aBqGJfY7nofHMbg9w-mv8TIWpRj-t5XA1ENvFCPE-qRUy6j6rABMrOfOLPvuoqwrmegSaSM21XAZNDDcc/s520/Symptoms.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDFIy_4zWV576Nn0EAnLZZshv_qmkS6ncDABaLKpxOH6nFZtA7JVvjlPwvfyzJIqUPCDILBRwVtsAmdqEH7wPgXMdrUDt8Zwx_aKYL9J5ma-aBqGJfY7nofHMbg9w-mv8TIWpRj-t5XA1ENvFCPE-qRUy6j6rABMrOfOLPvuoqwrmegSaSM21XAZNDDcc/w400-h231/Symptoms.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>LOST IN NEW YORK</b><br />Jean Rollin (Francia, 1989)<br /></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGxnse9IdztBxCpKsveMCfUNy_5T-xJ2KzkvYsdSvgA2klSszzVmHt-Lbm-NhS8_V2iBusPK5QR59gHOKAK7dhpASQ0kLFjh-4wAwN69kSL5oOl0sFBksyAvjF7QtiScg9hP499pa1bCoxYxFZ3-L1lALZh5GFkGK9F4avDnY4k6ckQi6YBoErLN9WXQ0/s520/Lost%20in%20New%20York.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGxnse9IdztBxCpKsveMCfUNy_5T-xJ2KzkvYsdSvgA2klSszzVmHt-Lbm-NhS8_V2iBusPK5QR59gHOKAK7dhpASQ0kLFjh-4wAwN69kSL5oOl0sFBksyAvjF7QtiScg9hP499pa1bCoxYxFZ3-L1lALZh5GFkGK9F4avDnY4k6ckQi6YBoErLN9WXQ0/w400-h231/Lost%20in%20New%20York.jpg" width="400" /></a></div><span style="font-size: medium;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></span></span></div><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><p></p><p style="text-align: center;"><span style="font-family: arial;">______________________________________________________<br /><br /><span style="color: #3d85c6; font-size: x-large;"><span><u><b>Best Feature Films</b></u></span></span><br /><br /><span style="font-size: medium;"><b>NESSUNO TI SALVERA’ (NO ONE WILL SAVE YOU)</b><br />Brian Duffield (USA, 2023)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjStdX6Z9_00Xy0j1sn9G4TBhEvt1jcHCJnfsJiI1xTMFxYWVi_8FU6LPPvfzCSCx23oRDayOVuAF8rkSd_qiScIcmmcqYicjovWAM0kmM9mFBspGBd9cbSOBiAG4w8OBiQi96qF2_yHh2yypYyLXvDbaZ2TvTKM7RFsoguL7W0ChalWI5s7jftnanfKkg/s520/Nessuno%20ti%20salvera.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjStdX6Z9_00Xy0j1sn9G4TBhEvt1jcHCJnfsJiI1xTMFxYWVi_8FU6LPPvfzCSCx23oRDayOVuAF8rkSd_qiScIcmmcqYicjovWAM0kmM9mFBspGBd9cbSOBiAG4w8OBiQi96qF2_yHh2yypYyLXvDbaZ2TvTKM7RFsoguL7W0ChalWI5s7jftnanfKkg/w400-h231/Nessuno%20ti%20salvera.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>LOLA</b><br />Andrew Legge (Irlanda, UK, 2022)</span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmZSSlEWQgaEGD_Ct39jdbBexEEkZTDx_F0rFJZZT-AORndOUeiIjEQYQ41JUJHjlzWHY8VLlx5uEU_RVHDPUdwq1CqLylmygw8oG5WGGvwBHAl5-AhUKodSrSSGOhyWeQWcBhM7pDudBnb_6Dc65yU9mGSUPl4en_jrco1GUUQ1wP9-M0sTzUl9tADCA/s520/Lola.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmZSSlEWQgaEGD_Ct39jdbBexEEkZTDx_F0rFJZZT-AORndOUeiIjEQYQ41JUJHjlzWHY8VLlx5uEU_RVHDPUdwq1CqLylmygw8oG5WGGvwBHAl5-AhUKodSrSSGOhyWeQWcBhM7pDudBnb_6Dc65yU9mGSUPl4en_jrco1GUUQ1wP9-M0sTzUl9tADCA/w400-h231/Lola.jpg" width="400" /></a></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>GAIA</b><br />Jaco Bouwer (Sudafrica, 2021)<br /></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiizn5M-3Q7DsRR55WOe7erVLqc0he2xKtQOg1FaoY4aOJi0S5MPpgeubJ_usSUyLg3jFwnBi25xCl2g9ONZhpFkaHxgdAz2MhJF9WquTXNZL1ANBa9C8uHRowIXUoW2_Y1e17a9imhbICQVdIRCg_XWh_aRn6gclG63stvUSxPPZz3CBZvyM2zQd70J8w/s520/Gaia.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiizn5M-3Q7DsRR55WOe7erVLqc0he2xKtQOg1FaoY4aOJi0S5MPpgeubJ_usSUyLg3jFwnBi25xCl2g9ONZhpFkaHxgdAz2MhJF9WquTXNZL1ANBa9C8uHRowIXUoW2_Y1e17a9imhbICQVdIRCg_XWh_aRn6gclG63stvUSxPPZz3CBZvyM2zQd70J8w/w400-h231/Gaia.jpg" width="400" /></a></div><span style="font-size: medium;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><span style="font-family: arial;"><span style="font-size: medium;"><b></b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>A BIGGER SPLASH</b><br />Luca Guadagnino (Italia, Francia, 2015)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxOB9oqt3OnInyqWTmEsG8rrsgA6FlE6qJLeu0KAI0rs9EcRsMB2xXiAs6nfEW-1KjW_3CGq5PD4oYzyuWealijMw2W1ycPtwbDzhSPfwlGgSPMpXg-pnWmlbTq-6AhvoAl2vbhrChPG_o1hHIsp_mE4cY2X0isTr-7hpRXWN2qSLpSo1kAC4r1xHWplM/s520/A%20Bigger%20Splash.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxOB9oqt3OnInyqWTmEsG8rrsgA6FlE6qJLeu0KAI0rs9EcRsMB2xXiAs6nfEW-1KjW_3CGq5PD4oYzyuWealijMw2W1ycPtwbDzhSPfwlGgSPMpXg-pnWmlbTq-6AhvoAl2vbhrChPG_o1hHIsp_mE4cY2X0isTr-7hpRXWN2qSLpSo1kAC4r1xHWplM/w400-h231/A%20Bigger%20Splash.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b> BRONSON</b><br />Nicolas Winding Refn (UK, 2008) <br /></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc2ef73yZCR23q8JV7ntxDf7ezkp_4wejvtUEty2MPE8dHo7knTQmLA7XIx_ZG0-OVSeA-eDVScwQrg9dK9nnzO6gcnwOEM_0n9-NKjPrqz9ow5CnpNFxmuUBmcGKT7Rwdh_FpgYn5nOEm_Xu-3owEbOoJyT5mBh66qcejn-DGxv-sCGSvOGAnVkP4Vo0/s520/Bronson.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc2ef73yZCR23q8JV7ntxDf7ezkp_4wejvtUEty2MPE8dHo7knTQmLA7XIx_ZG0-OVSeA-eDVScwQrg9dK9nnzO6gcnwOEM_0n9-NKjPrqz9ow5CnpNFxmuUBmcGKT7Rwdh_FpgYn5nOEm_Xu-3owEbOoJyT5mBh66qcejn-DGxv-sCGSvOGAnVkP4Vo0/w400-h231/Bronson.jpg" width="400" /></a></div><span style="font-size: medium;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></span></span></div><p></p><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>LA CASA LOBO</b><br />Cristóbal León, Joaquín Cociña (Cile, 2018)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6cQdf9nuWgpSOl4rBwj-rWIy41nU0FB80IFhlLoWU8gRAhVV6Qw2HkYTZ82wy0tiLqjhnqyBDASixecdmCvsHQxXpGSe5kvaipfJy6B1fXcjiiWUODJ2MxLVKLyzAIc2Q4b24HqGyI_zGFiP3iAykd_KfboJwV3bzNgbQK5op3gBy3YfwBklV5nwlhWE/s520/La%20casa%20lobo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6cQdf9nuWgpSOl4rBwj-rWIy41nU0FB80IFhlLoWU8gRAhVV6Qw2HkYTZ82wy0tiLqjhnqyBDASixecdmCvsHQxXpGSe5kvaipfJy6B1fXcjiiWUODJ2MxLVKLyzAIc2Q4b24HqGyI_zGFiP3iAykd_KfboJwV3bzNgbQK5op3gBy3YfwBklV5nwlhWE/w400-h231/La%20casa%20lobo.jpg" width="400" /></a></span></div></div><div style="text-align: left;"><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: x-large;"><span style="color: #26b0ff;"><u><b>TOP 10 Favorites</b></u></span></span><br /><br /><span style="font-size: large;"><i>10</i><br /><b>IMACULAT (IMMACULATE)</b><br />Monica Stan, George Chiper (Romania, 2021) </span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZxgDBTq_6o8RBmcWeisoO88nKRWQdQvzQqJ33YKvKyrV5zQqCjkJBS0ADQhnzv0t3XStsRw8-E00PF8VMWM27rcVGBHyMlyDRCg46-thDF9fiLsp0Bv8BCiavD_u9brtX5BZC2ztt4SnGpb8RMZkY6d75qxQJMPbdExc9yQNgwkgB7TZNOjm6i5K0Kfw/s520/Imaculat.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZxgDBTq_6o8RBmcWeisoO88nKRWQdQvzQqJ33YKvKyrV5zQqCjkJBS0ADQhnzv0t3XStsRw8-E00PF8VMWM27rcVGBHyMlyDRCg46-thDF9fiLsp0Bv8BCiavD_u9brtX5BZC2ztt4SnGpb8RMZkY6d75qxQJMPbdExc9yQNgwkgB7TZNOjm6i5K0Kfw/s16000/Imaculat.jpg" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span></p><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>9</i><br /><b>EO</b><br />Jerzy Skolimowski (Polonia, Italia, 2022)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEmVt4DnRKnZVqSr2q-pcAHfZ52pOYuxdjR63cMNTmGA0lyXeSoEdS1_j7ZfDoQnp4_tB3jIJvrfA_EUfgW9yUIYBHj0RK1mlHkbcixSA_rgGosnrZh2oMsOSiqB5mD8QZ2cmLTpH8QadQABX7nxyLw91l4FRdovEnk-sd3r72CMC9LT9zWmXzU_9SERA/s520/EO.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEmVt4DnRKnZVqSr2q-pcAHfZ52pOYuxdjR63cMNTmGA0lyXeSoEdS1_j7ZfDoQnp4_tB3jIJvrfA_EUfgW9yUIYBHj0RK1mlHkbcixSA_rgGosnrZh2oMsOSiqB5mD8QZ2cmLTpH8QadQABX7nxyLw91l4FRdovEnk-sd3r72CMC9LT9zWmXzU_9SERA/s16000/EO.jpg" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span></p><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>8</i> <br /><b>PREVENGE</b><br />Alice Lowe (UK, 2016)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgD2lWzS62MAPNQuOLf_U-GidrEbor68I9Yrft8SwzCQiAowa93f-_28vtuCLYpDFpZ8m3uzznW7Q9oW8-fZlqQFUpWMkFnJ34AvwTTWGCIbI92Fc_3TFQ3jophCeDXI_YiO8irOzBNFu2vcWBrefGb87RcQU1yEC77H-ST7FzaHrgR1zyjGVwhF_X86I/s520/Prevenge.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgD2lWzS62MAPNQuOLf_U-GidrEbor68I9Yrft8SwzCQiAowa93f-_28vtuCLYpDFpZ8m3uzznW7Q9oW8-fZlqQFUpWMkFnJ34AvwTTWGCIbI92Fc_3TFQ3jophCeDXI_YiO8irOzBNFu2vcWBrefGb87RcQU1yEC77H-ST7FzaHrgR1zyjGVwhF_X86I/s16000/Prevenge.jpg" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span></p></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>7</i><br /><b>YOU WON'T BE ALONE (NON SARAI SOLA)</b><br />Goran Stolevski (Australia, UK, 2022)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2JFUtuACJN1UWG71_ZRPsc3k_38nbji6TlARLb_mQZ6IeJHHmOAtd6OcQ479iSRtwzVlXbHBNZ-67JzuPiXI0r9t1v4SZo5f6YjsgpgirgsptBqNOn9ks7ZZ9n0ytvtBa6prf1CQRpn9sdBO9hjFz7JhZ8Hn7ZANIR2qn8Ij-Dk37HKP0H-TjDueUtgM/s520/You%20Wont%20be%20Alone%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2JFUtuACJN1UWG71_ZRPsc3k_38nbji6TlARLb_mQZ6IeJHHmOAtd6OcQ479iSRtwzVlXbHBNZ-67JzuPiXI0r9t1v4SZo5f6YjsgpgirgsptBqNOn9ks7ZZ9n0ytvtBa6prf1CQRpn9sdBO9hjFz7JhZ8Hn7ZANIR2qn8Ij-Dk37HKP0H-TjDueUtgM/s16000/You%20Wont%20be%20Alone%201.jpg" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span></p><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>6</i><br /><b>ENYS MEN</b><br />Mark Jenkin (UK, 2022)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVfWzwsSQSmjbqeUXGvlF_Bh98WHvU3L_yxNEsBjP464c7z4VHTqwQGIa-Ssa5rO6oIz8QrrmRBS5nm5hkDiItLADHL9oZy3PwItEhANefYoZ6tA_I7w-ZQvREXqEygFcezr-bbPvkb8YbDon8wTEVmwLOjcN_Yr6QwnfStdxdi25eDpR0eP7sRsoHlis/s520/Enys%20Men.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVfWzwsSQSmjbqeUXGvlF_Bh98WHvU3L_yxNEsBjP464c7z4VHTqwQGIa-Ssa5rO6oIz8QrrmRBS5nm5hkDiItLADHL9oZy3PwItEhANefYoZ6tA_I7w-ZQvREXqEygFcezr-bbPvkb8YbDon8wTEVmwLOjcN_Yr6QwnfStdxdi25eDpR0eP7sRsoHlis/s16000/Enys%20Men.jpg" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span></p><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>5</i><br /><b>FLUX GOURMET</b><br />Peter Strickland (UK, USA, 2022)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiXJoC0JCK9uOHvHNIP0ZUkkTKXYTvghCm4F8DXALOb82tRueV763izD39EmHEJyMeOT9Twg5cnmPOWS4k0q3htlvG1HtqQ8F2y1IeLr4BsHwAA3fSph-ZxaCtXBGy2f8oVt4uz4Uaqhook8gSVyIwqJ8l0q1a6b16jGYEdgAoot2yo44vkxV97fiL6hM/s520/Flux%20Gourmet.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiXJoC0JCK9uOHvHNIP0ZUkkTKXYTvghCm4F8DXALOb82tRueV763izD39EmHEJyMeOT9Twg5cnmPOWS4k0q3htlvG1HtqQ8F2y1IeLr4BsHwAA3fSph-ZxaCtXBGy2f8oVt4uz4Uaqhook8gSVyIwqJ8l0q1a6b16jGYEdgAoot2yo44vkxV97fiL6hM/s16000/Flux%20Gourmet.jpg" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span></p><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>4</i><br /><b>SESSO SFORTUNATO O FOLLIE PORNO (Babardeală cu bucluc sau porno balamuc)</b><br />Radu Jude (Romania, Lussemburgo, 2021)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgocKwChroN24ENHCM5Gw6k99zI44Uk271cFb66HUpbU6lBYKDuIjfj5zuKgxBHG1Ym5Ojmow5Bjqhr5hC-2DNiBE1cGtTWeLu2jGKYHODB7GqBzfRDnIiLDi3wFs5C0y8hh9CpDx3XyIPt2B-ZMy95zQhMk0phpOR-PJFNe-HouY0olobgwIxL22MAuso/s520/Sesso%20sfortunato.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgocKwChroN24ENHCM5Gw6k99zI44Uk271cFb66HUpbU6lBYKDuIjfj5zuKgxBHG1Ym5Ojmow5Bjqhr5hC-2DNiBE1cGtTWeLu2jGKYHODB7GqBzfRDnIiLDi3wFs5C0y8hh9CpDx3XyIPt2B-ZMy95zQhMk0phpOR-PJFNe-HouY0olobgwIxL22MAuso/s16000/Sesso%20sfortunato.jpg" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span></p><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>3</i><br /><b>LA PIEDAD</b><br />Eduardo Casanova (Spagna, Argentina, 2022)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFhhah7DeoByReFDdFj014F3b5hYOvA1lULxDeQ0C8PRSpgYQCrQmGn6wESHmpIW6STyLsSmtJbCYtnY8QzB7nGwPxwkYaU2WMTc2uZMqouP2Wjk_oyVsglUz0Gc7JLlbwhBbzmrwIB_CGuCq85WGOE_5MMd-UkW-jTSTbIcwmN3ASIrePcc60GYflUwo/s520/La%20Piedad.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFhhah7DeoByReFDdFj014F3b5hYOvA1lULxDeQ0C8PRSpgYQCrQmGn6wESHmpIW6STyLsSmtJbCYtnY8QzB7nGwPxwkYaU2WMTc2uZMqouP2Wjk_oyVsglUz0Gc7JLlbwhBbzmrwIB_CGuCq85WGOE_5MMd-UkW-jTSTbIcwmN3ASIrePcc60GYflUwo/s16000/La%20Piedad.jpg" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span></p><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>2</i><br /><b>BEAU HA PAURA (BEAU IS AFRAID)</b><br />Ari Aster (USA, 2023)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdVTSH8Xw_-YNLUdKDofSrE-nZf_CP9yYDIHq-IZHkyCgFdgCwg1pnUVlcUhazBgiMN2VQHjyCD29c9HYL3LKTK_2BDDc_I4z6yD4jjSJYI3bwJcpO5-dEdIq6Wy2uR-vXBsUR0BuKLJhqZ0SRP-dZHTSofW0LVswqG-GibO5sEGruwEkl-ok3cNRom6Y/s520/Beau%20ha%20paura.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdVTSH8Xw_-YNLUdKDofSrE-nZf_CP9yYDIHq-IZHkyCgFdgCwg1pnUVlcUhazBgiMN2VQHjyCD29c9HYL3LKTK_2BDDc_I4z6yD4jjSJYI3bwJcpO5-dEdIq6Wy2uR-vXBsUR0BuKLJhqZ0SRP-dZHTSofW0LVswqG-GibO5sEGruwEkl-ok3cNRom6Y/s16000/Beau%20ha%20paura.jpg" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span></p><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>1</i><br /><b>COPENHAGEN COWBOY</b><br />Nicolas Winding Refn (Danimarca, 2023)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj13Zl_Gl27UMQCo8gFnwkd7b5vXj-ifzFSwDJd-SLo-Hn6hKUt9XKBE9dW7LQhPHdub4V345Os1gPU1gkqXCMgwHuopy0YPKTromiXAtdFkIy2VnFWi7OqwBq3Iba3712BZtMqkZD_RpCw48QbPkd9TAPUN8_20YdGj4k1JGzxIduOFnGBkekYCQHGQ68/s520/Copenhagen%20Cowboy%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj13Zl_Gl27UMQCo8gFnwkd7b5vXj-ifzFSwDJd-SLo-Hn6hKUt9XKBE9dW7LQhPHdub4V345Os1gPU1gkqXCMgwHuopy0YPKTromiXAtdFkIy2VnFWi7OqwBq3Iba3712BZtMqkZD_RpCw48QbPkd9TAPUN8_20YdGj4k1JGzxIduOFnGBkekYCQHGQ68/s16000/Copenhagen%20Cowboy%202.jpg" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_MPdY_QLyXBPReim_DHNzYfiwaNG0Xkg7cFjiU_bk9V80VoDMS9T7t6FFrioRa3JvpZKycjX4mSfR34QFUNzBvgDek2YxqV_jsIdhbUUghXhSBVYMWxjyalRGhMAKiliPAdP_tFm0erlqO3tyfAFQlcTLPAjFpuXg2hcet88vtk7-lzAYYpNw6S3bDsM/s520/Copenhagen%20Cowboy%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_MPdY_QLyXBPReim_DHNzYfiwaNG0Xkg7cFjiU_bk9V80VoDMS9T7t6FFrioRa3JvpZKycjX4mSfR34QFUNzBvgDek2YxqV_jsIdhbUUghXhSBVYMWxjyalRGhMAKiliPAdP_tFm0erlqO3tyfAFQlcTLPAjFpuXg2hcet88vtk7-lzAYYpNw6S3bDsM/s16000/Copenhagen%20Cowboy%201.jpg" /></a></div><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"></p>ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com2tag:blogger.com,1999:blog-3124748050714619465.post-29556678426150028752023-10-17T16:24:00.001+02:002023-10-17T17:04:28.836+02:00Tracce #37: EARWIG<p><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3JBnOnNdP4I90Xlp9ivOAWoWi3pv08CmYvqM0LQn5OQEV2u5GbigRDVKV5yCTx04aoLPrhQ2niGz-Xbb9gOogq4tmrSlsJt1IVVOP8ZrhZ2E2GeAfnvhjACWCploxwgCxWieTq8pYO90kttXiawWG1eYoA_KFB6OSE97DgZoxLRtMJQnm1oWA-eRxPaQ/s513/Post%20Testata%20Earwig%20(2023).jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3JBnOnNdP4I90Xlp9ivOAWoWi3pv08CmYvqM0LQn5OQEV2u5GbigRDVKV5yCTx04aoLPrhQ2niGz-Xbb9gOogq4tmrSlsJt1IVVOP8ZrhZ2E2GeAfnvhjACWCploxwgCxWieTq8pYO90kttXiawWG1eYoA_KFB6OSE97DgZoxLRtMJQnm1oWA-eRxPaQ/s16000/Post%20Testata%20Earwig%20(2023).jpg" /></a></b></div><b>Lucile Hadžihalilović</b><br />UK, Francia, 2021<br />114 minuti<br /><p></p><p style="text-align: justify;">Rivisto a distanza di un anno, o poco più. Lo segnalai nel blog, piazzandolo in testa ai resoconti del 2022 e questa revisione ne riconferma le iniziali impressioni, anzi, le rafforza. Tanto che ad oggi, personalmente, mi sento di considerare fermamente questo "Earwig" il miglior lavoro di Lucile Hadžihalilović.</p><p style="text-align: justify;"><span></span></p><a name='more'></a> <p></p><p style="text-align: justify;"> </p><p style="text-align: justify;">Un inquietante affresco ambientato nella metà del secolo scorso, composto da colori impressionistici ed eventi onirici. Oltre i vetri di cristallo si cela il 'non detto', con i suoi misteri, i traumi e le simbiosi. L'avvolgente unione tra minuziosa ricerca del dettaglio e sound design, ci trasporta attraverso un tempo dal respiro perfetto, lungo i binari di un viaggio rarefatto e sensoriale. Come la stupenda sequenza di quel treno che, lentamente, svanisce nella nebbia della notte, rievocando l'altrettanto immenso "Les rendez-vous d'Anna" di Chantal Akerman. E poi, come non menzionare quell'epilogo pittorico che così tanto ricorda certo cinema di Jean Rollin (mai nessun film, credo, tra quelli più contemporanei, si era avvicinato così magnificamente a quelle atmosfere); prigionia e successiva catarsi del corpo femminile. Cinema dell'onirismo a livelli alti, come non mi capitava di vedere da un po'.</p><p style="text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiy159wXCj-pv2alJCVwDS1czm_HeGYWaAU_tTVmy7kcJMTlEyVopTh0Yjtvuh2GQeuSyuqfDh4ECoaznZX7QvBn4YxXLXN_kfnHxY2Dw-Whp-o5QBJZFJsjoDUS2gZWoZFlQI0mvqELxp-T4hxRgDL_CCEwiSYalyiHq8DhOpHAiF_kYFA1HlI3isy1Cc/s946/Earwig%201-2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="132" data-original-width="946" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiy159wXCj-pv2alJCVwDS1czm_HeGYWaAU_tTVmy7kcJMTlEyVopTh0Yjtvuh2GQeuSyuqfDh4ECoaznZX7QvBn4YxXLXN_kfnHxY2Dw-Whp-o5QBJZFJsjoDUS2gZWoZFlQI0mvqELxp-T4hxRgDL_CCEwiSYalyiHq8DhOpHAiF_kYFA1HlI3isy1Cc/s16000/Earwig%201-2.jpg" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyfE6UsEi73kGfHm2hTFs0oj1qxwmZoYfh1Fw63Q8OJ9F0IhR5GeVhACFn2Tt0zCpWNnGsTiPiz6ygxRxHPGwbhW7E30GENvThjFW4njZ22kQLdY0W5xrWQxms-yEdAdTGfU6b7wp5zdfmTJCBJ4jFZQeQ1S9n5Yn968vAVIgesuMmRF84NlF0d_J8y0k/s946/Earwig%201.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="132" data-original-width="946" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyfE6UsEi73kGfHm2hTFs0oj1qxwmZoYfh1Fw63Q8OJ9F0IhR5GeVhACFn2Tt0zCpWNnGsTiPiz6ygxRxHPGwbhW7E30GENvThjFW4njZ22kQLdY0W5xrWQxms-yEdAdTGfU6b7wp5zdfmTJCBJ4jFZQeQ1S9n5Yn968vAVIgesuMmRF84NlF0d_J8y0k/s16000/Earwig%201.jpg" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSNC2QzlDH24UuS1CZ6seZdXGiP7Nohn8Nq67qbFWch5Tk662UTpFnBcFt0NayMntLIF5koKISE_8ZO69hKDkEiLDuMBlHAQWZWeQ_wQx2W7G3tDECElXUgJF0nFknMw23ix4t3GAdL7R_gdgnTClIvDk6BLaMIgcJzeYS5r7f0qs3m_2TFrxldELwgXQ/s946/Earwig%202.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="132" data-original-width="946" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSNC2QzlDH24UuS1CZ6seZdXGiP7Nohn8Nq67qbFWch5Tk662UTpFnBcFt0NayMntLIF5koKISE_8ZO69hKDkEiLDuMBlHAQWZWeQ_wQx2W7G3tDECElXUgJF0nFknMw23ix4t3GAdL7R_gdgnTClIvDk6BLaMIgcJzeYS5r7f0qs3m_2TFrxldELwgXQ/s16000/Earwig%202.jpg" /></a></div><br /><br /><p></p><p></p><div class="separator" style="clear: both; text-align: center;"></div>ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com0tag:blogger.com,1999:blog-3124748050714619465.post-25095615877387873942022-12-31T18:39:00.004+01:002023-01-01T00:54:59.101+01:00Resoconti VIS #22: Feature and Short Films | Archivio delle migliori 'cose' viste nel 2022<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoLyFWBiFmZNFPFNUbnTn2ZOXWQbnrveyJCRXIFsMBbfJjuCTSSbrC8M6iBO_q-7OybD-LJT3kydPIvRAKjwjm04-uFt1uHkrVs_vKUINR7N4l9ahnV0luLBhhb2LP5g6_ZGplNUrpMhFGOUrobLCzdI6U9mMFdxgARS-JLFfRdtabPHHVBK3jpHH7/s513/Post%20Testata%20Resoconti%202022.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoLyFWBiFmZNFPFNUbnTn2ZOXWQbnrveyJCRXIFsMBbfJjuCTSSbrC8M6iBO_q-7OybD-LJT3kydPIvRAKjwjm04-uFt1uHkrVs_vKUINR7N4l9ahnV0luLBhhb2LP5g6_ZGplNUrpMhFGOUrobLCzdI6U9mMFdxgARS-JLFfRdtabPHHVBK3jpHH7/s16000/Post%20Testata%20Resoconti%202022.jpg" /></a></div><div style="text-align: justify;">"Quando Paracelso, a Basilea nel 1527, bruciò tutta la medicina,
dichiarò di non sapere nulla, oltre a quanto imparato dalle streghe.
Meritavano una ricompensa. L’ebbero. Le si pagò in torture, in roghi. Si
scovarono tormenti appositi, si inventarono sofferenze. Venivano
condotte a giudizio in massa, e condannate per una parola".<br />- <i><b>Jules Michelet</b></i></div><p style="text-align: justify;"></p><p style="text-align: justify;"></p><p style="text-align: justify;">"Le streghe hanno smesso di esistere quando noi abbiamo smesso di bruciarle".<br />- <i><b>Voltaire</b> (Lettere filosofiche, 1734)<span></span></i></p><a name='more'></a><p></p><p style="text-align: center;"><br /></p><p style="text-align: center;"><br /></p><p style="text-align: center;"><span style="font-family: arial;"><span style="color: #ffa400; font-size: x-large;"><span><u><b>Best 5 Short Films</b></u></span></span><br /><br /><span style="font-size: medium;"><i>5</i><br /><b>CONVULSION EXPULSION</b><br />Usama Alshaibi (USA, 2004)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcAYwAiIdzFJ3Dl1VJ08whQQTBp3wIc9ooWCEcPE63XdOlNHFs4PxKwV1RNTVSy-h-EwrQ8J2go3LL0A6KrnO0o5cXXkie86_ur0Hq8CS8vCM_WgpomLvD-0CuAoyD1gIf74oBgak841yUjKRPrmCVwQNyiRHaGfZmtTproJHdvn4Ddwa0JswdtYyI/s520/Convulsion%20Expulsion.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcAYwAiIdzFJ3Dl1VJ08whQQTBp3wIc9ooWCEcPE63XdOlNHFs4PxKwV1RNTVSy-h-EwrQ8J2go3LL0A6KrnO0o5cXXkie86_ur0Hq8CS8vCM_WgpomLvD-0CuAoyD1gIf74oBgak841yUjKRPrmCVwQNyiRHaGfZmtTproJHdvn4Ddwa0JswdtYyI/w400-h231/Convulsion%20Expulsion.jpg" width="400" /></a></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><span style="font-family: arial;"><span style="font-size: medium;"><i></i></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><i>4</i><br /><b>LA BATTAGLIA INCOMPIUTA DI PIRANESI</b><br />Riccardo Vaia, Cristina Pizzamiglio (Italia, 2022)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzQ31MlhgsLLb-fwOMgUAgwJYMuBtlLF8S1rutEz-Wme5C6gCrWi2VoRIYRjmeVITbOUUt55DZaHhYUv2AdlRuQhBwLCg3cWyNYFOBjcn8QvmM0tX5HwNwam2FQOqI9qZt78h53UDxnH7VmfhXUuckcWMfmgwQaHpj2b6mwtkdtp3vWY9gbfpeuWY3/s520/La%20battaglia%20incompiuta.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzQ31MlhgsLLb-fwOMgUAgwJYMuBtlLF8S1rutEz-Wme5C6gCrWi2VoRIYRjmeVITbOUUt55DZaHhYUv2AdlRuQhBwLCg3cWyNYFOBjcn8QvmM0tX5HwNwam2FQOqI9qZt78h53UDxnH7VmfhXUuckcWMfmgwQaHpj2b6mwtkdtp3vWY9gbfpeuWY3/w400-h231/La%20battaglia%20incompiuta.jpg" width="400" /></a><span style="font-family: arial;"><span style="font-size: medium;"> <br /></span></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><span style="font-family: arial;"><span style="font-size: medium;"><i></i></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><i>3</i><br /><b>REPRODUTA INTERDITA</b><br />Egdar Pêra (Portogallo, 1990)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx48VF6vxchEgY6xD1QOBNSHm9niegrQRaCLU8Q8G67JMZuMtvdShd_jc3YUPpWjWSnqYAoucSWiX2bW7nWbjIgIo4xUZxCF7xcjFVNueqz3YjF8xthLaLkMSs4_j2Mx2xH9bo9nYGD23w8_OTc2jlT7Gyz5v3MweSJyvO_aYsxgZcSxf7HYkf3KO-/s520/Reproduta%20Interdita.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx48VF6vxchEgY6xD1QOBNSHm9niegrQRaCLU8Q8G67JMZuMtvdShd_jc3YUPpWjWSnqYAoucSWiX2bW7nWbjIgIo4xUZxCF7xcjFVNueqz3YjF8xthLaLkMSs4_j2Mx2xH9bo9nYGD23w8_OTc2jlT7Gyz5v3MweSJyvO_aYsxgZcSxf7HYkf3KO-/w400-h231/Reproduta%20Interdita.jpg" width="400" /></a><span style="font-family: arial;"><span style="font-size: medium;"> <br /></span></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><span style="font-family: arial;"><span style="font-size: medium;"><i></i></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><i>2</i><br /><b>LE VORTEX MONOPOLAIRE</b><br />Luciano Onetti (Argentina, Francia, 2021)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyVCFxHI8WhPYVP0S3b98n4O0ysYpQTxE6GA8z1vcDlJY-qdsmt1nzBD5mHSsKwdCqjdGCBg_x_lN69GIlDWIXhF7Zvc30jTOvPFcqxAMKIOw6Qj5pKs7ErjfCrkchpvnglaa6oaLh9rCA_-IB9_2AUXvRbjxJV3Q_K2X-StsdiGsvCF6wbwJQUwKX/s520/Le%20Vortex%20Monopolaire.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyVCFxHI8WhPYVP0S3b98n4O0ysYpQTxE6GA8z1vcDlJY-qdsmt1nzBD5mHSsKwdCqjdGCBg_x_lN69GIlDWIXhF7Zvc30jTOvPFcqxAMKIOw6Qj5pKs7ErjfCrkchpvnglaa6oaLh9rCA_-IB9_2AUXvRbjxJV3Q_K2X-StsdiGsvCF6wbwJQUwKX/w400-h231/Le%20Vortex%20Monopolaire.jpg" width="400" /></a></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><span style="font-family: arial;"><span style="font-size: medium;"><i></i></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><i>1</i><br /><b>THE SERMON</b><br />Dean Puckett (UK, 2018)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqcoXKQWhofvxZgFXM7iYXoUVB35OT1NHKHXi9EBd5mruxdqn7O75YjdWLs0HzUEFzbfNFF1HLhMBvgD2jL6TKjuE_9u35BGRZV4pgzrTJVz1tnlM18D7e_Za5Txf-ZiUIhrQejEI3JXx4n495PmK08P9H1AcQLgCs6jasTC4_YldysnVWKil7_LH6/s520/The%20Sermon.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqcoXKQWhofvxZgFXM7iYXoUVB35OT1NHKHXi9EBd5mruxdqn7O75YjdWLs0HzUEFzbfNFF1HLhMBvgD2jL6TKjuE_9u35BGRZV4pgzrTJVz1tnlM18D7e_Za5Txf-ZiUIhrQejEI3JXx4n495PmK08P9H1AcQLgCs6jasTC4_YldysnVWKil7_LH6/w400-h231/The%20Sermon.jpg" width="400" /></a><span style="font-family: arial;"><span style="font-size: medium;"> <br /></span></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><span style="font-family: arial;"><span style="font-size: medium;"><i></i></span></span><p></p><p></p><p style="text-align: center;"><span style="font-family: arial;">____________________________________________________________<br /><u><b><br /><span style="color: #990000; font-size: x-large;"><span>Menzioni Speciali</span></span></b></u><br /><br /><span style="font-size: medium;"><span style="color: #990000; font-size: large;"><i><u><b>CultZone (Speciale Folk-Horror)</b></u></i></span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b> BLOOD ON SATAN’S CLAW</b> <br />Piers Haggard (UK, 1971)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhm34xNkWCxavm93jepB04szgry95h3HYV6OUuuTnX3xaOom043ZZzWYBmGfOM-B6fMCIm7bmCctUNEZhCILOWTrzs6Mp6AbHalpbFkdWxIMZGMZxgoUw5mlJwwZYDZD-b7sa1TPyPi17VApfni22CZf6zLj3BjPakQFPSrvXWQNo4qn7iRxA7PpgaZ/s520/Blood%20on%20Satan's%20Claw.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhm34xNkWCxavm93jepB04szgry95h3HYV6OUuuTnX3xaOom043ZZzWYBmGfOM-B6fMCIm7bmCctUNEZhCILOWTrzs6Mp6AbHalpbFkdWxIMZGMZxgoUw5mlJwwZYDZD-b7sa1TPyPi17VApfni22CZf6zLj3BjPakQFPSrvXWQNo4qn7iRxA7PpgaZ/w400-h231/Blood%20on%20Satan's%20Claw.jpg" width="400" /></a></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>LEPTIRICA</b><br />Djordje Kadijevic (Jugoslavia, 1973)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5EYXnPkb_6Uopy1dCjHSWKDdcBpt_16vb3jdH-qKNQd-t1noiNtBcJMdeuqv2xBbwPHudy_qNQGXhu8uOKy6-zKNRXM4N2FDYGLFm93ebuIVjcldHrHG6J3FEDRDJFwnKWmDPcmAq26_VfeLpwuKucbCfjjGnilNxCUjtOSWwARZeW2frDSWoPVxT/s520/Leptirica.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5EYXnPkb_6Uopy1dCjHSWKDdcBpt_16vb3jdH-qKNQd-t1noiNtBcJMdeuqv2xBbwPHudy_qNQGXhu8uOKy6-zKNRXM4N2FDYGLFm93ebuIVjcldHrHG6J3FEDRDJFwnKWmDPcmAq26_VfeLpwuKucbCfjjGnilNxCUjtOSWwARZeW2frDSWoPVxT/w400-h231/Leptirica.jpg" width="400" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><div><div style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>WOODLANDS DARK AND DAYS BEWITCHED: A HISTORY OF FOLK HORROR</b></span></span></div><div style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;">Kier-La Janisse (USA, 2021)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"> </span></span></div><div style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOAQ_LSOGUd_qv_dkOKUT2H1WFIXsrH-dKrogOc6x7dGbMVF-KAqa7KeRpf1wO5IASMh5_xHFEyd6Js0Rh_dglSKOPSFzEABSvLtowPM1zkkGCv15BgKzh0hMz21fa9Pbxy_N8EjDUwpPfd-z2D93Q1s6igCMILCXeXPxTk6BrNfkwdY5oYQ7plIWa/s520/Woodland.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOAQ_LSOGUd_qv_dkOKUT2H1WFIXsrH-dKrogOc6x7dGbMVF-KAqa7KeRpf1wO5IASMh5_xHFEyd6Js0Rh_dglSKOPSFzEABSvLtowPM1zkkGCv15BgKzh0hMz21fa9Pbxy_N8EjDUwpPfd-z2D93Q1s6igCMILCXeXPxTk6BrNfkwdY5oYQ7plIWa/w400-h231/Woodland.jpg" width="400" /></a><span style="font-family: arial;"><span style="font-size: medium;"> <br /></span></span></div></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="color: #990000; font-size: large;"><i><u><b>Documentary</b></u></i></span><br /><br /><b>THE VELVET UNDERGROUND</b><br />Todd Haynes (USA, 2021)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsf08zrScW0UwyISojrJI7us5u1dJSGLzgTOo94ZvYvKEIGT8ER7Ts6JABA-io8YsPjpQKl5b0UXGDdt--FosLB17_mNKFB106vsZCVkyA15Zm7BNtqcIy-IqUkgvOqKwXuQ05R57-N2fNaeFN-lPiLikhVVXumDV5NFUcKdEhnoAtpnDXsWqT7GI_/s520/The%20Velvet%20Underground.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsf08zrScW0UwyISojrJI7us5u1dJSGLzgTOo94ZvYvKEIGT8ER7Ts6JABA-io8YsPjpQKl5b0UXGDdt--FosLB17_mNKFB106vsZCVkyA15Zm7BNtqcIy-IqUkgvOqKwXuQ05R57-N2fNaeFN-lPiLikhVVXumDV5NFUcKdEhnoAtpnDXsWqT7GI_/w400-h231/The%20Velvet%20Underground.jpg" width="400" /></a></span></span></div><p></p></div><div><div style="text-align: center;"><span style="font-family: arial; font-size: large;"><span><i><span style="color: #990000;"><u><b>Cult Classic Rewatch</b></u></span></i></span></span><br /><br /><span style="font-family: arial;"><span style="font-size: medium;"><b>LA STREGA IN AMORE</b></span></span><br /><span style="font-family: arial;"><span style="font-size: medium;">Damiano Damiani (Italia, 1966)</span></span></div><p></p><span style="font-family: arial;"></span><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF6ym7l4-C1CvlxQrbTdIkHOI-XvpbuT87Bokd4vYx8qW83QwdnGXYLnEYi8fr9mpCRFCbUw18AtTz9iaSV1E4rl-AmnoW2XnvG6HgMzBV79YMdXY3uPqHGJnU38R1dc_vvvLK_FG-n4gHivFEq0ijlGX4PrVIcNPRMGfWYU-MDcuhf5RLC-RsZium/s520/La%20strega%20in%20amore.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF6ym7l4-C1CvlxQrbTdIkHOI-XvpbuT87Bokd4vYx8qW83QwdnGXYLnEYi8fr9mpCRFCbUw18AtTz9iaSV1E4rl-AmnoW2XnvG6HgMzBV79YMdXY3uPqHGJnU38R1dc_vvvLK_FG-n4gHivFEq0ijlGX4PrVIcNPRMGfWYU-MDcuhf5RLC-RsZium/w400-h231/La%20strega%20in%20amore.jpg" width="400" /></a><span style="font-family: arial;"><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span></span><br /></div></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>A WOMAN UNDER THE INFLUENCE</b><br />John Cassavetes (USA, 1974)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5eKi8I-fQ2WIk1IgRVJcm6gEg8x9SQd_7_8W87S7MiGcnX5DRmW3YHu2ohC4n4p_QrOhHgFjWlvQHN0avpKGmtLNSzicag1FLpokEY9oxvRFs0139sN7vPb7QCEpdNZt2jQsjiFK74NksiMJQZs0u9Vu31Ax4xAjqxIsQ5HIyGQvC9Erek7l_LT1P/s520/A%20Woman%20Under.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5eKi8I-fQ2WIk1IgRVJcm6gEg8x9SQd_7_8W87S7MiGcnX5DRmW3YHu2ohC4n4p_QrOhHgFjWlvQHN0avpKGmtLNSzicag1FLpokEY9oxvRFs0139sN7vPb7QCEpdNZt2jQsjiFK74NksiMJQZs0u9Vu31Ax4xAjqxIsQ5HIyGQvC9Erek7l_LT1P/w400-h231/A%20Woman%20Under.jpg" width="400" /></a><span style="font-family: arial;"><span style="font-size: medium;"> <br /></span></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>IL DECAMERON</b><br />Pier Paolo Pasolini (Italia, Francia, 1971)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhavZ6MXTM58yFZ5H4wov3jcFjDq7b6UW-kmop_bxV08xBzMsm27eyRidTct1EUECDqLswYAeb5eAuxVNSFzFMZpqwNEUMghkOlvsmxMKaC1p7tQYLvtHMOSw6cA-8uqt_3wanxabAFQqvf-qR4iFC3-5WnbEKb6OuQFyOigqNaWkHgobYxTp2wXgDw/s520/Il%20Decameron.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhavZ6MXTM58yFZ5H4wov3jcFjDq7b6UW-kmop_bxV08xBzMsm27eyRidTct1EUECDqLswYAeb5eAuxVNSFzFMZpqwNEUMghkOlvsmxMKaC1p7tQYLvtHMOSw6cA-8uqt_3wanxabAFQqvf-qR4iFC3-5WnbEKb6OuQFyOigqNaWkHgobYxTp2wXgDw/w400-h231/Il%20Decameron.jpg" width="400" /></a><span style="font-family: arial;"><span style="font-size: medium;"> <br /></span></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>THE ADDICTION</b><br />Abel Ferrara (USA, 1995)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4PXeZ-ozt8-pxPIss7CgMUS28SZaUu7clxOD_PWi_hnnubZaJ-l-vqlBVJPrLCtRkUr3ywDBuqyVl3LIn3OxCcnC7IuCxmmcMH7YWcoKQApiDuLlBNWE0Jy0slPbkGRuZPUNtHyCQe6OUNqSjmMo1qCQJhYazGkXRgKtHzz5SSts-I__0KC4ulEp2/s520/The%20Addiction.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4PXeZ-ozt8-pxPIss7CgMUS28SZaUu7clxOD_PWi_hnnubZaJ-l-vqlBVJPrLCtRkUr3ywDBuqyVl3LIn3OxCcnC7IuCxmmcMH7YWcoKQApiDuLlBNWE0Jy0slPbkGRuZPUNtHyCQe6OUNqSjmMo1qCQJhYazGkXRgKtHzz5SSts-I__0KC4ulEp2/w400-h231/The%20Addiction.jpg" width="400" /></a><span style="font-family: arial;"><span style="font-size: medium;"> <br /></span></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>LA ROSE DE FER</b><br />Jean Rollin (Francia, 1973)</span></span><span style="font-family: arial;"><span style="font-size: medium;"> </span></span><span style="font-family: arial;"><span style="font-size: medium;"> </span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV5BfBT6Q02l7_Xm_TkeIGj5u0w2jyZ6DGwduIy2XLQR49HKm5rk_pFpvZfA0aAYQF6DNAHJ5dIEIwos2L9L1E7mFAki_TmU3DuCG0GG6kv9oRsgKAhbkxCcdHRTfi6J13FEh-3JHC8hCoP1nayr-M5jvzj4jGoK_IcPkEFZ0QytzBvLgklACDRvxw/s520/La%20Rode%20de%20Fer.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV5BfBT6Q02l7_Xm_TkeIGj5u0w2jyZ6DGwduIy2XLQR49HKm5rk_pFpvZfA0aAYQF6DNAHJ5dIEIwos2L9L1E7mFAki_TmU3DuCG0GG6kv9oRsgKAhbkxCcdHRTfi6J13FEh-3JHC8hCoP1nayr-M5jvzj4jGoK_IcPkEFZ0QytzBvLgklACDRvxw/w400-h231/La%20Rode%20de%20Fer.jpg" width="400" /></a></div></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;">________________________________________________________<br /><br /><span style="color: #3d85c6; font-size: x-large;"><span><u><b>Best 25 Feature Films</b></u></span></span><br /><br /><span style="font-size: medium;"><b>VESPER</b><br />Kristina Buožytė, Bruno Samper (Lituania, Francia, 2022)<b></b></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJB_e03hw2jVhplQYmUWQIy5xdR8M-Un0Lsm6I3eN3NHr3OESJqgkcweRtMFzlfenKbQ104k1C3CRC-4grlW7__44kuMAIWNgGLv1_gXOPfSfA2QIXcfFvhECggjVrCCg1KgWSIQ9IR66jCWe424POWdlopFXtRkHJC9OMjpf7s5AuYjpQSq4houZb/s520/Vesper.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJB_e03hw2jVhplQYmUWQIy5xdR8M-Un0Lsm6I3eN3NHr3OESJqgkcweRtMFzlfenKbQ104k1C3CRC-4grlW7__44kuMAIWNgGLv1_gXOPfSfA2QIXcfFvhECggjVrCCg1KgWSIQ9IR66jCWe424POWdlopFXtRkHJC9OMjpf7s5AuYjpQSq4houZb/w400-h231/Vesper.jpg" width="400" /></a><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span></span></span><br /></div></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>NEEDLY BOY</b><br />Alexander Bak Sagmo (Danimarca, 2016)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGQEuMOadfgrX_4epDpI-X-FgJ46gqIGPnF7WFQYNpRP7D0D9BcZ8jLHHi5_tLM2yf_CulOdUOGrwazF0thX7ffxaxBsxpkMpv6HXd8zAlmxO3wZMHNQpm0XiGP9b660XDLcsZJW9ui39nctrNsclVPotlabl2s26J9kDZIHJcwiROik_jwP847lPl/s520/Needly%20Boy.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGQEuMOadfgrX_4epDpI-X-FgJ46gqIGPnF7WFQYNpRP7D0D9BcZ8jLHHi5_tLM2yf_CulOdUOGrwazF0thX7ffxaxBsxpkMpv6HXd8zAlmxO3wZMHNQpm0XiGP9b660XDLcsZJW9ui39nctrNsclVPotlabl2s26J9kDZIHJcwiROik_jwP847lPl/w400-h231/Needly%20Boy.jpg" width="400" /></a><span style="font-family: arial;"><span style="font-size: medium;"> <br /></span></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><span style="font-family: arial;"><span style="font-size: medium;"><b></b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>MATTHIAS & MAXIME</b><br />Xavier Dolan (Canada, 2019)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN7NdmxDV0DpUUJmlAvi9-jSENLQb5EvjjWW7eYzx6ZFuj-lxQgq_t8dVSlKa4Ht5_To5BobWfiWW1UmqLQrV-ZgiA-Haq38l7VxyAMHl4AiVtuap3ODxwDIZqaeBs2rKb54wfI7m8UJNq2hcPNB8AWjhwTTHEpB7410zWTp-6GczQrJNJ2mk3FjoA/s520/Matthias%20&%20Maxime.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN7NdmxDV0DpUUJmlAvi9-jSENLQb5EvjjWW7eYzx6ZFuj-lxQgq_t8dVSlKa4Ht5_To5BobWfiWW1UmqLQrV-ZgiA-Haq38l7VxyAMHl4AiVtuap3ODxwDIZqaeBs2rKb54wfI7m8UJNq2hcPNB8AWjhwTTHEpB7410zWTp-6GczQrJNJ2mk3FjoA/w400-h231/Matthias%20&%20Maxime.jpg" width="400" /></a></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b> RESURRECTION</b><br />Andrew Semans (USA, 2022) </span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4mwc_s2ydEogECWL2dPjHRfuuSo5fn1XcI22F4yboQDJZWB4hFX7hrTGmdQQQGeUebAob4nSxs1ubQAZKM8hnSfxv4r6PbmVWoUmcKJVIIuBSHF2WVIQAg3eH6E7V1t87EcXBz2keolPrl9zr1EG3q2NBz0EPVMNxDR1CY5S4AmqLGC7vlXyHz8EB/s520/Resurrection.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4mwc_s2ydEogECWL2dPjHRfuuSo5fn1XcI22F4yboQDJZWB4hFX7hrTGmdQQQGeUebAob4nSxs1ubQAZKM8hnSfxv4r6PbmVWoUmcKJVIIuBSHF2WVIQAg3eH6E7V1t87EcXBz2keolPrl9zr1EG3q2NBz0EPVMNxDR1CY5S4AmqLGC7vlXyHz8EB/w400-h231/Resurrection.jpg" width="400" /></a><span style="font-family: arial;"><span style="font-size: medium;"> <br /></span></span></span></span></div><p></p><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>OTVORENA (OPEN WOUND)</b><br />Momir Milošević (Serbia, 2016)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-X9lIEXtJc4ofWYNX4R_9yTSLGI3eT_IW-xfW9o54_81AJX4yIRQD4vprl_QeLfiWkNMMhdJUkiWrckWP58aoeWedT3hB2llali4rBlwlrU14AQF0PRUWO4hAUWgDXrc_iUhdik4rEwNqxATq1tpfa8HkDfnc3Z7TR474qkwHRNj4XKKyppaXwSIQ/s520/Otvorena.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-X9lIEXtJc4ofWYNX4R_9yTSLGI3eT_IW-xfW9o54_81AJX4yIRQD4vprl_QeLfiWkNMMhdJUkiWrckWP58aoeWedT3hB2llali4rBlwlrU14AQF0PRUWO4hAUWgDXrc_iUhdik4rEwNqxATq1tpfa8HkDfnc3Z7TR474qkwHRNj4XKKyppaXwSIQ/w400-h231/Otvorena.jpg" width="400" /></a></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>BLONDE</b><br />Andrew Dominik (USA, 2022)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj20ECnGiyw9fooe8USO88d9gVwssMUJRH9utGTC6nlbifVrZZWbsffjA39gLg8lvbMGA8dv-TA3T7SmCbBZzSBdvK3H32Xeq1KYgixqrZf-5bv4F5DcrkR4oG9bHKwdG0z1FK3bzc1h2xb7B3zeYZl7xLI_t-OOMQ2zbTWvUGpQwXJYtReX3HkTqth/s520/Blonde.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj20ECnGiyw9fooe8USO88d9gVwssMUJRH9utGTC6nlbifVrZZWbsffjA39gLg8lvbMGA8dv-TA3T7SmCbBZzSBdvK3H32Xeq1KYgixqrZf-5bv4F5DcrkR4oG9bHKwdG0z1FK3bzc1h2xb7B3zeYZl7xLI_t-OOMQ2zbTWvUGpQwXJYtReX3HkTqth/w400-h231/Blonde.jpg" width="400" /></a></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b></b></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>PLEASURE</b><br />Ninja Thyberg (Svezia, Olanda, 2021)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJfl2eSqnsmi98TSkbASiBq--dcCmQchB26XhaUAhES9VUckui75BGGhnrZ-qYt6up5iYfxkveau1QEAVWPbEc_NLnHQNhyP4HeQFQuWoaV3SQ-UFDolDvGGI9Zy5EfLjRfjrzOGRaRCug7BiXcMsNY_lpzu5D9T6LtRfnCP8k5Nas27pg3ry8IEr_/s520/Pleasure.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJfl2eSqnsmi98TSkbASiBq--dcCmQchB26XhaUAhES9VUckui75BGGhnrZ-qYt6up5iYfxkveau1QEAVWPbEc_NLnHQNhyP4HeQFQuWoaV3SQ-UFDolDvGGI9Zy5EfLjRfjrzOGRaRCug7BiXcMsNY_lpzu5D9T6LtRfnCP8k5Nas27pg3ry8IEr_/w400-h231/Pleasure.jpg" width="400" /></a><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><br /></div></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>X: A SEXY HORROR STORY</b><br />Ti West (USA, 2022)<b></b></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgQvRc27tGm-BPlNX_lgFwvjOTgxthzm-nkMuRaKc8opPvTqcd2OQC3jGJIJCjZqZkHYxhNTD9wrt12P454MyembdQez3n4uGYV71w8tkOiaJReFl-OLVpL6syiwqhUZ3hpaKuhOwAE6m-GLJk8yPlE0FNMdpws2bqmrAzFUBkRcr2rKDNRn8djUA2/s520/X%20(A%20sexy%20horror%20story).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgQvRc27tGm-BPlNX_lgFwvjOTgxthzm-nkMuRaKc8opPvTqcd2OQC3jGJIJCjZqZkHYxhNTD9wrt12P454MyembdQez3n4uGYV71w8tkOiaJReFl-OLVpL6syiwqhUZ3hpaKuhOwAE6m-GLJk8yPlE0FNMdpws2bqmrAzFUBkRcr2rKDNRn8djUA2/w400-h231/X%20(A%20sexy%20horror%20story).jpg" width="400" /></a><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><br /></div></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>INEXORABLE</b><br />Fabrice Du Welz (Francia, Belgio, 2021)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixOk76PUmOk_slHm4KajAKHtJhhvOqUPrKCRC4cCrTsab90AfA5QIZ4fEWl6O_wtXHojk3uhgbgSfIATEJ-wEkbgy1lklAnSrUxeA2rXZN3iDqjvvLALGiAPwwJ4I-8D8GIgrgaC6HKMSN8ac8PFr9eBa_o6SklcpBeY-7L98n3aBOEHRpzjje5bYD/s520/Inexorable.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixOk76PUmOk_slHm4KajAKHtJhhvOqUPrKCRC4cCrTsab90AfA5QIZ4fEWl6O_wtXHojk3uhgbgSfIATEJ-wEkbgy1lklAnSrUxeA2rXZN3iDqjvvLALGiAPwwJ4I-8D8GIgrgaC6HKMSN8ac8PFr9eBa_o6SklcpBeY-7L98n3aBOEHRpzjje5bYD/w400-h231/Inexorable.jpg" width="400" /></a></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>SUNDOWN</b><br />Michel Franco (Messico, Francia, 2021)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsbDwoqiIV8bb-ZPETrIS_KrSrS528_Q94gbbiKS71qsqw-UJkqCTKBRFPizz5jZiYrrWvGdN1vgBLB7jGzBE7C7p1DF5GufDyJ9Krq9q9DV-K6qsQY-i88i1nHao1vwGFdb62lEPQwQnSMHjl8Kwywx2euC5TnIlbfh9KtiIBrdkqvZPgDuvfbo0e/s520/Sundown.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsbDwoqiIV8bb-ZPETrIS_KrSrS528_Q94gbbiKS71qsqw-UJkqCTKBRFPizz5jZiYrrWvGdN1vgBLB7jGzBE7C7p1DF5GufDyJ9Krq9q9DV-K6qsQY-i88i1nHao1vwGFdb62lEPQwQnSMHjl8Kwywx2euC5TnIlbfh9KtiIBrdkqvZPgDuvfbo0e/w400-h231/Sundown.jpg" width="400" /></a></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p></div><div style="text-align: left;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>THE FRENCH DISPATCH</b><br />Wes Anderson (USA, Germania, 2021)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmG-v5HD4INQB7S7rxNrOZjjMuSsgOaWY3POWrxC4exkpFX-U5mX1q36XmUYBWhD-0toowgR6eJiumzCDXu0AEUIIZ2OdgkTm79ghLJVcGzfx9cThbusp7iATdvs_xBOkNDFbGSs-YHIJVSsee2B88ZUA-JgxaEQqjAiQjbd8sGhZ7GfASQvJo4dKb/s520/The%20French%20Dispatch.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmG-v5HD4INQB7S7rxNrOZjjMuSsgOaWY3POWrxC4exkpFX-U5mX1q36XmUYBWhD-0toowgR6eJiumzCDXu0AEUIIZ2OdgkTm79ghLJVcGzfx9cThbusp7iATdvs_xBOkNDFbGSs-YHIJVSsee2B88ZUA-JgxaEQqjAiQjbd8sGhZ7GfASQvJo4dKb/w400-h231/The%20French%20Dispatch.jpg" width="400" /></a></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>SPEAK NO EVIL (Gæsterne)</b><br />Christian Tafdrup (Danimarca, Olanda, 2022)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL-uiYeMw2uZSrSfnw6ExuRLGqwNebCqI2i-5DlRB8zPWdttd5IxnRFypDsOTArIJPO9lnZEP_s8jUZdDLPUh2FL3_fWh3F34ZoRnJqYkVp0B6qo4kenQ0V9YbHswvKVtats2oEcgpp2_A7jncTcanXxevXWMGtAv0ezAFuLFvk0yVwMrtCGp3vZgm/s520/Speak%20no%20Evil.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL-uiYeMw2uZSrSfnw6ExuRLGqwNebCqI2i-5DlRB8zPWdttd5IxnRFypDsOTArIJPO9lnZEP_s8jUZdDLPUh2FL3_fWh3F34ZoRnJqYkVp0B6qo4kenQ0V9YbHswvKVtats2oEcgpp2_A7jncTcanXxevXWMGtAv0ezAFuLFvk0yVwMrtCGp3vZgm/w400-h231/Speak%20no%20Evil.jpg" width="400" /></a></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>CENSOR</b><br />Prano Bailey-Bond (UK, 2021)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig3QN0AzYmmWDR3dhRi4KwT98mgN7YP9AvCpO7Leq0Tzw6s8xoO1yJ7gy-Pu2036z7p109lbpIUrTC8TkFOpZSPsw_1yaHKjy2lyM3sh_k97u2QuXe6DuMHBm5gcTdp8aUNQ5c7NacUQidlwhgQ3LZlU-kRq2TPlTpQkJRH-FhiWQCTofSFpGseTUO/s520/Censor.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig3QN0AzYmmWDR3dhRi4KwT98mgN7YP9AvCpO7Leq0Tzw6s8xoO1yJ7gy-Pu2036z7p109lbpIUrTC8TkFOpZSPsw_1yaHKjy2lyM3sh_k97u2QuXe6DuMHBm5gcTdp8aUNQ5c7NacUQidlwhgQ3LZlU-kRq2TPlTpQkJRH-FhiWQCTofSFpGseTUO/w400-h231/Censor.jpg" width="400" /></a><span style="font-family: arial;"><span style="font-size: medium;"> <br /></span></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>THE INNOCENTS (De uskyldige)</b><br />Eskil Vogt (Norvegia, Svezia, 2021)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcKsrtXVblq26i3-bTel4CH0KalL9NGNOSDo2B0GoUZMhtZube6iwxeKjLDj3m4WSlgzuaJpHwq4W_fHu9c_AtWRs2MC0U37vz8kHpnY1h56RhWtq79B28PP7zyS2eGWNSjTr3O800tSrXzxVdHy2Wh0SvkC4qmeUaStix6AJ40LzvAiCsKQsfNn-r/s520/The%20Innocents.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcKsrtXVblq26i3-bTel4CH0KalL9NGNOSDo2B0GoUZMhtZube6iwxeKjLDj3m4WSlgzuaJpHwq4W_fHu9c_AtWRs2MC0U37vz8kHpnY1h56RhWtq79B28PP7zyS2eGWNSjTr3O800tSrXzxVdHy2Wh0SvkC4qmeUaStix6AJ40LzvAiCsKQsfNn-r/w400-h231/The%20Innocents.jpg" width="400" /></a><span style="font-family: arial;"><span style="font-size: medium;"> <br /></span></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>VIVARIUM</b><br />Lorcan Finnegan (Irlanda, Belgio, 2019)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX9Med7e0hg_rq_GJDlvSAFrhtQ8GWo2yzSDDXlQ5vm6PwVMYzsRBJa2U8UlwlMb9RkzL1VNAY5Dp_4NMW4qKV-SCZ5ivzIqNz36ULx5eShLWeWtyv-KfQMvC_cqbm8RikZyJ0_1kdnKjFwBQ-skOwttq8hch0z3X9b5ZF16xyEoDhMxSCMijsR94b/s520/Vivarium.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX9Med7e0hg_rq_GJDlvSAFrhtQ8GWo2yzSDDXlQ5vm6PwVMYzsRBJa2U8UlwlMb9RkzL1VNAY5Dp_4NMW4qKV-SCZ5ivzIqNz36ULx5eShLWeWtyv-KfQMvC_cqbm8RikZyJ0_1kdnKjFwBQ-skOwttq8hch0z3X9b5ZF16xyEoDhMxSCMijsR94b/w400-h231/Vivarium.jpg" width="400" /></a></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: x-large;"><span style="color: #3d85c6;"><u><b>TOP 10</b></u></span></span><br /><br /><span style="font-size: large;"><i>10</i><br /><b>PEARL</b><br />Ti West (USA, 2022)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzuV0qMLQS6DgvS6KaRMbvFM6btXIboqEm8M979LkNZZQt4qqSg-0th1WVTkcEscmCoYJ8JwmprUp8cZqirPyExwHExZ--ApxyCKycdCA8n3zACX6uo5Et-TpF6eb8Jl56Eui_uxVYBepSi1uMO-8xpp49QSzQnAQ8fLJ5ZXtFm-m-pIQLbEXHwBg0/s520/Pearl.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzuV0qMLQS6DgvS6KaRMbvFM6btXIboqEm8M979LkNZZQt4qqSg-0th1WVTkcEscmCoYJ8JwmprUp8cZqirPyExwHExZ--ApxyCKycdCA8n3zACX6uo5Et-TpF6eb8Jl56Eui_uxVYBepSi1uMO-8xpp49QSzQnAQ8fLJ5ZXtFm-m-pIQLbEXHwBg0/s16000/Pearl.jpg" /></a></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>9</i><br /><b>SPENCER</b><br />Pablo Larrain (UK, Germania, 2021)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOCDyIvMGNTXDq5Ew38p3QzvaJSi0-ZkBw1pGjmjjVyIDPNwBG-Dwg0NKT7PrTznzVtaM2GN9GALEjT2s7HcwiPQcaVWrKz7Lt3MfPqr2eBJeE3DoMiLbiZ6yOck5C-uIf76j_YykQRoAPKFUasC6ala-PWxLvTJnVLSZY7CFH7ecPSNLuVko-ystW/s520/Spencer.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOCDyIvMGNTXDq5Ew38p3QzvaJSi0-ZkBw1pGjmjjVyIDPNwBG-Dwg0NKT7PrTznzVtaM2GN9GALEjT2s7HcwiPQcaVWrKz7Lt3MfPqr2eBJeE3DoMiLbiZ6yOck5C-uIf76j_YykQRoAPKFUasC6ala-PWxLvTJnVLSZY7CFH7ecPSNLuVko-ystW/s16000/Spencer.jpg" /></a></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>8</i> <br /><b>CLARA SOLA</b><br />Nathalie Álvarez Mesén (Costa Rica, 2021)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU-aRuHHFiEhaEfCqLhI3lp2fl9-35gtXs6lIsYsxczhlGrygSj1BOiA5gjDA5Ei39QID3_VXfqYlplMm1N5jrqyllv2kJFcUF2BClTjV-2mt8Fkr-BppcERO4TRf7J3pcM2-Yhl3aGB1ymYYXMg_BFcAK3C9dgsHR01cuFOOuWc6_shiZMrGD8eT2/s520/Clara%20Sola.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU-aRuHHFiEhaEfCqLhI3lp2fl9-35gtXs6lIsYsxczhlGrygSj1BOiA5gjDA5Ei39QID3_VXfqYlplMm1N5jrqyllv2kJFcUF2BClTjV-2mt8Fkr-BppcERO4TRf7J3pcM2-Yhl3aGB1ymYYXMg_BFcAK3C9dgsHR01cuFOOuWc6_shiZMrGD8eT2/s16000/Clara%20Sola.jpg" /></a></span></span></span></div></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>7</i><br /><b>LADY MACBETH</b><br />William Oldroyd (UK, 2016)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAGWUmm86uevIcjyVfUE8XNFIJ46-QRI7MEzx_PVaS3V09PEEMJ_p45JEHzdx7DwCeXzRxBShsN0QkgWzYhlM7YoJzPm7jC3GRqljR4bsYwXS0HyNt7BZ1va4BXOAYrGa-_rab_kX6ldVa-G2w9rVxCvsuMSLhURxeYGq3nvcapcMwKHIZGqxArybe/s520/Lady%20Macbeth.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAGWUmm86uevIcjyVfUE8XNFIJ46-QRI7MEzx_PVaS3V09PEEMJ_p45JEHzdx7DwCeXzRxBShsN0QkgWzYhlM7YoJzPm7jC3GRqljR4bsYwXS0HyNt7BZ1va4BXOAYrGa-_rab_kX6ldVa-G2w9rVxCvsuMSLhURxeYGq3nvcapcMwKHIZGqxArybe/s16000/Lady%20Macbeth.jpg" /></a></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>6</i><br /><b>CRIMES OF THE FUTURE</b><br />David Cronenberg (Canada, Grecia, 2022)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgedd0r496MgS8sFgWG7uBX8Q8GyxICyluuSm4i5RWNTqHbZn0xVBgInhT1S_VUEUnq_SaMw3rJ1XO_VrxDetafvmrG7NxHz0awpwV7immd0s2NuH7UjbCTv7WGfhMvO0QJvstjSxkvNqqScKX0byE9aJMv7ZkLXYvWSaKA2Q0jpWCbzhSi6xMnq4Ni/s520/Crimes%20of%20the%20Future.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgedd0r496MgS8sFgWG7uBX8Q8GyxICyluuSm4i5RWNTqHbZn0xVBgInhT1S_VUEUnq_SaMw3rJ1XO_VrxDetafvmrG7NxHz0awpwV7immd0s2NuH7UjbCTv7WGfhMvO0QJvstjSxkvNqqScKX0byE9aJMv7ZkLXYvWSaKA2Q0jpWCbzhSi6xMnq4Ni/s16000/Crimes%20of%20the%20Future.jpg" /></a></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>5</i><br /><b>BONES AND ALL</b><br />Luca Guadagnino (USA, Italia, 2022)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkmSUMZOjy5ZFsidGi2yGxp0MFXJ1M4xsUrIWPHBVlmktON7nqKshyciLEptL5JPsEW0tNTZtRslGMBVXRsAJRQgORhPg_62fstGEpochH0EyMFS-7TY-whJmvqZ10oK6b7QhQzWID0fa7dXdW8xgLOo7wOMWpFvlZZpH3DSPYYObtwUcF1M3Ngbc-/s520/Bones%20and%20all.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkmSUMZOjy5ZFsidGi2yGxp0MFXJ1M4xsUrIWPHBVlmktON7nqKshyciLEptL5JPsEW0tNTZtRslGMBVXRsAJRQgORhPg_62fstGEpochH0EyMFS-7TY-whJmvqZ10oK6b7QhQzWID0fa7dXdW8xgLOo7wOMWpFvlZZpH3DSPYYObtwUcF1M3Ngbc-/s16000/Bones%20and%20all.jpg" /></a></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>4</i><br /><b>VORTEX</b><br />Gaspar Noé (Francia, Belgio, 2021)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp3xXU4k7oPZzGxKMKZtrdSGCPB6undQzQjuLgFoI1bHST2_h4__ZxzO3EIzJpznAj0yYtE8vTqkO4OPb-Aw_2N_i4OnhLz-1Oeo4f0A9rW5b-vRXsk0rgJkGNZX-x1pZ9jsb2HiH370yXpAcdk2o0Ocy8IZSh4Dlxlhhc0n-iJFiHbFPJMPWwImLE/s520/Vortex.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp3xXU4k7oPZzGxKMKZtrdSGCPB6undQzQjuLgFoI1bHST2_h4__ZxzO3EIzJpznAj0yYtE8vTqkO4OPb-Aw_2N_i4OnhLz-1Oeo4f0A9rW5b-vRXsk0rgJkGNZX-x1pZ9jsb2HiH370yXpAcdk2o0Ocy8IZSh4Dlxlhhc0n-iJFiHbFPJMPWwImLE/s16000/Vortex.jpg" /></a></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>3</i><br /><b>MEN</b><br />Alex Garland (UK, 2022)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv_ZybE_EPk37fpr4Q5x2__GN9OUTeTprV7GRgit8PAG9a9M01abnzM7IoJbhGx0IrItMu4_QkKZIDXSJ9gSldDRpMN6zZZSSxcrZK8FjnNL6ULJCiE1BaiI6tZ8OqdiLK-bY-oMrlbGNOB-9VSZe7LnvK-phfhtUIhUI_o62dKLImSmn7yTyA0OKh/s520/Men.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv_ZybE_EPk37fpr4Q5x2__GN9OUTeTprV7GRgit8PAG9a9M01abnzM7IoJbhGx0IrItMu4_QkKZIDXSJ9gSldDRpMN6zZZSSxcrZK8FjnNL6ULJCiE1BaiI6tZ8OqdiLK-bY-oMrlbGNOB-9VSZe7LnvK-phfhtUIhUI_o62dKLImSmn7yTyA0OKh/s16000/Men.jpg" /></a></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>2</i><br /><b>NIGHTSIREN (SVETLONOC)</b><br />Tereza Nvotová (Slovacchia, Repubblica Ceca, 2022)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsZ2xxlBkppII843796igp73sdh9ZuKiNI9arYy0KkGfMv62pjlVOY67i82Hbt0-bwmQQQr-cGh-V38H20tKkOm-4CjbB_SiA23sghfg7ioSYsEuxWuPZfE2ZHHUK_LOJQLuHhj5WusCbYdlfIjUFVyn4EgEXLV2nFpxJZxdiCwfOOS8ovjo9x-vvN/s520/Nightsiren.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsZ2xxlBkppII843796igp73sdh9ZuKiNI9arYy0KkGfMv62pjlVOY67i82Hbt0-bwmQQQr-cGh-V38H20tKkOm-4CjbB_SiA23sghfg7ioSYsEuxWuPZfE2ZHHUK_LOJQLuHhj5WusCbYdlfIjUFVyn4EgEXLV2nFpxJZxdiCwfOOS8ovjo9x-vvN/s16000/Nightsiren.jpg" /></a></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>1</i><br /><b>EARWIG</b><br />Lucile Hadžihalilović (UK, Francia, Belgio, 2021)</span></span></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiojmeQ52Yi507tOq-7o-v_4PvxC1N13AkoUVUNL1QiJsC6WvWkXADw3TXGAYCp1S57cIkgpYTrvBmxJdhf3Di9lbN7J8bOufvua2Bx0hbdtp8jJfBwtZp7KawjZ9S9qssUBgaxWbWLObzCjKFSWmbBY3oTDBgcP1gnIMOpyzNJfqzFbumOXG6lGne0/s520/Earwig.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiojmeQ52Yi507tOq-7o-v_4PvxC1N13AkoUVUNL1QiJsC6WvWkXADw3TXGAYCp1S57cIkgpYTrvBmxJdhf3Di9lbN7J8bOufvua2Bx0hbdtp8jJfBwtZp7KawjZ9S9qssUBgaxWbWLObzCjKFSWmbBY3oTDBgcP1gnIMOpyzNJfqzFbumOXG6lGne0/s16000/Earwig.jpg" /></a></div>ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com6tag:blogger.com,1999:blog-3124748050714619465.post-73297128163323994402021-12-31T17:36:00.000+01:002021-12-31T17:36:37.279+01:00Resoconti VIS #21: Feature and Short Films | Archivio delle migliori 'cose' viste nel 2021<div><p style="text-align: justify;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgm4kjXx7INi-385wb1SmkXihenJTZojJb6s106YSpNFvtyMrjBdh1VSA7JuJ-PVmQ-sA7_B09EuToIwtUhgSdJau0EezYryf2RjEae8tKkpbHfrCQODRTrPn6sh3eaxTuIXVmlg0CUd_2qD326n3oV7SVQOfsoq1cUIFVQV4LwI2YGexeORjo2VkCz=s513" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/a/AVvXsEgm4kjXx7INi-385wb1SmkXihenJTZojJb6s106YSpNFvtyMrjBdh1VSA7JuJ-PVmQ-sA7_B09EuToIwtUhgSdJau0EezYryf2RjEae8tKkpbHfrCQODRTrPn6sh3eaxTuIXVmlg0CUd_2qD326n3oV7SVQOfsoq1cUIFVQV4LwI2YGexeORjo2VkCz=s16000" /></a></span></div><span style="font-family: arial;">"Siamo inclini a credere che persone autorevoli siano dotate di meravigliose qualità immaginarie e siamo incapaci di riconoscere la loro vera statura morale. Il bambino che non ha ancora assorbito un sufficiente senso di rispetto per le autorità è l’unico che possa accorgersi che l’Imperatore è nudo e che non indossa vesti invisibili; mentre tutti gli altri, persuasi che il non vedere gli indumenti costituisca una prova della loro anormalità, cedono alla suggestione e credono di vedere qualcosa che i loro occhi non sono assolutamente in grado di vedere." </span><p></p><p style="text-align: justify;"><span style="font-family: arial;">- Erich Fromm, <i>Il linguaggio dimenticato, 1951</i><br /></span></p><p><span style="font-family: arial;"><span></span></span></p><a name='more'></a><span style="font-family: arial;"> </span><p></p><p style="text-align: center;"><br /></p><p style="text-align: center;"><span style="font-family: arial;"><span style="color: #ffa400; font-size: x-large;"><span><u><b>Best 10 Short Films</b></u></span></span><br /><br /><span style="font-size: medium;"><i>10</i><br /><b>THE ETERNAL SPRINGTIME (Mùa xuân vĩnh cửu)</b><br />Viet Vu (Vietnam, 2021)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj_wCIgG0V-1SRX63AV9Imhse0C80GC_s_6e1fVOjC4x3Sa8wEQ6K9lA3PNI7lJt5VgOO8lbu47Sh7AsNG3bi1h0_U_8WhuUAXRIGMAUOngyZao2XpMZ5LNBxzieF7p5Bu64wb_2wxRBCnsxt-cWBg2nIIENhQk04ftqCzOoYbJPnvZTaY2o6i2zjvg=s520" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEj_wCIgG0V-1SRX63AV9Imhse0C80GC_s_6e1fVOjC4x3Sa8wEQ6K9lA3PNI7lJt5VgOO8lbu47Sh7AsNG3bi1h0_U_8WhuUAXRIGMAUOngyZao2XpMZ5LNBxzieF7p5Bu64wb_2wxRBCnsxt-cWBg2nIIENhQk04ftqCzOoYbJPnvZTaY2o6i2zjvg=w400-h231" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><i></i></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><i>9</i><br /><b>LA TEMPESTA</b><br />Pere Portabella (Messico, 2003)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiKzPKTFALXbYFCDUW-0as1ziHdmZ4j9qrAoqcbvQNeqh2FRvaWhaIyvPM4SULFPdzjfYGJnhDWV2N6FXDMQtAk3z5396pZPQ63eT_KRqL9YZ2tZorDpFUDrvpdPqeZaZcy0b8D9Ch5-dzgYiZ4zFA9LmSO8wi_rr_pQbzQdvNxmrTT_U-BpZlHSomV=s520" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEiKzPKTFALXbYFCDUW-0as1ziHdmZ4j9qrAoqcbvQNeqh2FRvaWhaIyvPM4SULFPdzjfYGJnhDWV2N6FXDMQtAk3z5396pZPQ63eT_KRqL9YZ2tZorDpFUDrvpdPqeZaZcy0b8D9Ch5-dzgYiZ4zFA9LmSO8wi_rr_pQbzQdvNxmrTT_U-BpZlHSomV=w400-h231" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><i></i></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><i>8</i><br /><b>COLD MERIDIAN</b><br />Peter Strickland (Ungheria, UK, 2020)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjnFhGpjg258cd3qljIfeRdcn6oJTSxB_tHJP78QKImeGJB4JnpCpz0YVFu4Oj5LGGEpvdkQCwwUk_LsOqe2Ha8mAxF_CTAPgX1LKLlZv94IYODDg3laFSSI2QCrLoHRdDvA4Z4SVvWlQfYHsqzpGPk3H8gpoPxtiqWuKDFBYagLZFftQIMy_1xg574=s520" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEjnFhGpjg258cd3qljIfeRdcn6oJTSxB_tHJP78QKImeGJB4JnpCpz0YVFu4Oj5LGGEpvdkQCwwUk_LsOqe2Ha8mAxF_CTAPgX1LKLlZv94IYODDg3laFSSI2QCrLoHRdDvA4Z4SVvWlQfYHsqzpGPk3H8gpoPxtiqWuKDFBYagLZFftQIMy_1xg574=w400-h231" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><i></i></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><i>7</i><br /><b>UN GIORNO IN BARBAGIA</b><br />Vittorio De Seta (Italia, 1958)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhxzsfNpcm_NCOg339Yqpd0zdix_MDL3-kx8SnJFtucNnnu7W6fPyk0dVUyfAORBt8K1SH3XFBYghNUeKRthbAvvnCDiUrENzTJG5P7iGJQAFR8eLllhRn4U0Rn7t6WdzBmCRXcz7zXU4tC3m-x-jiS3nNaFfjLgkEEVuPpXS_A9ODJQHqEnY-LGdrT=s520" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEhxzsfNpcm_NCOg339Yqpd0zdix_MDL3-kx8SnJFtucNnnu7W6fPyk0dVUyfAORBt8K1SH3XFBYghNUeKRthbAvvnCDiUrENzTJG5P7iGJQAFR8eLllhRn4U0Rn7t6WdzBmCRXcz7zXU4tC3m-x-jiS3nNaFfjLgkEEVuPpXS_A9ODJQHqEnY-LGdrT=w400-h231" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><i></i></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><i>6</i><br /><b>DIALOGUE D'OMBRES</b><br />Danièle Huillet, Jean-Marie Straub (Francia, Svizzera, 2013)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEh6waz4hqJqhtFDdDVTZ4xzWo0ylG2H5lLUOSyqnG7HrdMGNa8BBjJ5j8waaR0UQfS9hIVe64Rg-lR7HWw6vwRrrBlKpi7cATaoFlxJQYJmkcD3zyVbI5R6jFelJ3aBTcKiVQd9Jh8NNzH5aB8XqJRCyx0mWTnUJABehi_zZ2PD-xSE5uJikHGzrcKG=s520" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEh6waz4hqJqhtFDdDVTZ4xzWo0ylG2H5lLUOSyqnG7HrdMGNa8BBjJ5j8waaR0UQfS9hIVe64Rg-lR7HWw6vwRrrBlKpi7cATaoFlxJQYJmkcD3zyVbI5R6jFelJ3aBTcKiVQd9Jh8NNzH5aB8XqJRCyx0mWTnUJABehi_zZ2PD-xSE5uJikHGzrcKG=w400-h231" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><i></i></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><i>5</i><br /><b>HIDE 1 - METEOROLOGIA DELLE OMBRE</b> <br />Riccardo Vaia, Cristina Pizzamiglio (Italia, 2021)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiuhjzqQxILtchz8kecwQrpoHsd88ZD3QWc3sY0JVWmG0hmlSR0aejqE-iyBVVhaJiOncMz_PsLWiiOT_bGAA7d_WcToqhk2BIYcpStFEfnExD1Nr5-if_V2yBr1QTidfRcZYSlmK9HZy883NLQwMEQmyxiYKsPc_m3Jeeo1N7UZ1Sj6v43zmxPltJI=s520" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEiuhjzqQxILtchz8kecwQrpoHsd88ZD3QWc3sY0JVWmG0hmlSR0aejqE-iyBVVhaJiOncMz_PsLWiiOT_bGAA7d_WcToqhk2BIYcpStFEfnExD1Nr5-if_V2yBr1QTidfRcZYSlmK9HZy883NLQwMEQmyxiYKsPc_m3Jeeo1N7UZ1Sj6v43zmxPltJI=w400-h231" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><i></i></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><i>4</i><br /><b>THE SEISMIC FORM (Die seismische Form)</b><br />Antoinette Zwirchmayr (Austria, 2020)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEh_20Vt9CtgWkh5yJbyDvGbI3quUhUeCZMocE0ksZENhLzLZQiEQ3CmxH5BZWMNSbApClJebuw7yxxPizh9R-6RJnHthJeMT7D0h0Wm80K2RAxO80PAXWMhWc5T3cxCjMVvt4Ps8NtT7hmw08PafeqMBlfPTP0B0zjkt7tkwUKCM9xoAPZ1BnEGe3tE=s520" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEh_20Vt9CtgWkh5yJbyDvGbI3quUhUeCZMocE0ksZENhLzLZQiEQ3CmxH5BZWMNSbApClJebuw7yxxPizh9R-6RJnHthJeMT7D0h0Wm80K2RAxO80PAXWMhWc5T3cxCjMVvt4Ps8NtT7hmw08PafeqMBlfPTP0B0zjkt7tkwUKCM9xoAPZ1BnEGe3tE=w400-h231" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><i></i></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><i> 3</i><br /><b>OCEANO MARE</b><br />Antoinette Zwirchmayr (Austria, 2020)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjkoaGQT6WjUve1AnYBS6RfvskT8mT0HTBTQbe8-YL_sULBoPTydr_d33hYfyDO19F_V1ocTKDClaDrDiqUHpGOH1JnyTBJMa_sTJUlV3sQa6JL4zoZfdXCpJQqywu_944qiL6L6cxxWFC3YIFfP7p5XXQ5rpO_TGEvmtG02wefoomr3wYi9KoNy9Ui=s520" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEjkoaGQT6WjUve1AnYBS6RfvskT8mT0HTBTQbe8-YL_sULBoPTydr_d33hYfyDO19F_V1ocTKDClaDrDiqUHpGOH1JnyTBJMa_sTJUlV3sQa6JL4zoZfdXCpJQqywu_944qiL6L6cxxWFC3YIFfP7p5XXQ5rpO_TGEvmtG02wefoomr3wYi9KoNy9Ui=w400-h231" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><i></i></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><i>2</i><br /><b>Y A-T-IL UNE VIERGE ENCORE VIVANTE?</b><br />Bertrand Mandico (Francia, 2015)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEglI0MLB7lSdDYb4Uan1x4d8uMk_u1h46cKiIrl7-eC11K6xdvIbjbhVFkLQXBxz-x9-omBqN7shbIskYtRli8PCtPtv9pL-0ot_XDW55c3Zru_sgnnyd0hxxJ7Yy_HzEmTbkdjhaUH-kjx4qtsttJCTCaAFIE9Rp5TimKVDZdyASlVMdqWEe-zEauE=s520" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEglI0MLB7lSdDYb4Uan1x4d8uMk_u1h46cKiIrl7-eC11K6xdvIbjbhVFkLQXBxz-x9-omBqN7shbIskYtRli8PCtPtv9pL-0ot_XDW55c3Zru_sgnnyd0hxxJ7Yy_HzEmTbkdjhaUH-kjx4qtsttJCTCaAFIE9Rp5TimKVDZdyASlVMdqWEe-zEauE=w400-h231" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><i></i></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><i>1</i><br /><b>GREEN THOUGHTS</b><br />William Wei (UK, Cina, 2020)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiEeym41RwykYGc7uf2Up1DPdTK53FV6JVBbovY9RiuBOV0hKVU8NnPyBQNw_ibv6faM1t2YRO5NvI0ifK2oP5hosJxjqerOMjwickGQqsV9BuV0fZIiQFYuSqs7BFszTvLAOMq2VGrOFgbs8Z0pG8Cc_crp55-8_gzzPIJf5h7Dpm8_7j1skaKnMoL=s520" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEiEeym41RwykYGc7uf2Up1DPdTK53FV6JVBbovY9RiuBOV0hKVU8NnPyBQNw_ibv6faM1t2YRO5NvI0ifK2oP5hosJxjqerOMjwickGQqsV9BuV0fZIiQFYuSqs7BFszTvLAOMq2VGrOFgbs8Z0pG8Cc_crp55-8_gzzPIJf5h7Dpm8_7j1skaKnMoL=w400-h231" width="400" /></a><span style="font-family: arial;"><span style="font-size: medium;"> <br /></span></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;">______________________________________________________________<br /><u><b><br /><span style="color: #990000; font-size: x-large;"><span>Menzioni Speciali</span></span></b></u><br /><br /><span style="font-size: medium;"><span style="color: #990000; font-size: large;"><i><u><b>CultZone</b></u></i></span><br /><br /><b>SIMONA</b> - <a href="http://visionesospesa.blogspot.com/2021/01/simona-e-locchio-occultato-di-bataille.html" target="_blank"><i><b>review</b></i></a><br />Patrick Longchamps (Italia, Belgio, 1974)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgU0ljYSPlkKUgwgRYvG-_E7LXSqLR5KrIWl0VJ2QstvXFW_Vjxqmidp7omiOx6SaMm8qXVKecdBvBMcJkUNZM45r2QsMm0T6gCR6b6WlA4je7Y6wtAVOE44MHFJNG6xsZa_-XZboXUo5rKsWwQs1on-PskNteqw9KmAGX8LehO9rNtHHfnN-vu0_m_=s520" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEgU0ljYSPlkKUgwgRYvG-_E7LXSqLR5KrIWl0VJ2QstvXFW_Vjxqmidp7omiOx6SaMm8qXVKecdBvBMcJkUNZM45r2QsMm0T6gCR6b6WlA4je7Y6wtAVOE44MHFJNG6xsZa_-XZboXUo5rKsWwQs1on-PskNteqw9KmAGX8LehO9rNtHHfnN-vu0_m_=w400-h231" width="400" /></a></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>L'ULTIMO TRENO DELLA NOTTE</b><br />Aldo Lado (Italia, 1975)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhXa8s6Iv3gslPOxdZnfCdxI6kpqIncGtQbU0Es9kIwucamkrRPT9wvU_R0Z1ElQWCPmI4NT5sXc-jOyM38zL2wEx4X28ogr6L83RhLJEb9Lk1HE3JPRkXzcKM33bWgNKbrruP4hfFD4msNOwYHEW4qGu2U06_bsfHmeNOELjITVm8CKQ3rqz0iuFEq=s520" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEhXa8s6Iv3gslPOxdZnfCdxI6kpqIncGtQbU0Es9kIwucamkrRPT9wvU_R0Z1ElQWCPmI4NT5sXc-jOyM38zL2wEx4X28ogr6L83RhLJEb9Lk1HE3JPRkXzcKM33bWgNKbrruP4hfFD4msNOwYHEW4qGu2U06_bsfHmeNOELjITVm8CKQ3rqz0iuFEq=w400-h231" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><span style="color: #990000;"><i><u><b> </b></u></i></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="color: #990000; font-size: large;"><i><u><b>Documentary</b></u></i></span><br /><br /><b>GUNDA</b><br />Victor Kossakovsky (Norvegia, USA, 2020)<i></i></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgewZTVD70XgiwseeOE059U2nqO7lp1p3cB2EbackuPc0M_Q0Fpb65DQ0cchXhALt1fmy9aI1o7MNL3ItWKWIj3gN7XwcP38mv10X-p9jYJNLplDYAvLORfNuRmqP5f2jYpQE4bol90-U5pMhsIqRa8IdLTrYcRF2jl5mwi5NIVNG8JKL0Z-CMS3Z3d=s520" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEgewZTVD70XgiwseeOE059U2nqO7lp1p3cB2EbackuPc0M_Q0Fpb65DQ0cchXhALt1fmy9aI1o7MNL3ItWKWIj3gN7XwcP38mv10X-p9jYJNLplDYAvLORfNuRmqP5f2jYpQE4bol90-U5pMhsIqRa8IdLTrYcRF2jl5mwi5NIVNG8JKL0Z-CMS3Z3d=w400-h231" width="400" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><i><br /></i></span></span></div><div style="text-align: center;"><span style="font-family: arial; font-size: large;"><span><i><span style="color: #990000;"><u><b>Others</b></u></span></i></span></span><br /><br /><span style="font-family: arial;"><span style="font-size: medium;"><b>LUX AETERNA</b></span></span><br /><span style="font-family: arial;"><span style="font-size: medium;">Gaspar Noè (Francia, 2019)</span></span></div><p></p><span style="font-family: arial;"></span><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjVp7WTEXLtFGToLB9piR72PxhvvOg30__bNNAzKHpKNPOR2L9f5Uva9c_9ftrFkB6X0-iu31W3ajqaFn8PDhJUwArQttLUs-yY1jJ3QMtV6WcLKRkYIghkkVzpCI6fZRS4gaUSfUcEXxEcvcjpJ6LFiCX7sJ2JH3y_GRcvGmseVsiLBMkPMjdDu0fR=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEjVp7WTEXLtFGToLB9piR72PxhvvOg30__bNNAzKHpKNPOR2L9f5Uva9c_9ftrFkB6X0-iu31W3ajqaFn8PDhJUwArQttLUs-yY1jJ3QMtV6WcLKRkYIghkkVzpCI6fZRS4gaUSfUcEXxEcvcjpJ6LFiCX7sJ2JH3y_GRcvGmseVsiLBMkPMjdDu0fR=w400-h231" width="400" /></a><span style="font-family: arial;"><span style="font-size: medium;"><b> <br /></b></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>VIMINI</b> - <a href="http://visionesospesa.blogspot.com/2021/02/tracce-36-vimini.html" target="_blank"><b><i>review</i></b></a><br />Riccardo Vaia, Cristina Pizzamiglio, Luigi Bonora (Italia, 2021)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj0vAsD1fsKh813uKHXROnAEnv6WtHPJQCGDbjJ8kYffgFWtBwKH2rxRm3PJmf5Al1kXNDYgH6VbTYVFaBJ3KQoVwpCUQlYmQBp0aBTa2bhJWa40hOC6-zVx8Bh2NhJh1k0fgM_QsjrU7RQwya74wWgJn58cOvE8QXCZC7ZikLgCy8PKeYVnSf68BDK=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEj0vAsD1fsKh813uKHXROnAEnv6WtHPJQCGDbjJ8kYffgFWtBwKH2rxRm3PJmf5Al1kXNDYgH6VbTYVFaBJ3KQoVwpCUQlYmQBp0aBTa2bhJWa40hOC6-zVx8Bh2NhJh1k0fgM_QsjrU7RQwya74wWgJn58cOvE8QXCZC7ZikLgCy8PKeYVnSf68BDK=w400-h231" width="400" /></a></span></span></div><span style="font-family: arial;"> </span><p></p><p style="text-align: center;"><span style="font-family: arial;">________________________________________________________________<br /><br /><span style="color: #3d85c6; font-size: x-large;"><span><u><b>Best 20 Feature Films</b></u></span></span><br /><br /><span style="font-size: medium;"><b>MAMA</b><br />Nikolay Renard, Yelena Renard (Russia, 2010)<b></b></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhdmN_5zAX1EvUs1FTqcyRwH45IvyMfP3QF3Mz6dDcw-D0Y1yxGbsnaLAqIgaJdbeoJXbcDBF_EFBI15ifNo7y0anDBh5_X6O6zWPgdyHyStm_p9TSstP-u-Dp-qOI-WQ_DiTy9Zo_dmYEnN1hTwszprbCA0rYjtEpol1jhLabvgktxQU7qYRfNYB7y=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEhdmN_5zAX1EvUs1FTqcyRwH45IvyMfP3QF3Mz6dDcw-D0Y1yxGbsnaLAqIgaJdbeoJXbcDBF_EFBI15ifNo7y0anDBh5_X6O6zWPgdyHyStm_p9TSstP-u-Dp-qOI-WQ_DiTy9Zo_dmYEnN1hTwszprbCA0rYjtEpol1jhLabvgktxQU7qYRfNYB7y=w400-h231" width="400" /></a><span style="font-family: arial;"><span style="font-size: medium;"><b> <br /></b></span></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>MANDIBULES</b><br />Quentin Dupieux (Francia, 2020)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhfnLUI45PtkieOJZ7X4zQmvT4dKItBurRXMh6mv7JDLG4gvyJlLief6uCHpq5R-Yc-rDXoLIlKpgw0K3sFZ3LeJaF0OvlnVw3VWy7lLOAMjK1O1ghaA28xVywRx91Yx1vZXLxCWN0LZqJJ4kI2Gypi5EZfUMcwkeVrA83BbU2uYVl9aqvAGKzg7ZV9=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEhfnLUI45PtkieOJZ7X4zQmvT4dKItBurRXMh6mv7JDLG4gvyJlLief6uCHpq5R-Yc-rDXoLIlKpgw0K3sFZ3LeJaF0OvlnVw3VWy7lLOAMjK1O1ghaA28xVywRx91Yx1vZXLxCWN0LZqJJ4kI2Gypi5EZfUMcwkeVrA83BbU2uYVl9aqvAGKzg7ZV9=w400-h231" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b></b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>BENEDETTA</b><br />Paul Verhoeven (Francia, 2021)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiQTcnuVBgReGpgs6GLMl1b9mRyuMHwxmxnFzXPcrLzqiUJqM1djShxRt7pH5u5husY31BVBqdZCiq08FreZlpCWGq0Gsofk6LC1xwAWe8bHjZnDKo6WqMG-J9zqA21B1KrEkIFvH57QAYlB5J7t7b3K2onG_cN2tjAmIP7uShyHcCFgACqKMhilMPv=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEiQTcnuVBgReGpgs6GLMl1b9mRyuMHwxmxnFzXPcrLzqiUJqM1djShxRt7pH5u5husY31BVBqdZCiq08FreZlpCWGq0Gsofk6LC1xwAWe8bHjZnDKo6WqMG-J9zqA21B1KrEkIFvH57QAYlB5J7t7b3K2onG_cN2tjAmIP7uShyHcCFgACqKMhilMPv=w400-h231" width="400" /></a></span></div><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b> WEREWOLF</b><br />Ashley McKenzie (Canada, 2016)</span></span></p><p></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgf1pXLwtbxIqul2Gh12z-_Kgj9uHmjOrpmI7t6h_LOW96i13Fed76j6jdJupWoV6QCfa4gi5kJKNIfGrDnhfZcYsrXxXDeyfhRWj9zHjrMVVkY0kDgR_ZYF4weRhQvWi2oYVaMQLlry78ytpswTN24-qMABeZLrnvibCcjz6QlMVfll9ZNZBsRjGKN=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEgf1pXLwtbxIqul2Gh12z-_Kgj9uHmjOrpmI7t6h_LOW96i13Fed76j6jdJupWoV6QCfa4gi5kJKNIfGrDnhfZcYsrXxXDeyfhRWj9zHjrMVVkY0kDgR_ZYF4weRhQvWi2oYVaMQLlry78ytpswTN24-qMABeZLrnvibCcjz6QlMVfll9ZNZBsRjGKN=w400-h231" width="400" /></a></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>LAMB</b><br />Valdimar Jóhannsson (Islanda, Svezia, 2021)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgTSqdHPftIQN_L__O-fiD_MBf2KOXw7_O8ynhyGAa2fH7dM7SaaxjCW91AL_uEZ2ELduVV_ON40HJChUlmXJdIr0V5J-Di8a16rBxPbAptL5EtYp0NRKrV50Tg7UjGiGrgTt7Qmbc5LaK4AnWqSm0EwkXWM7JdaFNF4WBLw-yEmoQ9UAJxNur-CxRq=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEgTSqdHPftIQN_L__O-fiD_MBf2KOXw7_O8ynhyGAa2fH7dM7SaaxjCW91AL_uEZ2ELduVV_ON40HJChUlmXJdIr0V5J-Di8a16rBxPbAptL5EtYp0NRKrV50Tg7UjGiGrgTt7Qmbc5LaK4AnWqSm0EwkXWM7JdaFNF4WBLw-yEmoQ9UAJxNur-CxRq=w400-h231" width="400" /></a></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>THE CLOUD IN HER ROOM (a fang jian li de yun)</b><br />Zheng Lu Xinyuan (HK, Cina, 2020)<b></b></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhitTxRc6QU7SO54d-9m5-tNcENb6TXQ9E6uDDHgffBTdNKGz6S8irp1Qd02PdNiCGaOs3fLoJrOh9Fjv8IcBGKZQRVQDfQq3EVhfjdpzqzBQNU82kh94BpVD5ZtiZPCmsa1KLd0a3OH-cQH6hrchiSja4Phr-A_nNoA7Xh0vbcDoGwIJChxVD5zcHH=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEhitTxRc6QU7SO54d-9m5-tNcENb6TXQ9E6uDDHgffBTdNKGz6S8irp1Qd02PdNiCGaOs3fLoJrOh9Fjv8IcBGKZQRVQDfQq3EVhfjdpzqzBQNU82kh94BpVD5ZtiZPCmsa1KLd0a3OH-cQH6hrchiSja4Phr-A_nNoA7Xh0vbcDoGwIJChxVD5zcHH=w400-h231" width="400" /></a></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>VIOLATION</b><br />Dusty Mancinelli, Madeleine Sims-Fewer (Canada, 2020)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div style="text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEg7seP7VYtSC8zh7Esp6UJxY-7y-DqjjVGLuq1056LxTO15Ts85f9htZe5QmWgnCrAWsVelk6Y0-EnjwduedniBL-pxQLP17W8im6pmiYT97Bs6xf81RMn-Joabo3afYbbjTaLbnmAMa6TrR00mqRa66x_TtVJ-SdrcfkQqj-AgVI-m6V7ctYhrG1xR=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEg7seP7VYtSC8zh7Esp6UJxY-7y-DqjjVGLuq1056LxTO15Ts85f9htZe5QmWgnCrAWsVelk6Y0-EnjwduedniBL-pxQLP17W8im6pmiYT97Bs6xf81RMn-Joabo3afYbbjTaLbnmAMa6TrR00mqRa66x_TtVJ-SdrcfkQqj-AgVI-m6V7ctYhrG1xR=w400-h231" width="400" /></a><span style="font-size: medium;"><b> <br /></b></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>THE EDGE OF DAYBREAK (Phayasohk phiyohkyam)</b><br />Taiki Sakpisit (Thailandia, Svizzera, 2021)<b></b></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEh_NfffXfCU0SJFifQo50gmsghlk3A9eWDqhHcnMGc8OKBx9FDRVD1VqMtXEArT-5GIrsS5FLDHg1lRBgRMge9BEOjMSuCp6pq1ZJ9MfarVkhT46xL_RvUoKeqM_wfXBFuQZI2OuFCDsqrIiPJFA8DfApxEW0M8ncKLUqsST7UvYpvu3PogGaU5kGcC=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEh_NfffXfCU0SJFifQo50gmsghlk3A9eWDqhHcnMGc8OKBx9FDRVD1VqMtXEArT-5GIrsS5FLDHg1lRBgRMge9BEOjMSuCp6pq1ZJ9MfarVkhT46xL_RvUoKeqM_wfXBFuQZI2OuFCDsqrIiPJFA8DfApxEW0M8ncKLUqsST7UvYpvu3PogGaU5kGcC=w400-h231" width="400" /></a><b> <br /></b></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>TITANE</b><br />Julia Ducournau (Francia, 2021)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgOe4t_0a9YARR9OtKmqPsuOdrDSEc5ti03dDYpfwH8CkeIz_XnZa1j3nLiZrjXRXnKc4doYC6TdKL5AB9YgoU4dDWF6KHmYvwuSsPaj6AUgi1FQRLsQ2dfZ10JfNxhwXltS-HnEGaooQbmdmUAuRCIl9SjkiVMANEJ2jJUToNAmH4P_q2UuLbYoLDH=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEgOe4t_0a9YARR9OtKmqPsuOdrDSEc5ti03dDYpfwH8CkeIz_XnZa1j3nLiZrjXRXnKc4doYC6TdKL5AB9YgoU4dDWF6KHmYvwuSsPaj6AUgi1FQRLsQ2dfZ10JfNxhwXltS-HnEGaooQbmdmUAuRCIl9SjkiVMANEJ2jJUToNAmH4P_q2UuLbYoLDH=w400-h231" width="400" /></a></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>THE JUNIPER TREE</b><br />Nietzchka Keene (Islanda, 1990)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhGZUxmzu6gVeG8hGJh15XH-RqYMjbIC7jKY4VNVNX0EEhICLC_vQrnEbe5h2FKEwO3mG1udf-h7j05jAEIiaZ6evqcmMD02g4UfT5kbND3gIg8kw44L7dRcwYBh0I5-my2h6w8G6pfZLq-JOi6oMzT0jakHGQP24hjiXkT3xptrdmm5kPk9jdtsKPx=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/a/AVvXsEhGZUxmzu6gVeG8hGJh15XH-RqYMjbIC7jKY4VNVNX0EEhICLC_vQrnEbe5h2FKEwO3mG1udf-h7j05jAEIiaZ6evqcmMD02g4UfT5kbND3gIg8kw44L7dRcwYBh0I5-my2h6w8G6pfZLq-JOi6oMzT0jakHGQP24hjiXkT3xptrdmm5kPk9jdtsKPx=w400-h231" width="400" /></a></span></div><span style="font-family: arial;"><br /><span style="font-size: medium;"></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: x-large;"><span style="color: #3d85c6;"><u><b>TOP 10</b></u></span></span><br /><br /><span style="font-size: large;"><i>10</i><br /><b>O TERMÓMETRO DE GALILEU</b><br />Teresa Villaverde (Italia, Portogallo, 2018)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhrqul4hLrL3u87t0i9qeTL44FbhOaiaMDUmWRuDyp_wJvDoB2XUGpRz0GRa6hEynHTB2wdj2H_2LAMYwbZkw5SwM-84Ay8zrO-ytwvikZ0ovFEX0ezkDD6jfCdyKWAGeBD7r5j3n-MffioVFNehrwyD_FcyNzvBxMzdwZDYMSURVU6QWbsowBWopoe=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/a/AVvXsEhrqul4hLrL3u87t0i9qeTL44FbhOaiaMDUmWRuDyp_wJvDoB2XUGpRz0GRa6hEynHTB2wdj2H_2LAMYwbZkw5SwM-84Ay8zrO-ytwvikZ0ovFEX0ezkDD6jfCdyKWAGeBD7r5j3n-MffioVFNehrwyD_FcyNzvBxMzdwZDYMSURVU6QWbsowBWopoe=s16000" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>9</i><br /><b>JOHN AND THE HOLE</b><br />Pascual Sisto (USA, 2020)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiunsxvgJikg6epNf2tHDY_SnnbbOer2MvOrlv70NKWmbekhSqP9FBQ9yiXHLyumofDBF_GvS9v8s01cxf9cjtdcVt9C9T25B9MBSQsQ_rmvb56ZzS1beSYTN1gOYQYRRWZa2Fg3Ob7cn2EGndqdrEdK0I0J9GwWQWwIOuHehKIa-OmHUymFz4IIy9h=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/a/AVvXsEiunsxvgJikg6epNf2tHDY_SnnbbOer2MvOrlv70NKWmbekhSqP9FBQ9yiXHLyumofDBF_GvS9v8s01cxf9cjtdcVt9C9T25B9MBSQsQ_rmvb56ZzS1beSYTN1gOYQYRRWZa2Fg3Ob7cn2EGndqdrEdK0I0J9GwWQWwIOuHehKIa-OmHUymFz4IIy9h=s16000" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>8</i> <br /><b>TIME OF MOULTING (Fellwechselzeit)</b><br />Sabrina Mertens (Germania, 2020)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiwDOLRuPqetDQ2TWzWq64QqLPNwUdtfnu_Q3Lw9r8TyweIK9kIjhvpBWkziTb31JTGNOdPzf9F-H5SmNT_iQlzyLva767C21QcetbX7UIuUz6vwOn0Ht1Q7OEcQOJi5IEfSQtaqPUz6WN7CNU_vRi9-f56-rR5g0TEGocb-xc1ZR6C7cRKAabWdLSH=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/a/AVvXsEiwDOLRuPqetDQ2TWzWq64QqLPNwUdtfnu_Q3Lw9r8TyweIK9kIjhvpBWkziTb31JTGNOdPzf9F-H5SmNT_iQlzyLva767C21QcetbX7UIuUz6vwOn0Ht1Q7OEcQOJi5IEfSQtaqPUz6WN7CNU_vRi9-f56-rR5g0TEGocb-xc1ZR6C7cRKAabWdLSH=s16000" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>7</i><br /><b>THE PENULTIMATE (Den næstsidste)</b><br />Jonas Kærup Hjort (Danimarca, 2020)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhuu5mQzSq5x0e1hrsMZY7r4z_z_wQiVUgwQ0oT_-yxNkiZtKklOsTRs-papCSNpASQoNzVPcIOfjxijU85KbKw9d1nTxrFSxvw2muWhoNS8UOMyL8GBkJ1ggsSt23OzgTXJqvfc3G56x-qBmRE-Zb7J931Vzi3VDx0FUz5UskWcBdIhvogbpAZwsmO=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/a/AVvXsEhuu5mQzSq5x0e1hrsMZY7r4z_z_wQiVUgwQ0oT_-yxNkiZtKklOsTRs-papCSNpASQoNzVPcIOfjxijU85KbKw9d1nTxrFSxvw2muWhoNS8UOMyL8GBkJ1ggsSt23OzgTXJqvfc3G56x-qBmRE-Zb7J931Vzi3VDx0FUz5UskWcBdIhvogbpAZwsmO=s16000" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>6</i><br /><b>OFRENDA</b><br />Juan Mónaco Cagni (Argentina, 2020)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiusI6NB-MzZkvAzSjRh7nSmJUT6b36n3PciDPII_m5mb4hmSbRP2pPKajPxfyEmPoKN6kKBmvHzGMrm2HxUH_5OjV4Peg0r9_q4oSvhenI7L4qlNncQH8uX7iKIOJLc5gNuaDPsKimBlftAvDVCUYXz3tlRvMaQAEHIUfGP2zrvvEHeOlsnnGnj9Jc=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/a/AVvXsEiusI6NB-MzZkvAzSjRh7nSmJUT6b36n3PciDPII_m5mb4hmSbRP2pPKajPxfyEmPoKN6kKBmvHzGMrm2HxUH_5OjV4Peg0r9_q4oSvhenI7L4qlNncQH8uX7iKIOJLc5gNuaDPsKimBlftAvDVCUYXz3tlRvMaQAEHIUfGP2zrvvEHeOlsnnGnj9Jc=s16000" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>5</i><br /><b>LE PARC</b><br />Damien Manivel (Francia, 2016)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhSNcsQJ1NoVzmAPy12XC7FPKbEfG3b9KS8NYVJFcT5PJNI3Q7yX6s4a7lUpp3ECZb0e29e-J_W2ROpXG5DqlnGy8MSoWrrIk3wS7en_I3-E-MAzV7v-LkuoUkOV958xsRntjxCgLGJCm2kYaI4rDLuQHsIDs1In4qi7q93apo3cxAN4cX3lxmyBtyG=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/a/AVvXsEhSNcsQJ1NoVzmAPy12XC7FPKbEfG3b9KS8NYVJFcT5PJNI3Q7yX6s4a7lUpp3ECZb0e29e-J_W2ROpXG5DqlnGy8MSoWrrIk3wS7en_I3-E-MAzV7v-LkuoUkOV958xsRntjxCgLGJCm2kYaI4rDLuQHsIDs1In4qi7q93apo3cxAN4cX3lxmyBtyG=s16000" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>4</i><br /><b>VENDRA’ LA MUERTE Y TENDRA’ TUS OJOS</b><br />José Luis Torres Leiva (Cile, Argentina, 2019)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEg9frwpVe9oqnsUtbaxSlGSVCdCBOxZ-TZgHLAjxIVelmVPRy-IOvKcjna8r2IjlZyHkmF4XX620rSLaWYFelBG44cZ7hszS2OhsZCTh3AICqV8-aVg5pSPVM92fWvha_XRop6WwWUXuwl8BK1tuEw-oENVcwtGrVvB7j-ui_Xi869bKeJCJTYr9KW3=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/a/AVvXsEg9frwpVe9oqnsUtbaxSlGSVCdCBOxZ-TZgHLAjxIVelmVPRy-IOvKcjna8r2IjlZyHkmF4XX620rSLaWYFelBG44cZ7hszS2OhsZCTh3AICqV8-aVg5pSPVM92fWvha_XRop6WwWUXuwl8BK1tuEw-oENVcwtGrVvB7j-ui_Xi869bKeJCJTYr9KW3=s16000" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>3</i><br /><b>LIMINAL</b><br />Philippe Grandrieux, Manuela de Laborde, Lav Diaz, Óscar Enríquez <br />(Messico, Francia, 2020)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEitn-wrw11ykGjWM6ymZJqAS5SgqxSqa6zkTTuDP0x64PulxVIQvIDNWkfP-sB2QRafiHOHy2ZgkgBB1Qjs4UfCpgNS9GBjWhDxMrp_VkIgF34TTA106jcU1SJ3JDp2WFR7QHeZA2b6D6z1ogbV7o8Dp9tRO8ZSDH_pMVFO3TWgjbpYVZzp9GDjOvzP=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/a/AVvXsEitn-wrw11ykGjWM6ymZJqAS5SgqxSqa6zkTTuDP0x64PulxVIQvIDNWkfP-sB2QRafiHOHy2ZgkgBB1Qjs4UfCpgNS9GBjWhDxMrp_VkIgF34TTA106jcU1SJ3JDp2WFR7QHeZA2b6D6z1ogbV7o8Dp9tRO8ZSDH_pMVFO3TWgjbpYVZzp9GDjOvzP=s16000" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>2</i><br /><b>MEMORIA</b><br />Apichatpong Weerasethakul (Colombia, Thailandia, 2021)</span></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjMs3cOJG6ekf5BV2lbVM8U_bUnfuQs7LakVO74GLtXxLUFbVhWWK_Qi1gaga1E7OZ9sSUAC3k8epqLs7JWHIOe5oyXtsPxu20-w7_A1cMZgLVuceH0xC7DUOSZTx5bzO0OtjyaypIGdKj7_K5sLTHGZbMyEjYHqZfQP13PkQL1z6NRq66TqKUhYN4R=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/a/AVvXsEjMs3cOJG6ekf5BV2lbVM8U_bUnfuQs7LakVO74GLtXxLUFbVhWWK_Qi1gaga1E7OZ9sSUAC3k8epqLs7JWHIOe5oyXtsPxu20-w7_A1cMZgLVuceH0xC7DUOSZTx5bzO0OtjyaypIGdKj7_K5sLTHGZbMyEjYHqZfQP13PkQL1z6NRq66TqKUhYN4R=s16000" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"></span></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><span style="font-size: large;"><i>1</i><br /><b>A PORTUGUESA (The Portuguese Woman)</b><br />Rita Azevedo Gomes (Portogallo, 2018)</span></span></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgUTnjuYR56pDS3yxIt7xcnoafrksFYFygLBMlJFPXWaON3O5GV7zT_sLbFm_0OPTeZlM-AUjD3opovgguRXOPw0mmfyH-JWOUTQmG8DU2zauuTaAPxfFdjAj4p4HPqwtuZTIu-yu7FtYrIPnA9w7tJ-SmNDVOF-sK5x5559kT1uFjvZMCMGPHfjX39=s520" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/a/AVvXsEgUTnjuYR56pDS3yxIt7xcnoafrksFYFygLBMlJFPXWaON3O5GV7zT_sLbFm_0OPTeZlM-AUjD3opovgguRXOPw0mmfyH-JWOUTQmG8DU2zauuTaAPxfFdjAj4p4HPqwtuZTIu-yu7FtYrIPnA9w7tJ-SmNDVOF-sK5x5559kT1uFjvZMCMGPHfjX39=s16000" /></a></div><span style="font-family: arial;"><br /></span><p></p>ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com1tag:blogger.com,1999:blog-3124748050714619465.post-35988663865223051902021-02-19T16:11:00.000+01:002021-02-19T16:11:02.055+01:00TRACCE #36: VIMINI<p style="text-align: left;"><span style="font-family: arial;"><b></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim6k_Xxs3ghfmBIMXtCn5LcjsW7jWXRc4iU-NA8fXQg2IPykIhas6MAQWTd0Dx_R_pi7k6ktly86w01buJ8F_Y7uTd4KgZ1Wdv5T_Q6heLN_Kc3XEC5CAA7SbY4eleTtLmt4mXiXlD1ws/s513/Vimini+Header.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim6k_Xxs3ghfmBIMXtCn5LcjsW7jWXRc4iU-NA8fXQg2IPykIhas6MAQWTd0Dx_R_pi7k6ktly86w01buJ8F_Y7uTd4KgZ1Wdv5T_Q6heLN_Kc3XEC5CAA7SbY4eleTtLmt4mXiXlD1ws/s16000/Vimini+Header.jpg" /></a></b></span></div><span style="font-family: arial;"><b>Riccardo Vaia, Cristina Pizzamiglio, Luigi Bonora</b><br />Italia, 2021<br />37 minuti</span><p></p><p style="text-align: justify;"><span style="font-family: arial;">Opening title: note dal sapore remoto. Insinuanti modulazioni sonore rintoccano nella memoria di "<b>chi l'ha vista... morire?</b>". <i>Bonora</i> padroneggia <i>Nicolai</i> nel mezzo di un rito magico officiato da una rediviva <i>Madame Blanche</i>, dove lo spazio filmico si tinge di "<b>tutti i colori del buio</b>" disseminando tracce di un segreto: <i>"la chiave, è sotto la suola delle tue scarpe"</i>. <span></span></span></p><a name='more'></a><span style="font-family: arial;"> <br /></span><p></p><div style="text-align: justify;"><span style="font-family: arial;"> </span></div><div style="text-align: justify;"><span style="font-family: arial;">Oggetti plasmati da una "<b>operazione paura</b>";. una riformulazione di epoche e movimenti dove la rossa palla di baviana memoria è ora in uno stato d'immota rotazione, parcheggiata nei suggestivi scorci di Villa Avvizzini. All'interno dei suoi giardini fioriti, si aggira una figura femminile dal volto coperto: "<b>la dama rossa...</b>" O forse è la dama nera? <i>"Non me lo ricordo più"</i>, esclama Gelli dopo l'urlo del fauno. Ma sicuramente, è un <i>doppelgänger</i> isolato tra presente e passato, sospeso come l'orologio a pendolo che ne detta la temporalità... tic-tac... tic-tac... <i>"avanti e indietro"</i>.</span></div><p style="text-align: justify;"><span style="font-family: arial;"><span style="font-family: arial;">Mentre un <i>Marcus Daly</i> argentiano ricerca segni
e indizi tra le antiche rovine di quel luogo, questi paiono
materializzarsi in un presente che rimodella, attraverso efficaci giochi
di luce anamorfica, architetture suspiriane dai toni "<b>profondo rosso</b>"
e simulacri di eroine bennettiane. In egual misura dedite a
un'esplorazione tra gli oggetti, avide di scoperchiare segreti finchè,
la lettura de <i>Il giardino di Afrodite</i> di Bayros, non accende "<b>l'osceno desiderio</b>", o come direbbe il satiro: <i>"quei piacevoli brividini sulla pelle, che non si possono raccontare"</i>.
E ci si ridesta così, dal sogno erotico franchiano, come un delicato
soffio di cipria sul viso, ma destinato ben presto a mutare in un vento
di neve che ne increspa l'epidermide. Nel mentre, la musica primitiva
resiste nel suo "<b>stridulum</b>" incessante... <i>"E intanto, scandisco il tempo"</i>: tam... tam... tam... </span> <br /></span></p><p style="text-align: justify;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: justify;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisv2K2hINBT_0eHhmJOluc05BlGktm5h_GBEMwQlbo-4sNatXW1wu0ZbzBf_JRXkqhSGDPbtI9mtjFf-8OQxJWGH8L6FciMSldVHycoSQgpphdwKBBFSczdhZJH58ixELrS9UqB65LZTs/s946/Vimini+1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="177" data-original-width="946" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisv2K2hINBT_0eHhmJOluc05BlGktm5h_GBEMwQlbo-4sNatXW1wu0ZbzBf_JRXkqhSGDPbtI9mtjFf-8OQxJWGH8L6FciMSldVHycoSQgpphdwKBBFSczdhZJH58ixELrS9UqB65LZTs/s16000/Vimini+1.jpg" /></a><div style="text-align: justify;"><div style="text-align: justify;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1l2TkzkeS1zD_qqpUQFfdTrZR0ZA7yDSJPKJ6pUq_5s50RLLqov2RgOcMe4l8AKhzlFV4PTSnLvS7vaAqeXAoXmaqsvOMz7CxtFfCdl7AbLjGoSrFhuYCqtqnBvCi-iGP6h2QaRapLPQ/s946/Vimini+2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="177" data-original-width="946" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1l2TkzkeS1zD_qqpUQFfdTrZR0ZA7yDSJPKJ6pUq_5s50RLLqov2RgOcMe4l8AKhzlFV4PTSnLvS7vaAqeXAoXmaqsvOMz7CxtFfCdl7AbLjGoSrFhuYCqtqnBvCi-iGP6h2QaRapLPQ/s16000/Vimini+2.jpg" /></a><span style="font-family: arial;"> </span></div></span></div><br /></div></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguMl4rjIDT-cM_5AhoT-VV0Qk41unaq5hfBc59S49sgYx48zBtS7Ylm2cCBILYMFa_3mLaaNQIP_fcCoOCL-LlJSCCTMwKLHwQOpQM3ShxmJONX9FB1SJBycTSl3ClDXh9DyW2Px3pDlk/s946/Vimini+3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="177" data-original-width="946" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguMl4rjIDT-cM_5AhoT-VV0Qk41unaq5hfBc59S49sgYx48zBtS7Ylm2cCBILYMFa_3mLaaNQIP_fcCoOCL-LlJSCCTMwKLHwQOpQM3ShxmJONX9FB1SJBycTSl3ClDXh9DyW2Px3pDlk/s16000/Vimini+3.jpg" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTk7tr7Hm8iSlmJR35SxmKwJh6HKGW9KQ5fFTsDdxcKVl10VjDELsa7XkmcHtYmHkI7DN_vr2b60hZKtdgRd4VdBO0hmcVpJhfIMtORqPenM6HdMfw5wiS9_CdHFxezhCGfrNW8Ox3h4g/s946/Vimini+4.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="177" data-original-width="946" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTk7tr7Hm8iSlmJR35SxmKwJh6HKGW9KQ5fFTsDdxcKVl10VjDELsa7XkmcHtYmHkI7DN_vr2b60hZKtdgRd4VdBO0hmcVpJhfIMtORqPenM6HdMfw5wiS9_CdHFxezhCGfrNW8Ox3h4g/s16000/Vimini+4.jpg" /></a></div></div>ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com0tag:blogger.com,1999:blog-3124748050714619465.post-90308859615738301642021-01-05T17:31:00.001+01:002021-01-05T18:26:14.895+01:00SIMONA, e l'occhio occultato di Bataille<div><p style="text-align: left;"><span style="font-family: arial;"><b></b></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUyCJiaw6PH_3s8qNhKT7-OY5rpyfZYAGYoPKctlRuyttqhkNUJ6GRGpiw6G-u3worhemc-IVvhr8mJ8uguWP_1eVhHYgdZI3AqK7-dQ8HsdqzbM7Qwub6U1OuPiYn6jO6YCitDvFZE18/s513/Simona+Header.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUyCJiaw6PH_3s8qNhKT7-OY5rpyfZYAGYoPKctlRuyttqhkNUJ6GRGpiw6G-u3worhemc-IVvhr8mJ8uguWP_1eVhHYgdZI3AqK7-dQ8HsdqzbM7Qwub6U1OuPiYn6jO6YCitDvFZE18/s16000/Simona+Header.jpg" /></a><span style="font-family: arial;"><b></b></span></div><span style="font-family: arial;"><b>Patrick Longchamps</b><br />Belgio, Italia, 1974<br />82 minuti<br /><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Dalle voci raccolte fino a questo momento, <b>Simona</b> (Simone, incarnata da una giovanissima e radiosa <i><b>Laura Antonelli</b></i>) viene da sempre descritto come il film che, più di ogni altro, ricalca in modo 'letterale' l'opera surrealista dalla quale prende le mosse; quella provocatoria <i>Histoire de l'oeil</i> di batailleiana memoria (<i>Storia dell'occhio</i> - <i><b>Georges Bataille</b></i>, 1928), <span><a name='more'></a></span>scritta inoltre in quel fervente periodo storico che correva parallelamente alla nascita del Movimento 'Il Manifesto Surrealista' di <i><b>Andrè Breton</b></i>, e che si accingeva a spalancare 'l'occhio', riformando/recidendo lo sguardo cinematografico come una lama di rasoio sotto "la luna scissa dal passaggio di una nuvola" nel capolavoro di Buñuel e Dalì, <b>Un chien andalou</b> (1929). Nonostante ciò, qui da noi il romanzo di Bataille non vide luce per oltre quarant'anni finchè, la casa editrice <i>L'Airone</i>, nel 1969 non decise di riesumarlo pubblicandolo con il titolo di <i>Simona</i>, che però venne immediatamente sequestrato, fino alle riedizioni successive.</span><br /></div><div><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Diciamo che i suddetti precedenti sono stati la spinta decisiva per visionare, con notevole ritardo ammetto, rispetto ai tempi in cui affrontavo questi 'territori surrealisti', la trasposizione filmica di <b><i>Patrick Longchamps</i></b>. Ora, la prima impressione, con una lieve nota di disincanto, è però quella di trovarsi dinnanzi a un film in qualche modo irrisolto nel concetto prefissato; disgiunto tra l'ispirato e l'esitante, poichè stenta nell'inscenare con efficace spirito quella dimensione dissoluta che nel romanzo di Bataille inebria o conturba, a seconda dei casi, il lettore sin dalle prime righe. Dal punto di vista narrativo, <b>Simona</b> mira a un orientamento pressochè invariato (seppur zoppicante) rispetto al romanzo o meglio, c'è una tendenza a delineare le vicende della sua prima parte, quella che introduce i giovani protagonisti (Simone, Marcelle e il narratore senza nome che nel film chiameranno George) svelandone il perverso legame passionale, per poi allontanarsene, costruendo un prosieguo indubbiamente più ingegnoso dalla prospettiva autoriale, ma difettoso da quella più viscerale e simbolica, che dovrebbe essenzialmente alimentare film con questi intenti. L'introduzione di altri due personaggi inesistenti nel romanzo (il padre di Marcelle e lo zio, uniti a lei da un rapporto torbido), fanno comunque assumere al film toni visionari di un certo rilievo. In particolar modo, per quanto concerne la dimensione funerea e malinconica che cala sull'esistenza della sventurata Marcelle, raffigurata quasi costantemente come una presenza fantasmatica, ancor prima della sua morte (memorabile la danza tra Marcelle e Simona, avvoltolate in camici bianchi al chiaro di luna). Suggestivi gli interni della villa/prigione della ragazza, vagamente rievocanti il gotico del decennio precedente e, squisitamente surrealista infine, la 'resurrezione' degli animali impagliati; tutti momenti che, paradossalmente, nel loro distacco dal riferimento letterario d'origine, finiscono per costituire senza dubbio il miglior risultato del film.</span></div><div style="text-align: justify;"><span style="font-family: arial;"> </span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQCIQLtwS1LzAVnb9ECte9D0x67Y_KhfvjRjWcEouc_3t_roo6vDRr-VQOyhaU5INpyRw3FwnCdLw0n9HUXSjEJMQdsKvEEIk-hiwcJskiC9eP7yGuaO3AJtAZ_YH6LtpNpSKjMtqLsM0/s946/Simona+2.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="239" data-original-width="946" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQCIQLtwS1LzAVnb9ECte9D0x67Y_KhfvjRjWcEouc_3t_roo6vDRr-VQOyhaU5INpyRw3FwnCdLw0n9HUXSjEJMQdsKvEEIk-hiwcJskiC9eP7yGuaO3AJtAZ_YH6LtpNpSKjMtqLsM0/s16000/Simona+2.jpg" /></a></div><span style="font-family: arial;">Riguardo all'aspirazione batailleiana invece, come accennato in precedenza, permane un appunto di delusione. Fatta eccezione per il primo amplesso dei tre giovani sulla spiaggia, con i corpi avvinti dall'implacabilità dei sensi sotto un temporale enfatizzato - </span></div><div style="text-align: justify;"><span style="font-family: arial;"><i></i><blockquote><i>"Calda, la pioggia lavava, nella sua torrenziale abbondanza, i nostri corpi. Il gran tuonare del cielo ci scuoteva, aumentando la nostra furia che ci costringeva a urlare gli urli più eccessivi: ad ogni lampo che ci mostrava le nostre parti sessuali."</i> <span style="font-size: x-small;"><i><b>(1)</b></i></span> </blockquote></span></div><div style="text-align: justify;"><span style="font-family: arial;">- e che ben raffigura l'immaginario batailleiano, molto di quanto esposto in <i>Histoire</i>, purtroppo è 'reciso', metaforicamente. Assenza di particolari rilevanti a cominciare dall'emblema stesso che rappresenta l'opera batailleiana; quella forma organica ovoide e biancastra che corrisponde al nome di 'occhio', attraversando tutti i suoi eccentrici parallelismi: - <i> </i></span></div><div style="text-align: justify;"><span style="font-family: arial;"><i></i><blockquote><i>"Bulinare, gli occhi, con un rasoio, qualcosa di rosso, il sole? E l'uovo? Un occhio di vitello, forse per il colore della testa; e, d'altra parte, il bianco dell'uovo non era il bianco dell'occhio? E il rosso la pupilla? La forma dell'occhio è, se si fa attenzione, la stessa dell'uovo."</i> <span style="font-size: x-small;"><i><b>(2)</b></i></span> </blockquote></span></div><div style="text-align: justify;"><span style="font-family: arial;">- l'occhio enucleato del torero, ad esempio, non è contemplato. Nel caso delle uova, qualcosa emerge, scivolando timidamente sull'epidermide dei corpi, in un paio di scene abbozzate che però non raggiungono minimamente la forza letteraria espressa da Bataille (dove le uova, sgusciate e viscose, attraversano continuamente gli orifizi). Anche le innumerevoli <i>'piogge dorate'</i>, vengono celate quasi totalmente alla vista, relegate all'interno dello stesso armadio normanno dove Marcelle si rinchiude durante quella che avrebbe dovuto raffigurare la più celebre delle sue crisi psicotiche, mentre all'esterno, tutta la concupiscente celebrazione di corpi immaginata dallo scrittore francese, viene qui prontamente mitigata. Stessa sorte per l'urina che macchia il lenzuolo appeso alla finestra della camera di Marcelle, dove a sostituirla c'è del sangue. E del tutto omessa è la terza parte del romanzo, la più iconoclasta, quella che vede l'apparizione del personaggio di Sir Edmund durante il viaggio di Simona e George in Spagna; <i>"sotto il sole di Siviglia"</i>, recita il capitolo XI. La caliente terra di corride, nel film viene appena indicata come tracciamento di confini (incipt ed epilogo) senza mai venir solcata con audacia, nelle viscere: <i></i><blockquote><i>"Due globi della stessa grandezza e consistenza si erano animati di movimenti contrari e simultanei. Un testicolo bianco di toro era penetrato nella carne «rosa e nera» di Simona; un occhio era uscito dalla testa del giovane torero."</i> <span style="font-size: x-small;"><i><b>(3)</b></i></span> </blockquote></span></div><div style="text-align: justify;"><span style="font-family: arial;"> <br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgClcQ67wPAoqvYBv2PpV1YdLf34M2MAmG12Z6Hwx92p8NjmCQ-LRPrgSu_hBoF5Q-y9wqkxzHCn0yNP4kbABj87Uc8VmriXyuKpKkRf32IjiQTa3RVA8idCGwE8LpfrK2R9ZvaTK9-ACY/s946/Simona+1.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="239" data-original-width="946" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgClcQ67wPAoqvYBv2PpV1YdLf34M2MAmG12Z6Hwx92p8NjmCQ-LRPrgSu_hBoF5Q-y9wqkxzHCn0yNP4kbABj87Uc8VmriXyuKpKkRf32IjiQTa3RVA8idCGwE8LpfrK2R9ZvaTK9-ACY/s16000/Simona+1.jpg" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsQHmkGl4gVo18GkIch2h4-YaxXQdRdxsv4UieKhzePTjlae3H1wBW21Hhyp509npKmTjWWYfYgz_OWlvRJaCFssdHNcmPKf8kJibobLVVkO99IqBMaGarspXMjWtTv-cgpiqIIFU_UV8/s946/Simona+3.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="239" data-original-width="946" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsQHmkGl4gVo18GkIch2h4-YaxXQdRdxsv4UieKhzePTjlae3H1wBW21Hhyp509npKmTjWWYfYgz_OWlvRJaCFssdHNcmPKf8kJibobLVVkO99IqBMaGarspXMjWtTv-cgpiqIIFU_UV8/s16000/Simona+3.jpg" /></a></div><span style="font-family: arial;">Tuttavia, oltre al succitato estratto della corrida, c'è un altro tentato riferimento, strutturalmente collocato in un punto approssimativo del montaggio, dove Simona seduce un giovane diacono, masturbandolo ai limitari di una strada di campagna. D'altronde, e comprensibilmente, nell'Italia di quei tempi l'estremismo del soggetto avrebbe di certo comportato problemi nella distribuzione.<br />A conti fatti, parlando di film estremi, il <b>Salò</b> di Pasolini non era ancora apparso ma all'estero, nello stesso anno di <b>Simona</b> usciva <b>Sweet Movie</b> di Makavejev (senza contare i precedenti e dissacratori lavori di Jodorowsky, Arrabal, Corkidi). E di lì a poco, anche l'Italia presentò il proprio <i>magnum opus</i> surrealista: quel <b>Spell</b> cavalloniano <span style="font-size: x-small;"><b><i>(4)</i></b></span> dove, osservando sottocute, c'è molta più <i>Storia dell'occhio</i> rispetto al film di Longchamps... Forse, un'occasione in leggera parte mancata.<br /></span></div><div><p></p><p><span style="font-family: arial; font-size: x-small;"><b>(1)</b> Georges Bataille, "Storia dell'occhio" / <i>capitolo I</i><br /><b>(2)</b> Georges Bataille, "Storia dell'occhio" /<i> capitolo V</i><br /><b>(3)</b> Georges Bataille, "Storia dell'occhio" /<i> capitolo XI</i><br /><b>(4)</b> L'uomo, la donna e la bestia aka Spell, dolce mattatoio <i>(Alberto Cavallone, 1977)</i></span> <br /></p></div>ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com0tag:blogger.com,1999:blog-3124748050714619465.post-38535814062348779882020-12-31T13:21:00.000+01:002020-12-31T13:21:40.750+01:00Resoconti VIS #20: Feature Films | Archivio lungometraggi (visti nel 2020)<div><p></p><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0NYCWj2UCp3OVlR7AKMxSXUaOujq07H6c901oJrKFZxkT9NYR4rInvLS_3wGY_Al2ebWgYQ6W4OPYlzt99Yc-Y0kZBPg1BEGrR7gB3_m2G1UEjOxwenfnADcaDYERKjSi8AIMxLwXQN4/s513/Post+Testata+Feature+Films+%2528Serra%2529.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0NYCWj2UCp3OVlR7AKMxSXUaOujq07H6c901oJrKFZxkT9NYR4rInvLS_3wGY_Al2ebWgYQ6W4OPYlzt99Yc-Y0kZBPg1BEGrR7gB3_m2G1UEjOxwenfnADcaDYERKjSi8AIMxLwXQN4/s16000/Post+Testata+Feature+Films+%2528Serra%2529.jpg" /></a></div><div style="text-align: justify;"><span style="font-family: arial;">"E’ chiaro che il mondo è puramente parodistico, qualsiasi cosa si guardi è la parodia di un’altra, o ancora la stessa cosa sotto una forma ingannevole."</span><br /></div></div><div><div style="text-align: right;"><span style="font-family: arial;"><span style="font-size: x-small;"><i>- <b>Georges Bataille </b>(L'ano solare)</i></span></span></div><p></p><p><span style="font-family: arial;"><span></span></span></p><a name='more'></a><span style="font-family: arial;"> </span><p></p><p><span style="font-family: arial;"> </span></p><p><span style="font-family: arial;"> </span></p><p><span style="font-family: arial;"> </span></p><p><span style="font-family: arial;"> </span></p><p style="text-align: center;"><span style="font-family: arial;"><b>SEARCHING EVA</b> – Pia Hellenthal (Germania, 2019)<br /><b>YOU’RE NEXT</b> – Adam Wingard (USA, 2011)<br /><b>RABID</b> – Soska Sisters (Canada, 2019)<br /><b>MAGGIE’S FARM</b> – James Benning (USA, 2020)<br /><b>LA ESTRELLA ERRANTE (THE WANDERING STAR)</b> – Alberto Gracia (Spagna, 2018)<br /><b>2010: L’ANNO DEL CONTATTO</b> – Peter Hyams (USA, 1984)<br /><b>BREEDER</b> - Jens Dahl (Danimarca, 2020)<br /><b>IL BUCO IN TESTA</b> – Antonio Capuano (Italia, 2020)<br /><b>EVA NO DUERME (Eva Doesn’t Sleep)</b> - Pablo Agüero (Argentina, Francia, 2015)<br /><b>CAT IN THE WALL</b> – Mina Mileva, Vesela Kazakova (Bulgaria, UK, 2019)<br /><b>VENERE NERA (Vénus noire)</b> - Abdellatif Kechiche (Francia, Belgio, 2010)<br /><b>JEANNE (JOAN OF ARC)</b> – Bruno Dumont (Francia, 2019)<br /><b>SWALLOWS</b> - Carlo Mirabella-Davis (USA, Francia, 2019)<br /><b>TOORBOS (Dream Forest)</b> - Rene Van Rooyen (Sud Africa, 2020)<br /><b>NEBEL (FOG)</b> - Nicole Vögele (Germania, 2014)<br /><b>MOM, I BEFRIENDED GHOSTS</b> - Sasha Voronov (Russia, 2020)<br /><b>KALA AZAR</b> – Janis Rafa (Olanda, Grecia, 2020)<br /><b>IMPETIGORE (Perempuan Tanah Jahanam)</b> – Joko Anwar (Indonesia, 2019)<br /><b>BLAIR WITCH</b> – Adam Wingard (USA, 2016)<br /><b>COLOR OUT OF SPACE</b> – Richard Stanley (USA, 2019)<br /><b>DAYS (Rizi)</b> – Tsai Ming-liang (Taiwan, 2020)<br /><b>OXYGEN</b> – Adina Pintilie (Romania, 2010)<br /><b>TIERE (ANIMALS)</b> - Greg Zglinski (Svizzera, Austria, 2017)<br /><b>THE DARK AND THE WICKED</b> – Bryan Bertino (USA, 2020)<br /><b>SIVAPURANAM (THE STRANGE CASE OF SHIVA)</b> - Arun Karthick (India, 2016)<br /><b>OF TIME AND THE SEA (Baħar Żmien)</b> – Peter Sant (Malta, UK, 2018)<br /><b>HOTEL NUEVA ISLA</b> - Irene Gutiérrez, Javier Deulofeu Labrador (Cuba, Spagna, 2014)<br /><b>PSYCHOSIA</b> - Marie Grahtø Sørensen (Danimarca, Finlandia, 2019)<br /><b>FLUIDO</b> - Shu Lea Cheang (Germania, 2017)<br /><br /><span style="color: #3d85c6;"><span style="font-size: large;"><u><b>Eletti</b></u></span></span><br /><br /><span style="font-size: medium;"><b>THE DEAD AND THE OTHERS</b> <br />João Salaviza, Renée Nader Messora (Portogallo, Brasile, 2018)<b></b></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_K2WCR-ROT14aiHkzJWNPYeozcsAXommN1q02XXkeY9ak85G67OCiMuJwW9bbeG224VnBNmgE60bwN5VdZXm4eH-MSFIP1QzJxhf6jm2IFBfE1pNcrdTq_uUPQjtwynifYqwRD-PYWHs/s520/The+Dead+and+the+Others.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_K2WCR-ROT14aiHkzJWNPYeozcsAXommN1q02XXkeY9ak85G67OCiMuJwW9bbeG224VnBNmgE60bwN5VdZXm4eH-MSFIP1QzJxhf6jm2IFBfE1pNcrdTq_uUPQjtwynifYqwRD-PYWHs/w400-h231/The+Dead+and+the+Others.jpg" width="400" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>THAT CLOUD NEVER LEFT</b><br />Yashaswini Raghunandan (India, 2019)<b></b></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjb_bDDvVPOfRpenr-n1fOdjd8NDuiAyJjl8CKSF2rEwSMaoWMKXt-WKhEBYhzfm78UDtoRqk4R2SSdKpEwt2XM2_pjqAQ0staWdPoF2qcNgd88LNbWHvoXT7Sm1g1IFhWQGYgm9gpHXYU/s520/That+Cloud+Never+Left.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjb_bDDvVPOfRpenr-n1fOdjd8NDuiAyJjl8CKSF2rEwSMaoWMKXt-WKhEBYhzfm78UDtoRqk4R2SSdKpEwt2XM2_pjqAQ0staWdPoF2qcNgd88LNbWHvoXT7Sm1g1IFhWQGYgm9gpHXYU/w400-h231/That+Cloud+Never+Left.jpg" width="400" /></a><span style="font-family: arial;"><span style="font-size: medium;"><b> <br /></b></span></span></span></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>LITTLE JOE</b><br />Jessica Hausner (Austria, UK, 2019)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcc46pcRvbT00D5Y-1JE8t-VDiYLOHW9zYBM8qvSyp8oCPgkrjIyamQEGXIoeTHRw9DNSJmC-WCjyK8pkgUiplZJpkeEWo3EnmwzxYDXe9Io7EKOrz8BOgg-r6shk28PF0qh1CQO19BRE/s520/Little+Joe.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcc46pcRvbT00D5Y-1JE8t-VDiYLOHW9zYBM8qvSyp8oCPgkrjIyamQEGXIoeTHRw9DNSJmC-WCjyK8pkgUiplZJpkeEWo3EnmwzxYDXe9Io7EKOrz8BOgg-r6shk28PF0qh1CQO19BRE/w400-h231/Little+Joe.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>CASA DE ANTIGUIDADES (Memory House)</b><br />João Paulo Miranda Maria (Brasile, Francia, 2020)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg3FRU230GFBATBx6P8CbGa2J1UkZN4Zy_1ZLMScYjEukwcX2_CpbmJ236H6yCo1D-KH3RemABP53lew4EGfn5GLet53YNGGRhBzG_eJ9122_5XxSh0hDUKRxopP0eBCS5HoDIbHtUqDE/s520/Casa+de+antiguidades.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg3FRU230GFBATBx6P8CbGa2J1UkZN4Zy_1ZLMScYjEukwcX2_CpbmJ236H6yCo1D-KH3RemABP53lew4EGfn5GLet53YNGGRhBzG_eJ9122_5XxSh0hDUKRxopP0eBCS5HoDIbHtUqDE/w400-h231/Casa+de+antiguidades.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>VIRAR MAR</b><br />Philipp Hartmann, Danilo Carvalho (Germania, Brasile, 2020)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjExogcZ-NjfMuKgsXBNEc8pDYHxgANHgiYyJkSokIxEshuIAGWOdvKRvuSujdoc6jQWQzsPL1dGuG_yOVYLr-rvP5Hpogrdu_Rf4p1xI5EkjITBaEFGwsRUlGc3lG5mGJRvO3YYIEFsY0/s520/Virar+Mar.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjExogcZ-NjfMuKgsXBNEc8pDYHxgANHgiYyJkSokIxEshuIAGWOdvKRvuSujdoc6jQWQzsPL1dGuG_yOVYLr-rvP5Hpogrdu_Rf4p1xI5EkjITBaEFGwsRUlGc3lG5mGJRvO3YYIEFsY0/w400-h231/Virar+Mar.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>LAST AND FIRST MEN</b><br />Jóhann Jóhannsson (Islanda, 2020)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgm75JdwGiR_EKEk6yotZPtTQCz9P6O3O4_IoO95QsuzBypvGj7cSzUGPqc7_l8yIs80Kf8GMaw5mS5Jy1QYL9AiT-WRs1QRccUsaTsnfJ5sN3IECq7EffG9f9Q9Ow9qB9bCboTh9zMiE/s520/Last+and+First+Men.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgm75JdwGiR_EKEk6yotZPtTQCz9P6O3O4_IoO95QsuzBypvGj7cSzUGPqc7_l8yIs80Kf8GMaw5mS5Jy1QYL9AiT-WRs1QRccUsaTsnfJ5sN3IECq7EffG9f9Q9Ow9qB9bCboTh9zMiE/w400-h231/Last+and+First+Men.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>FIDELITY (Верность)</b><br />Nigina Sayfullaeva (Russia, 2019)<b></b></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWPJYE4paB9vqv_alZysBfTJ4NPnUVlW06HyEgUM1ITvB0i9Q9DjsjHcHOCO-B_Ipb4dCAXxWUYFxqdkfxegisMB3Fa1_y4-0Q-zHuha_0Qz-3e601bbbFcJRgkQWtEUfc4X6r-IUCvaU/s520/Fidelity.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWPJYE4paB9vqv_alZysBfTJ4NPnUVlW06HyEgUM1ITvB0i9Q9DjsjHcHOCO-B_Ipb4dCAXxWUYFxqdkfxegisMB3Fa1_y4-0Q-zHuha_0Qz-3e601bbbFcJRgkQWtEUfc4X6r-IUCvaU/w400-h231/Fidelity.jpg" width="400" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>IL MOSTRO DI ST. PAULI (The Golden Glove)</b><br />Fatih Akin (Germania, Francia, 2019)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPk4k4JSuxxIsFDSen-ndvKbBV_0HHXu8n91fN5GsBmojogb0CRV2z1eYVTaz8ynpD9b91J4j2QhjxR1O94Ioeu7m2PxZdX71chSeD95qVNOHWIy5PMxZjRWtxgUtjOlXgiEJEOGXXgBI/s520/The+Golden+Glove.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPk4k4JSuxxIsFDSen-ndvKbBV_0HHXu8n91fN5GsBmojogb0CRV2z1eYVTaz8ynpD9b91J4j2QhjxR1O94Ioeu7m2PxZdX71chSeD95qVNOHWIy5PMxZjRWtxgUtjOlXgiEJEOGXXgBI/w400-h231/The+Golden+Glove.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>EL HOYO (IL BUCO)</b><br />Galder Gaztelu-Urrutia (Spagna, 2019)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhTaaMbFXjYLCgIPtFLatKzIySoNZz0oyY9CZRUBlFG1gyZnasAymzUB74-PhQN0vit3k3V7KANlLWUBIWHgP8P6DLko4Y_CNuGne3TTOpsK3sNpXDlS765t3eOVEZbTeFme3w0tPNnHM/s520/El+Hoyo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhTaaMbFXjYLCgIPtFLatKzIySoNZz0oyY9CZRUBlFG1gyZnasAymzUB74-PhQN0vit3k3V7KANlLWUBIWHgP8P6DLko4Y_CNuGne3TTOpsK3sNpXDlS765t3eOVEZbTeFme3w0tPNnHM/w400-h231/El+Hoyo.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>JUMBO</b><br />Zoé Wittock (Francia, Belgio, Lussemburgo, 2020)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCHFbXH8ZWlfUK-3C7qxJZV20WN_EvgTQ8iuZKBYlq2P4ZPRNEpSyYhyphenhyphenq8xvBU8ftmgHXBCuWiD5KBjqKIyWqaN4GN8wd8HvlfxyMLRabn-kcmPjdJcipxudVaKweVXEVXSdpVNRZm48U/s520/Jumbo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCHFbXH8ZWlfUK-3C7qxJZV20WN_EvgTQ8iuZKBYlq2P4ZPRNEpSyYhyphenhyphenq8xvBU8ftmgHXBCuWiD5KBjqKIyWqaN4GN8wd8HvlfxyMLRabn-kcmPjdJcipxudVaKweVXEVXSdpVNRZm48U/w400-h231/Jumbo.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>A METAMORFOSE DOS PASSAROS (THE METAMORPHOSIS OF BIRDS</b><br />Catarina Vasconcelos (Portogallo, 2020)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL9h2p70eFRVruFxvo-aLE2DcCrQHF-JPYJw9xyDCFxW0C7sXwXj-tQv5N98f1HGmu5_YY203Rp-zIcLw1BfWcmX6Xrj_oB7tWuhPz-YZURJPCRKbpMYnmDVFKaec485OkztEeEIrsIoQ/s520/The+Metamorphosis+of+Birds.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL9h2p70eFRVruFxvo-aLE2DcCrQHF-JPYJw9xyDCFxW0C7sXwXj-tQv5N98f1HGmu5_YY203Rp-zIcLw1BfWcmX6Xrj_oB7tWuhPz-YZURJPCRKbpMYnmDVFKaec485OkztEeEIrsIoQ/w400-h231/The+Metamorphosis+of+Birds.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>ZOMBI CHILD</b><br />Bertrand Bonello (Francia, Haiti, 2019)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaZ8aBEYIZxS1WcwBB4-6wRo9OX1OFAXpRfIzbgpM5OqXl7dSMIzu3x9kkzBNaC3vwQcL4_CO00mjxR55Wxz4f0I57hzyC586g599lCAnscg5lpvwlBo_kxXaO3GgaXUsdwxQYMX-hTjY/s520/Zombi+Child.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaZ8aBEYIZxS1WcwBB4-6wRo9OX1OFAXpRfIzbgpM5OqXl7dSMIzu3x9kkzBNaC3vwQcL4_CO00mjxR55Wxz4f0I57hzyC586g599lCAnscg5lpvwlBo_kxXaO3GgaXUsdwxQYMX-hTjY/w400-h231/Zombi+Child.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>A HIDDEN LIFE</b><br />Terrence Malick (USA, Germania, 2019)<b></b></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLLwg-gV_LqZeMdO_ucYi30UrOXcv0Sn8xwCdp7BdwVQy71DVkWX_KhFUYL5fjdgtcj9X28TS4yu_gPaPYM76hpxz44zi-oGu24L0iJUkcNKtqDpdI3b8Y3QPMMbmiwfL6sSCF61hJvsQ/s520/A+Hidden+Life.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLLwg-gV_LqZeMdO_ucYi30UrOXcv0Sn8xwCdp7BdwVQy71DVkWX_KhFUYL5fjdgtcj9X28TS4yu_gPaPYM76hpxz44zi-oGu24L0iJUkcNKtqDpdI3b8Y3QPMMbmiwfL6sSCF61hJvsQ/w400-h231/A+Hidden+Life.jpg" width="400" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>PROXIMA</b><br />Alice Winocour (Francia, Germania, 2019)<b></b></span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-rxf-185ZUyxJQHyU6QXrHNx4gD9dGnLrno7EoT3Lt1Ijqh9ttkot8hCHoBNVsNchwO-EZX-Glc9Z5JGrrh99GWUI365tK2B89nfBP5hZBuvUY50HyF-0NA-PWFggl1w9g8SAYKL6IwY/s520/Proxima.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-rxf-185ZUyxJQHyU6QXrHNx4gD9dGnLrno7EoT3Lt1Ijqh9ttkot8hCHoBNVsNchwO-EZX-Glc9Z5JGrrh99GWUI365tK2B89nfBP5hZBuvUY50HyF-0NA-PWFggl1w9g8SAYKL6IwY/w400-h231/Proxima.jpg" width="400" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>THE PAINTED BIRD</b><br />Václav Marhoul (Repubblica Ceca, Polonia, 2019)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg43bUq9tnjrOnMXBU238vPBfoniwA9_W_BJLZmTdXqFvwWs9alTRyvxXv6fcHK88-spj0nLZ8wNQXSZUuPZuQuAoiXxw6OVtGV4mFbXkgL2fjWQjP2lfcihtkjNXxwWq-CcNeysWkWjWY/s520/The+Painted+Bird.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg43bUq9tnjrOnMXBU238vPBfoniwA9_W_BJLZmTdXqFvwWs9alTRyvxXv6fcHK88-spj0nLZ8wNQXSZUuPZuQuAoiXxw6OVtGV4mFbXkgL2fjWQjP2lfcihtkjNXxwWq-CcNeysWkWjWY/w400-h231/The+Painted+Bird.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>SPACE DOGS</b><br />Elsa Kremser, Levin Peter (Austria, Germania, 2019)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitCm86zpecXDXzVRMcFrWsOYdWtaA3kOXOUiqxfW9lGQf2cXBYX1VAi0y9H9NARcIsJaKmyQOhxLRcXV-OGvoM8mW8wSW9g_SBmo7t3OE0_ihF0-8Wm0PkL0qFn7LfFuwjyGGjuDzsN88/s520/Space+Dogs.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitCm86zpecXDXzVRMcFrWsOYdWtaA3kOXOUiqxfW9lGQf2cXBYX1VAi0y9H9NARcIsJaKmyQOhxLRcXV-OGvoM8mW8wSW9g_SBmo7t3OE0_ihF0-8Wm0PkL0qFn7LfFuwjyGGjuDzsN88/w400-h231/Space+Dogs.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>RELIC</b><br />Natalie Erika James (Australia, 2020)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguQl-d8om8TUax2yHLhbw7UZXZ8Q_QYgMjz0YLJKr34twV2LH_e5_wNennJb7sjId38LPEHukA4gIQVLBYRKYCoNBMuqIK0ZUoDGXAG-47-UJ4JCxd861t5G3ZcxrzrGNo3fF0scOvYH8/s520/Relic.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguQl-d8om8TUax2yHLhbw7UZXZ8Q_QYgMjz0YLJKr34twV2LH_e5_wNennJb7sjId38LPEHukA4gIQVLBYRKYCoNBMuqIK0ZUoDGXAG-47-UJ4JCxd861t5G3ZcxrzrGNo3fF0scOvYH8/w400-h231/Relic.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>MUSARANAS (Shrew’s Nest)</b><br />Juanfer Andrés, Esteban Roel (Spagna, 2014)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij4XeqLvp6eJTQKE-b-h4FchsfA19lveM-vLo5QKiPCje_90asVhuAGmQD2mZCmk2LIVesFQSo3glFx7j5B7e_WAOSPUv57mt_J2pWluBURTEHxKNaIARMz8b0dl7RGm-FMB96qyb3K4Q/s520/Musaranas.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij4XeqLvp6eJTQKE-b-h4FchsfA19lveM-vLo5QKiPCje_90asVhuAGmQD2mZCmk2LIVesFQSo3glFx7j5B7e_WAOSPUv57mt_J2pWluBURTEHxKNaIARMz8b0dl7RGm-FMB96qyb3K4Q/w400-h231/Musaranas.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>THE IMPOSSIBLE PICTURE</b><br />Sandra Wollner (Germania, Austria, 2016)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1YT8xcTM89JU5KnFNZ4LF6C4k6EXjF2yj9aAk_heUUYYib6VLCVZ5XY8VZZu9jlYBBRh5hibTqM4OjXgVSOo60XgFzlEpNywqoaV3WrJpwGydARIekkOeQw-4nrADa_VV7EykZvEx_Vo/s520/The+Impossible+Picture.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1YT8xcTM89JU5KnFNZ4LF6C4k6EXjF2yj9aAk_heUUYYib6VLCVZ5XY8VZZu9jlYBBRh5hibTqM4OjXgVSOo60XgFzlEpNywqoaV3WrJpwGydARIekkOeQw-4nrADa_VV7EykZvEx_Vo/w400-h231/The+Impossible+Picture.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>CHERRY PIE</b><br />Lorenz Merz (Svizzera, 2013)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBCoMwkSPbVWYxz0kF6nUYWNm8XxEM0LZrM4YbKqpdBVs2ZBcsfPJjgzICEVyb7tbzdQJlcEislSxd2JI0wRC4d0jFe1YsHdAOCU8EXJqVeX2cyMjv744LExxMsIDM9dl2FqXKhAXqBrE/s520/Cherry+Pie.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBCoMwkSPbVWYxz0kF6nUYWNm8XxEM0LZrM4YbKqpdBVs2ZBcsfPJjgzICEVyb7tbzdQJlcEislSxd2JI0wRC4d0jFe1YsHdAOCU8EXJqVeX2cyMjv744LExxMsIDM9dl2FqXKhAXqBrE/w400-h231/Cherry+Pie.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>DULCINEA</b><br />Luca Ferri (Italia, 2018)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOmWjJQMXo_0a_YUIhwO6tW_ARW7hyphenhyphensNy5Wa3d1sC_fGoMGm2xgfxr4aAic3t8kF2fjNVmDWs6QUL8KAk_M45vgqRxhHB1nSFgvsc00srUZyFyWABpPXHflqQ71-yEgQNTDM49ajsFg9c/s520/Dulcinea.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOmWjJQMXo_0a_YUIhwO6tW_ARW7hyphenhyphensNy5Wa3d1sC_fGoMGm2xgfxr4aAic3t8kF2fjNVmDWs6QUL8KAk_M45vgqRxhHB1nSFgvsc00srUZyFyWABpPXHflqQ71-yEgQNTDM49ajsFg9c/w400-h231/Dulcinea.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>DEMONS</b><br />Daniel Hui (Singapore, 2018)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyat6lsMZ2uxG3zOYOsmcPxoYWjIoFUsqb_1eJN3ilOOEhQ3-mKITpk6RFHwUujgbNsfnO9O0F6nvuz4HNG975Wg2-4xoHZ8PIMWhoKBBJmcjvhjvXahBu-t1uw7d7GXoL1CtkFQWbbTw/s520/Demons.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyat6lsMZ2uxG3zOYOsmcPxoYWjIoFUsqb_1eJN3ilOOEhQ3-mKITpk6RFHwUujgbNsfnO9O0F6nvuz4HNG975Wg2-4xoHZ8PIMWhoKBBJmcjvhjvXahBu-t1uw7d7GXoL1CtkFQWbbTw/w400-h231/Demons.jpg" width="400" /></a></span></div><span style="font-family: arial;"><span style="font-size: medium;"><b> </b></span></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><b>LAMPEDUSA</b><br />Peter Schreiner (Austria, 2015)<br /></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgODim8ci26ERC21rmbAyJ2PrM34dl3DVnqXVT0mzEKu5a8Eepgaa68BSfF-l1rvmpGjOM2YohdvS1053LtnBPpTW7vi_8mqZ2bRcC9_xYoKcB_S6N5UT3Nyqe6Nxrf3U9SkwiSFuBoHUk/s520/Lampedusa.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgODim8ci26ERC21rmbAyJ2PrM34dl3DVnqXVT0mzEKu5a8Eepgaa68BSfF-l1rvmpGjOM2YohdvS1053LtnBPpTW7vi_8mqZ2bRcC9_xYoKcB_S6N5UT3Nyqe6Nxrf3U9SkwiSFuBoHUk/w400-h231/Lampedusa.jpg" width="400" /></a></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-family: arial;"><span style="color: #6dc8eb;"><br /></span></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="color: #3d85c6;"><span style="font-family: arial;"><span><b><u><span style="font-size: large;">TOP 10</span></u></b></span></span></span><br /></span></div><p></p><p style="text-align: center;"><span style="font-family: arial;"><b><i>10</i><br /><span style="font-size: large;">NEW OLD</span></b><span style="font-size: large;"><br />Pierre Clémenti (Francia, 1979)</span></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDJUUkukNsaDsJOnkxlH8KolmdO26LD9r_uOhgTeX68TARrHtDvGoM3IB1Tt2yN01322kfbPdHC0yCOx5KxwP4zY6IdJrh61LoBD3Ph3PwiZUUcyCi92viPxJQtMHaVk1XOJmiod3fh60/s520/New+Old.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDJUUkukNsaDsJOnkxlH8KolmdO26LD9r_uOhgTeX68TARrHtDvGoM3IB1Tt2yN01322kfbPdHC0yCOx5KxwP4zY6IdJrh61LoBD3Ph3PwiZUUcyCi92viPxJQtMHaVk1XOJmiod3fh60/s16000/New+Old.jpg" /></a></div><span style="font-family: arial;"><b><i> </i></b></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><b><i>9</i><br /><span style="font-size: large;">BLACK MOTHER</span></b><span style="font-size: large;"><br />Khalik Allah (USA, 2018)</span></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKa8b1nSFBCKn6ju69mfijdo2uWEIfvhAGmk7I0c8C-K2CedwKhmeVw-KQ7-dklgAoHiuvpssgCy03BEYbp4ZqfDOo-UqQ2K121WlmWhdLJvQlquQ0kHOekCSkDud4ZNGwnfiMEVbHzJM/s520/Black+Mother.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKa8b1nSFBCKn6ju69mfijdo2uWEIfvhAGmk7I0c8C-K2CedwKhmeVw-KQ7-dklgAoHiuvpssgCy03BEYbp4ZqfDOo-UqQ2K121WlmWhdLJvQlquQ0kHOekCSkDud4ZNGwnfiMEVbHzJM/s16000/Black+Mother.jpg" /></a></div><span style="font-family: arial;"><b><i> </i></b></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><b><i>8</i><span style="font-size: large;"><br />SISTERS WITH TRANSISTORS</span></b><span style="font-size: large;"><br />Lisa Rovner (UK, 2020)</span></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwLYwdR2EMxYrRLqBQ0Pg7aiKqqcPWuoF7MlbtYFolN-q3dWO8bjhI6PQwpoS5rirVbupsqTKSlM6crVCdxo9TIy21SEZq0ZqocIcc-QCvOlwMd-KKFalXnwDa-9RGDrsf9SwCfDA31MY/s520/Sisters+with+Transistors.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwLYwdR2EMxYrRLqBQ0Pg7aiKqqcPWuoF7MlbtYFolN-q3dWO8bjhI6PQwpoS5rirVbupsqTKSlM6crVCdxo9TIy21SEZq0ZqocIcc-QCvOlwMd-KKFalXnwDa-9RGDrsf9SwCfDA31MY/s16000/Sisters+with+Transistors.jpg" /></a></div><span style="font-family: arial;"><b><i> </i></b></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><b><i>7</i> <br /><span style="font-size: large;">POSSESSOR</span></b><span style="font-size: large;"><br />Brandon Cronenberg (Canada, UK, 2020)</span></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9K0fUodiLr0vcvI6XPjfRc_NIwWPuVkZ9z98pKgcPTjBiKYWjCvKf-Lt-ACOPG-XNqdmHfjZqNeJSvqd1HjQNnuFAdOwjecIQhui3ynBhN3FRtfcZCkSfbydFwCDL9bR29qXEY_VKz8o/s520/Possessor.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9K0fUodiLr0vcvI6XPjfRc_NIwWPuVkZ9z98pKgcPTjBiKYWjCvKf-Lt-ACOPG-XNqdmHfjZqNeJSvqd1HjQNnuFAdOwjecIQhui3ynBhN3FRtfcZCkSfbydFwCDL9bR29qXEY_VKz8o/s16000/Possessor.jpg" /></a></div><span style="font-family: arial;"><b><i> </i></b></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><b><i>6</i><br /><span style="font-size: large;">CEMETERY</span></b><span style="font-size: large;"><br />Carlos Casas (Francia, UK, 2019)</span></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihGTPOEngomkKxTCJHW5s-cnye_zeCPXxMkSAlm1MkPtGf98FP-gHsUEm4FLfKWTLmhIP-b5c9sE62VCgPFIMi9OoZVV1KOXadEhozm2CXX_7nRITMaiJLkh5I8KgusXkcv8xlWeqwQr0/s520/Cemetery.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihGTPOEngomkKxTCJHW5s-cnye_zeCPXxMkSAlm1MkPtGf98FP-gHsUEm4FLfKWTLmhIP-b5c9sE62VCgPFIMi9OoZVV1KOXadEhozm2CXX_7nRITMaiJLkh5I8KgusXkcv8xlWeqwQr0/s16000/Cemetery.jpg" /></a></div><span style="font-family: arial;"><b><i> </i></b></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><b><i>5</i><br /><span style="font-size: large;">LIBERTÈ</span></b><span style="font-size: large;"><br />Albert Serra (Francia, Portogallo, 2019)</span></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGNIgT2T1uTlkyCGHRp9rxagFt7JcgbMvQ7raF31F08rSSvLFoB_D4Mm7Z40W3YlG4r7UYhFMENNNOLHaOMH4wcSRd-ZWC6lPHtjElTdELCqgOuxDUC7uX9se3vO4CYOrBYI3hpO0f8ao/s520/Liberte.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGNIgT2T1uTlkyCGHRp9rxagFt7JcgbMvQ7raF31F08rSSvLFoB_D4Mm7Z40W3YlG4r7UYhFMENNNOLHaOMH4wcSRd-ZWC6lPHtjElTdELCqgOuxDUC7uX9se3vO4CYOrBYI3hpO0f8ao/s16000/Liberte.jpg" /></a></div><span style="font-family: arial;"><b><i> </i></b></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><b><i>4</i><span style="font-size: large;"><br />THE TROUBLE WITH BEING BORN</span></b><span style="font-size: large;"><br />Sandra Wollner (Austria, Germania, 2020)</span></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBjT75ZkS56b8NpjfpB1nRqPntFuNphK9wLzM9Oy7G22ATHSMe_cZbFcZW6IqK8zzhYBkm9OT-TmI5b_CgIi432LX81Yn9lwi-qM7raetEFOS9kWHrwvwyh7YTpTDVWFxGTf0h_HvNZ-o/s520/Trouble+with+being+born.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBjT75ZkS56b8NpjfpB1nRqPntFuNphK9wLzM9Oy7G22ATHSMe_cZbFcZW6IqK8zzhYBkm9OT-TmI5b_CgIi432LX81Yn9lwi-qM7raetEFOS9kWHrwvwyh7YTpTDVWFxGTf0h_HvNZ-o/s16000/Trouble+with+being+born.jpg" /></a></div><span style="font-family: arial;"><b><i> </i></b></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><b><i>3</i><br /><span style="font-size: large;">SEDUCAO DA CARNE</span></b><span style="font-size: large;"><br />Júlio Bressane (Brasile, 2018)</span><b></b></span></p><p style="text-align: center;"><span style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAEsCHe8LofRGyFj1VEackkK1eNJ4YEYZI00Dyi1JRH7rx58RMKrAmzBGlHz7opYNgUbMe3_jqFnsWD1j9Z5XTUfh2umcRAJLuOFwbXdquRRFRWKqx0JoBDGv22aQ0GEVJnU4dMfuA28Y/s520/Seducao+da+Carne.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAEsCHe8LofRGyFj1VEackkK1eNJ4YEYZI00Dyi1JRH7rx58RMKrAmzBGlHz7opYNgUbMe3_jqFnsWD1j9Z5XTUfh2umcRAJLuOFwbXdquRRFRWKqx0JoBDGv22aQ0GEVJnU4dMfuA28Y/s16000/Seducao+da+Carne.jpg" /></a></span></div><span style="font-family: arial;"><b><i> </i></b></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><b><i>2</i><br /><span style="font-size: large;">LUA VERMELLA (RED MOON TIDE)</span></b><span style="font-size: large;"><br />Lois Patiño (Spagna, 2020)</span></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcmhu9ifXaMYIP3Ls3ZcsraVD0mvFsBkD8F7vouellom_lxB7wh6TmQr5gS_YPbl_G47REqr6CeAhe_Hfl6R2qaTxdt24DBlL_8xt7TQIUoCd8541Gk5oLaPFY_5y7MTvVkTJ5lUI5P78/s520/Lua+Vermella.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcmhu9ifXaMYIP3Ls3ZcsraVD0mvFsBkD8F7vouellom_lxB7wh6TmQr5gS_YPbl_G47REqr6CeAhe_Hfl6R2qaTxdt24DBlL_8xt7TQIUoCd8541Gk5oLaPFY_5y7MTvVkTJ5lUI5P78/s16000/Lua+Vermella.jpg" /></a></div><span style="font-family: arial;"><b><i> </i></b></span><p></p><p style="text-align: center;"><span style="font-family: arial;"><b><i>1</i><br /><span style="font-size: large;">RIVER OF FUNDAMENT</span></b><span style="font-size: large;"><br />Matthew Barney (USA, 2014)</span></span></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: large;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLz3GAl68OLJfpXS5Ol5QaiHuB_1uxYlO41LEP0eKZ_bEXg0NgAzeunRN0Drs2lx-ZCktzFPNx7RNiX0vTmKSP50LjFugbR1L4j3Akp-DCzJuPTCd5bzIKMv5gQHkvxR9dnCjrxO6o7FU/s520/River+of+Fundament+3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLz3GAl68OLJfpXS5Ol5QaiHuB_1uxYlO41LEP0eKZ_bEXg0NgAzeunRN0Drs2lx-ZCktzFPNx7RNiX0vTmKSP50LjFugbR1L4j3Akp-DCzJuPTCd5bzIKMv5gQHkvxR9dnCjrxO6o7FU/s16000/River+of+Fundament+3.jpg" /></a></span></span></div></div><div><p></p><p style="text-align: center;"><span style="font-family: arial;"><span style="font-size: large;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWsh2qG5D8rFt0xLPyA9ITaP_XJ6sVpm8nDV2jaPrJUZSiY3NNSq6vjnnrIKUuxuelnjrw0ARny300YIXrpl5iRNegxpxHBC_2zIIaxjOgmOOYgU481VxATopUR1LoDzmmNgg_YcQwESg/s520/River+of+Fundament.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWsh2qG5D8rFt0xLPyA9ITaP_XJ6sVpm8nDV2jaPrJUZSiY3NNSq6vjnnrIKUuxuelnjrw0ARny300YIXrpl5iRNegxpxHBC_2zIIaxjOgmOOYgU481VxATopUR1LoDzmmNgg_YcQwESg/s16000/River+of+Fundament.jpg" /></a></span></span></div><p></p></div>ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com0tag:blogger.com,1999:blog-3124748050714619465.post-83539707284737497292020-12-30T17:09:00.001+01:002020-12-30T17:10:19.890+01:00Resoconti VIS #20: Short Films | Archivio Cortometraggi (visti nel 2020)<p><span style="font-family: arial;"><b></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwprp_ppWNPHYVHzisC5d-u03sdIOk5g2HeB_LqmGDdmOJuT9lQLg067AOmp4DaJuivX8AwWW66NDIFxJFxD8mkOGQ1-STh2df-AXPDLkEPOih7rCm02T8sBtrLg76yR6dtLZpyUbwo2g/s513/Post+Testata+Short.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwprp_ppWNPHYVHzisC5d-u03sdIOk5g2HeB_LqmGDdmOJuT9lQLg067AOmp4DaJuivX8AwWW66NDIFxJFxD8mkOGQ1-STh2df-AXPDLkEPOih7rCm02T8sBtrLg76yR6dtLZpyUbwo2g/s16000/Post+Testata+Short.jpg" /></a></b></span></div><span style="font-family: arial;"><b><br /> </b></span><p></p><p><span style="font-family: arial;"><b> </b></span></p><p><span style="font-family: arial;"><b> </b></span></p><p><span style="font-family: arial;"><b> </b></span></p><p><span style="font-family: arial;"><b> </b></span></p><p><span style="font-family: arial;"><b> </b></span></p><p><span style="font-family: arial;"><b><span></span></b></span></p><a name='more'></a><span style="font-family: arial;"><b> </b></span><p></p><div style="text-align: center;"><span style="font-family: arial;"><b>RED ANINSRI; OR, TIPTOEING ON THE STILL TREMBLING BERLIN WALL </b>- Ratchapoom Boonbunchachoke (Tailandia, 2020)<b><br />INSIDE THE SHARED LIFE </b>- Erin Espelie (USA, 2017)<b><br />THE INNARDS </b>– Renato Sircilli (Brasile, 2020)<b><br />NIKS TEGEN KEES ZEGGEN </b>- Ari Deelder, Willem Weemhoff (Olanda, 2007)<b><br />SUNSETS EVERYDAY </b>- Basir Mahmood (Italia, 2020)<b><br />THE PLACE OF HAPPINESS (Il posto della felicità) </b>- Aliosha Massine (Italia, 2020)<b><br />AB OVO </b>– Luca Ferri (Italia, 2017)<b><br />THE SKIN IS GOOD </b>- Anja Dornieden, Juan David González Monroy (Germania, 2018)<b><br />DOMESTICATION </b>– Silvia Giambrone (Italia, 2020)<b><br />AUBADE </b>– Nathaniel Dorsky (USA, 2010)<b><br />EL LABERINTO </b>- Laura Huertas Millán (Francia, Colombia, 2018)<b><br />I HOPE I’M LOUD WHEN I’M DEAD </b>– Beatrice Gibson (UK, Italia, 2018)<b><br />THE STAGGERING GIRL </b>– Luca Guadagnino (Italia, 2019)<b><br />PUCHUNCAVI </b>- Jeannette Muñoz (Cile, 2014)<b><br />PARALYS </b>- John Boisen, Björn Fävremark (Svezia, 2016)<b><br />NOTES FROM THE FARM </b>- Caryn Cline (USA, 2015)<b><br />ADRIFT </b>- Inger Lise Hansen (UK, Norvegia, 2003)<b><br />BEDDING DOWN </b>- Lucien Castaing-Taylor (USA, UK, 2012)<b><br />THE BURNING MOUNTAIN </b>- Gürcan Keltek (Olanda, 2014)<b><br />TEENLAND </b>- Marie Grahtø Sørensen (Danimarca, Germania, 2014)<b><br />DAILY ROUTINE </b>– Masbedo (Italia)<b><br />NEVE IN PRIMAVERA </b>- Edoardo Sandulli (Italia, 2020)<b><br />DE OYLEM IZ A GOYLEM </b>– Omer Fast (Austria, Germania, 2020)<b><br />THE DIGGER (AL HAFFAR) </b>– Ali Cherri (Lebanon, Francia, 2015)<b><br />JEAN LUC NANCY </b>- Antoinette Zwirchmayr (Austria, 2018)<b><br />THE FALL </b>– Jonathan Glazer (UK, 2019)<b><br />PRESENTE </b>– Valentina Furian (2018)<b><br />BARBIE </b>- Tina L'Hotsky (USA, 1977)<b><br />REMEMBRANCE A PORTRAIT OF STUDY -</b> Edward Owens (USA, 1967)<b><br />ANSWER PRINT </b>- Mónica Savirón (USA, 2016)<b><br />PAPA’ AMORE MIO </b>– Giulia Siniscalchi (Italia, 2020)<b><br />WEEP THE HEADLESS MADNESS OF THESE FIELDS (Lloren la locura perdida de estos campos) </b>– Alex Piperno (Argentina, 2019)<b><br />UNTITLED </b>- Antoinette Zwirchmayr (Austria, 2012)<b><br />ATOMIC GARDEN </b>– Ana Vaz (Brasile, Portogallo, 2018)<b><br />SONZAI ZONE </b>- Emilia Tapprest (2019)<b><br />DRIFT </b>- Flora Nakazone (Brasile, 2020)<b><br />APNEA </b>- Irene Dorigotti (Italia, 2020)<b><br />WORDS, PLANETS </b>– Laida Lertxundi (USA, 2018)<b><br />WASTELAND NO.2: HARDY, HEARTY </b>- Jodie Mack (USA, 2019)<b><br />WOMEN I LOVE </b>– Barbara Hammer (USA, 1976)<b><br />UN MONDO MEGLIO CHE NIENTE </b>– Pongide Cobol, Marco Santarelli (Italia, 2012)<b><br />BLEU </b>- Marc Hurtado, Éric Hurtado (Francia, 1994)<b><br />A TRAMA E O CIRCULO (THE MESH AND THE CIRCLE) </b>- Francisco Queimadela, Mariana Caló (Portogallo, Italia, 2014)<b><br />MONSTRUO DIOS </b>- Agustina San Martín (Argentina, 2019)<b><br />BECOMING ALLUVIUM </b>- Thao Nguyen Phan (Vietnam, 2019)</span><br /></div><div style="text-align: center;"><span style="font-family: arial;"><span style="color: #ff7054;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: arial;"><span style="color: #ff7054;"><span style="font-size: large;"><u><b>Eletti</b></u></span></span><span style="font-size: medium;"><br /><br /><b>HISTORY OF A TREE</b><br />Flatform (Italia, 2020) </span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizSpy9LIky8TAreHGSTloVcNKolJLvAdsOfQH3aeAGKTrlMkbYJbHgsl6096ItQpJlib65JQm1AyovXsBVY0_Yv7h3bQqAEvHQ90dAIcsLTO3h_NC-djF4YKeSAGpJbakqvueFsV7rjvQ/s520/History+of+a+Tree.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizSpy9LIky8TAreHGSTloVcNKolJLvAdsOfQH3aeAGKTrlMkbYJbHgsl6096ItQpJlib65JQm1AyovXsBVY0_Yv7h3bQqAEvHQ90dAIcsLTO3h_NC-djF4YKeSAGpJbakqvueFsV7rjvQ/w400-h231/History+of+a+Tree.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>BLOOD SIGN N. 2, BODY TRACKS</b><br />Ana Mendieta (Cuba, 1974)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG0OPElgRq4u9f2eTG17kwq-9jG9X701NI2i1o2USOkvc-nJWXHctkP1H4B-6IjbhOuDPtSkz3PK6v56XTSlbjC3dFp1lqTW_uZV5AA0Cpn2Qu-bsxQk4SVbLE1uX0u-02VEhl4vvyilk/s520/Blood+Sign+Body+Track.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG0OPElgRq4u9f2eTG17kwq-9jG9X701NI2i1o2USOkvc-nJWXHctkP1H4B-6IjbhOuDPtSkz3PK6v56XTSlbjC3dFp1lqTW_uZV5AA0Cpn2Qu-bsxQk4SVbLE1uX0u-02VEhl4vvyilk/w400-h231/Blood+Sign+Body+Track.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>STRAY</b><br />Jonas Brinker (Egitto, 2020)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJXh7lqfXIZzBindr5VPPq99nnt82ZHzGujeTqAL4sz2xuoMIkU52PFRLiUdGezhugXybdadLFCDYvKOxf8u_KT6wgmba98DPN8N7IK0sv0BfMRZFcSw6clFLlnv1RjRYOJ0rHRueUTtE/s520/Stray.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJXh7lqfXIZzBindr5VPPq99nnt82ZHzGujeTqAL4sz2xuoMIkU52PFRLiUdGezhugXybdadLFCDYvKOxf8u_KT6wgmba98DPN8N7IK0sv0BfMRZFcSw6clFLlnv1RjRYOJ0rHRueUTtE/w400-h231/Stray.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>DE NATURA</b><br />Lucile Hadzihalilovic (Romania, Francia, 2018)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2a-_uF0_4wNYpYrF5KuFJQhkW4OAGHT7Gqz4svNSOWz6sXXgvbUkS7rvfPtao2jiYQ_1X6PxJR_ExaedTewIh490WWSnC8aifNRPlK9qT-IlNM5HKiidr79VQoa_fV1muOigbHPkPKOc/s520/De+Natura.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2a-_uF0_4wNYpYrF5KuFJQhkW4OAGHT7Gqz4svNSOWz6sXXgvbUkS7rvfPtao2jiYQ_1X6PxJR_ExaedTewIh490WWSnC8aifNRPlK9qT-IlNM5HKiidr79VQoa_fV1muOigbHPkPKOc/w400-h231/De+Natura.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>DAIMI</b><br />Marie Grahtø Sørensen (Danimarca, 2012)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8JF2usHoelfod9qniHDHVbR6onbchZYBHZLb2SXHnQmyrOtJMw-KEID8LVp3C9XMgCcmnvymC87oflvXVX17r7_ECG1CxAELrSklGhjjWHmFaBis20Zg4SB3qlm_ZcCAFaqRWqDBtJCQ/s520/Daimi.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8JF2usHoelfod9qniHDHVbR6onbchZYBHZLb2SXHnQmyrOtJMw-KEID8LVp3C9XMgCcmnvymC87oflvXVX17r7_ECG1CxAELrSklGhjjWHmFaBis20Zg4SB3qlm_ZcCAFaqRWqDBtJCQ/w400-h231/Daimi.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>COMFORT STATIONS</b><br />Anja Dornieden, Juan David González Monroy (Germania, 2018)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcTiVDfMg8XhfrMQTnH_cHxRhluksdA8fjmY1-ZHN2japDvIOzx95SziE1MtMPgrmUAV0sSYlkZPsO-dWajUZy8KmkF9TPaMm9bPHx8z6bB7L6W6kyVIaz_tbst73LhcO2P23WrR6iKbg/s520/Comfort+Station.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcTiVDfMg8XhfrMQTnH_cHxRhluksdA8fjmY1-ZHN2japDvIOzx95SziE1MtMPgrmUAV0sSYlkZPsO-dWajUZy8KmkF9TPaMm9bPHx8z6bB7L6W6kyVIaz_tbst73LhcO2P23WrR6iKbg/w400-h231/Comfort+Station.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>VILLATALLA</b><br />Jeannette Muñoz (Svizzera, Cile, 2011)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB-iU3OYhur-LQEpPaRxPS40IOzboyTAVdiNUjxcvW_uN9zjhwvYJuFBTMN3RMzk0dARwoUsrjNCDA-uxxNV5GlJuvTqmy4x6DzzHgQH3puMsY1reYTAf5OSw-HSHpm3eZUR-7g1dil5M/s520/Villatalla.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB-iU3OYhur-LQEpPaRxPS40IOzboyTAVdiNUjxcvW_uN9zjhwvYJuFBTMN3RMzk0dARwoUsrjNCDA-uxxNV5GlJuvTqmy4x6DzzHgQH3puMsY1reYTAf5OSw-HSHpm3eZUR-7g1dil5M/w400-h231/Villatalla.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>IN ITS FORM ASLEEP</b><br />Antoinette Zwirchmayr (Austria, 2016)<b></b></span></span></div><div style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz-eM-FBrvnwLerSKnImFIFPJtogo6Nt0K3-8chk8_a-Z_GFmbTY_rbtZcUwWIvMdKQz7Nol6YKwumWfBmftk1suwBkZINjOH1DsVs9olKPc9hPfIIgFAY5si_NWtau_yMQoRDlVrT2e0/s520/In+its+form+asleep.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz-eM-FBrvnwLerSKnImFIFPJtogo6Nt0K3-8chk8_a-Z_GFmbTY_rbtZcUwWIvMdKQz7Nol6YKwumWfBmftk1suwBkZINjOH1DsVs9olKPc9hPfIIgFAY5si_NWtau_yMQoRDlVrT2e0/w400-h231/In+its+form+asleep.jpg" width="400" /></a></div><b><br />VENUS DELTA</b><br />Antoinette Zwirchmayr (Austria, 2016)<b></b></span></span></div><div style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkDTikw9WlHIbw20dQiDDxLU_24X-1KArCdB9N9hyaYganOCpWQj4HTefJ2CSb-SDL-mcX08duD_etA5_Ln5tw2tChvmEwySRaps6dRb5ibOd_H_P3UP7nQW9tlQta4IB6Amx_GDI8_UQ/s520/Venus+Delta.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkDTikw9WlHIbw20dQiDDxLU_24X-1KArCdB9N9hyaYganOCpWQj4HTefJ2CSb-SDL-mcX08duD_etA5_Ln5tw2tChvmEwySRaps6dRb5ibOd_H_P3UP7nQW9tlQta4IB6Amx_GDI8_UQ/w400-h231/Venus+Delta.jpg" width="400" /></a></div><b><br />THIS IS NOT A SONG OF HOPE</b><br />Daniel Aragão (Brasile, Olanda, 2016)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg363FbyJ34Y5kd6cxUjnKQjTbzZT62kJnQQjoX5MQiPh1ePX09EoDyZedqh2CRzQEylUYt_su9-3MX0O4Ri83JPBbQefIHuuUk842DW9d4SBRxrx5M2GFlARzS7JoBL3B3nuiXnHRv2OI/s520/This+is+not+a+song.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg363FbyJ34Y5kd6cxUjnKQjTbzZT62kJnQQjoX5MQiPh1ePX09EoDyZedqh2CRzQEylUYt_su9-3MX0O4Ri83JPBbQefIHuuUk842DW9d4SBRxrx5M2GFlARzS7JoBL3B3nuiXnHRv2OI/w400-h231/This+is+not+a+song.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>THE REMAINS</b><br />Manoj Babu Panta (Nepal, 2018)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifY0IeD3qEKeMb4w3rfOlZxbVWwvtYcE9axiAiQlu59udz8P_vgrT1Aocy_fHn9SmcFqjERvUZeRVWDwiacguFCzUHwueGtjr6oIESBpq0OOt97bQ5W4lEZz8uvUeayNiaY5BDEJc1wIs/s520/The+Remains.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifY0IeD3qEKeMb4w3rfOlZxbVWwvtYcE9axiAiQlu59udz8P_vgrT1Aocy_fHn9SmcFqjERvUZeRVWDwiacguFCzUHwueGtjr6oIESBpq0OOt97bQ5W4lEZz8uvUeayNiaY5BDEJc1wIs/w400-h231/The+Remains.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>CYCLOTHYMIA OF A LAND</b><br />Arash Hanaei (Iran, Francia, 2017)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-3P4jtdsEdL7rpDM5Z4EuCJol7oz0ziAblDssPKpWUJJkPjo3TuLoOLuyPCUN8noi37Qd2lso8foT3syrFBadqhuY1TCLkTxoqtjWkqc4s6k1_RMK0KjSvBnC_IjOqTEHnAczQFh7zAY/s520/Cyclothomia.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-3P4jtdsEdL7rpDM5Z4EuCJol7oz0ziAblDssPKpWUJJkPjo3TuLoOLuyPCUN8noi37Qd2lso8foT3syrFBadqhuY1TCLkTxoqtjWkqc4s6k1_RMK0KjSvBnC_IjOqTEHnAczQFh7zAY/w400-h231/Cyclothomia.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>MURCIÈLAGO</b><br />Claudia Claremi (Cuba, 2018)<b></b></span></span></div><div style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj61TCxkjvOfsmFBv5oREhaD77J6TYa1XwE0ftY9hyphenhyphenVWO079m71pxMy-pDXCFVptPiZMS-UvUIRe8haZvESIZoY_6L3llynM_cjkXc9Dm5PhwvAn3MS69X0wPY1LbazkwnwyqaOIJ5sWms/s520/Murcielago.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj61TCxkjvOfsmFBv5oREhaD77J6TYa1XwE0ftY9hyphenhyphenVWO079m71pxMy-pDXCFVptPiZMS-UvUIRe8haZvESIZoY_6L3llynM_cjkXc9Dm5PhwvAn3MS69X0wPY1LbazkwnwyqaOIJ5sWms/w400-h231/Murcielago.jpg" width="400" /></a></div><b><br />GESTURES OF COLLAPSE</b><br />Helen Anna Flanagan (UK, 2019)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6C-65lUF8oPEaLWNm-UnpaZIZppOAnUeFm3PGQH-k3vEYrfuiVTnKIdVMgG-P4yyOSsTBwvYAmRFQ3Jt8HK9vljTW_Vlw6ZYNkKzLVvNnpzRmzxZyIwlcV602hA9xfJJKmt57Woceq6g/s520/Gestures+of+Collapse.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6C-65lUF8oPEaLWNm-UnpaZIZppOAnUeFm3PGQH-k3vEYrfuiVTnKIdVMgG-P4yyOSsTBwvYAmRFQ3Jt8HK9vljTW_Vlw6ZYNkKzLVvNnpzRmzxZyIwlcV602hA9xfJJKmt57Woceq6g/w400-h231/Gestures+of+Collapse.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>BROUILLARD – PASSAGE #19</b><br />Alexandre Larose (Francia, 2015)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqB9sssG9EZ8GcjE3yzxkupKf5Z6Xldw1JMMyrE7zPWHREE-FIGB0lUhYghU4YDoPR55swOW59PR4pbP3hTpPjwsQLLq7_u1umID6pgqSUa92ZwgHSs01_GaxGdnqCy_tsPzK9-bvhqbU/s520/Brouillard+Passage+19.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqB9sssG9EZ8GcjE3yzxkupKf5Z6Xldw1JMMyrE7zPWHREE-FIGB0lUhYghU4YDoPR55swOW59PR4pbP3hTpPjwsQLLq7_u1umID6pgqSUa92ZwgHSs01_GaxGdnqCy_tsPzK9-bvhqbU/w400-h231/Brouillard+Passage+19.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>IL MONTE INTERIORE</b><br />Michele Sammarco (Italia, 2020)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisAmn-9xrVkUaM4bf3g6XknRNEMT_wvTporltqAuPPeD85xQdrsTzhq89io5aAVWVEp9rGVfsbuKuYyGXsz_ifWSgdOcli5Laqo8WYXZCkRFpLSK-UZcoNQX0_M5-tst2-rU8Lu_vpmt0/s520/Monte+interiore.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisAmn-9xrVkUaM4bf3g6XknRNEMT_wvTporltqAuPPeD85xQdrsTzhq89io5aAVWVEp9rGVfsbuKuYyGXsz_ifWSgdOcli5Laqo8WYXZCkRFpLSK-UZcoNQX0_M5-tst2-rU8Lu_vpmt0/w400-h231/Monte+interiore.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>SOON IT WILL BE DARK</b><br />Isabell Heimerdinger (Germania, 2020)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh26MrdUFOPrKg1QMXIeXC5N_jPnj5A-_M4cyG6TMmfuwIGmYmqrUQ3EFMMytoFHsXMJG5XjuvnwDe3O6AV3fMWeRyCVU5csQ3U_oW2P3OSZWD2YEun1yqG04CZHe0E-fjFz_ZpY8DT3V0/s520/Soon+it+will+be+dark.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh26MrdUFOPrKg1QMXIeXC5N_jPnj5A-_M4cyG6TMmfuwIGmYmqrUQ3EFMMytoFHsXMJG5XjuvnwDe3O6AV3fMWeRyCVU5csQ3U_oW2P3OSZWD2YEun1yqG04CZHe0E-fjFz_ZpY8DT3V0/w400-h231/Soon+it+will+be+dark.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>SAKHISONA</b><br />Prantik Basu (India, 2017)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijn2fCyL_LSCZjKSvHUM5OgX3bEYK_tTIixyreNcaMGLW4EriJGxI8l4zCJnh1G16kzK-8oC47Fwgj_iqyad8dGVBV3CEvEqWLjXvOVJ0aS-gNmiJzfrVkg1ZiR2frapdsutgE-NEWk0A/s520/Sakhisona.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijn2fCyL_LSCZjKSvHUM5OgX3bEYK_tTIixyreNcaMGLW4EriJGxI8l4zCJnh1G16kzK-8oC47Fwgj_iqyad8dGVBV3CEvEqWLjXvOVJ0aS-gNmiJzfrVkg1ZiR2frapdsutgE-NEWk0A/w400-h231/Sakhisona.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>DISSIPATIO</b><br />Filippo Ticozzi (Italia, 2020)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyUA72JSksc7HCKrKYwjbXKC8VqTmmq8as-gldPkTZK6guf7c6L0aQlj3lVxDQuBAC-sxe2BnGgYXwplP_CCxztNIEGAbQEwTZK2J2pe6i-a6PSsjdqPIOe53LkyY5XedWc9Hxw8eAv88/s520/Dissipatio.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyUA72JSksc7HCKrKYwjbXKC8VqTmmq8as-gldPkTZK6guf7c6L0aQlj3lVxDQuBAC-sxe2BnGgYXwplP_CCxztNIEGAbQEwTZK2J2pe6i-a6PSsjdqPIOe53LkyY5XedWc9Hxw8eAv88/w400-h231/Dissipatio.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>THE MALTESE CROSS MOVEMENT</b><br />Keewatin Dewdney (Canada, 1967)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrVMKLxv2zNI8G795cSqyU8uT9LMcBh7F14j5aZXf4Z8DQBZHfgDiMVjGVeiODCic94k_kNDkBOdt6Qt9_mOK74bnAajq7-t2ObPadPMxrfnajx3A0qvhd0w46swDiLq-bZJIRvXZXIT0/s520/The+Maltese+Cross.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrVMKLxv2zNI8G795cSqyU8uT9LMcBh7F14j5aZXf4Z8DQBZHfgDiMVjGVeiODCic94k_kNDkBOdt6Qt9_mOK74bnAajq7-t2ObPadPMxrfnajx3A0qvhd0w46swDiLq-bZJIRvXZXIT0/w400-h231/The+Maltese+Cross.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>VILLE MARIE</b><br />Alexandre Larose (Canada, 2010)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2HyfJgT_i2twD5X6LBRuOXVu_qDGSxIfRzVBq8SGQvHqznpDY0QeZjNHDeil8JQhUbAPiuWHOtHZ5TTd6d_IBA4tDOtNOiJ8C5kAIk-ie2jPbx1NtuGsNJ3BSECwHxDEIrH4difeEg4U/s520/Ville+Marie.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2HyfJgT_i2twD5X6LBRuOXVu_qDGSxIfRzVBq8SGQvHqznpDY0QeZjNHDeil8JQhUbAPiuWHOtHZ5TTd6d_IBA4tDOtNOiJ8C5kAIk-ie2jPbx1NtuGsNJ3BSECwHxDEIrH4difeEg4U/w400-h231/Ville+Marie.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>SAINT BATHANS REPETITIONS</b><br />Alexandre Larose (Canada, 2016)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMzhHVsjagp3B_fJPU5eovPWLTw0BXDSvHiiLnktuv1bsvI_1jMi7X4b8nvF9UxeXEIomsetZIyTB-cljRPxDxukUP2VSb9JWqairpZG5PGzqjjCQNKTIPYqeUYCPb3ucv32XaBdOXlFw/s520/Saint+Bathan.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMzhHVsjagp3B_fJPU5eovPWLTw0BXDSvHiiLnktuv1bsvI_1jMi7X4b8nvF9UxeXEIomsetZIyTB-cljRPxDxukUP2VSb9JWqairpZG5PGzqjjCQNKTIPYqeUYCPb3ucv32XaBdOXlFw/w400-h231/Saint+Bathan.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>ALMOST NOTHING SO CONTINUES THE NIGHT</b><br />Davor Sanvincenti (Croazia, 2017)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOY_ebmp-EjMRsEwMVz3Fe5EAFzdNuH_NrSLEPjjt2PcoTZwrkMnzj3mO5QLVBOutdnshvca9Sb7n2armXbEPYO75-JvUCJ9zmOKwZYEUX3Z0SXdgmxeXMEqVGpM7n80NWHRSGyr472xc/s520/Almost+Nothing.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOY_ebmp-EjMRsEwMVz3Fe5EAFzdNuH_NrSLEPjjt2PcoTZwrkMnzj3mO5QLVBOutdnshvca9Sb7n2armXbEPYO75-JvUCJ9zmOKwZYEUX3Z0SXdgmxeXMEqVGpM7n80NWHRSGyr472xc/w400-h231/Almost+Nothing.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>BREATH LIGHT BIRTH</b><br />R. Bruce Elder (Canada, 1975)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi65OdlMqR7DpwGsUAx28WjXdAJxOVBPthR-1PqPQyGLwFW7JT_xkLCAYAr92ExnZ9u1CsDL_hNLDTN0kMst39bq4ncO3zXHb83DI79-ZNE07zAi-t4hQV-uf2ElBk6vsRH5oR8G6VxbLE/s520/BREATH+LIGHT+BIRTH.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi65OdlMqR7DpwGsUAx28WjXdAJxOVBPthR-1PqPQyGLwFW7JT_xkLCAYAr92ExnZ9u1CsDL_hNLDTN0kMst39bq4ncO3zXHb83DI79-ZNE07zAi-t4hQV-uf2ElBk6vsRH5oR8G6VxbLE/w400-h231/BREATH+LIGHT+BIRTH.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>FLUORESCENT GIRL</b><br />Janie Geiser (2018)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcX-rC4RQsLHDVq3FF0twW7E0HaKTClYDhSyzBkT7Osxnl78vlaX0IYU58WqsoljR_ArgfvhOWiLYTtHoLeL_l3OFuhmplXsifBK6-xOJ_nJFzbBZdpHBPB6Yh8AE7Ph8xeDR_yDuLA54/s520/Fluorescent+Girl.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcX-rC4RQsLHDVq3FF0twW7E0HaKTClYDhSyzBkT7Osxnl78vlaX0IYU58WqsoljR_ArgfvhOWiLYTtHoLeL_l3OFuhmplXsifBK6-xOJ_nJFzbBZdpHBPB6Yh8AE7Ph8xeDR_yDuLA54/w400-h231/Fluorescent+Girl.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>DREAM BOX</b><br />Jeroen Van Der Stock (Belgio, Giappone, 2017)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhehyphenhyphenGzggTPqQhrUc6EFBvXgJwqWfb_EC5112yAcxhGvgavRs5kiBSZaGk3Uw-edKaGrDJFUfLqhMmsidCWsYppPVyCWBxM1rgYMagKJKs2RvXq6UH02SiFMi5Cfz_qadT-qAiuFeSH4Zo/s520/Dream+Box.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhehyphenhyphenGzggTPqQhrUc6EFBvXgJwqWfb_EC5112yAcxhGvgavRs5kiBSZaGk3Uw-edKaGrDJFUfLqhMmsidCWsYppPVyCWBxM1rgYMagKJKs2RvXq6UH02SiFMi5Cfz_qadT-qAiuFeSH4Zo/w400-h231/Dream+Box.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>LANIAKEA</b><br />Riccardo Vaia, Cristina Pizzamiglio (Italia, 2020)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0Lt5Om-zzTPIHU_POezV0HzfXy7nAmN_o72w_nZagsRMU9cK_ByXqazOoQS8xFETGFVYbQY7UIhHS0ljDNV-hvuzLaj_8AI-2mhh6ZgxvfTu7dMjZ7TnHbFAw88hREC3NZSuaBbY1D4E/s520/Laniakea.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0Lt5Om-zzTPIHU_POezV0HzfXy7nAmN_o72w_nZagsRMU9cK_ByXqazOoQS8xFETGFVYbQY7UIhHS0ljDNV-hvuzLaj_8AI-2mhh6ZgxvfTu7dMjZ7TnHbFAw88hREC3NZSuaBbY1D4E/w400-h231/Laniakea.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>SIBILLA</b><br />Riccardo Vaia, Cristina Pizzamiglio (Italia, 2020)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhJxqIWPNqfolZHlzPkIOdlSlqnCEr6JewCTVujH4S0_iUs9kdqHGYkJYs7pSXUSFTMFhypzfXhXdPsjbWUEYlB3A4RgOFRDk3z7q72SayvW7QrqC6CgdQ1tMFa3uJzes6uhgwnmdTEUA/s520/Sibilla.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhJxqIWPNqfolZHlzPkIOdlSlqnCEr6JewCTVujH4S0_iUs9kdqHGYkJYs7pSXUSFTMFhypzfXhXdPsjbWUEYlB3A4RgOFRDk3z7q72SayvW7QrqC6CgdQ1tMFa3uJzes6uhgwnmdTEUA/w400-h231/Sibilla.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>BIRTH OF THE ALSEIDES</b><br />Erin Buelow (Canada, 2012)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeCJnztbnco-dbKPqT4g3B2-jVUKZ8hqf6mklIeiFDmW7jg95uAhTk0co8Xxyp7k-9q_wdbLQzu9dUZFTz_pJwf5Cw9i4fJE5Mjju3omQkn5epqnIsDkknVGRTe-etOAhl0MGsQBpvCmI/s520/Birth+of+the+Alsedeis.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeCJnztbnco-dbKPqT4g3B2-jVUKZ8hqf6mklIeiFDmW7jg95uAhTk0co8Xxyp7k-9q_wdbLQzu9dUZFTz_pJwf5Cw9i4fJE5Mjju3omQkn5epqnIsDkknVGRTe-etOAhl0MGsQBpvCmI/w400-h231/Birth+of+the+Alsedeis.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>HOUSE AND UNIVERSE</b><br />Antoinette Zwirchmayr (Austria, 2015)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWKj8AHJdhUsZd7dTvB7xNPilwMjzdokNiindHK96ZnHp0EZDKCnliwny1aR-vjO65EirZR2buyWR2HGQUW09wcz5o6VsTxfe0fp3YV8a5he_7Hu5fH31lH2XBDBlo9h5qPcMxaRC-e2c/s520/House+and+Universe.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWKj8AHJdhUsZd7dTvB7xNPilwMjzdokNiindHK96ZnHp0EZDKCnliwny1aR-vjO65EirZR2buyWR2HGQUW09wcz5o6VsTxfe0fp3YV8a5he_7Hu5fH31lH2XBDBlo9h5qPcMxaRC-e2c/w400-h231/House+and+Universe.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>NIGHT HORSE</b><br />Jeroen Van Der Stock (Belgio, Giappone, 2019)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL91Mta8FIHW3ko6Rs5C4wyQY1qZ0WkszrGyaOda8lFSB4fDiTH4zAZW-nHlv3W4W8aGHsz67vPRdkpNvdxj4VqWIdDzVNUzRAnEcDfCcA69tXTU9y3t2FYG_nIkP6J5DBA_Dg4qu3_20/s520/Night+Horse.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL91Mta8FIHW3ko6Rs5C4wyQY1qZ0WkszrGyaOda8lFSB4fDiTH4zAZW-nHlv3W4W8aGHsz67vPRdkpNvdxj4VqWIdDzVNUzRAnEcDfCcA69tXTU9y3t2FYG_nIkP6J5DBA_Dg4qu3_20/w400-h231/Night+Horse.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>BUSTROFEDICO</b><br />Anna Franceschini (Italia, 2019)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFMws3i4VKiNrLuYfthRFE8jLuNer3fFGbjOnt77t7SyMA4C2xV795cr-FmoMzGAsHzZ9tTDrMAmGTa8ZDUoynwaA5T55rQ-iAqsR2A94uUF_S2PbqxjgYlM5PrhY7Zil9_5a9OLxYz3U/s520/Bustrofedico.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFMws3i4VKiNrLuYfthRFE8jLuNer3fFGbjOnt77t7SyMA4C2xV795cr-FmoMzGAsHzZ9tTDrMAmGTa8ZDUoynwaA5T55rQ-iAqsR2A94uUF_S2PbqxjgYlM5PrhY7Zil9_5a9OLxYz3U/w400-h231/Bustrofedico.jpg" width="400" /></a></div><span style="font-size: medium;"><br /><b>INTO ALL THAT IS HERE</b><br />Laure Prouvost (UK, 2015)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><span style="font-size: medium;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA_0cCich4GYImZqtit76ptLqZYx0Td0SyWc4UAh0oy4FMHuDUM6rRz_9gfXA7DUD91nwbCS1OIjGsoHNUmTO8_BSHYsohrfhL9KxHyDtRiTGNbLy2oMJI1ZClFhXmrK_HEdszqbl7x4I/s520/Into+All+that+is+Here.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA_0cCich4GYImZqtit76ptLqZYx0Td0SyWc4UAh0oy4FMHuDUM6rRz_9gfXA7DUD91nwbCS1OIjGsoHNUmTO8_BSHYsohrfhL9KxHyDtRiTGNbLy2oMJI1ZClFhXmrK_HEdszqbl7x4I/w400-h231/Into+All+that+is+Here.jpg" width="400" /></a></div> </span><br /><br /><span style="color: #ff7054;"><span style="font-size: large;"><u><b>TOP 10</b></u></span></span><br /><br /><b><i>10</i><br /><span style="font-size: large;">HAUNTING</span></b><span style="font-size: large;"><br />John Menick (USA, 2020)</span></span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis2Z82PDczd2bE03ujZhw3vzTJVnX4zVubGCucS-eCuoN09bWpFRXdGZ88893FZgGoIPHmC-Tl3vihaGLe7IHDHSr7iKrALEiF00AMJ5LYQSYVJskMS1CoyHvHOvGQhEYpoBvjRvTX7vU/s520/Haunting.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis2Z82PDczd2bE03ujZhw3vzTJVnX4zVubGCucS-eCuoN09bWpFRXdGZ88893FZgGoIPHmC-Tl3vihaGLe7IHDHSr7iKrALEiF00AMJ5LYQSYVJskMS1CoyHvHOvGQhEYpoBvjRvTX7vU/s16000/Haunting.jpg" /></a></div><span style="font-family: arial;"><br /><b><i>9</i><br /><span style="font-size: large;">NATION ESTATE</span></b><span style="font-size: large;"><br />Larissa Sansour (Danimarca, Territori palestinesi, 2013)</span></span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiL_B5dITQQIw5o6iw4RSYxlyRzsapO_uLbcAAPcqrk9QcnzrdF8XUI_t-T8olL9lGZMIXerBK8SckdzWVQl2rs_8lXEzLdNJh7GiifghavDutGyMJCmJNkrcXnIWSo27FcT_fru4kO9Yw/s520/Nation+Estate.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiL_B5dITQQIw5o6iw4RSYxlyRzsapO_uLbcAAPcqrk9QcnzrdF8XUI_t-T8olL9lGZMIXerBK8SckdzWVQl2rs_8lXEzLdNJh7GiifghavDutGyMJCmJNkrcXnIWSo27FcT_fru4kO9Yw/s16000/Nation+Estate.jpg" /></a></div><span style="font-family: arial;"><br /><b><i>8</i><br /><span style="font-size: large;">CENIZA VERDE</span></b><span style="font-size: large;"><br />Pablo Mazzola (Argentina, 2019)</span></span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwetnYkWVVZ4ZKkL1qN5UGSlCsUkeL8G-rlfDka34lhm0iLr5CNsP-YWasb5n1rDqaOEQc6vVWBeGjmdPkn3GDygyky-Md2X4KQB5mZXgkzyZX9M4n1xFDkihCweeRCqStw1E97yeQZVA/s520/Ceniza+Verde.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwetnYkWVVZ4ZKkL1qN5UGSlCsUkeL8G-rlfDka34lhm0iLr5CNsP-YWasb5n1rDqaOEQc6vVWBeGjmdPkn3GDygyky-Md2X4KQB5mZXgkzyZX9M4n1xFDkihCweeRCqStw1E97yeQZVA/s16000/Ceniza+Verde.jpg" /></a></div><span style="font-family: arial;"><br /><b><i>7</i><br /><span style="font-size: large;">MULTIPLE ORGASM</span></b><span style="font-size: large;"><br />Barbara Hammer (USA, 1976)</span></span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgixDkF-Z9dOCPVSawzVUmGcJGh9Z0mlL8Ffl-GxW-dcA0vvKLaTkxHBgVjIM2XKqct2G2wVrpUalF1fC2VfNK6DSVgbKblzF_7WGXMPK2gphcD4L3Sxa9TYECY4OHu5Y8nqXtLWOaUNiQ/s520/Multiple+Orgasm.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgixDkF-Z9dOCPVSawzVUmGcJGh9Z0mlL8Ffl-GxW-dcA0vvKLaTkxHBgVjIM2XKqct2G2wVrpUalF1fC2VfNK6DSVgbKblzF_7WGXMPK2gphcD4L3Sxa9TYECY4OHu5Y8nqXtLWOaUNiQ/s16000/Multiple+Orgasm.jpg" /></a></div><span style="font-family: arial;"><br /><b><i>6</i><br /><span style="font-size: large;">NIMIC</span></b><span style="font-size: large;"><br />Yorgos Lanthimos (USA, Germania, 2019)</span></span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS02lDY1qXaZTbfJmKK72YZkF-rUU8H6PCcE0lElblxKjPLym0YD7onAdTSkuej-H89cLXZqCO5vtULjtsy1eZ2-4Y7XrVrwx51fYsU-kub0UJe9R95fOhj55OwjfXw_sEW_lxGZEWpzE/s520/Nimic.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS02lDY1qXaZTbfJmKK72YZkF-rUU8H6PCcE0lElblxKjPLym0YD7onAdTSkuej-H89cLXZqCO5vtULjtsy1eZ2-4Y7XrVrwx51fYsU-kub0UJe9R95fOhj55OwjfXw_sEW_lxGZEWpzE/s16000/Nimic.jpg" /></a></div><span style="font-family: arial;"><br /><b><i>5</i><br /><span style="font-size: large;">AGATHA</span></b><span style="font-size: large;"><br />Beatrice Gibson (UK, 2012)</span></span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhpaMpJv_MLQyB4Ijy6NPD04TfaLyf0RAUDylD14IoPo2syUfiENABgqOINfS_opSoEzXnz5f2imp9Vmqr-geFCvNCErNNdHGK8tzjMSe3SxTzzeMVKGt7k6i5T5WEgNc0QdOiKzxwtDk/s520/Agatha.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhpaMpJv_MLQyB4Ijy6NPD04TfaLyf0RAUDylD14IoPo2syUfiENABgqOINfS_opSoEzXnz5f2imp9Vmqr-geFCvNCErNNdHGK8tzjMSe3SxTzzeMVKGt7k6i5T5WEgNc0QdOiKzxwtDk/s16000/Agatha.jpg" /></a></div><span style="font-family: arial;"><br /><b><i>4</i><br /><span style="font-size: large;">ASCENSION (Ascensão)</span></b><span style="font-size: large;"><br />Pedro Peralta (Portogallo, 2016)</span></span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZdiYewQNh0JscwUki82uL5whniY7xYRXMkHwQopPcJNTDR9lQPYCABYTh7ISPp-ju9xOHJ3pyVNioWXlN_lDETU06eN29D8VyUe74BEIyvECsyPRsKPl0kKyijYI5KxyMkXOH7Im4Lg8/s520/Ascension.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZdiYewQNh0JscwUki82uL5whniY7xYRXMkHwQopPcJNTDR9lQPYCABYTh7ISPp-ju9xOHJ3pyVNioWXlN_lDETU06eN29D8VyUe74BEIyvECsyPRsKPl0kKyijYI5KxyMkXOH7Im4Lg8/s16000/Ascension.jpg" /></a></div><span style="font-family: arial;"><br /><b><i>3</i><br /><span style="font-size: large;">LUNA E SANTUR</span></b><span style="font-size: large;"><br />Joshua Gen Solondz (USA, 2016)</span></span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHVk7KHNma86nRXwz2sciK9x3JwCNBJTD57WQajkNYRUL7QrwULE4Z8GzECJi5liYZu5lrDfvKrR00V16-q6K8mx_v6to631ALBgSciDeg7_NvJE9BSdCuoIv-xDOG2U9GhB7TQrm3reo/s520/Luna+e+Santur.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHVk7KHNma86nRXwz2sciK9x3JwCNBJTD57WQajkNYRUL7QrwULE4Z8GzECJi5liYZu5lrDfvKrR00V16-q6K8mx_v6to631ALBgSciDeg7_NvJE9BSdCuoIv-xDOG2U9GhB7TQrm3reo/s16000/Luna+e+Santur.jpg" /></a></div><span style="font-family: arial;"><br /><b><i>2</i><br /><span style="font-size: large;">GULYABANI</span></b><span style="font-size: large;"><br />Gurcan Keltek (Olanda, Turchia, 2018)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><span style="font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEif2btzVayErCs3gzbexl4I-1cY-PlKa3RWrfizS6uhOeWcmryW1hTiRRDLx35SG3a6nrjz1UXDRfCD_Qylk9xxCkdIk6V1U89JPrwqJCFHEMXKuKNXwc5b6I-zVliPOTeC3qcYEPEKOuw/s520/Gulyabani.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEif2btzVayErCs3gzbexl4I-1cY-PlKa3RWrfizS6uhOeWcmryW1hTiRRDLx35SG3a6nrjz1UXDRfCD_Qylk9xxCkdIk6V1U89JPrwqJCFHEMXKuKNXwc5b6I-zVliPOTeC3qcYEPEKOuw/s16000/Gulyabani.jpg" /></a></div><br /></span></span></div><div style="text-align: center;"><span style="font-family: arial;"><b><i>1</i><br /><span style="font-size: large;">LACERATE</span></b><span style="font-size: large;"><br />Janis Rafa (Italia, 2020)</span></span></div><div style="text-align: left;"><span style="font-family: arial;"><span style="font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvUHno29H6mG2hutTJu2mOQEhfm26ExlaMZF93S2Pl04bp8FtrO7HLgRvy0WGvBDDlfmahlF4Dqi2ofNQnk2ZkcGtq1NuJo05IenTiHtIUiOiGBXFGCsYAtP0mNY9sTXSO-2dXPnMuwh8/s520/Lacerate+1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvUHno29H6mG2hutTJu2mOQEhfm26ExlaMZF93S2Pl04bp8FtrO7HLgRvy0WGvBDDlfmahlF4Dqi2ofNQnk2ZkcGtq1NuJo05IenTiHtIUiOiGBXFGCsYAtP0mNY9sTXSO-2dXPnMuwh8/s16000/Lacerate+1.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjd_wvRE-uBR2h-PTJ18velpnd9CwHWEXysTcRmIEPkq6di5HcQImBv4tQVeJgEANF3TsGGoSymF9-H5Hz82e6tmld4buct2g8mnmmWh-6xXfyQV3_O5FN-rsYG80n42WcicxKJtzpMAc/s520/Lacerate+2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjd_wvRE-uBR2h-PTJ18velpnd9CwHWEXysTcRmIEPkq6di5HcQImBv4tQVeJgEANF3TsGGoSymF9-H5Hz82e6tmld4buct2g8mnmmWh-6xXfyQV3_O5FN-rsYG80n42WcicxKJtzpMAc/s16000/Lacerate+2.jpg" /></a></div><br /></span></span></div><p></p>ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com4tag:blogger.com,1999:blog-3124748050714619465.post-27554401179662167732020-12-29T19:32:00.001+01:002020-12-29T19:32:52.763+01:00Resoconti VIS #20: MENZIONI SPECIALI | ALTRE VISIONI<div style="text-align: center;"><h1><span style="font-size: large;"><u><span><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjio_bBPYi2fAzxOUrUhCvZxvMZvWjD76Br6CkK0Tq7afnGj7uk01HH_feWmZ8_OxYOsiKMMOPUgrA90-F6ZZrABoCUsPi6ohoU91B7rvHZwAFRa6UXNrANF-8ilwkt5xvMghQC9oHBO_Q/s513/Post+Testata+Menzioni+Speciali.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjio_bBPYi2fAzxOUrUhCvZxvMZvWjD76Br6CkK0Tq7afnGj7uk01HH_feWmZ8_OxYOsiKMMOPUgrA90-F6ZZrABoCUsPi6ohoU91B7rvHZwAFRa6UXNrANF-8ilwkt5xvMghQC9oHBO_Q/s16000/Post+Testata+Menzioni+Speciali.jpg" /></a></div></span></b></span></u></span></h1><div style="text-align: left;"><span style="font-size: large;"><span><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Pre-Archivio 2020: in attesa delle consuete liste (cortometraggi e lungometraggi) dei film visionati per la prima volta durante quest'anno, un pò particolare. Classici recenti visti in ritardo e altri oggettini curiosi mai visti prima.<span><a name='more'></a></span></span></span></span><u><span><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></b></span></u></span></div><h1><span style="font-size: large;"><u><span><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></b></span></u></span></h1><h1><span style="font-size: large;"><u><span><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></b></span></u></span></h1><h1><span style="font-size: large;"><u><span><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></b></span></u></span></h1><h1><span style="font-size: large;"><u><span><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></b></span></u></span></h1><h1><span style="font-size: large;"><u><span><b><span style="font-family: "arial" , "helvetica" , sans-serif;">Menzione Speciale Classici Contemporanei</span></b></span></u></span></h1></div><div style="text-align: center;"><span style="font-size: large;"><u><span><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></b></span></u></span></div><div style="text-align: center;"><span style="font-size: medium;"><b><span style="font-family: arial;">4 - THE THING (LA COSA)</span></b><br /><b><span style="font-family: arial;"></span></b><span style="font-family: arial;">Matthijs van Heijningen Jr. (USA, Canada, 2011)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk-ZKEQ5m1gS7kNm6JHeTkoX_3uw2BtF5HXfLUs_HIXByHdu_nccv0D7pxCHDv1BBnBJn09PDR-za5ubByL0n67W-qu7iMN-PBWPz3ORhDc9zgDBdBsvLhyphenhyphenjgHg9MyBr1X2PbNmtUyQa4/s520/The+Thing.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk-ZKEQ5m1gS7kNm6JHeTkoX_3uw2BtF5HXfLUs_HIXByHdu_nccv0D7pxCHDv1BBnBJn09PDR-za5ubByL0n67W-qu7iMN-PBWPz3ORhDc9zgDBdBsvLhyphenhyphenjgHg9MyBr1X2PbNmtUyQa4/w400-h231/The+Thing.jpg" width="400" /></a></div></span><br /><span style="font-size: medium;"><b><span style="font-family: arial;">3 - PINOCCHIO</span></b><br /><b><span style="font-family: arial;"></span></b><span style="font-family: arial;">Matteo Garrone (Italia, 2019)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgict1TqIYGrQvzkgJ7Soqqcg0BlCyy-ACLHwsLz2Yom8fdCFdhewCEb38PSHLssKSQPO6AVmqkLEbTFnPThrWi1lqSJ74QM8rS1d6QUMnsbyD8vUcOt9xxxr4m8tcC8c3bDOWqnvIwth4/s520/Pinocchio.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgict1TqIYGrQvzkgJ7Soqqcg0BlCyy-ACLHwsLz2Yom8fdCFdhewCEb38PSHLssKSQPO6AVmqkLEbTFnPThrWi1lqSJ74QM8rS1d6QUMnsbyD8vUcOt9xxxr4m8tcC8c3bDOWqnvIwth4/w400-h231/Pinocchio.jpg" width="400" /></a></div></span><br /><span style="font-size: medium;"><b><span style="font-family: arial;">2 - JOKER</span></b><br /><b><span style="font-family: arial;"></span></b><span style="font-family: arial;">Todd Phillips (USA, Canada, 2019)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH92TfMNuFeEKDVutBk4zyqDKm_30f7KhAxtHiC9BfUDi2rVJ6TXrGTCGdxWV3EFqBTmltGMV514o8V4sI_5erzBHnPGVD6eBgIUCPYUJqQDGaiOaVxkoS3g_AegcdQkba4tmsEzDSRow/s520/Joker.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH92TfMNuFeEKDVutBk4zyqDKm_30f7KhAxtHiC9BfUDi2rVJ6TXrGTCGdxWV3EFqBTmltGMV514o8V4sI_5erzBHnPGVD6eBgIUCPYUJqQDGaiOaVxkoS3g_AegcdQkba4tmsEzDSRow/w400-h231/Joker.jpg" width="400" /></a></div></span><br /><span style="font-size: medium;"><b><span style="font-family: arial;">1 - PARASITE</span></b><br /><b><span style="font-family: arial;"></span></b><span style="font-family: arial;">Bong Joon-Ho (Sud Corea, 2019)</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmMJAlTQ9-svd5VdICcgdq5jHNo0xe9BxGOobUf5-_4N9A1dk2sYafxqiZfLFqaWxEj4mWK-00c_G7YOuLtg8_QfidJe4iIRWLZiyf22-Cj0beOf46WfjDMenOWXnIEjbXMu0uFiB8pes/s520/Parasite.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmMJAlTQ9-svd5VdICcgdq5jHNo0xe9BxGOobUf5-_4N9A1dk2sYafxqiZfLFqaWxEj4mWK-00c_G7YOuLtg8_QfidJe4iIRWLZiyf22-Cj0beOf46WfjDMenOWXnIEjbXMu0uFiB8pes/w400-h231/Parasite.jpg" width="400" /></a></div></span><br /></div><h1 style="text-align: center;"><span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><u><span><span style="font-family: "arial" , "helvetica" , sans-serif;">Menzione Speciale CultZone</span></span></u></span></b></span></h1><div style="text-align: center;">
<span style="font-size: medium;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b>2 - HELP ME… I’M POSSESSED</b></span></span></div><div style="text-align: center;"><span style="font-size: medium;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Charles Nizet (USA, 1976)</span></span></div><div style="text-align: center;"><span style="font-size: medium;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRfRgx3YvCTKYlgJBWMKDKTVv2sl9YDs7glmQdqE7wbiMh2SyVZV9dbug4SnImSmS6sOibgtJqGGEJhPrRmf3rPonacdNLg19Bvgm9kSMgdJrE6YXkx5fdkmhJkW0IUZcSq7U0AIPQgGo/s520/Help+me+possessed.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRfRgx3YvCTKYlgJBWMKDKTVv2sl9YDs7glmQdqE7wbiMh2SyVZV9dbug4SnImSmS6sOibgtJqGGEJhPrRmf3rPonacdNLg19Bvgm9kSMgdJrE6YXkx5fdkmhJkW0IUZcSq7U0AIPQgGo/w400-h231/Help+me+possessed.jpg" width="400" /></a></div> <b><br />1 - EUGENIE (DE SADE 2000)</b></span></span></div><div style="text-align: center;"><span style="font-size: medium;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Jesus Franco (Francia, 1970)</span></span></div><div style="text-align: center;"><span style="font-size: medium;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR40f01E_TmySt_Mnysnjfd78e8vGZ2qmemORvGMYFkkbyEhGf7JhaBcWyFaxcNH4VqLcnm87JC7GTZjEcglFXNyLKYoZ_sQKuwcL7pmPEkG2DCvhA9AKxpfF6rKLRCg5PpNfejPIsaQI/s520/Eugenie+2000.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR40f01E_TmySt_Mnysnjfd78e8vGZ2qmemORvGMYFkkbyEhGf7JhaBcWyFaxcNH4VqLcnm87JC7GTZjEcglFXNyLKYoZ_sQKuwcL7pmPEkG2DCvhA9AKxpfF6rKLRCg5PpNfejPIsaQI/w400-h231/Eugenie+2000.jpg" width="400" /></a></div></span></span></div><div style="text-align: center;"><h1><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><u><span><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></u></span></b></span></span></h1><h1><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><u><span><span style="font-family: "arial" , "helvetica" , sans-serif;">Menzione Speciale: Nel Segno del Giallo</span></span></u></span></b></span> <br /></span></h1></div><div style="text-align: center;"><span style="font-family: "arial" , "helvetica" , sans-serif;"></span><span style="font-family: "arial" , "helvetica" , sans-serif;"></span><br />
<span style="font-size: medium;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b>4 - LA CASA CON LA SCALA NEL BUIO</b></span></span></div><div style="text-align: center;"><span style="font-size: medium;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Lamberto Bava (Italia, 1983)</span></span></div><div style="text-align: center;"><span style="font-size: medium;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5_K3lBg37UcRznMoXCEJhmCygF79I7DQADj4o-1b9FQR9bnbwkEyvlWQnAjxmPa2u4fWiVmLO3dDlXOAeqdihxgIwpKahry6pj5SYL8NCUCqHGXJW_S0C1wAPjx1SvMs48fhi-kiLRl8/s520/Casa+con+la+scala+nel+buio.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5_K3lBg37UcRznMoXCEJhmCygF79I7DQADj4o-1b9FQR9bnbwkEyvlWQnAjxmPa2u4fWiVmLO3dDlXOAeqdihxgIwpKahry6pj5SYL8NCUCqHGXJW_S0C1wAPjx1SvMs48fhi-kiLRl8/w400-h231/Casa+con+la+scala+nel+buio.jpg" width="400" /></a></div> <b><br />3 - SETTE ORCHIDEE MACCHIATE DI ROSSO</b> </span></span></div><div style="text-align: center;"><span style="font-size: medium;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Umberto Lenzi (Italia, germania, 1972)</span></span></div><div style="text-align: center;"><span style="font-size: medium;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ0X1HdDSkzH4OUapLYlTnB47xJfnFnORpaM1BbBfVejWTH3cj5IKUMxNZz183I6s_lxSIZr8fZp1QNM-pbvmg-Pb7QHm4FyczcCTR2Mcas6TfqeUUBH0J92nrdmTaB7QVkJfA_vT4VTc/s520/Sette+orchidee.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ0X1HdDSkzH4OUapLYlTnB47xJfnFnORpaM1BbBfVejWTH3cj5IKUMxNZz183I6s_lxSIZr8fZp1QNM-pbvmg-Pb7QHm4FyczcCTR2Mcas6TfqeUUBH0J92nrdmTaB7QVkJfA_vT4VTc/w400-h231/Sette+orchidee.jpg" width="400" /></a></div><b><br />2 - LA CODA DELLO SCORPIONE</b> </span></span></div><div style="text-align: center;"><span style="font-size: medium;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Sergio Martino (Italia, Spagna, 1971)</span></span></div><div style="text-align: center;"><span style="font-size: medium;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifZb64AhfTt8YVnlaVxmQXhBrsBj90vmwlpbP4yY019A-e_fLaYGTYH78PSYUsVLWZ-RcN_g9v4UxCjtYyUCrrMyPczyyf3R1rlvM9osVakA7ibfA0CfGzhpvN6e0RnG4cXyE6sEhuXVw/s520/Coda+dello+scorpione.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifZb64AhfTt8YVnlaVxmQXhBrsBj90vmwlpbP4yY019A-e_fLaYGTYH78PSYUsVLWZ-RcN_g9v4UxCjtYyUCrrMyPczyyf3R1rlvM9osVakA7ibfA0CfGzhpvN6e0RnG4cXyE6sEhuXVw/w400-h231/Coda+dello+scorpione.jpg" width="400" /></a></div><b><br />1 - GATTI ROSSI IN UN LABIRINTO DI VETRO</b> </span></span></div><div style="text-align: center;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: medium;">Umberto Lenzi (Italia, Spagna, 1975)</span></span></div><div style="text-align: center;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: medium;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2KE553fFMpvnxWe-KDWcB0JkEyjq9Yx_n224jAvWYW0-8Jy7dc2PQFSo7_dwYBj8FS2YnEJvTG-Q4KvUwbBt97P6VoWoAmqoeQPY-TwZ64iT_Ioty6jG-8HOhfRFzve4Jxg6hH8X_7to/s520/Gatti+rossi.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2KE553fFMpvnxWe-KDWcB0JkEyjq9Yx_n224jAvWYW0-8Jy7dc2PQFSo7_dwYBj8FS2YnEJvTG-Q4KvUwbBt97P6VoWoAmqoeQPY-TwZ64iT_Ioty6jG-8HOhfRFzve4Jxg6hH8X_7to/w400-h231/Gatti+rossi.jpg" width="400" /></a></div></span><b><br /></b></span></div><div style="text-align: left;"><span style="font-family: "arial" , "helvetica" , sans-serif;"></span><span style="font-family: "arial" , "helvetica" , sans-serif;"></span></div><table border="0" cellspacing="0"><tbody><tr align="left"><td height="29" valign="middle"></td><td height="29" valign="middle"></td><td height="29" valign="middle"></td><td height="29" valign="middle"></td><td height="29" valign="middle"></td><td height="29" valign="middle"></td><td height="29" valign="middle"></td><td height="29" valign="middle"></td><td height="29" valign="middle"></td><td height="29" valign="middle"></td><td height="29" valign="middle"></td><td height="29" valign="middle"></td><td height="29" valign="middle"></td><td height="29" valign="middle"></td><td height="29" valign="middle"></td><td height="29" valign="middle"></td><td height="29" valign="middle"></td><td height="29" valign="middle"></td><td height="29" valign="middle"></td></tr><tr align="left"><td height="29" valign="middle"></td></tr><tr align="left"><td height="29" valign="middle"></td></tr><tr><td height="29" style="text-align: left;" valign="middle"></td><td height="29" style="text-align: left;" valign="middle"><br /></td><td height="29" style="text-align: left;" valign="middle"><br /></td><td height="29" style="text-align: left;" valign="middle"><br /></td><td height="29" style="text-align: left;" valign="middle"><br /></td><td height="29" style="text-align: left;" valign="middle"><br /></td><td height="29" style="text-align: left;" valign="middle"><br /></td><td height="29" style="text-align: left;" valign="middle"> </td><td height="29" style="text-align: left;" valign="middle"> </td><td height="29" style="text-align: left;" valign="middle"> </td><td height="29" style="text-align: left;" valign="middle"> </td><td align="center" height="29" valign="middle"> </td><td align="center" height="29" valign="middle"> </td><td align="center" height="29" valign="middle"> </td><td align="center" height="29" valign="middle"> </td><td align="center" height="29" valign="middle"> </td><td align="center" height="29" valign="middle"> </td><td align="center" height="29" valign="middle"> </td>
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ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com1tag:blogger.com,1999:blog-3124748050714619465.post-26676718653682112482020-03-02T19:26:00.000+01:002020-03-26T15:40:54.702+01:00All the Cities of the North (Svi severni gradovi)<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Dane Komljen</b><br />Serbia, Bosnia, Montenegro, 2016<br />100 minuti<br /><br /><i>"Il cinema è uno spazio di rifugio, e una macchina fotografica è in un certo senso un'entità disinteressata. Ha il potere di abbracciare tutto ciò che si trova di fronte ad essa. Mi è sembrato logico includere il mezzo cinema nel mio film..." </i></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>All the Cities of the North</b>, esordio al lungometraggio per <i><b>Dane Komljen</b></i> dopo una serie di short films con i quali si è procurato una certa fama nei migliori circuiti festivalieri (da Rotterdam al FID di Marsiglia), si apre proprio sul fermo immagine sgranato di una sala cinematografica vuota. Luogo che oltre a simboleggiare una sorta di rifugio per l'umanità rappresentata si fa al contempo spazio proiezionale del sogno utopico che da lì a poco ci verrà svelato: quello di due uomini, dimoranti in un complesso alberghiero abbandonato al confine tra il Montenegro e l'Albania. Isolati, senza elettricità ne acqua, si nutrono di bacche raccolte dagli alberi e all'occorrenza cucinano su un fornelletto a gas. Dormono su vecchi materassi o all'interno di una tenda blu montata in una delle stanze. La loro presenza in quel luogo non è spiegata poichè non c'è comunicazione verbale, allo stesso modo di come appaiono interrotti i contatti con il mondo esterno. Ma sta per arrivare un terzo uomo, e successivamente, l'inaspettata apparizione di una troupe cinematografica (ulteriore rafforzo dell'aspetto finzionale del mezzo cinema). Elementi, forse, di possibile dissesto all'interno di un nucleo intenzionato a (ri)costruire un habitat autonomo ma che, nonostante l'epilogo faccia poi insorgere qualche perplessità sul reale funzionamento di questo collettivo, sembra aver comunque trovato una propria appagante dimensione.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjL8mva2NLJ6CUgwi_pToFHWLB-asztJbfvkzcNa4iYYmWa0uJrrfjBtC1sODG_C5wo2j27_rGXuHml2mIe4hD3Xo21CMzdsyI2J9Sw4Sn0TtUUjjzEgqJxuXLA2Posoa-C_pvr0JXzZeY/s1600/All+the+Cities+1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjL8mva2NLJ6CUgwi_pToFHWLB-asztJbfvkzcNa4iYYmWa0uJrrfjBtC1sODG_C5wo2j27_rGXuHml2mIe4hD3Xo21CMzdsyI2J9Sw4Sn0TtUUjjzEgqJxuXLA2Posoa-C_pvr0JXzZeY/s1600/All+the+Cities+1.jpg" /></a><span style="font-family: "arial" , "helvetica" , sans-serif;"><i>"Il desiderio di immaginare un nuovo ordine di cose"</i>, è il fondamentale pensiero descritto da Komljen; un pensiero che nell'ottica del quotidiano indirizza alla possibilità di nuove convivenze, integrazioni, a una riunione di tutti quegli insiemi politici e sociali, e che trova la propria edificazione nel suggestivo scenario architettonico dei luoghi ritratti di volta in volta, dal Medio Oriente all'Africa, al Brasile: cartoline che attraversano il nostro sguardo, come <i>"tutte le città del Nord"</i> a cui l'immaginazione ricorre durante i numerosi istanti in cui i corpi si abbandonano a un torpore quasi letargico, spalancando scenari. Spazi e civiltà tanto distanti geograficamente, quanto unite nell'immaginario onirico e ideologico degli occupanti del "cubo"<i><b>*</b></i> nonchè, nei passi citazionisti (da <b><i>Godard</i></b> a <b><i>Simone Weil</i></b>) che animano i loro pensieri, narrati a turno esclusivamente da una voce fuori campo. Ed è sostanzialmente il linguaggio del pensiero a dominare l'opera modernista di Komljen, una trasmissione che diviene compensazione essenziale alla suddetta mancanza d'interazione verbale tra gli attori. Un'assenza comunicativa che porta giustamente il cineasta bosniaco a potenzializzare l'aspetto formale del film, enfatizzando quel minimalismo cardine dove l'uomo, viene dipinto attraverso i dettagli del proprio isolamento, nei riflessi di una solitudine interiore trasudante come in un affresco dalle rievocazioni <i>bartasiane</i>. Anime infisse lì, tra il silenzio bucolico e le geometrie avanguardiste, spazio di convergenze che possa in qual modo ristabilire un momentaneo ritorno alle origini. Il tempo necessario affinchè il principio d'ideazione consegua il giusto potere per mutare in forma attiva; Il tempo necessario, per la possibile ricostruzione di una civiltà diversa. Fino a che, magari, ogni pensiero possa riflettere una propria luce sul mondo, come simbolicamente sembra profetizzare la fascinosa sequenza delle tende sistemate alle finestre, che all'imbrunire, risplendono di lucenti colori, conferendo rinnovato decoro all'inospitalità del paesaggio fino a quel momento raffigurato. <br /><br /><i><b>*</b></i> La struttura alberghiera dove è stato girato il film è in demolizione. Ne resta solo una parte, che Komljen ha utilizzato per le riprese: una serie di bungalow a schiera dal disegno futurista, che ricordano la forma di un cubo bianco.</span></div>
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ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com0tag:blogger.com,1999:blog-3124748050714619465.post-68492277369435942042020-02-18T17:10:00.000+01:002020-03-26T15:40:22.506+01:00Vita Brevis (Hannah et le fleuve)<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Thierry Knauff</b><br />Belgio, 2015<br />25 minuti<br /><br /><i>“Vita brevis è un poema sul momento, un'evocazione della fragile e fuggevole danza della vita”.</i> <span style="font-size: x-small;"><b>- Thierry Knauff</b></span><br /><br />E l'istante, poetico e di rara bellezza, è già scolpito nelle mani di una bambina che si disserrano con delicatezza sulla fragile figura di un passerotto, svelandone tutta la fugacità dell'esistere. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Mentre la natura circostante ci avvolge nella sua silenziosa sinfonia e la mdp si prodiga in un pacato incedere (sembra di rivedere il finale di <a href="http://visionesospesa.blogspot.it/2013/06/las-forest.html" target="_blank"><span style="color: #cc0000;"><b>Las</b></span></a>) sulla vegetazione arborea, che sembra danzare ai movimenti dell'aria. Dipinta in un bianco e nero lucente, l'incantevole opera del documentarista <i><b>Thierry Knauff</b></i>, presentata a Rotterdam due anni fa, è una fluida ed emozionante immersione nell'immeditato che la natura ci offre. Scorrevole come le acque del fiume Tsiza che ne percorrono le fuggevoli tappe esistenziali, rappresentative di un microcosmo proteiforme e metamorfico osservato dall'incontentabile sguardo infantile, e che trova significato già nell'incavo di quel tronco vuoto, dove la piccola protagonista custodisce con affettuosità la sua collezione di gusci di lumaca. <b>Hannah et le fleuve</b> alla stregua di <b>Valerie a týden divu</b> di <i>Jires</i>, se vogliamo, per ravvisabile lirismo, ma circondata da un universo di creature (gli Efemerotteri - <a href="https://it.wikipedia.org/wiki/Ephemeroptera" target="_blank"><span style="color: #cc0000;"><i><b>qui</b></i></span></a>) a lei non ostili, e che differentemente ne costituiscono la principale fonte d'attrattiva, durante una spensierata giornata d'estate. La guida essenziale, per un imperturbabile viaggio che induce la piccola a seguire fase dopo fase, con la stessa meticolosità nei dettagli ricercata dall'occhio-cinema di Knauff, il fantastico mutamento esistenziale di questi insetti: esaminati dallo stadio ninfale all'inevitabile tempo della loro estinzione, che avverrà su quel manto fluviale dai riverberi argentei e dal quale, molti di loro, non riusciranno purtroppo a decollare. È giunto allora il tempo di un ultimo sguardo innalzato alla vastità di quello specchio chiamato cielo, riflesso di trasvolate per simili creature simboleggianti l'infinito ciclo della vita. E con l'occhio dell'immaginazione è magari possibile anche individuare chi, dallo spazio sottostante, ha potuto congiungersi ad esse. <br />Giusto a dovere informativo, una conclusiva annotazione su alcune discordanze riguardanti l'effettivo metraggio dell'opera: le schede ufficiali riportano la durata di 39 minuti, mentre nella versione trasmessa da Arte Cinema (presa qui in esame) mancano circa quindici minuti... Mistery.</span></div>
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ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com10tag:blogger.com,1999:blog-3124748050714619465.post-1420241369847416432020-02-05T15:57:00.000+01:002020-03-26T15:38:31.958+01:00Echi #30 | Kenneth Anger su Lucifer Rising<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Lucifer Rising</b> (<i>visionabile</i> <a href="https://www.youtube.com/watch?v=TWYr72xlQIQ" target="_blank"><span style="color: #cc0000;"><i><b>qui</b></i></span></a>)<br />Kenneth Anger (<i>USA, 1972 / 1981 - 28 minuti</i>)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span><span style="font-family: "arial" , "helvetica" , sans-serif;">«Il progetto originale di <b>Lucifer Rising</b> è costituito da due parti, quella distribuita è solo la prima. Ho filmato un’altra parte (insieme, la durata complessiva è di un'ora). Ma al momento possiedo solo la parte prodotta ed ho bisogno di una quantità addizionale di denaro per gli effetti speciali dopo la stampa. La farò uscire su un laser-disc che raccoglie i miei film.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> Per le riprese, tra i vari luoghi, andai anche in Germania, nella foresta di Teutoburgo. Dissi alle autorità che avevo intenzione di girare un film sulla mitologia. Furono molto cooperativi ed ebbi il permesso di filmare nella città di Horn-Bad Meinberg, vicino a un luogo chiamato Externsteine, che ha delle colonne naturali di arenaria alte circa un centinaio di piedi. Furono convertite in un tempio solare dai primi Celti e il luogo è considerato antico come lo è Stonehenge in Inghilterrra, uniti dalla stessa tradizione per il culto solare. Durante il solstizio estivo, il 21 giugno, il sole passa esattamente al centro di un foro nella roccia e risplende in un luogo che doveva essere usato come un altare. Questo posto meraviglioso fu cristianizzato durante il Medioevo e vi sono incisioni Cristiane. Ciò accadde per molti luoghi pagani: molte chiese infatti sono costruite sulle rovine di templi antecedenti. Inoltre questo luogo fu riscoperto dai Nazi. Il loro piano segreto era di distruggere il Cristianesimo e ristabilire la loro propria versione di paganesimo che, grazie a Dio, non accadde. Essi convertirono il complesso, facendo delle scalinate che portano al Santuario un punto iniziatico per la Hitler Jugend (Gioventù hitleriana). Era presente anche <i><b>Baldur Shirach</b></i>. Qui, ai ragazzi della HJ veniva consegnato il primo pugnale, e tutto il rito veniva compiuto molto drammaticamente. Esistono bobine di giornali cinematografici su queste processioni con i bambini che alla luce delle torce salgono gli scalini. Nella foresta intorno a Externsteine uno può ancora vedere le iniziali sulle betulle che furono incise dai bambini con i loro coltelli (le loro iniziali e le lettere HJ). A quel tempo le incisioni erano all’altezza di un bambino di dodici anni. Ora le betulle sono più alte, così che le incisioni sono alte più di venti piedi. E sono ancora lì, l’intera foresta è coperta da queste iniziali...</span><span style="font-family: "arial" , "helvetica" , sans-serif;">»</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">«Poi andai in Egitto, e lì avevo naturalmente bisogno dei permessi. C'è un particolare annedoto a riguardo. Quando girai a Luxor avevo una lettera che diceva che mi si permetteva di girare in quel luogo, ma le guardie lì non sapevano leggere l’arabo (erano illetterati come molti contadini egiziani). Così dissero: “Noi non ti crediamo. Voi siete ovviamente un gruppo di spie”. Ci trattennero un’intera giornata presso la polizia. Cercai di rimanere calmo e dissi: “Guardate. Qui c’è il mio passaporto americano”. Mi risposero: “Oh questo ovviamente è un falso, noi sappiamo dove puoi comprare un passaporto del genere”. Ci potevano trattenere lì o cacciare dal paese. Era pericoloso, perché se avessero guardato nella borsa del trucco di</span><span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b> Marianne Faithfull</b></i> avrebbero trovato l’eroina che stava portando, senza che lo sapessi. Se l’avessero trovata ci avrebbero uccisi tutti.</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">Nel finale del film mostro l'effetto speciale di un UFO, tracce di UFO risalgono fin da tempi antichi. Il fatto è che in Egitto vidi veramente un oggetto simile, di color arancione splendente, quando mi trovavo nel tempio di Luxor. Un vero UFO! Avevo con me la fotocamera ma non ci fu abbastanza tempo per tirarla fuori ed usarla prima che l'oggetto sparisse. Così immediatamente pensai: Devo cercare di catturare una specie di istantanea annebbiata o è meglio avere una visione magnifica? Alla fine decisi di non fare la foto. In realtà in passato ho avuto tre o quattro eccellenti incontri con gli UFO. Ll ho visti volare nel cielo, ma non ho mai stretto la mano al pilota... Nella seconda parte di <b>Lucifer Rising</b>, farò ritornare gli UFO.</span><span style="font-family: "arial" , "helvetica" , sans-serif;">» </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><b>- </b><i><b>Kenneth Anger</b></i> (dichiarazioni sulla realizzazione del film, estratti da un'intervista avvenuta presso l’Orient Hotel di Vienna nel 1995)</span></div>
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ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com0tag:blogger.com,1999:blog-3124748050714619465.post-28294301832999970682020-01-30T23:16:00.000+01:002020-03-26T15:37:06.803+01:00Nervous Translation<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Shireen Seno</b><br />Filippine, 2018<br />90 minuti<br /><br />Yael è una bambina di otto anni che vive sola con la madre, il cui lavoro la porta ad essere assente da casa per gran parte della giornata. Timida e introversa, la bambina preferisce scrivere esercizi di matematica e ascoltare da uno stereo-mangiacassette le registrazioni di suo padre, da molti anni ormai lontano da casa per lavorare a Riyadh. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Quando Yael vede in tv lo slogan di una penna miracolosa in grado di offrire <i>"una vita meravigliosa"</i>, decide di spendere tutti i suoi risparmi per acquistarla. Ma nel frattempo, un tifone sta incombendo sulle Filippine...</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>Shireen Seno</b></i>, regista già apprezzata in queste pagine per il precedente <a href="http://visionesospesa.blogspot.it/2015/07/big-boy.html" target="_blank"><span style="color: #3d85c6;"><b>Big Boy</b></span></a> (2012), punta ancora una volta, con spiccata sensibilità, l'occhio della cinepresa sulla figura dell'infanzia, invitandoci ad osservare la realtà/mondo circostante da tale prospettiva; attraverso uno sguardo incantato, vulnerabile, confuso quale può essere, appunto, quello di un bambino. <b>Nervous Translation</b> (presentato in questi giorni all'ultimo <a href="http://visionesospesa.blogspot.it/2018/01/note-annuali-47-iffr-international-film.html" target="_blank"><span style="color: #3d85c6;"><i><b>IFFR</b></i></span></a>), si costruisce quindi attorno al quotidiano vivere di una ragazzina, il cui apparente rifugio nella solitudine, nasconde invero un profondo richiamo d'attenzione verso il mondo adulto e i correlati eventi (siamo nel 1987, epoca ancora scossa dai tumulti insurrezionali che hanno appena portato alla caduta di Marcos) che dal basso della sua innocenza fatica ancora a comprendere. Nonostante ciò, la regista opta per una rappresentazione comunque sia fidente, anche nei momenti più drammatici come quello dell'inondazione finale. Porgendo oltremodo specifica attenzione a quanto, gli anni Ottanta, abbiano comunque rappresentato una crescita fondamentale. E lo fa, mediante la primaria interazione con quell'apparato tecnologico (lo stereo - le musicassette - la televisione - il videoregistratore) che allo sguardo di ora può far sorridere, ma che in sostanza, per la sua funzione, non differisce in alcun modo da quello attuale; permettendo infatti a Yael di "connettersi" con il ricordo del padre lontano, semplicemente ascoltando la sua voce registrata, o di rincorrere il sogno di <i>"una vita meravigliosa"</i>, ammaliata dalle immagini (nostalgicamente analogiche) di quella penna che ruota al centro dello schermo tv. Come nel film precedente, quindi, c'è ancora un ricorso alle potenzialità scaturite dal mezzo-ricordo: immagini trasmesse, voci registrate, volti fotografati... e istantenee che si perdono, come il tempo che decorre. Sono i mezzi che concedono a Yael di far percepire la sua quieta "voce", oltre i confini dell'infanzia; trasferirla all'attenzione dell'adulto in maniera quasi "epidermica". A tal proposito azzardo un pensiero, probabilmente errato, ma stuzzica l'idea che le fasciature sui gomiti della piccola simboleggino una sorta di ostacolo all'intimo desiderio di crescita (al contrario del Julio protagonista in <b>Big Boy</b>, dove la crescita era invece precocemente esercitata mediante un singolare stiramento degli arti) e che, oltremodo, i segni dermatici presenti sulle sue braccia, possano interpretarsi allegoricamente con quel silenzioso richiamo all'ascolto, trasmettendosi direttamente sulla pelle dell'adulto (ripenso ad una breve inquadratura dove la madre, rilassata tra le braccia della figlia sul divano, per un rapido istante inizia a grattarsi il collo).</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;">"Osservare dal basso dell'innocenza", si era detto. E la scala delle proporzioni (adulto/bambino - mondo reale/mondo giocattolo) si presenta a conti fatti come uno degli aspetti più invitanti sui quali ripiegare, anche dalla prospettiva scenica. Ovvero, la miniaturizzazione di quell'ambiente/mondo; la sua trasfigurazione in un mondo-plastico a scala ridotta. Dapprima, svelatoci solo in modo frammentario all'interno delle mura domestiche, con occhio incline alla minuziosa ricerca del dettaglio/oggetto (il fornello giocattolo sul quale Yael si diletta a "cucinare"), per poi ampliare la propria veduta verso l'esterno, nel culminare del film, espandendosi come l'acqua alluvionale che gradualmente invade l'intimità della casa trascinando con sè oggetti e ricordi, e facendosi metafora di un passaggio obbligato: l'infanzia che scorre, e che ora, consentirà a Yael di crescere, e di osservare il mondo con gli occhi di un adulto.</span></div>
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ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com0tag:blogger.com,1999:blog-3124748050714619465.post-64319335189706629862019-12-31T19:03:00.000+01:002019-12-31T19:05:02.019+01:00Resoconti VIS #19: Feature Films | Archivio lungometraggi (visti nel 2019)<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><i>Chi ha giuste</i> <i>intuizioni
in mezzo a cervelli confusi si trova come uno che abbia un orologio che
funziona in una città dove tutti i campanili hanno orologi che vanno
male. Lui solo conosce l’ora esatta, ma a che gli giova? Tutti si
regolano secondo gli orologi della città che indicano l’ora sbagliata,
persino chi è a corrente che solo il suo orologio segna l’ora giusta.</i></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">- <span style="font-size: x-small;"><b><i>Arthur Schopenhauer</i></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Buona terza decade post-2000, a tutti !</span></div>
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<a name='more'></a><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b> </b></span></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>ELENA UNDONE </b>- Nicole Conn (USA, 2010)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>ACTUALLY HAPPENED! MOST TERRIFYING PSYCHIC PHENOMENA</b>- Jun Tsugita (Giappone, 2004) </span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>BLACK HOLE</b> - Emmanuel Grimaud, Arnaud Deshayes (Francia, 2019)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>SADAKO VS KAYAKO (LA BATTAGLIA DEI DEMONI)</b> - Kôji Shiraishi (Giappone, 2016)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>IL VILLAGGIO DEI DANNATI</b> - John Carpenter (USA, 1995)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>CONTRACTED</b> - Eric England (USA, 2013) </span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>ANTIBIRTH</b> - Danny Perez (USA, Canada, 2016)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>LA SAPIENZA</b> - Eugene Green (Francia, Italia, 2014)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>I SPIT ON YOUR GRAVE</b> - Steven R. Monroe (USA, 2010)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>MOONRISE KINGDOM</b> – Wes Anderson (USA, 2012)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>OBSERVANCE</b> - Joseph Sims-Dennett (Australia, 2015)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>PHANTASM: RAVAGER</b> - David Hartman (USA, 2015)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>TEMPORADA (LONG WAY HOME)</b> - André Novais Oliveira (Brasile, 2018)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>THOSE THAT, AT A DISTANCE, RESEMBLE ANOTHER</b> - Jessica Sarah Rinland (UK, Argentina, 2019)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>FUGUE</b> - Agnieszka Smoczyńska (Polonia, Repubblica Ceca, 2018)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>I AM THE PRETTY THING THAT LIVES IN THE HOUSE</b> - Oz Perkins (USA, Canada, 2016)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>I CORMORANI</b> - Fabio Bobbio (Italia, 2016)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>EUTHANIZER</b> - Teemu Nikki (Finlandia, 2017)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>WILCOX</b> - Denis Côté (Canada, 2019)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>SHE'S LOST CONTROL</b> - Anja Marquardt (USA, 2014)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>COLO</b> - Teresa Villaverde (Portogallo, Francia, 2017)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>3 GENERATIONS: ABOUT RAY</b> - Gaby Dellal (USA, 2015)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>HERE FOR LIFE</b> - Andrea Luka Zimmerman, Adrian Jackson (UK, 2019)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>NOCTURNAL ANIMALS (ANIMALI NOTTURNI)</b> - Tom Ford (USA, 2016)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>LA PALOMA Y EL LOBO (The Dove and the Wolf)</b> - Carlos Lenin Treviño (Messico, 2019)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>PASSION</b> - Brian De Palma (Germania, Francia, 2012)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>AT ETERNITY'S GATE</b> - Julian Schnabel (USA, Francia, 2018)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>IN THE TALL GRASS (NELL'ERBA ALTA)</b> - Vincenzo Natali (Canada, 2019)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>NICO, 1988</b> - Susanna Nicchiarelli (Italia, Belgio, 2017)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>THE NEST (IL NIDO)</b> – Roberto De Feo (Italia, 2019) </span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>LAS PLANTAS (PLANTS)</b> - Roberto Doveris (Cile, 2015)</span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>OUROBOROS</b> - Basma Alsharif (Francia, Palestina, 2017)</span></span></span></span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"> </span></span></span></span></span></span><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">THE GREAT ECSTASY OF ROBERT CARMICHAEL - </span></span></b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Thomas Clay (UK, 2005)</span></span></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>RALF'S COLORS (Ralfs Farben)</b> - Lukas Marxt (Austria, Germania, 2019)</span></span></div>
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<span style="font-size: large;"><u><b><span style="font-family: "arial" , "helvetica" , sans-serif;">Eletti</span></b></u></span></div>
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<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b>LAS HIJAS DEL FUEGO</b></span></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Albertina Carri (Argentina, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1wTvJ3w4b3feoIvkX9qXqRZqqwDtVmL6eW6p8RSc_vZXoh-wVVA7Dp0zO34UvRvOLgg4HaVm-Mp_6yFZBo6YWLN9ET8rPCtLqBZ1PTrZQudv76D2rl8lyyV_abiCj-CWpFOp_7jOSlTw/s1600/Hijas+de+Fuego.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1wTvJ3w4b3feoIvkX9qXqRZqqwDtVmL6eW6p8RSc_vZXoh-wVVA7Dp0zO34UvRvOLgg4HaVm-Mp_6yFZBo6YWLN9ET8rPCtLqBZ1PTrZQudv76D2rl8lyyV_abiCj-CWpFOp_7jOSlTw/s320/Hijas+de+Fuego.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">LONGA NOITE (Endless Night)</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Eloy Enciso (Spagna, 2019)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNP4VcGSbEcKosTX7dX9yDGN15HUM6yWFrQpLC1Rn_DOGyx1bVYuOfKtFwNWjzY8kPV18_FPj-xA2lEwtMC1xBBYcs2oBI7IvlFnNf7ry9APO9B8EBfaV7XQIl19Ge49ghmU4bMfk5BtQ/s1600/Longa+Noite.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNP4VcGSbEcKosTX7dX9yDGN15HUM6yWFrQpLC1Rn_DOGyx1bVYuOfKtFwNWjzY8kPV18_FPj-xA2lEwtMC1xBBYcs2oBI7IvlFnNf7ry9APO9B8EBfaV7XQIl19Ge49ghmU4bMfk5BtQ/s320/Longa+Noite.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">GODLESS (BEZBOG)</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Ralitza Petrova (Bulgaria, Danimarca, 2016)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiasBxD2SbfpVEC6Ac4IBdNBFdemRr0UboN3RZgIsAQFwj4XGsAwTXpW1kjySlFK-xt0DJnoJkjA6qqsFVQ7SCVUW9NL1OUI_M4KKEEKdaPj7mmxVcwYHaypxUZduXY9tbn5Rsmgka1JqA/s1600/Godless.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiasBxD2SbfpVEC6Ac4IBdNBFdemRr0UboN3RZgIsAQFwj4XGsAwTXpW1kjySlFK-xt0DJnoJkjA6qqsFVQ7SCVUW9NL1OUI_M4KKEEKdaPj7mmxVcwYHaypxUZduXY9tbn5Rsmgka1JqA/s320/Godless.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">CLIMAX</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Gaspar Noè (Francia, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE5tHnEVcFxJLJhQiu9QsyoVi-kKp2bR5H-HiZdDRbxrba3ONV09SGcqc52UXzJEU_0eyfq2r2jeBTMZw3RHqLDbHPQGqFe_8biWc-idR4hshaSnsZeolFo1XQA3ZM4sOCKWPO0BUx3K0/s1600/Climax.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE5tHnEVcFxJLJhQiu9QsyoVi-kKp2bR5H-HiZdDRbxrba3ONV09SGcqc52UXzJEU_0eyfq2r2jeBTMZw3RHqLDbHPQGqFe_8biWc-idR4hshaSnsZeolFo1XQA3ZM4sOCKWPO0BUx3K0/s320/Climax.jpg" width="320" /></a></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b>#BEINGS</b></span></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Andrei Stefanescu (Germania, 2015)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTbMPuDI3Vv-iEnlztfkFQhKl7Wo7Krwb_7PhAdAUlB_zmY_bhLLVC4S07VENsV34Itmx1c2azrRDb7RAfSz1chEiAW19rEUHDuqa1DAb-D9ve_yby0VtALAmVO2VnG-Rj9oGFDsek5dI/s1600/Beings.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTbMPuDI3Vv-iEnlztfkFQhKl7Wo7Krwb_7PhAdAUlB_zmY_bhLLVC4S07VENsV34Itmx1c2azrRDb7RAfSz1chEiAW19rEUHDuqa1DAb-D9ve_yby0VtALAmVO2VnG-Rj9oGFDsek5dI/s320/Beings.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">TWIN PEAKS: THE RETURN</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">David Lynch (USA, 2017) <i>TV Series (terza stagione)</i></span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVbi1fAIGDpQ2gM24rSdpkhCWlBtF8932d6Uu3EYABIIj9k249pvOjI-UO0M1bHdy6XiGTFq2L1-fgFKiRq3K0BD2GrFPArHYTm6d80tmOL1SowBwh-a2lKaTV2ASTA1iDwAUp08op1ME/s1600/Twin+Peaks+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVbi1fAIGDpQ2gM24rSdpkhCWlBtF8932d6Uu3EYABIIj9k249pvOjI-UO0M1bHdy6XiGTFq2L1-fgFKiRq3K0BD2GrFPArHYTm6d80tmOL1SowBwh-a2lKaTV2ASTA1iDwAUp08op1ME/s320/Twin+Peaks+3.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">SHELLEY</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Ali Abbasi (Danimarca, Svezia, 2016)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPNRvk4d-s3z0FcE2K9ItscwvRAd4_6z2QOoyTXTWXk0KDH35X3F-CsgCrpNGRUAL3vvN-tk34CmoN33KifFTMVS9Gy7-FHoQpNA0kVL-rMXtRPayC6jFo0286t1sySzgIayUSPO28ZkE/s1600/Shelley.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPNRvk4d-s3z0FcE2K9ItscwvRAd4_6z2QOoyTXTWXk0KDH35X3F-CsgCrpNGRUAL3vvN-tk34CmoN33KifFTMVS9Gy7-FHoQpNA0kVL-rMXtRPayC6jFo0286t1sySzgIayUSPO28ZkE/s320/Shelley.jpg" width="320" /></a></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b>PSYCHOBITCH</b></span></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Martin Lund (Norvegia, 2019)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeX55H_Pvw4G6yGQPsGU_n1cyqyWYsUrxlp1EIaq8bbJjtrGm_b9CAoTycHCtONgoMOY0vsGnOL3zCi9ZxV7pMoJ4b0MNg7jSEUrS-makDN9_bmiq7rHkYnZ9O1vjbx52HtyIDj9oSrpw/s1600/Psychobitch.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeX55H_Pvw4G6yGQPsGU_n1cyqyWYsUrxlp1EIaq8bbJjtrGm_b9CAoTycHCtONgoMOY0vsGnOL3zCi9ZxV7pMoJ4b0MNg7jSEUrS-makDN9_bmiq7rHkYnZ9O1vjbx52HtyIDj9oSrpw/s320/Psychobitch.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">THE TREE HOUSE (Nhà Cây)</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Minh Quý Trương (Singapore, Vietnam, 2019)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMu2JAdH6QFgBUDw1o-0d9NGcAkOU2c1kaPKB6tEA6fsGDBb8kAVwlkC7bOAyOHRTMZjVXgtjuVGVsIW5Z156j-i7SEfJnBBUzgbZuz1Wd82UqdBK4upWuWIq3T9vyqgOYWWteSrjWNRQ/s1600/Tree+House.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMu2JAdH6QFgBUDw1o-0d9NGcAkOU2c1kaPKB6tEA6fsGDBb8kAVwlkC7bOAyOHRTMZjVXgtjuVGVsIW5Z156j-i7SEfJnBBUzgbZuz1Wd82UqdBK4upWuWIq3T9vyqgOYWWteSrjWNRQ/s320/Tree+House.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">BIRD ISLANDS (L'Île aux oiseaux)</span></span></b><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Maya Kosa, Sérgio da Costa (Svizzera, 2019)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4kO4jdoXSi2WQ_1qppviMZtzgTx5ILIId78LvamhLNIeoZbDivkA9hIr_Cbkh7EtRfrmm8Ew6iEA-HZh0KcbNI9d-ZKHwdVeOmgY5zcxfV5T_BDffGNkK-IyAzRK6MBOlLq-p4sX_kMY/s1600/Bird+Island.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4kO4jdoXSi2WQ_1qppviMZtzgTx5ILIId78LvamhLNIeoZbDivkA9hIr_Cbkh7EtRfrmm8Ew6iEA-HZh0KcbNI9d-ZKHwdVeOmgY5zcxfV5T_BDffGNkK-IyAzRK6MBOlLq-p4sX_kMY/s320/Bird+Island.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"> </span></span><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">IL PAESE PIU' VICINO</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Riccardo Vaia, Cristina Pizzamiglio (Italia, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEsEjOSvnkmagaermTorTrLS9hUHYr8LM8Nlp0G0XJij4a5Miqgrui5fXVYt5YdCupdoVI8q52osvKFwfd2846Iy3IpcY3jHcg-N6A57bcog2lwm47LN9hlAWvarnmJjjYNfQO-CA0QFo/s1600/Paese+pi%25C3%25B9+vicino.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEsEjOSvnkmagaermTorTrLS9hUHYr8LM8Nlp0G0XJij4a5Miqgrui5fXVYt5YdCupdoVI8q52osvKFwfd2846Iy3IpcY3jHcg-N6A57bcog2lwm47LN9hlAWvarnmJjjYNfQO-CA0QFo/s320/Paese+pi%25C3%25B9+vicino.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b>BLACK HOLLOW CAGE</b></span></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Dominique Rocher (Francia, 2017)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf5wkvStYt6XQulDhToopZy3nRHATY85fpsGDw24SFaGRutE-CDrpvM3hyDuXTEY8XNkagwNfZMfHv2Sj13OcXYSw0w5nRawLZN7V7tWKm-useN9hXle84Ilp4KjdYk3SlP_o3BT9YE8g/s1600/Black+Hollow+Cage.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf5wkvStYt6XQulDhToopZy3nRHATY85fpsGDw24SFaGRutE-CDrpvM3hyDuXTEY8XNkagwNfZMfHv2Sj13OcXYSw0w5nRawLZN7V7tWKm-useN9hXle84Ilp4KjdYk3SlP_o3BT9YE8g/s320/Black+Hollow+Cage.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">POSSUM</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Matthew Holness (UK, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2DlyYdInGNx7Hj69zdGNnU9px_F3Lo6CcH6c6oPUd1J2jHkKYLUdb16rIluC2fR3WRGJ3MpUlnOJY9J5sp_V5rLOrw2lX4uh7c8OhvXH2by1elT7C4F7y6_OEXkl-T0XxEK0PN16hGHQ/s1600/Possum.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2DlyYdInGNx7Hj69zdGNnU9px_F3Lo6CcH6c6oPUd1J2jHkKYLUdb16rIluC2fR3WRGJ3MpUlnOJY9J5sp_V5rLOrw2lX4uh7c8OhvXH2by1elT7C4F7y6_OEXkl-T0XxEK0PN16hGHQ/s320/Possum.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">PAUSE</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Tonia Mishiali (Grecia, Cipro, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghTIboQ4z3nncsaSfxiX2TjarYBjluNo4EsWT4gEcDIxtsQnuxU7GiBuP50XYXrLoYYICos6xmkM1SJEToHhv__sppMxvV6Z_bgM6zgv_pR5l8Ag9v3dFIIxH4Bn1so_rs1R4FJZB1qTI/s1600/Pause.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghTIboQ4z3nncsaSfxiX2TjarYBjluNo4EsWT4gEcDIxtsQnuxU7GiBuP50XYXrLoYYICos6xmkM1SJEToHhv__sppMxvV6Z_bgM6zgv_pR5l8Ag9v3dFIIxH4Bn1so_rs1R4FJZB1qTI/s320/Pause.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">C'ERA UNA VOLTA A… HOLLYWOOD</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Quentin Tarantino (USA, UK, 2019)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAx8ZRklf7jM-JM8T8TgVfLdY4nRl97JNjfxyRP4dxaUwGlkdi0DM2zmIpq0zCbHfMj3m_9O0bnm8GKDOr7n9-F_bRBK3G5X_KaR8sJdS5VyaBjCm6scGZOd8m1j7w3CFddaxprMqAJV0/s1600/C%2527era+una+volta+hollywood.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAx8ZRklf7jM-JM8T8TgVfLdY4nRl97JNjfxyRP4dxaUwGlkdi0DM2zmIpq0zCbHfMj3m_9O0bnm8GKDOr7n9-F_bRBK3G5X_KaR8sJdS5VyaBjCm6scGZOd8m1j7w3CFddaxprMqAJV0/s320/C%2527era+una+volta+hollywood.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">CAPRI-REVOLUTION</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Mario Martone (Italia, Francia, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSl8-KdIqnEsRghzF40Gm_zAbyeRjMwwz8-fsuu9E_dhIuJxT1bwH2S7tB2jJDPbu1DfMZGnbdbrrQR9v9WxIUV_8Rfl60JOWkCOs6PLkfIc8zVu7QT8bTR6JwOCXxNIKVCou4n9w2o2M/s1600/Capri-Revolution.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSl8-KdIqnEsRghzF40Gm_zAbyeRjMwwz8-fsuu9E_dhIuJxT1bwH2S7tB2jJDPbu1DfMZGnbdbrrQR9v9WxIUV_8Rfl60JOWkCOs6PLkfIc8zVu7QT8bTR6JwOCXxNIKVCou4n9w2o2M/s320/Capri-Revolution.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">ROI SOLEIL</span></span></b></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Albert Serra (Spagna, Portogallo, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0zrqBRyzjFizZDb2M8SQP7QsP5wn_F2lY72vgB_1WooSACOCpzBleX7hP8d-vOD7492KvOA9bvtrh0W_mC961tvdtGggVvsXQkOf0Hjd_0rvspHQD1aBHwN3p_q_NiuHQawWcYdgGago/s1600/Roi+Soleil.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0zrqBRyzjFizZDb2M8SQP7QsP5wn_F2lY72vgB_1WooSACOCpzBleX7hP8d-vOD7492KvOA9bvtrh0W_mC961tvdtGggVvsXQkOf0Hjd_0rvspHQD1aBHwN3p_q_NiuHQawWcYdgGago/s320/Roi+Soleil.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">WHIPLASH</span></span></b></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Damien Chazelle (USA, 2014)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO9nzEOywRUrF4aUr-CpqbR47uQNXW0etMzKoDHrGsQj-LcFKqnm9SU7G5o0wRk2S5XqiaZbRLGxy2kpntd5gPYzLob8jT-1-p3lyBe4QpjWlOOjFLSFMMQciZ_VvKZ_X-fqaGxylIAvM/s1600/Whiplash.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO9nzEOywRUrF4aUr-CpqbR47uQNXW0etMzKoDHrGsQj-LcFKqnm9SU7G5o0wRk2S5XqiaZbRLGxy2kpntd5gPYzLob8jT-1-p3lyBe4QpjWlOOjFLSFMMQciZ_VvKZ_X-fqaGxylIAvM/s320/Whiplash.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">COSMODRAMA</span></span></b><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Philippe Fernandez (Francia, 2015)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGFMFOin4PH9t9JHISvMf7wtQR30Az-aWAq0p1g4I8z3rqjdwXsCc2DIQlGJzTe8ceRosuYJBfgylFuQqWCA2LXNDHZZTjPGY13qhrnesq8gMIFmNAF2ntlGzuuki64Gb8HCp9wit3iFE/s1600/Cosmodrama.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGFMFOin4PH9t9JHISvMf7wtQR30Az-aWAq0p1g4I8z3rqjdwXsCc2DIQlGJzTe8ceRosuYJBfgylFuQqWCA2LXNDHZZTjPGY13qhrnesq8gMIFmNAF2ntlGzuuki64Gb8HCp9wit3iFE/s320/Cosmodrama.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">ONLY LOVERS LEFT ALIVE (Solo gli amanti sopravvivono)</span></span></b><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Jim Jarmusch (UK, Germania, 2013)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioxlPsgOKVzy1eV3ajUPtOknC2EVG-9dc8D7zEEYDDRcdC9YH8-IFym53CanHQ5qL5fXrjmiDy5H9PrFSY24BNRB-HoW4TzUY3WRdi4RR6XL1o0BkazlVmcGsM0SHys83kyz59Np9K8T0/s1600/Solo+gli+amanti+sopravvivono.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioxlPsgOKVzy1eV3ajUPtOknC2EVG-9dc8D7zEEYDDRcdC9YH8-IFym53CanHQ5qL5fXrjmiDy5H9PrFSY24BNRB-HoW4TzUY3WRdi4RR6XL1o0BkazlVmcGsM0SHys83kyz59Np9K8T0/s320/Solo+gli+amanti+sopravvivono.jpg" width="320" /></a></div>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></span>____________________________________________________________________________<br />
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<span style="font-size: large;"><u><b><span style="font-family: "arial" , "helvetica" , sans-serif;">Menzione Classici</span></b></u></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i><b>2</b></i></span></span></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">THE WICKER MAN</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Robin Hardy (UK, 1973)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbkOyd7dkSrpnpa7NxBeMkl2IXQzq744b34VS8Wy_EXO3X0J34xSOCN8TOCsr-xCXxmixhmmQBxylPD9rGydfU9a3EY-n73SrfWQ0VnYoJeqG0Q1iU8105bLRUCuEYLjYN1O1I_Qsaw_A/s1600/Wicker+Man.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbkOyd7dkSrpnpa7NxBeMkl2IXQzq744b34VS8Wy_EXO3X0J34xSOCN8TOCsr-xCXxmixhmmQBxylPD9rGydfU9a3EY-n73SrfWQ0VnYoJeqG0Q1iU8105bLRUCuEYLjYN1O1I_Qsaw_A/s320/Wicker+Man.jpg" width="320" /></a></div>
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<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">1</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">SISTERS (Le due sorelle)</span></span></b></div>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Brian De Palma (USA, 1973)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0OktsJap2PzpDPoqAUy3UBK79-FZmaXjzS0Sd9NxroIGdR4Ek2e0qyK08MARTqSyDxP_qUjTM3B5H-ye3fLlOek-qIHYyBWRs3bV2LtCnSPWrck9RRjJWhnNuVWyGm_FQfV29HQKWj20/s1600/Sisters.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0OktsJap2PzpDPoqAUy3UBK79-FZmaXjzS0Sd9NxroIGdR4Ek2e0qyK08MARTqSyDxP_qUjTM3B5H-ye3fLlOek-qIHYyBWRs3bV2LtCnSPWrck9RRjJWhnNuVWyGm_FQfV29HQKWj20/s320/Sisters.jpg" width="320" /></a></div>
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<u><span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">Semifinalisti</span></b></span></u></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
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<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">20</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">AMORI E METAMORFOSI</span></span></b></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Yanira Yariv (Francia, Italia, 2014)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh64BCbtNoDfb1mQHyURMFHlhsuWRm9FyGTP32J76XIJ1fbLM9aIm97ZQj1jIZpLNEhhCEzU1s_50RmF65RH6kxaKzMBH_eaeOTwPSwD1tUf-nl23-bhmmLtFnUbzM14V5356t91NlsJs/s1600/Amori+e+Metamorfosi.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh64BCbtNoDfb1mQHyURMFHlhsuWRm9FyGTP32J76XIJ1fbLM9aIm97ZQj1jIZpLNEhhCEzU1s_50RmF65RH6kxaKzMBH_eaeOTwPSwD1tUf-nl23-bhmmLtFnUbzM14V5356t91NlsJs/s320/Amori+e+Metamorfosi.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i><b>19</b></i></span></span></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">LAZZARO FELICE</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Alice Rohrwacher (Italia, Svizzera, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikEQnw8lnLAixzwx0sC7bqIKKK6D1kPFXMQh5BLdsFJwUDquNQvFbS087brvKcVpMpzSZkQZuujDdpRt0Mp9YZyhuQ_LpL4UVE71xntPgZeRq5xUv3RNt3Xh7_bqWzxw-pcxOl8iInFco/s1600/Lazzaro+Felice.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikEQnw8lnLAixzwx0sC7bqIKKK6D1kPFXMQh5BLdsFJwUDquNQvFbS087brvKcVpMpzSZkQZuujDdpRt0Mp9YZyhuQ_LpL4UVE71xntPgZeRq5xUv3RNt3Xh7_bqWzxw-pcxOl8iInFco/s320/Lazzaro+Felice.jpg" width="320" /></a></div>
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<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">18</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">TOO OLD TO DIE YOUNG</span></span></b></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Nicolas Winding Refn (USA, 2019) TV Series (prima stagione)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOZ5optR8gXKzxsgYOiO1UpLDBOuwo545wCENEUMChBwRg7ywPreIhgsXNZO6xIZY3eUsH7iUk2VyFwQfFD2v6egQp8YDvn1nza-ntkJXE__T-DjEqNlJXJsodi8G2O1g5Jg8aHdAxlG0/s1600/Too+Old+to+Die+Young+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOZ5optR8gXKzxsgYOiO1UpLDBOuwo545wCENEUMChBwRg7ywPreIhgsXNZO6xIZY3eUsH7iUk2VyFwQfFD2v6egQp8YDvn1nza-ntkJXE__T-DjEqNlJXJsodi8G2O1g5Jg8aHdAxlG0/s320/Too+Old+to+Die+Young+2.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">17</span></span></b></i></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b>LEK AND THE DOGS</b></span></span></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Andrew Kötting (UK, 2017)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3kaPeGTIjTmiRIvHggQnL1hf_NutNdEqPFqTtcTQYwQADBujwffe7YZek8R1l8W9gScPs2N_i3_bsF57p8yIJrkh4NXlKYmmZ6bPdvXZMbN8aJXiMgFo_W-izwbiBjmprcXh8dt1LhKs/s1600/Lek+and+the+Dogs.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3kaPeGTIjTmiRIvHggQnL1hf_NutNdEqPFqTtcTQYwQADBujwffe7YZek8R1l8W9gScPs2N_i3_bsF57p8yIJrkh4NXlKYmmZ6bPdvXZMbN8aJXiMgFo_W-izwbiBjmprcXh8dt1LhKs/s320/Lek+and+the+Dogs.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">16</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">WHAT I REMEMBER</span></span></b></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Antoinette Zwirchmayr (Austria, 2017)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5DIzJJq-McXaK9x8hLwQmNJVcvqH7ww9HRQwlNA0XgMOv4RqQ0YUfFVXxnwMPst5DKYA8LQ7Tpp_8jO8ecNPBS9At_n93MMTnNNsDQwojP3Y37ILynRzNf06RD370IQZWNx8cg26di70/s1600/What+I+Remember.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5DIzJJq-McXaK9x8hLwQmNJVcvqH7ww9HRQwlNA0XgMOv4RqQ0YUfFVXxnwMPst5DKYA8LQ7Tpp_8jO8ecNPBS9At_n93MMTnNNsDQwojP3Y37ILynRzNf06RD370IQZWNx8cg26di70/s320/What+I+Remember.jpg" width="320" /></a></div>
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<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">15</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">LA FAVORITA (The Favourite)</span></span></b></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Yorgos Lanthimos (UK, Irlanda, USA, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtxnFwcnF8mk_E4hS5yoZKVInRfQLuanqFI2Q63PoQYBSTsik4OPwRAWkDPo7KVwXVHUQQ8XDnXhrl6L8Ocv563ef9dAraH5Wc_tr2f0AvU_p9KfyPh8fRqwSokbx0LyWHU9AcuV1kiEo/s1600/Favorita.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtxnFwcnF8mk_E4hS5yoZKVInRfQLuanqFI2Q63PoQYBSTsik4OPwRAWkDPo7KVwXVHUQQ8XDnXhrl6L8Ocv563ef9dAraH5Wc_tr2f0AvU_p9KfyPh8fRqwSokbx0LyWHU9AcuV1kiEo/s320/Favorita.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">14</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">SUSPIRIA</span></span></b></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Luca Guadagnino (Italia, USA, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijBG1huwxClB1qQtVe3qNW5SdBz5NKj2-3CXD9rNCkFBKVX-LWFWkU5Lbqit1CZlIs1_LYlQAhMfG0ItQ6GaqJ_Xc6irF1lQIgUIlyk5VnS8F_dxqip_a5emg9l4BvonCxwIiCz7eK9No/s1600/Suspiria+2018.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijBG1huwxClB1qQtVe3qNW5SdBz5NKj2-3CXD9rNCkFBKVX-LWFWkU5Lbqit1CZlIs1_LYlQAhMfG0ItQ6GaqJ_Xc6irF1lQIgUIlyk5VnS8F_dxqip_a5emg9l4BvonCxwIiCz7eK9No/s320/Suspiria+2018.jpg" width="320" /></a></div>
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<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">13</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">THE NIGHTINGALE</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Jennifer Kent (Australia, Tasmania, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZiTfE8RKDbNXExoTjli4tVQ-yYThFeDzpSnT80uA69lArlwdlb34mkjIduNM2AS0mRK23lISXhJmQfcIE5uWp7w54uGeCQifSypnfDK8-n7_6rgK7wdi3j2kEKxqvPr6tJWHfgB4zS9A/s1600/Nightingale.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZiTfE8RKDbNXExoTjli4tVQ-yYThFeDzpSnT80uA69lArlwdlb34mkjIduNM2AS0mRK23lISXhJmQfcIE5uWp7w54uGeCQifSypnfDK8-n7_6rgK7wdi3j2kEKxqvPr6tJWHfgB4zS9A/s320/Nightingale.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">12</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">I, OLGA HEPNAROVA</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Petr Kazda, Tomás Weinreb (Repubblica Ceca, Francia, 2016)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxr-idglCri1gqZ2DQwjDK4mGP-H-GCFpogySdh5OxwY8RrSvL-kSTHHvZyNcv2WpQsJBNXRhyphenhyphensyiu-jTFp-bxSwJoS41VNRMCopngncjYezK3_RDj51rNPTkLTQLtt-YsZAczQWLe3BY/s1600/Olga.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxr-idglCri1gqZ2DQwjDK4mGP-H-GCFpogySdh5OxwY8RrSvL-kSTHHvZyNcv2WpQsJBNXRhyphenhyphensyiu-jTFp-bxSwJoS41VNRMCopngncjYezK3_RDj51rNPTkLTQLtt-YsZAczQWLe3BY/s320/Olga.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">11</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">THE LIGHTHOUSE</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Robert Eggers (USA, 2019)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv7D7RoC-aoBNSb39xQLrHoQ1kmFAENmZaXe4bRDy_OgT7v-4DCaBiTFwyniMJsu1toeT1QLO80uR8IGZUIoXaSyqL4SMlyKPkWtOOyIU8zYt2k3UFw4_Y40ggFSIbu49dR_xnXxVa8w8/s1600/Lighthouse.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv7D7RoC-aoBNSb39xQLrHoQ1kmFAENmZaXe4bRDy_OgT7v-4DCaBiTFwyniMJsu1toeT1QLO80uR8IGZUIoXaSyqL4SMlyKPkWtOOyIU8zYt2k3UFw4_Y40ggFSIbu49dR_xnXxVa8w8/s320/Lighthouse.jpg" width="320" /></a></div>
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<span style="font-size: large;"><u><b><span style="font-family: "arial" , "helvetica" , sans-serif;">Menzione Speciale "Autori"</span></b></u></span><br />
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Meriti
a parte per due autorevolissimi del cinema "marginal" quali Pedro Costa
e Antoine D'Agata, in quanto le loro ultime opere ne suggellano, ognuna
a loro modo, l'elaborato percorso artistico. Nel caso di D'Agata, <b>White Noise</b> è l'esatto accorpamento (non solo "dei corpi") delle due e più note opere precedenti: <b>Aka Ana</b> (2008) e <b>Atlas</b> (2013). Costa, invece, con <b>Vitalina Varela</b>
resiste imperterrito tra le mura di una sempre più funerea Capo Verde,
rafforzandone ad ogni passo, quell'impressionismo estetico che da <b>Colossal Youth</b> (2006) a <b>Cavalo Dinhero</b> (2014) è ormai diventato un elemento caratteristico del suo cinema.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i><b>2</b></i> </span></span></div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">WHITE NOISE</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Antoine D'Agata (Francia, 2019)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIV3bqTVB6d5sDIXLSOVS1d5OxLfTroys7H1vdkb0PzG5tSDHtqWPD3GwAGcHhCiKR1qWwpK-EWLsjfgVsgeUEzVYEnApOj6C43myJMxUm90tKNuBivQjd66LlwcannWpDRpT_iuv3AD0/s1600/White+Noise.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIV3bqTVB6d5sDIXLSOVS1d5OxLfTroys7H1vdkb0PzG5tSDHtqWPD3GwAGcHhCiKR1qWwpK-EWLsjfgVsgeUEzVYEnApOj6C43myJMxUm90tKNuBivQjd66LlwcannWpDRpT_iuv3AD0/s320/White+Noise.jpg" width="320" /></a></div>
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<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">1</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">VITALINA VARELA</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Pedro Costa (Portogallo, 2019)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi__TmujHe_TyPsm4hFj9sMJ1nzIFt64EQ6bKZ-VNINg_PERztrhF5_VKefhe56cWnCqX4u-7yqaYVGoeWy4W7hl4kgXTiXXtXyJoraLlHaH-ipH4pA9ey4EAeQPN0NgbMMhEK20ZRdP0w/s1600/Vitalina+Varela.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi__TmujHe_TyPsm4hFj9sMJ1nzIFt64EQ6bKZ-VNINg_PERztrhF5_VKefhe56cWnCqX4u-7yqaYVGoeWy4W7hl4kgXTiXXtXyJoraLlHaH-ipH4pA9ey4EAeQPN0NgbMMhEK20ZRdP0w/s320/Vitalina+Varela.jpg" width="320" /></a></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">__________________________________________________________________________ </span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"> </span></span></div>
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<div style="text-align: center;">
<span style="color: #3d85c6;"><b><u><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">TOP 10</span></u></b></span></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>10</b></i> </span></div>
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<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">UTOYA 22 JULY</span></b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Erik Poppe (Norvegia, 2018)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQPGqZla7xDut-2LSkaegswHX4nXl33TMU8iwR3IuyU1tzZp0F42eP35LkrEtBPfh-C7aL4MABVTOMJUUkhEC6qaBglElsFjN0UEXHB2jM2UQdxjt1v-kpKDQj4fMhTmZDLaCp00XCzvE/s1600/Utoya+22+July.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQPGqZla7xDut-2LSkaegswHX4nXl33TMU8iwR3IuyU1tzZp0F42eP35LkrEtBPfh-C7aL4MABVTOMJUUkhEC6qaBglElsFjN0UEXHB2jM2UQdxjt1v-kpKDQj4fMhTmZDLaCp00XCzvE/s1600/Utoya+22+July.jpg" /></a></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <i><b>9</b></i></span></div>
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<span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b>MAMA (MOTHER)</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Vlado Škafar (Slovenia, Italia, 2016)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo2wgf_G4VV62fvZEw9VrTr7TkmZzX2ev-nlc3Iu7v8vQLYIJ1-DnL5f2EYBm3c1wmuVpaFvWI_svxHqeD0Rj6uQ79FrMGzt2ctvVJ2n8_Cl_LbN1jRnbJKvtB5EDnRvZA1MS3wd-IFcc/s1600/Mama+%2528Mother%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo2wgf_G4VV62fvZEw9VrTr7TkmZzX2ev-nlc3Iu7v8vQLYIJ1-DnL5f2EYBm3c1wmuVpaFvWI_svxHqeD0Rj6uQ79FrMGzt2ctvVJ2n8_Cl_LbN1jRnbJKvtB5EDnRvZA1MS3wd-IFcc/s1600/Mama+%2528Mother%2529.jpg" /></a></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>8</b> </i> </span></div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: large;">L'ARRIÈRE-PAYS</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Safia Benhaim (Francia, 2009)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSimJH9puQfK1bQNJGRe3y2LDOM7poDgF9UHmlLuwV2Rgh1CfOfIk4G_F1EnsUlNvIAatDE0IfAeEiG3lUYQTTGUnxUdApoIt_Zrg7S3gWZ1ivSxOj91HSeat4A-TMs3J1iOo3CMoDC38/s1600/Arriere-pays.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSimJH9puQfK1bQNJGRe3y2LDOM7poDgF9UHmlLuwV2Rgh1CfOfIk4G_F1EnsUlNvIAatDE0IfAeEiG3lUYQTTGUnxUdApoIt_Zrg7S3gWZ1ivSxOj91HSeat4A-TMs3J1iOo3CMoDC38/s1600/Arriere-pays.jpg" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <i><b>7</b></i></span></div>
<div style="text-align: center;">
<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">MIDSOMMAR </span></b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Ari Aster (USA, 2019)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrKG3Shg0H4e551hyphenhyphenpzirURGMmIF3pw69sIVBVat1YYS2tgMYTOzcS6tOiO93bkZxL_rFf76f5mhKgakfenD5Yr0Yk3X2zW5nXPLFpOd7ZKzoP0c6KgU1KwTF9dOKrG2NvanisCJZec1E/s1600/Midsommar.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrKG3Shg0H4e551hyphenhyphenpzirURGMmIF3pw69sIVBVat1YYS2tgMYTOzcS6tOiO93bkZxL_rFf76f5mhKgakfenD5Yr0Yk3X2zW5nXPLFpOd7ZKzoP0c6KgU1KwTF9dOKrG2NvanisCJZec1E/s1600/Midsommar.jpg" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>6</b></i> </span></div>
<div style="text-align: center;">
<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">ANTIPORNO (Anchiporuno)</span></b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Sion Sono (Giappone, 2016)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivl5TVBjvrltcSRoqTtndBBBXREido56-T87K5DnWThJ_JCokyxPuCTTc3GttuoA_M-MA4jLOKi_W87nnXlJEtFkLmpvyTfcF_MX735jQtNP7h14p0SUMXg2cyRRz-HmhCMjtZ0BEG5Pk/s1600/Antiporno.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivl5TVBjvrltcSRoqTtndBBBXREido56-T87K5DnWThJ_JCokyxPuCTTc3GttuoA_M-MA4jLOKi_W87nnXlJEtFkLmpvyTfcF_MX735jQtNP7h14p0SUMXg2cyRRz-HmhCMjtZ0BEG5Pk/s1600/Antiporno.jpg" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>5</b></i> </span><br />
<div style="text-align: center;">
<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">A GHOST STORY (Storia di un fantasma)</span></b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">David Lowery (USA, 2017)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2XD-bsKxDZ7cbcnuMgrfgMkFDoroW9k7pbV_mgseYOrJaLeZhGPSkwB8vHXutSk_B2vdPkDLiervtPtiP7R-nEH-K-s3d1cGnxsVgagu6dc8H54gTjablLt5jSlejquPfzewjJRVZ428/s1600/A+Ghost+Story.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2XD-bsKxDZ7cbcnuMgrfgMkFDoroW9k7pbV_mgseYOrJaLeZhGPSkwB8vHXutSk_B2vdPkDLiervtPtiP7R-nEH-K-s3d1cGnxsVgagu6dc8H54gTjablLt5jSlejquPfzewjJRVZ428/s1600/A+Ghost+Story.jpg" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>4</b></i></span><br />
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<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">HAGAZUSSA</span></b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Lukas Feigelfeld (Germania, Austria, 2017)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3w77T7jKyQ4KUM6i2kBU5bsVu5NUpLIdMdys7_HyRkiTv2DbVi7ZqXllQsknBr1drzfxy-4yr07HY8zUNQmg0TPmer_pM7nUfW-d0D2vDi7lu-4O_GtvyYdJAp021niyL8a0aYENe-nk/s1600/Hagazussa.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3w77T7jKyQ4KUM6i2kBU5bsVu5NUpLIdMdys7_HyRkiTv2DbVi7ZqXllQsknBr1drzfxy-4yr07HY8zUNQmg0TPmer_pM7nUfW-d0D2vDi7lu-4O_GtvyYdJAp021niyL8a0aYENe-nk/s1600/Hagazussa.jpg" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>3</b></i></span><br />
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<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">MA</span></b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Celia Rowlson-Hall (USA, 2015)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3NHOoRh5sQiV506xh5kl5PQHcMvSi1wegtGXb5XWZXga_H8DcZ_azY6ZCVo25QaL9Qw-kX3gqqfDrtF7QpYnjyw9lnmrX7GN_N2MsqreCclbU6vmjdnb9y-LCOyC7deIT4pu2kyKCICM/s1600/Ma+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3NHOoRh5sQiV506xh5kl5PQHcMvSi1wegtGXb5XWZXga_H8DcZ_azY6ZCVo25QaL9Qw-kX3gqqfDrtF7QpYnjyw9lnmrX7GN_N2MsqreCclbU6vmjdnb9y-LCOyC7deIT4pu2kyKCICM/s1600/Ma+2.jpg" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>2</b></i></span><br />
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<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">JONAKI</span></b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Adityavikram Sengupta (India, Francia, 2018)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmr7P9gbhSFggEUKyi5S6KoHP6w8oC-q8NNsJklINIKEc_muozhOiCw0pz4jQOcMCAo9jQWWUALxhXJWnXV6OBB4ux1ymxkOWakyNStDUUXsnYa8NmP_Jg6wcD7D9wsCP0DCW-I8QjSfs/s1600/Jonaki.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmr7P9gbhSFggEUKyi5S6KoHP6w8oC-q8NNsJklINIKEc_muozhOiCw0pz4jQOcMCAo9jQWWUALxhXJWnXV6OBB4ux1ymxkOWakyNStDUUXsnYa8NmP_Jg6wcD7D9wsCP0DCW-I8QjSfs/s1600/Jonaki.jpg" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>1</b></i></span><br />
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<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">HIGH LIFE</span></b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Claire Denis (Francia, Germania, 2018)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYk0NX5jgGLWx6-XtR7C9EiAV6sZguskjYQpKr7w0p0KbDS43Kg4QxioT21I0I4rB_xgIa7Lrr8pkLMSrNwN7a-FVOzYRp41a9V5mYHXjHlg13G1cJ6WQR94YakmCaV1ksIVXR2jDaCUw/s1600/High+Life+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYk0NX5jgGLWx6-XtR7C9EiAV6sZguskjYQpKr7w0p0KbDS43Kg4QxioT21I0I4rB_xgIa7Lrr8pkLMSrNwN7a-FVOzYRp41a9V5mYHXjHlg13G1cJ6WQR94YakmCaV1ksIVXR2jDaCUw/s1600/High+Life+2.jpg" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2bywkSNEwcQkv63JS14pMMAQl7ezDxfSsTnp7F_W3mee0hiWc17Rhmwg5xDJFhXMB3-z4CwKfQoMRvuuRh-rsJZKNtRSiOZACvDcAMcyvEhsQp3eMHxfmU5QLeGfeRykoViM8B-9qEvU/s1600/High+Life.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2bywkSNEwcQkv63JS14pMMAQl7ezDxfSsTnp7F_W3mee0hiWc17Rhmwg5xDJFhXMB3-z4CwKfQoMRvuuRh-rsJZKNtRSiOZACvDcAMcyvEhsQp3eMHxfmU5QLeGfeRykoViM8B-9qEvU/s1600/High+Life.jpg" /></a></div>
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ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com0tag:blogger.com,1999:blog-3124748050714619465.post-14970607410819001202019-12-30T12:03:00.001+01:002020-12-29T18:34:20.117+01:00Resoconti VIS #19: Short Films | Archivio Cortometraggi (visti nel 2019)<div style="text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtokvdAM_Sa7NAykACCV5IKW_8QMVReBfHoiLz0C_PZrg5-sy__Z1DeT-YwMkVVdQE2C4ljoqOi9TAHy-dU_RoqVrDzVZaPpKiEhcigBo9xHg4ppe5qzO2Z616nFMUaXGlPexrGVdjLCg/s1600/Post+Testata+Short.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtokvdAM_Sa7NAykACCV5IKW_8QMVReBfHoiLz0C_PZrg5-sy__Z1DeT-YwMkVVdQE2C4ljoqOi9TAHy-dU_RoqVrDzVZaPpKiEhcigBo9xHg4ppe5qzO2Z616nFMUaXGlPexrGVdjLCg/s1600/Post+Testata+Short.jpg" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>INDEMNES </b>- Anaïs Volpé (Francia, 2019)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>A RADIANT SPHERE </b>- Sara Wylie (Canada, 2019)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>WHAT TIME IS LOVE? </b>- Anna Franceschini (Italia, Olanda, 2017)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>AT THE POOL (À la piscine) </b>- Consuelo Frauenfelder, Stefan Lauper (Svizzera, 2019)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>BLACK SUN </b>(Siyah güneş) - Arda Çiltepe (Turchia, Germania, 2019)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>VADER (FATHER) </b>- Isabel Lamberti (Olanda, 2019)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>ATTESA DI UN'ESTATE (FRAMMENTI DI VITA TRASCORSA)</b> - Mauro Santini (Italia, 2013)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>ANIMA, SILUETA DE COHETES (FIREWORK PIECE)</b> – Ana Mendieta (Messico, 1976)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>16 DE DECEMBRO</b> - Álvaro Gago Díaz (Spagna, 2019)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>THE DEATH OF FATHER MEN</b> - Mikhail Maksimov (Russia, 2018)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>STILL WORKING</b> - Julietta Korbel (Svizzera, 2019)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b> THE WATCHMEN</b> - Fern Silva (USA, 2017)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>X</b> - Barbara Hammer (1973)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>LUNAR ALMANAC</b> - Malena Szlam (Canada, 2013)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>WHITE AFRO</b> - Akosua Adoma Owusu (Ghana, USA, 2019)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>DOUBT</b> - Josh Lewis (USA, 2013)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>BIRD BLINDS</b> - Robert Todd (USA, 2018)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>OTHER THAN OUR SEA</b> - Valentina Ferrandes (Francia, Italia, 2015)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>COLOR-BLIND</b> - Ben Russell (Francia, Germania, 2019)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>NIGHTFALL</b> - Tulapop Saenjaroen, Anocha Suwichakornpong (Singapore, 2016)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>THE SISTER'S BEDROOM (LA CHAMBRE DES FILLES)</b> - Claire Brognez (Canada, 2018)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>THE EVIL EYE</b> - Clément Cogitore (Francia, 2018)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>DOMENICA 6 APRILE, ORE 11:42</b> - Collettivo Flatform (Italia, 2008)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>57.600 SECONDI DI NOTTE E LUCE INVISIBILI </b>- Collettivo Flatform (Italia, 2009)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>THE AIR OF THE EARTH IN YOUR LUNGS</b> - Ross Meckfessel (USA, Giappone, 2018)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>CARNE (FLESH)</b> - Camila Kater (Brasile, Spagna, 2019)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>DEEP TISSUE</b> - Meredith Alloway (USA, 2019)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>MORNING DEW (L'autre sur ma tête)</b> - Julie Colly (Francia, 2019)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>REPRODUCTIVE EXILE</b> - Lucy Beech (UK, Francia, 2018)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>ANIMALI CRIMINALI</b> - Yervant Gianikian, Angela Ricci Lucchi (Francia, 1994)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>SOLITARY ACTS (#4 / #5 / #6)</b> - Nazlı Dinçel (Olanda, USA, Turchia, 2015)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>VUCCA</b> - Carlos Casas (Italia, 2016)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>BAVURE</b> - Donato Sansone (Francia, 2018)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>NEW ACID</b> - Basim Magdy (Francia, Svizzera, 2019)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>IN THE FUTURE DAY ATE FROM THE FINEST PORCELAIN</b> - Larissa Sansour, Søren Lind (Palestina, UK, 2015)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>THE GLASS NOTE</b> - Mary Helena Clark (USA, 2018)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>VOLCANO: WHAT DOES A LAKE DREAM? (Vulcão: O Que Sonha um Lago?)</b> - Diana Vidrascu (Francia, Portogallo, 2019)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>THE COLOUR OF YOUR LIPS</b> - Annick Blanc (Canada, 2018)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>AFRONAUTS</b> - Frances Bodomo (USA, 2014)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>CRONACHE DAL CREPUSCOLO</b> - Luca Capponi (Italia, 2018)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>A MILLION YEARS (Muoy lean chhnam)</b> - Danech San (Cambodia, 2018)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>THE NEST</b> – David Cronenberg (Canada, 2014)</span></div>
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<u><span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">Eletti</span></b></span></u></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;">SWEATING BLOOD</span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Ana Mendieta (USA, 1973)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil88oA5XZ2sPwUo810Gn0v3lYSa2kt75MbDXnYzvwWj1V2zB5M7d3RSdyE3IRXjh7UGS6RORIF8Cp98sYx3OMl6H5abFeJYeR-Y6zrh55ubkpjx0cYHTcSPI3KvTEniMfuNhjwd2V3bKk/s1600/Sweating+Blood.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil88oA5XZ2sPwUo810Gn0v3lYSa2kt75MbDXnYzvwWj1V2zB5M7d3RSdyE3IRXjh7UGS6RORIF8Cp98sYx3OMl6H5abFeJYeR-Y6zrh55ubkpjx0cYHTcSPI3KvTEniMfuNhjwd2V3bKk/s320/Sweating+Blood.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <b>PASATIEMPO</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Elena Duque (Spagna, 2010)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguEV88eNyxEIw_HJkUFVmQA1-r1PJUV9OvdjA8cns7EIwtsw80DDW-xYlJGmXIxiib6Z8m7QjxwURiiF7F-7POagvPEsauTT0s4dWjmjVn2Sqe-MaFCMBHi3scSL353d0Z8aMfFfzTsTw/s1600/Pasatiempo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguEV88eNyxEIw_HJkUFVmQA1-r1PJUV9OvdjA8cns7EIwtsw80DDW-xYlJGmXIxiib6Z8m7QjxwURiiF7F-7POagvPEsauTT0s4dWjmjVn2Sqe-MaFCMBHi3scSL353d0Z8aMfFfzTsTw/s320/Pasatiempo.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;">SILENT STORM (Tempête silencieuse)</span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Anaïs Moog (Svizzera, 2019)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoMX4PHw9IBubRFOPoh-u-glR1qyM-LckHsKyLiZsC9v-rYUcCXI7BLH_FWAqkjqAzLBeuThX6uFnN0Q8vbSihgGTAkdX411XCn19ITaXnxaj-ghDAhyphenhyphentQ6wm0uZdO-JHBC2J87ypttXE/s1600/Silent+Storm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoMX4PHw9IBubRFOPoh-u-glR1qyM-LckHsKyLiZsC9v-rYUcCXI7BLH_FWAqkjqAzLBeuThX6uFnN0Q8vbSihgGTAkdX411XCn19ITaXnxaj-ghDAhyphenhyphentQ6wm0uZdO-JHBC2J87ypttXE/s320/Silent+Storm.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;">PIGGY (CERDITA)</span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Carlota Martínez-Pereda (Spagna, 2018)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz49eVj6iCNrUfRS8t9d496tPmTRgb6SqKCnruLaB5oMw_zv6WBNKKnvxdHIDSqEOxwlDrcVJuqVrN-sPgZQlx5cGaP823CbRgN3AzvOqyEdm9jTem93iKFTxJlYFWZLFvnPJlwVFKln8/s1600/Piggy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz49eVj6iCNrUfRS8t9d496tPmTRgb6SqKCnruLaB5oMw_zv6WBNKKnvxdHIDSqEOxwlDrcVJuqVrN-sPgZQlx5cGaP823CbRgN3AzvOqyEdm9jTem93iKFTxJlYFWZLFvnPJlwVFKln8/s320/Piggy.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;">O25 SUNSET RED</span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Laida Lertxundi (USA, 2015)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglJC7gTvM3TEgu7-nG4vz-z6lXwy_Ml5nje8Joa6CWJUXJ7C_ReQUU5N7w4nohlXhwcF3QCUOAvXmqq_qbcfdKApLt5n7gxPn85GBqOpfhx2DpK_77AxCqZBGIPOD8w5FIj-jFVW77xQM/s1600/025+Sunset+Red.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglJC7gTvM3TEgu7-nG4vz-z6lXwy_Ml5nje8Joa6CWJUXJ7C_ReQUU5N7w4nohlXhwcF3QCUOAvXmqq_qbcfdKApLt5n7gxPn85GBqOpfhx2DpK_77AxCqZBGIPOD8w5FIj-jFVW77xQM/s320/025+Sunset+Red.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <b>IPERBOREI</b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Riccardo Vaia, Cristina Pizzamiglio (Italia, 2018)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK71MxwMeBdCybNZ1ST-uXGNQvMHNf9mOSFPd2TYdkrAKbFwhgtPUjD_pAlkA1J2o-YmYTCahbTLTMJqFZhRqMqKaN4q1Xv5pXgZSSTcBYXBCevxmNUYAWooPtmNFhx8neg7xw0Hi6nTM/s1600/Iperborei.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK71MxwMeBdCybNZ1ST-uXGNQvMHNf9mOSFPd2TYdkrAKbFwhgtPUjD_pAlkA1J2o-YmYTCahbTLTMJqFZhRqMqKaN4q1Xv5pXgZSSTcBYXBCevxmNUYAWooPtmNFhx8neg7xw0Hi6nTM/s320/Iperborei.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;">JE TE TIENS</span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Sergio Caballero (Spagna, 2019)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8ax19hyXusyJCxinw3t75P-G1aKdTzeB0N4h2lt-jeUPsCs51qA3uYdH6gG6PAPL5LgeIO9fgiALXmw3I5A0LilxJRVvk5u0POxcweolxuNYDbeH_WH3dOnKEvGp08VeYStQzv-2IQUg/s1600/Je+te+Tiens.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8ax19hyXusyJCxinw3t75P-G1aKdTzeB0N4h2lt-jeUPsCs51qA3uYdH6gG6PAPL5LgeIO9fgiALXmw3I5A0LilxJRVvk5u0POxcweolxuNYDbeH_WH3dOnKEvGp08VeYStQzv-2IQUg/s320/Je+te+Tiens.jpg" width="320" /></a></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>OLLA</b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Ariane Labed (Francia, UK, 2019)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-1EQJutWgA_oCDOf5f4TpPn0bD0kZBRzlpdTbhVYPbNsNYngn6pOaXtMO_HYyXI131eo8d5P8h1vnhO1DJGTymP4KlfwGgNRFzwAsL94sEjxOMkYgzHGO36g08oSY-LMRfDvulagdAok/s1600/Olla.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-1EQJutWgA_oCDOf5f4TpPn0bD0kZBRzlpdTbhVYPbNsNYngn6pOaXtMO_HYyXI131eo8d5P8h1vnhO1DJGTymP4KlfwGgNRFzwAsL94sEjxOMkYgzHGO36g08oSY-LMRfDvulagdAok/s320/Olla.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;">LE SANG NOIR (DARK BLOOD)</span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Safia Benhaim (Francia, 2018)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_DfzPVwkhoyUf4v11pivrFZ8-jRMniomBZA_XREHuu_tJkbCwJ0ge4uXlGeMWKJ4sEiKgG5lP05oL-lREUav7uaFi9R-oXAtFMNLV18CIO_njVuY2FWZq_cjMSdiA7tMfsQaNbb7tQc4/s1600/Sang+Noir.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_DfzPVwkhoyUf4v11pivrFZ8-jRMniomBZA_XREHuu_tJkbCwJ0ge4uXlGeMWKJ4sEiKgG5lP05oL-lREUav7uaFi9R-oXAtFMNLV18CIO_njVuY2FWZq_cjMSdiA7tMfsQaNbb7tQc4/s320/Sang+Noir.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>MOTHER, DAUGHTER, DREAMS (Mẹ, con gái và những giấc mơ)</b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Linh Duong (Vietnam, 2018)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXeCkX0wb_HX9j2YOLwPmUqHBqo6zmV_RBHx15UHqgc8O-TVqqkPH6TbOc0mViVkdbtBQCdK-i6NPOiDgnfDsjX0Eomqol6KxHKelHIU8BTqx3I_7N3H5xpDxHPZg-FxVGWGU7unpHY5A/s1600/Mother+Daughter+Dreams.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXeCkX0wb_HX9j2YOLwPmUqHBqo6zmV_RBHx15UHqgc8O-TVqqkPH6TbOc0mViVkdbtBQCdK-i6NPOiDgnfDsjX0Eomqol6KxHKelHIU8BTqx3I_7N3H5xpDxHPZg-FxVGWGU7unpHY5A/s320/Mother+Daughter+Dreams.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>DE UNA ISLA</b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">José Luis Guerín (Spagna, 2019)</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihIBRDjt-iHfFIriOcCWaxmU4bn9xvJdOTS0QtuJS8p9vijAu9aVjqqaD_bP-40ZPH0wFpj_Ml52SozNOcVq221Ib_cEJxSihILkReEMJsIaORtdQKbc8ToNgL4f7MStaUg4Jz9GznXtY/s1600/De+una+Isla.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihIBRDjt-iHfFIriOcCWaxmU4bn9xvJdOTS0QtuJS8p9vijAu9aVjqqaD_bP-40ZPH0wFpj_Ml52SozNOcVq221Ib_cEJxSihILkReEMJsIaORtdQKbc8ToNgL4f7MStaUg4Jz9GznXtY/s320/De+una+Isla.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;">MI PIEL, LUMINOSA</span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Nicolás Pereda, Gabino Rodríguez (Messico, Canada, 2019)</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvzgYU-HWkzHf2dTKxiJbuKRkOi-yQ3nUNrNS8y3Ra4g8rPzzKtNPDdFqKn5qJwpZajRXaenZMC9QEjCwQ0lSZJ8-ZeKtbg_R9E7BqEbTtlxO4nh2F6nnVEIIG06iRTC8X52wMQ76ibRs/s1600/Mi+piel+luminosa.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvzgYU-HWkzHf2dTKxiJbuKRkOi-yQ3nUNrNS8y3Ra4g8rPzzKtNPDdFqKn5qJwpZajRXaenZMC9QEjCwQ0lSZJ8-ZeKtbg_R9E7BqEbTtlxO4nh2F6nnVEIIG06iRTC8X52wMQ76ibRs/s320/Mi+piel+luminosa.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;">BETWEEN RELATING AND USE</span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Nazlı Dinçel (Argentina, USA, 2018)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdY6MsVEGpJJCP88qsk1L7ltzbkOlMpw5FAlH0E8FGPqT6bsuoWgHgx6d9AGutXgagoERVoEicviTdf73EzJo0cf2vq9DH9SDxHyZ5nR-AgpGneMVewnXEXYbVKw1FWD9N3oigaNwilcQ/s1600/Between+Relating+and+Use.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdY6MsVEGpJJCP88qsk1L7ltzbkOlMpw5FAlH0E8FGPqT6bsuoWgHgx6d9AGutXgagoERVoEicviTdf73EzJo0cf2vq9DH9SDxHyZ5nR-AgpGneMVewnXEXYbVKw1FWD9N3oigaNwilcQ/s320/Between+Relating+and+Use.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span><b><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></b><br />
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"> VESUVIUS AT HOME</span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Christin Turner (USA, Italia, 2018)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdBVbWRiCuGxD9vBTdhE1QiPO37rG5ZtimzmsdeYKfFJT_8qK3r6QdLNb5S8L-hrd5Bw05nZGpjTCbTfi3hikWdcxQmbf0bBhep-dE5zHXwhfvDr8EXfCRHJtQPwkiPeCdQJh7uXxnr44/s1600/Vesuvius+at+Home.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdBVbWRiCuGxD9vBTdhE1QiPO37rG5ZtimzmsdeYKfFJT_8qK3r6QdLNb5S8L-hrd5Bw05nZGpjTCbTfi3hikWdcxQmbf0bBhep-dE5zHXwhfvDr8EXfCRHJtQPwkiPeCdQJh7uXxnr44/s320/Vesuvius+at+Home.jpg" width="320" /></a></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <b>CATHEDRAL</b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Robert Todd (USA, 2014)</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggJubcmW3WL5aiJhNVFA4Lul9ezyzWS2Vca1ZF6se78mpfE23t0409YLDgXfI4AGuvd37y7t0RYFwdgR-dXW1GA-eMZoKpjWAagAr7pEkeYS-eO4VfPRY_JiIFauNwyg-sR1fiQLMy1xA/s1600/Cathedral.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggJubcmW3WL5aiJhNVFA4Lul9ezyzWS2Vca1ZF6se78mpfE23t0409YLDgXfI4AGuvd37y7t0RYFwdgR-dXW1GA-eMZoKpjWAagAr7pEkeYS-eO4VfPRY_JiIFauNwyg-sR1fiQLMy1xA/s320/Cathedral.jpg" width="320" /></a></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <b>LIFE IN THE SHADOWS</b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Robert Todd (USA, 2018)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhRiaf4g9ss3YM9juPVtN-T0FM0cPnaZdZWztFcfo1oIZNAM-b9edN1lPWtx3eFblWtd_ldjsFEFxDHaJ1TbfSiQXx5-lW1SOza-dChAC1QAKBt29D9VmU8DJBK-kqaA57ZzfAPU0uDw8/s1600/Life+in+the+shadows.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhRiaf4g9ss3YM9juPVtN-T0FM0cPnaZdZWztFcfo1oIZNAM-b9edN1lPWtx3eFblWtd_ldjsFEFxDHaJ1TbfSiQXx5-lW1SOza-dChAC1QAKBt29D9VmU8DJBK-kqaA57ZzfAPU0uDw8/s320/Life+in+the+shadows.jpg" width="320" /></a></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span><br />
<b><span style="font-family: "arial" , "helvetica" , sans-serif;">FLORES</span></b><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">Jorge Jácome (Portogallo, 2017)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEho3zept4uFRjd-bqsNRJMXjghQiz4clvbi5z5BWjwd2Sj2erKzP0psaRaXbg6DevnmttTxEHFMADAntgjFkqIQMCMgbpnmPY1E-2tZajHJlrNXQx8Cy_ecBtmfr2TVqE9CgXtphW37Zos/s1600/Flores.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEho3zept4uFRjd-bqsNRJMXjghQiz4clvbi5z5BWjwd2Sj2erKzP0psaRaXbg6DevnmttTxEHFMADAntgjFkqIQMCMgbpnmPY1E-2tZajHJlrNXQx8Cy_ecBtmfr2TVqE9CgXtphW37Zos/s320/Flores.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;">NIVIS RITU CAELUMQUE OBTEXITUR UMBRA</span></b><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">Riccardo Vaia (Italia, 2005)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggKZaGW35Cuza8l0PnC_hxj-euBGbQxNjiHGTPNIFgoFxTeHM1JqjNk7MZD01rdNnfFPglXaY5kWfcjV865eKLE1ncJ5e0GjxOOPuS4BpTA8ym-pioOVyp8Ggt0MeX0i4wcif5JM1Kx6M/s1600/Nivis+ritu+caelumque+obtexitur+umbra.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggKZaGW35Cuza8l0PnC_hxj-euBGbQxNjiHGTPNIFgoFxTeHM1JqjNk7MZD01rdNnfFPglXaY5kWfcjV865eKLE1ncJ5e0GjxOOPuS4BpTA8ym-pioOVyp8Ggt0MeX0i4wcif5JM1Kx6M/s320/Nivis+ritu+caelumque+obtexitur+umbra.jpg" width="320" /></a></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></div>
<div style="text-align: center;">
<span style="color: #3d85c6;"><b><u><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">TOP 10</span></u></b></span></div>
<div style="text-align: center;">
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>10</b></i> </span></div>
<div style="text-align: center;">
<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">E</span></b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Anna Malina Zemlianski (Germania, 2018)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4o9308FlaQTDlhEjnrA2BXUK8A2uBmJMFCZUXCc6XJ23Vi1aK-BXO5El4Pf4iB09mSWa-X1WyrKTTt9ZuT1LmurbRC3rlm24-LIu7S0lfjmtyQUUxU08EJJp8gFXOxBaPZkX8po1OHDQ/s1600/E.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4o9308FlaQTDlhEjnrA2BXUK8A2uBmJMFCZUXCc6XJ23Vi1aK-BXO5El4Pf4iB09mSWa-X1WyrKTTt9ZuT1LmurbRC3rlm24-LIu7S0lfjmtyQUUxU08EJJp8gFXOxBaPZkX8po1OHDQ/s1600/E.jpg" /></a></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>9</b></i></span></div>
<div style="text-align: center;">
<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">THE EXTINCT SUITE</span></b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Anna Malina Zemlianski (Germania, 2017)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgynKm4vpAdwMqaI3w4zboMqqDZrk0NNhvGFRxo2HQbK9UTcW4uHaBw7dEGZ9Tjo4jSE_URHm4IQ23hTRuKCp6CWQ6_7sTjojk9kGixbRAL8Lcx5PlXTReJLsc-ERbFlbN90UL4joZLEn8/s1600/Extinct+Suite.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgynKm4vpAdwMqaI3w4zboMqqDZrk0NNhvGFRxo2HQbK9UTcW4uHaBw7dEGZ9Tjo4jSE_URHm4IQ23hTRuKCp6CWQ6_7sTjojk9kGixbRAL8Lcx5PlXTReJLsc-ERbFlbN90UL4joZLEn8/s1600/Extinct+Suite.jpg" /></a></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>8</b> </i> </span></div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: large;">BLUE</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Apichatpong Weerasethakul (Thailandia, Francia, 2018)</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfbS820Uys-R_jMmQdr0OohTp6Gb4xnuqkLQ2LVfvf6FY6x31tJZrtdKJV__VDO3N_w9Fwzr_R4NjnOyF7iuMN46c3MM1Ou1tWqu_G8VTCxZzsK5DBmblC1gmhxJGXWStdoLa2PygFW8E/s1600/Blue.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfbS820Uys-R_jMmQdr0OohTp6Gb4xnuqkLQ2LVfvf6FY6x31tJZrtdKJV__VDO3N_w9Fwzr_R4NjnOyF7iuMN46c3MM1Ou1tWqu_G8VTCxZzsK5DBmblC1gmhxJGXWStdoLa2PygFW8E/s1600/Blue.jpg" /></a></div>
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<div class="separator" style="clear: both; text-align: center;">
</div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>7</b></i></span></div>
<div style="text-align: center;">
<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">WHEN THE LANTERNS ARE LIT IN THE EVENING THEY WILL NEVER DIE OUT</span></b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Sara Bonaventura, Ester Grossi (Singapore, Italia, 2017)</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2MO_5Ukvb_djQz5e4sqM_wrC9me5TaRw8pN9RjRQB5sZ18hifQOy4pLlzbGSW3xD29AygWeVX74fKFTDwStBRMLcJGuMdyOwdyj5sTPbpqN-g-xzYfNR37utd8ihibuZv33do03htfUM/s1600/When+the+Lanterns.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2MO_5Ukvb_djQz5e4sqM_wrC9me5TaRw8pN9RjRQB5sZ18hifQOy4pLlzbGSW3xD29AygWeVX74fKFTDwStBRMLcJGuMdyOwdyj5sTPbpqN-g-xzYfNR37utd8ihibuZv33do03htfUM/s1600/When+the+Lanterns.jpg" /></a></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <i><b> </b></i></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>6</b></i> </span></div>
<div style="text-align: center;">
<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">DARK DEER</span></b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Riccardo Vaia, Cristina Pizzamiglio (Italia, 2019)</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXDHSxFSxDGLN97REPbPwJTUS8W28aysnWkzK9vyKJvye1q6aQIpkq9CRa_P3N-ynk50MC_nujZB2Jmnstb1WvtqihXwUxXhPF5VyOOHKFr-Zy9db1UyQuzK_Ou0vBjoZpQBh-h_vduaw/s1600/Dark+Deer.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXDHSxFSxDGLN97REPbPwJTUS8W28aysnWkzK9vyKJvye1q6aQIpkq9CRa_P3N-ynk50MC_nujZB2Jmnstb1WvtqihXwUxXhPF5VyOOHKFr-Zy9db1UyQuzK_Ou0vBjoZpQBh-h_vduaw/s1600/Dark+Deer.jpg" /></a></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>5</b></i> </span></div>
<div style="text-align: center;">
<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">INFORMATION SKIES</span></b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Metahaven (Olanda, Corea del Sud, 2017)</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigrvCwEY8-DX7zRHoLtIR2mO2NVzeHGxhh34bh8K1TUdR-ePC90-cPZ3Wiqp49a9VwqM5gDwIUZIzN77GMSgelCoG6XqN4ruZYbETC6E6D-_IcjwkF1Oj6ElGxFXJZLEPwSBQ9sEtQNo8/s1600/Information+Skies.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigrvCwEY8-DX7zRHoLtIR2mO2NVzeHGxhh34bh8K1TUdR-ePC90-cPZ3Wiqp49a9VwqM5gDwIUZIzN77GMSgelCoG6XqN4ruZYbETC6E6D-_IcjwkF1Oj6ElGxFXJZLEPwSBQ9sEtQNo8/s1600/Information+Skies.jpg" /></a></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>4</b></i></span></div>
<div style="text-align: center;">
<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">NECTAR</span></b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Lucile Hadzihalilovic (Francia, 2014)</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbpgLiiDNpg43ztLlyCYdiHoUWR5u5JKvbBYDRCW7Ulp2PH8JkyiWg7_2OSWioB4Wa4TJ1uXDyu3kL_BBLo3Df-_1QoG8cRp2tXsgUEpub_Y4vKsFOAgtt-jO7PEQCB21jaTlw14fgox0/s1600/Nectar+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbpgLiiDNpg43ztLlyCYdiHoUWR5u5JKvbBYDRCW7Ulp2PH8JkyiWg7_2OSWioB4Wa4TJ1uXDyu3kL_BBLo3Df-_1QoG8cRp2tXsgUEpub_Y4vKsFOAgtt-jO7PEQCB21jaTlw14fgox0/s1600/Nectar+3.jpg" /></a></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>3</b></i></span></div>
<div style="text-align: center;">
<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">PLEASE SPEAK CONTINUOUSLY AND DESCRIBE YOUR EXPERIENCE AS THEY COME TO YOU</span></b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Brandon Cronenberg (Canada, 2019)</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisS4R49K9B7l3VXRunguD4ZnWGk0a3Pigan6kucnKkd16tymTK55wOYL7j89oqOYxRF_MroyQNiL2mPcWngN0FFeaihEUZQ6rQwvUVOoT5yVAoOB6RzmZVI92FDMQVW89Tgw1AFHF_HdE/s1600/Please+Speak+Continuosly.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisS4R49K9B7l3VXRunguD4ZnWGk0a3Pigan6kucnKkd16tymTK55wOYL7j89oqOYxRF_MroyQNiL2mPcWngN0FFeaihEUZQ6rQwvUVOoT5yVAoOB6RzmZVI92FDMQVW89Tgw1AFHF_HdE/s1600/Please+Speak+Continuosly.jpg" /></a></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>2</b></i></span></div>
<div style="text-align: center;">
<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">IN VITRO</span></b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Larissa Sansour, Søren Lind (UK, Palestina, 2019)</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiauLDnvdjR38yOr34hcP6uzjlGv-geZ_IOhYhDj2mFkv8jKcVkyOc20s5Nb7-c0QaQD4T1pjsE9pXI1XlFGLivBUNCd7BKJROah5NxZP1cW5vQZtU81DTAosBFFnqeNObO_CJFtXboccQ/s1600/In+Vitro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiauLDnvdjR38yOr34hcP6uzjlGv-geZ_IOhYhDj2mFkv8jKcVkyOc20s5Nb7-c0QaQD4T1pjsE9pXI1XlFGLivBUNCd7BKJROah5NxZP1cW5vQZtU81DTAosBFFnqeNObO_CJFtXboccQ/s1600/In+Vitro.jpg" /></a></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>1</b></i></span></div>
<div style="text-align: center;">
<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">GRAND BOUQUET</span></b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Nao Yoshigai (Giappone, 2019)</span><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioP9ptfVkEM9o3g4mccUYjecJKCAaF1dQlL1j1RZH36i3FUVO1YAsGzL-pcTLFONFvjS72q4GgKNjCI8p2V84HlKjvmBYAQTxVGONqONcO4ImQU-np74u_ielzMvCTacHUyadxzw82Ddo/s1600/Grand+Bouquet+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioP9ptfVkEM9o3g4mccUYjecJKCAaF1dQlL1j1RZH36i3FUVO1YAsGzL-pcTLFONFvjS72q4GgKNjCI8p2V84HlKjvmBYAQTxVGONqONcO4ImQU-np74u_ielzMvCTacHUyadxzw82Ddo/s1600/Grand+Bouquet+1.jpg" /></a><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"> </span><br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiflXWFmGapJIkjtqvPjP8HbHr4lyT39cZVrICpcpOBI2S0_MCXhyphenhyphenavaZ_o2OKV3T3WuhH6O76OtkT-G-HrDGSWAPInm0Zbx4awqgfZjOakjnJCsPyK9_iQptb-jAsd0MprhwuTRU6zW88/s1600/Grand+Bouquet+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiflXWFmGapJIkjtqvPjP8HbHr4lyT39cZVrICpcpOBI2S0_MCXhyphenhyphenavaZ_o2OKV3T3WuhH6O76OtkT-G-HrDGSWAPInm0Zbx4awqgfZjOakjnJCsPyK9_iQptb-jAsd0MprhwuTRU6zW88/s1600/Grand+Bouquet+2.jpg" /></a></span></div>
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ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com0tag:blogger.com,1999:blog-3124748050714619465.post-15550954817415308462018-12-31T12:53:00.000+01:002018-12-31T17:32:44.104+01:00Resoconti VIS 2018 | Archivio lungometraggi<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglAVP-CVhqYpDb3zwZYs3iwjKuhRVsSUbugq3UG2cwgFg21hRYJGSZ6fkFOwQwk67listqBeT6KQECS2_zDQl2rVftwCQNltUBcj8WslDlGeZY7-pfbVvfxYTe2xaVq7t-pYKs_afvDXY/s1600/Inside+Post+VS.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglAVP-CVhqYpDb3zwZYs3iwjKuhRVsSUbugq3UG2cwgFg21hRYJGSZ6fkFOwQwk67listqBeT6KQECS2_zDQl2rVftwCQNltUBcj8WslDlGeZY7-pfbVvfxYTe2xaVq7t-pYKs_afvDXY/s1600/Inside+Post+VS.jpg" /></a></div>
<blockquote class="tr_bq">
<div style="text-align: left;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">C’è un tempo in cui devi lasciare i vestiti, quelli che hanno già la forma abituale del tuo corpo e dimenticare il solito cammino: è l’ora del passaggio. E se noi non osiamo farlo, resteremo sempre lontani da noi stessi.</span></div>
</blockquote>
<div style="text-align: left;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">- <span style="font-size: x-small;"><b><i>Fernando Pessoa</i></b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b></b></span></span></span></div>
<a name='more'></a><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b> </b></span></span></span><br />
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><b>NAVAJAZO</b> - Ricardo Silva (Messico, Francia, 2014)</span><b> </b></span></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>LA OBRA DEL SIGLO (The Project of the Century)</b> - Carlos M. Quintela (Argentina, Cuba, 2015)<b> </b></span></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>LA DONNA PERFETTA (The Stepford Wives)</b> - Frank Oz (USA, 2004)</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>THE STEPFORD WIVES (La Fabbrica delle Mogli)</b> - Bryan Forbes (USA, 1975)</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>NOROI</b> - Kôji Shiraishi (Giappone, 2005)</span></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>HAPPY END</b> - Michael Haneke (Francia, Austria, 2017)</span></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>LOVELESS</b> - Andrey Zvyagintsev (Francia, Russia, 2017)</span></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"> <b>HIGH-RISE</b> - Ben Wheatley (UK, 2015)</span></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>DEMONIOS TUS OJOS</b> - Pedro Aguilera (Spagna, 2017)</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>BRIDGEND</b> - Jeppe Rønde (Danimarca, 2015)</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>L'ANIMALE</b> - Katharina Mückstein (Austria, 2018)</span></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>TIEMPO COMPARTIDO (Time Share) </b>- Sebastián Hofmann (Messico, Olanda, 2018)</span></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>THE WOMAN WHO LEFT</b> (Ang Babaeng Humayo) - Lav Diaz (Filippine, 2016)</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>MANTO ACUIFERO </b>- Michael Rowe (Messico, 2013)</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>EL MAR LA MAR</b> - Joshua Bonnetta, J.P. Sniadecki (USA, 2017)</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>SAFARI </b>- Ulrich Seidl (Austria, 2016)</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>THE CRESCENT</b> - Seth A. Smith (Canada, 2017)</span></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>MANDY</b> - Panos Cosmatos (USA, Belgio, 2018)</span></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>HEREDITARY</b> - Ari Aster (USA, 2018)</span></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>THELMA</b> - Joachim Trier (Norvegia, Francia, 2017)</span></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>MADELINE'S MADELINE</b> - Josephine Decker (USA, 2018)</span></span></div>
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<h2>
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</div>
<div style="text-align: center;">
<span style="font-size: large;"><u><b><span style="font-family: "arial" , "helvetica" , sans-serif;">Menzione Speciale Classici</span></b></u></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i><b>4 </b></i></span></span></div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">IL FISCHIO AL NASO (The Seventh Floor)</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Ugo Tognazzi (Italia, 1967)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlWmQwrauPd9qLimAQX0qGJXkwgAl5ELCwRAoNVCXkWNGAwbcdgaNUhEeRIu1Ho3Xz59GIdII2DKOCLYyIEcU5c3m2ZqStM3PkG4LmLraJq49lEz6wWknFv226QFTQcIMzdzxPqvI47so/s1600/Fischio+al+naso.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlWmQwrauPd9qLimAQX0qGJXkwgAl5ELCwRAoNVCXkWNGAwbcdgaNUhEeRIu1Ho3Xz59GIdII2DKOCLYyIEcU5c3m2ZqStM3PkG4LmLraJq49lEz6wWknFv226QFTQcIMzdzxPqvI47so/s320/Fischio+al+naso.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">3</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">BELLADONNA OF SADNESS (Kanashimi no Beradona)</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Eiichi Yamamoto (Giappone, 1973)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEmirCMkUsS8c8yxU9dci6zO9ShE4U3fWLytOeZfRIxfNJ8Pxwv71vNXiqSZ9mgFRmHK1n-P_VRzp6npkmxyWjs3rmkJYSUdP29spX50DcH3HnrMy8OfhL0HJL-ykujeCyPcvJ8i0Pk_s/s1600/Belladonna.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEmirCMkUsS8c8yxU9dci6zO9ShE4U3fWLytOeZfRIxfNJ8Pxwv71vNXiqSZ9mgFRmHK1n-P_VRzp6npkmxyWjs3rmkJYSUdP29spX50DcH3HnrMy8OfhL0HJL-ykujeCyPcvJ8i0Pk_s/s320/Belladonna.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i><b>2</b></i> </span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"> <b>HIMALA</b></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Ishmael Bernal (Filippine, 1982)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoHO2_XgRpunw-EULLQcRTd9qRpm-b4xdAUsrJPA1_CJTfv4KC8a-_HjQdR5xSnS-xSVWGCqYtmtzLVCToq9yy7nb42LNOcr8X8J8vCzPUW4QAejxwDuMDMqq6TFZvYW2hEz1HtjRO2ok/s1600/Himala.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoHO2_XgRpunw-EULLQcRTd9qRpm-b4xdAUsrJPA1_CJTfv4KC8a-_HjQdR5xSnS-xSVWGCqYtmtzLVCToq9yy7nb42LNOcr8X8J8vCzPUW4QAejxwDuMDMqq6TFZvYW2hEz1HtjRO2ok/s320/Himala.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i><b>1</b></i> </span></span></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">CARNIVAL OF SOULS</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Herk Harvey (USA, 1962)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvnJgr46gNSDiu6nm5Ct6Y_oEJ72cMK9PJoadqZ7eMtjHU-lEiiRWB_LuQmhomu3rL7g6Lr7CmyMnDyPZJtsteG-jclBCe-Ox3GYBKtwyIRItB9vRCj9XtItA8AFPXqhiZMxQIlIBiTiU/s1600/Carnival+of+Souls.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvnJgr46gNSDiu6nm5Ct6Y_oEJ72cMK9PJoadqZ7eMtjHU-lEiiRWB_LuQmhomu3rL7g6Lr7CmyMnDyPZJtsteG-jclBCe-Ox3GYBKtwyIRItB9vRCj9XtItA8AFPXqhiZMxQIlIBiTiU/s320/Carnival+of+Souls.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<h2>
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<span style="font-size: large;"><u><b><span style="font-family: "arial" , "helvetica" , sans-serif;">Menzione Speciale "Limbo"</span></b></u></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Tre film dal potenziale fascino ma che presi nella loro integrità non mi hanno convinto. Incerto su un giudizio definitivo, vanno necessariamente rinviati nel tempo ad una seconda visione.</span></span></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i><b>3</b></i> </span></span></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">LE LIVRE D'IMAGE (The Image Book)</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Jean-Luc Godard (Francia, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs-XbyLvOBhyphenhyphen7vHXTkf4Gi_BODIdu_c4M8gErHxS8Q-RTT_vFJU90dhVX5vz_BEwO3FAm5mVbgKPBmpz-dz_BmKvzz8doqvy3G0L2C4WczxyqDihyphenhyphenjvxmtSjzjaclOqk7fyCg1sKu5wNg/s1600/Livre+d%2527image.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs-XbyLvOBhyphenhyphen7vHXTkf4Gi_BODIdu_c4M8gErHxS8Q-RTT_vFJU90dhVX5vz_BEwO3FAm5mVbgKPBmpz-dz_BmKvzz8doqvy3G0L2C4WczxyqDihyphenhyphenjvxmtSjzjaclOqk7fyCg1sKu5wNg/s320/Livre+d%2527image.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">2</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">SOMNILOQUIES</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Verena Paravel, Lucien Castaing-Taylor (Francia, UK, 2017)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcAvNpTzjKKdxldE7T3_2Nnw-FWOMqGkkvAvFXOy_yG8h04QdfM4sAz3UiWcvrRCnsuzKGWYYNJcwOVVrPkEBnAe_EDNsMAdkQcdkSCnm7iDC0C8y1P6Y6EWQ9HnOaZlyrWATkJqyFEFs/s1600/Somniloquies.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcAvNpTzjKKdxldE7T3_2Nnw-FWOMqGkkvAvFXOy_yG8h04QdfM4sAz3UiWcvrRCnsuzKGWYYNJcwOVVrPkEBnAe_EDNsMAdkQcdkSCnm7iDC0C8y1P6Y6EWQ9HnOaZlyrWATkJqyFEFs/s320/Somniloquies.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">1</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">TOUCH ME NOT</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Adina Pintilie (Romania, Germania, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj45jjP_RR6in2oPQxLIB0M5B_Zjo5lejNtQMVotyeaTIqtJnc4vMJxiV1P20UuS-Zj0KFu1NPkcuL13nq7KP-yZ71Pk1Cl18YlzGFu1tavTZw1RjVpxS3mkw0v5lpUvtdu8hZwPAdAdNc/s1600/Touch+me+not.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj45jjP_RR6in2oPQxLIB0M5B_Zjo5lejNtQMVotyeaTIqtJnc4vMJxiV1P20UuS-Zj0KFu1NPkcuL13nq7KP-yZ71Pk1Cl18YlzGFu1tavTZw1RjVpxS3mkw0v5lpUvtdu8hZwPAdAdNc/s320/Touch+me+not.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<h2>
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<div style="text-align: center;">
<span style="font-size: large;"><u><b><span style="font-family: "arial" , "helvetica" , sans-serif;">Eletti</span></b></u></span></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">TIR</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Alberto Fasulo (Italia, Croazia, 2013)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhohfj5xc4mziUeKNQ44G6fMrhm7sZGWZCVAyiDB3c2XsJUIJ59g-SK8FspR8uiyA7bziufzllQMky5e1LNSDevj5L-Ud5GD60EWaxTH9cv6-92YNgh2chHASRsOodzRL_fWFN_RXZuVww/s1600/Tir.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhohfj5xc4mziUeKNQ44G6fMrhm7sZGWZCVAyiDB3c2XsJUIJ59g-SK8FspR8uiyA7bziufzllQMky5e1LNSDevj5L-Ud5GD60EWaxTH9cv6-92YNgh2chHASRsOodzRL_fWFN_RXZuVww/s320/Tir.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">LAMALAND (PART I)</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Pablo Sigg (Messico, Svizzera, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyYQGKiDG4FP9Q117f7rqKINZnSiFdnA8IEORG6cOUarj9Iu8yInYKCn-ueMxGaK8jEjiIAcMDiLviMNakknV0-UrnvCGYudMWbZcQ_B2AFgmu26mHgJyU5SgI_DHrmhtnnW1FZRTWiUU/s1600/Lamaland.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyYQGKiDG4FP9Q117f7rqKINZnSiFdnA8IEORG6cOUarj9Iu8yInYKCn-ueMxGaK8jEjiIAcMDiLviMNakknV0-UrnvCGYudMWbZcQ_B2AFgmu26mHgJyU5SgI_DHrmhtnnW1FZRTWiUU/s320/Lamaland.jpg" width="320" /></a></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">LES DÈMONS</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Philippe Lesage (Canada, 2015)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitF46-QocuojkGyzDTp2F-3q7fNmDFwF5Sw250Ap3Hsdd7SELBzGMvbl_ZVmqAxbfFn6qmVxfRp5jUm4DmzTXvE2JPV299oIYB6XS2r8paj5Wc5zeMtFZ_bGO5eU7Qm1wOeGsvM4jEBHo/s1600/demons.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitF46-QocuojkGyzDTp2F-3q7fNmDFwF5Sw250Ap3Hsdd7SELBzGMvbl_ZVmqAxbfFn6qmVxfRp5jUm4DmzTXvE2JPV299oIYB6XS2r8paj5Wc5zeMtFZ_bGO5eU7Qm1wOeGsvM4jEBHo/s320/demons.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">ONLY GOD FORGIVES (Solo Dio Perdona)</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Nicolas Winding Refn (USA, Thailandia, 2013)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl92sCBM1k5PaIYam4p0rZUBHSGN7Lkg1fa9Ft4vv42DjlkRylN8RbrygN8thf_8YxCQjuUs1un62neqGZxlezyeLRR8TDGOkrOoywbAG8Sz6jBjSg9duOBqCfyJVVU_2B6-Q9wiGsR5c/s1600/Only+God+Forgives.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl92sCBM1k5PaIYam4p0rZUBHSGN7Lkg1fa9Ft4vv42DjlkRylN8RbrygN8thf_8YxCQjuUs1un62neqGZxlezyeLRR8TDGOkrOoywbAG8Sz6jBjSg9duOBqCfyJVVU_2B6-Q9wiGsR5c/s320/Only+God+Forgives.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">ROMA</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Alfonso Cuarón (Messico, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv8Evxa8Q0Xt5YW0e6SPIxJT4nb91GuQ7Cn5FmZFvgkBiOVfZbaUiDIwfr6ntFzjHKRYNjvYUa6ijvE7D8kBG1wQQ4xdl9kpH3XRl3GZzJxtFzuNatnH3V4Z69IqP_Nnn3eBkK90W_Oa8/s1600/Roma.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv8Evxa8Q0Xt5YW0e6SPIxJT4nb91GuQ7Cn5FmZFvgkBiOVfZbaUiDIwfr6ntFzjHKRYNjvYUa6ijvE7D8kBG1wQQ4xdl9kpH3XRl3GZzJxtFzuNatnH3V4Z69IqP_Nnn3eBkK90W_Oa8/s320/Roma.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">LA HUELLA EN LA NIEBLA</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Emiliano Grieco (Argentina, 2014)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_w969xcyG2qcwY8IelZz6YkkH7iBkpr9lbQNZS8wA3HHPYsOZSeJ7d82Hav3_7WSVFL-oSut4JP5-XezyR2zz40F0jk1OeV2fHtqjfFVA75qQvBQ36cGGHWEi6rJejtTugGticvwrn48/s1600/Huella+en+la+niebla.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_w969xcyG2qcwY8IelZz6YkkH7iBkpr9lbQNZS8wA3HHPYsOZSeJ7d82Hav3_7WSVFL-oSut4JP5-XezyR2zz40F0jk1OeV2fHtqjfFVA75qQvBQ36cGGHWEi6rJejtTugGticvwrn48/s320/Huella+en+la+niebla.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">THE INSEMINATOR</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Bui Kim Quy (Vietnam, 2014)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7r8GTjMQPMypxDIaPecesN8V_S2DUFqqCxTtwI6ThgUnITw75nhmmO8q8s7hgdErpWJ7pksEgzE0-qnatDB8yhpm_ELV7uealFDH1WpVh33kCcYI1A-5qBi0KZnxK8_a0gnBiLPEXaqM/s1600/Inseminator.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7r8GTjMQPMypxDIaPecesN8V_S2DUFqqCxTtwI6ThgUnITw75nhmmO8q8s7hgdErpWJ7pksEgzE0-qnatDB8yhpm_ELV7uealFDH1WpVh33kCcYI1A-5qBi0KZnxK8_a0gnBiLPEXaqM/s320/Inseminator.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">PIN CUSHION</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Deborah Haywood (UK, 2017)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQCH4jKO6n3AEZ7GTL1NK8OC21HQvVTUUBJjEBiG6o7qMelz7uSy6SsOJ9lLWJ1bI3sZ5zOdTdPa5JU69dnLT5QrGuAYXO_ASIvzaoj1czFGtyLzVzRvvKCzhtB4iUUG4tkQ-k-wGnIlg/s1600/Pin+Cushion.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQCH4jKO6n3AEZ7GTL1NK8OC21HQvVTUUBJjEBiG6o7qMelz7uSy6SsOJ9lLWJ1bI3sZ5zOdTdPa5JU69dnLT5QrGuAYXO_ASIvzaoj1czFGtyLzVzRvvKCzhtB4iUUG4tkQ-k-wGnIlg/s320/Pin+Cushion.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">HOME</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Fien Troch (Belgio, 2016)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieBFGJE0Ps7TxX4hj5nzEq3ONNU7ezqMdjjkbljD4jBbNHoL2tdU58RsXGF-hylAaMTDnYilkYb3387MrYeV5r0pobxGsiJIg8_FYP09ltauzhrBMLFc4c55mmZPlYTrEIHld9_zGBkAY/s1600/Home.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieBFGJE0Ps7TxX4hj5nzEq3ONNU7ezqMdjjkbljD4jBbNHoL2tdU58RsXGF-hylAaMTDnYilkYb3387MrYeV5r0pobxGsiJIg8_FYP09ltauzhrBMLFc4c55mmZPlYTrEIHld9_zGBkAY/s320/Home.jpg" width="320" /></a></div>
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</div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">INTIMNYE MESTA (Intimate Parts)</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Natalya Merkulova, Aleksey Chupov (Russia, 2013)</span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhjkkPwRIlurL94dIMIP2rDYR8Mq-O_11eheTUbhzGCkg_ccqdQcBkQH9BjrPPh7NihDSyzdu5NZqxeeyZ7PldpaVOBMq8qkJsvwbvusRD0AjvX9X7u_y2DCx0KeO52jZjHUqU46BAtMA/s1600/Intimate+Parts.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhjkkPwRIlurL94dIMIP2rDYR8Mq-O_11eheTUbhzGCkg_ccqdQcBkQH9BjrPPh7NihDSyzdu5NZqxeeyZ7PldpaVOBMq8qkJsvwbvusRD0AjvX9X7u_y2DCx0KeO52jZjHUqU46BAtMA/s320/Intimate+Parts.jpg" width="320" /></a></div>
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</div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">ANIMAL KINGDOM</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Dean Kavanagh (Irlanda, 2017)</span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkhTvI6yOPqi6BddspJAkE4GykUf3ORyIfXYzOY8f69gGeL3kVEwwC83fZPodTZ_SFcq6mUxm4O_wJFtJAO-Pe5KDmN1ysTLulcvwejIdsyeOCBLGtM97X18qZgByBmoJZcYQxZxSlwlM/s1600/Animal+Kingdom.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkhTvI6yOPqi6BddspJAkE4GykUf3ORyIfXYzOY8f69gGeL3kVEwwC83fZPodTZ_SFcq6mUxm4O_wJFtJAO-Pe5KDmN1ysTLulcvwejIdsyeOCBLGtM97X18qZgByBmoJZcYQxZxSlwlM/s320/Animal+Kingdom.jpg" width="320" /></a></div>
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</div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">AS BOAS MANEIRAS (Good Manners)</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Marco Dutra, Juliana Rojas (Brasile, 2017)</span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilfQdLf6V7MQl72tHOm0fBVFhVSKVDXe82ykmqPnJMtAOp2HW6uh-xecv-37ccvlCvdoJpimvoptmA38mIV2Yjo4Myna72aHccKCYQdwz4XbFcL5VpzjtyhvU0azdcFFKHt7HtCGw-Xxo/s1600/As+boas+maneirs.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilfQdLf6V7MQl72tHOm0fBVFhVSKVDXe82ykmqPnJMtAOp2HW6uh-xecv-37ccvlCvdoJpimvoptmA38mIV2Yjo4Myna72aHccKCYQdwz4XbFcL5VpzjtyhvU0azdcFFKHt7HtCGw-Xxo/s320/As+boas+maneirs.jpg" width="320" /></a></div>
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</div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">PENGABDI SETAN (Satan's Slave)</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Joko Anwar (Indonesia, 2017)</span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtCFoRZBGzrojW5BQ1BKVdh1PcSDsQoOiiyhhzSq9A6Jn0O1mdrovFJA0NasBVaIUN4rBQxKqt83mrDC7YmUm1o5rb4VM9hqVYjYER5ChFJDPo0nA6xjmFr4bHyXGuKKROZ5j1padscpM/s1600/Pengabdi+setan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtCFoRZBGzrojW5BQ1BKVdh1PcSDsQoOiiyhhzSq9A6Jn0O1mdrovFJA0NasBVaIUN4rBQxKqt83mrDC7YmUm1o5rb4VM9hqVYjYER5ChFJDPo0nA6xjmFr4bHyXGuKKROZ5j1padscpM/s320/Pengabdi+setan.jpg" width="320" /></a></div>
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</div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">LA NUIT A DÈVORÈ LE MONDE (The Night Eats the World)</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Dominique Rocher (Francia, 2017)</span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6tNk1Fhg3vlRvfX5Q-01FgaYg2e0iDL-Nf3Eh5d_Fm1oq-dqRIumvbh8UUmjhrDvbVYh1IRororMzxA8UBuCXSqI3xCLXHDVQYKMWtKDWIJFcV0pD8JX-6nsFlnqMye_zZ-Ep8m7JCfs/s1600/Nuit+devore+le+monde.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6tNk1Fhg3vlRvfX5Q-01FgaYg2e0iDL-Nf3Eh5d_Fm1oq-dqRIumvbh8UUmjhrDvbVYh1IRororMzxA8UBuCXSqI3xCLXHDVQYKMWtKDWIJFcV0pD8JX-6nsFlnqMye_zZ-Ep8m7JCfs/s320/Nuit+devore+le+monde.jpg" width="320" /></a></div>
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</div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">FIRST MAN</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Damien Chazelle (USA, 2018)</span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguev2yNazaHZ1hrjzxPj3QHi2MryhTVKzM09MJOKojiVZbwa-M6tVg5bgFQe3-eBG9BpsAJH6yYX8EhbPZPIvbPA6aTND2zeWDoKjI9QVg4oaJATeLVscWwqFu9eGicuKNPYQ_IcM46LY/s1600/First+Man.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguev2yNazaHZ1hrjzxPj3QHi2MryhTVKzM09MJOKojiVZbwa-M6tVg5bgFQe3-eBG9BpsAJH6yYX8EhbPZPIvbPA6aTND2zeWDoKjI9QVg4oaJATeLVscWwqFu9eGicuKNPYQ_IcM46LY/s320/First+Man.jpg" width="320" /></a></div>
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</div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">LA MUERTE DEL MAESTRO</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">José María Avilés (Ecuador, Argentina, 2018)</span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSkG4htqFP89EHVNlljEPPJWWLfxuoev9FkMtcX2wwAxoTWC8awRsoS0xECD4YvZoSOg1xTxMLYi0lv0FhYJGtvw_OrAF2I_DC2eHKztqbRmlsKYE9iQihf25XpT2xSrhQ1-ECjTl4390/s1600/Muerte+del+maestro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSkG4htqFP89EHVNlljEPPJWWLfxuoev9FkMtcX2wwAxoTWC8awRsoS0xECD4YvZoSOg1xTxMLYi0lv0FhYJGtvw_OrAF2I_DC2eHKztqbRmlsKYE9iQihf25XpT2xSrhQ1-ECjTl4390/s320/Muerte+del+maestro.jpg" width="320" /></a></div>
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</div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">SILENT MIST</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Zhang Miaoyan (Cina, Francia, 2017)</span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJHra4jU_kmrE7mWK8sVmd8IPIC6sMZ10KCw_C1_j9AsVOJ7ZEhoSAerEgUDsC8fdFfgosw-3HpzBv3FVlvFExV59psn6lmHwybnnW4o5LL0xU5B1ROg6cApnBKE6F5DWcQJnQGyuRma4/s1600/Silent+Mist.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJHra4jU_kmrE7mWK8sVmd8IPIC6sMZ10KCw_C1_j9AsVOJ7ZEhoSAerEgUDsC8fdFfgosw-3HpzBv3FVlvFExV59psn6lmHwybnnW4o5LL0xU5B1ROg6cApnBKE6F5DWcQJnQGyuRma4/s320/Silent+Mist.jpg" width="320" /></a></div>
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</div>
<div style="text-align: center;">
<a href="http://visionesospesa.blogspot.com/2018/01/nervous-translation.html" target="_blank"><span style="color: #3d85c6;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">NERVOUS TRANSLATION</span></span></b></span></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Shireen Seno (Filippine, 2018)</span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDZo8T8DdS3pf9mYo5wUL7LwT8ZLUwW0pB2MQsb3U_kPjCp4RlGkq6ws21Ar8cFi3TYFRhKPv4fanvWHmj0vQarX7luRowB_V7UOpcDQy5SMg7cky-PF5ZYiTq8mgCaCTgPyV6qCzg8jk/s1600/Nervous+Translations.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDZo8T8DdS3pf9mYo5wUL7LwT8ZLUwW0pB2MQsb3U_kPjCp4RlGkq6ws21Ar8cFi3TYFRhKPv4fanvWHmj0vQarX7luRowB_V7UOpcDQy5SMg7cky-PF5ZYiTq8mgCaCTgPyV6qCzg8jk/s320/Nervous+Translations.jpg" width="320" /></a></div>
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</div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">MENOCCHIO</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Alberto Fasulo (Italia, Romania, 2018)</span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj75__qjeUeyrsIdmNe3HCJn9ld7NieW_7qyOARmOtR8ZUxoD-h0Ns9L0jdtoBlnASLsGZ_gPPlZlfAqZyB0vXXWD-osRhds4azhLYNdSRUnKsB4eoASIg_qiWSSmASQFqUDSf1frqYg3Q/s1600/Menocchio.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj75__qjeUeyrsIdmNe3HCJn9ld7NieW_7qyOARmOtR8ZUxoD-h0Ns9L0jdtoBlnASLsGZ_gPPlZlfAqZyB0vXXWD-osRhds4azhLYNdSRUnKsB4eoASIg_qiWSSmASQFqUDSf1frqYg3Q/s320/Menocchio.jpg" width="320" /></a></div>
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</div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">SAMI BLOOD</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Amanda Kernell (Svezia, Norvegia, 2016)</span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkcWUlYJ-99JQ5iDeaRb5xIyH4D9PZI1s4g73LG8s5aCeeiZlQc3AC1fM3flXzw4NRc6FxkICe5e8gBhNsYf4VojM2t5y0GGSOvU4m4x4yW6OsCIJ11evkk_v3-6KTifkDly-xnfn5uRQ/s1600/Sami+Blood.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkcWUlYJ-99JQ5iDeaRb5xIyH4D9PZI1s4g73LG8s5aCeeiZlQc3AC1fM3flXzw4NRc6FxkICe5e8gBhNsYf4VojM2t5y0GGSOvU4m4x4yW6OsCIJ11evkk_v3-6KTifkDly-xnfn5uRQ/s320/Sami+Blood.jpg" width="320" /></a></div>
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</div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">LA TIRISIA</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Jorge Pérez Solano (Messico, 2014)</span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBid52w-3ODkhMVKUsvQghJzT4Ros_k3cj3uj6aKou5HYhDtDs0efcUa5O30IQ0B11oE-dk6sNbzuWdlcXtgEGEIbrDukDVex2SdgkG1pqzQ7_KaTE15CZKsxpt9m01DGwBTaE0uidDKI/s1600/La+Tirisia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBid52w-3ODkhMVKUsvQghJzT4Ros_k3cj3uj6aKou5HYhDtDs0efcUa5O30IQ0B11oE-dk6sNbzuWdlcXtgEGEIbrDukDVex2SdgkG1pqzQ7_KaTE15CZKsxpt9m01DGwBTaE0uidDKI/s320/La+Tirisia.jpg" width="320" /></a></div>
</div>
<div style="text-align: center;">
<h2>
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><br /></span></span></h2>
</div>
<div style="text-align: center;">
<u><span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">Semifinalisti</span></b></span></u></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: center;">
<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">20</span></span></b></i></div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">LA MUJER DE LOS PERROS</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Laura Citarella, Verónica Llinás (Argentina, 2015)</span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl8o_IAoA08XWIz-8eOODPyeTKwr25tmjv19e8eXCKvbg9sOSKMfKNCnbqO7kg-AqrOdbKhY-vrrIHLpQpw1V4wZ8WPlPLLDCI9FznpEO-qTqZF8dXigqUDccqrLJj0MNIrDewd4yruVc/s1600/Mujer+de+los+perros.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl8o_IAoA08XWIz-8eOODPyeTKwr25tmjv19e8eXCKvbg9sOSKMfKNCnbqO7kg-AqrOdbKhY-vrrIHLpQpw1V4wZ8WPlPLLDCI9FznpEO-qTqZF8dXigqUDccqrLJj0MNIrDewd4yruVc/s320/Mujer+de+los+perros.jpg" width="320" /></a></div>
</div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i><b>19</b></i></span></span></div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">WITHOUT</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Mark Jackson (USA, 2011)</span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzcho_VrKhSYLZgykz5VAlQUUOV4IQLKGmIJ80YpsrV70RMD0iOAa7j7qaaDMbKtloCWa4LnCgDVcorDcl78PWEugPs2TJAa41_dXBIGilehTzpzEDY9ye3ORN-BECHqsGdU4Xe7N_RTU/s1600/Without.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzcho_VrKhSYLZgykz5VAlQUUOV4IQLKGmIJ80YpsrV70RMD0iOAa7j7qaaDMbKtloCWa4LnCgDVcorDcl78PWEugPs2TJAa41_dXBIGilehTzpzEDY9ye3ORN-BECHqsGdU4Xe7N_RTU/s320/Without.jpg" width="320" /></a></div>
</div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: center;">
<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">18</span></span></b></i></div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">LA TORRE (The Tower)</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Sebastián Múnera (Colombia, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg6ZTka04_-ZwaJdUUW0HWL7fhxJoQ2WUbqUmn9YDppkUZQFYxcVkvh6wbRTVF2R3U4_lxzMqnKhIftISsFk2y3glHX5xFIGW3bGWBUXO7wGBExijx70Uy25lNp0Bgp94fL9ve4kLSw10/s1600/Torre.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg6ZTka04_-ZwaJdUUW0HWL7fhxJoQ2WUbqUmn9YDppkUZQFYxcVkvh6wbRTVF2R3U4_lxzMqnKhIftISsFk2y3glHX5xFIGW3bGWBUXO7wGBExijx70Uy25lNp0Bgp94fL9ve4kLSw10/s320/Torre.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: center;">
<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">17</span></span></b></i></div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">ESTA PELICULA LA HICE PENSANDO EN TI (I Made this Movie Thinking of You)</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Pepe Gutiérrez (Messico, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9YHNK5xUudfuyQQBwo1jqMMZIrxLS3g8VNBnq5h85ywbkmX__-alZMLPCUl1oO0kAtG7wRa9d_pmZoFf83JnFnMtx4iujud7eDGVyOHgDkgJ8nfuVcr1V-Wrd-Xq59GJu44YeAaYR5NM/s1600/I+Made+this+Movie+Thinking+of+You.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9YHNK5xUudfuyQQBwo1jqMMZIrxLS3g8VNBnq5h85ywbkmX__-alZMLPCUl1oO0kAtG7wRa9d_pmZoFf83JnFnMtx4iujud7eDGVyOHgDkgJ8nfuVcr1V-Wrd-Xq59GJu44YeAaYR5NM/s320/I+Made+this+Movie+Thinking+of+You.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: center;">
<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">16</span></span></b></i></div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">POSSESSED</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Metahaven, Rob Schröder (Olanda, Croazia, 2017)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpNFdYPKZFmL1geHTN6r-YICYbyZ0h5yt5V-JhHWNkJxI2AF_S04ct373-VmWgAKG9-3mAesJZeEMLjOZO1S5cVOC_tFx3FOdQEaWWhS7_r_f52Xyt9jCy-qKpoQZm312EwWB1tb3ICRc/s1600/Possessed.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpNFdYPKZFmL1geHTN6r-YICYbyZ0h5yt5V-JhHWNkJxI2AF_S04ct373-VmWgAKG9-3mAesJZeEMLjOZO1S5cVOC_tFx3FOdQEaWWhS7_r_f52Xyt9jCy-qKpoQZm312EwWB1tb3ICRc/s320/Possessed.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
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<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">15</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">OKTOS (Pity)</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Babis Makridis (Grecia, Polonia, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcT27uGnCMwdYYfiChWiCoUJ3Ka3aduW5sSGmp8M_q7kIUpqEf2M64fKCudcQvFDNjG8uE8UmX2-0FlSdD1zLdTyrJ790mzAP7JfsAdyWW01f1hxxEDcub2Ggl6KDD2XMFCbeBTi69xXI/s1600/Oiktos.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcT27uGnCMwdYYfiChWiCoUJ3Ka3aduW5sSGmp8M_q7kIUpqEf2M64fKCudcQvFDNjG8uE8UmX2-0FlSdD1zLdTyrJ790mzAP7JfsAdyWW01f1hxxEDcub2Ggl6KDD2XMFCbeBTi69xXI/s320/Oiktos.jpg" width="320" /></a></div>
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<br /></div>
<div style="text-align: center;">
<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">14</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">THE HOUSE THAT JACK BUILT</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Lars von Trier (Danimarca, Svezia, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnygewoXM6VUcGE8-2eO_G4sTxlVMhkeIkE1MrE9AR1e6h3qf-H2cCNIp72Hzg7hP7KeaspyXG44wDE9KBXd_SMIx8JRAQbvP-UwVMFPra19Pd6zkD1cArgBc4H6M1tm93gBBGiEl87q8/s1600/The+House+that+Jack+Built.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnygewoXM6VUcGE8-2eO_G4sTxlVMhkeIkE1MrE9AR1e6h3qf-H2cCNIp72Hzg7hP7KeaspyXG44wDE9KBXd_SMIx8JRAQbvP-UwVMFPra19Pd6zkD1cArgBc4H6M1tm93gBBGiEl87q8/s320/The+House+that+Jack+Built.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">13</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">NOVEMBER</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Rainer Sarnet (Estonia, Olanda, 2017)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJoDpYNJBJoWPF7ZK2lOxbWEnKmK2zF6Bho6ogUfn5I1uAGHGBeiG8lo7M6PUGnpbQdDbkgHlReS49-DVfTwFH2mVug5EaEIGqoszDSEgJgA7kXsv1vaeBz2GbExaP6K25OX_j9MpdhQ8/s1600/November.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJoDpYNJBJoWPF7ZK2lOxbWEnKmK2zF6Bho6ogUfn5I1uAGHGBeiG8lo7M6PUGnpbQdDbkgHlReS49-DVfTwFH2mVug5EaEIGqoszDSEgJgA7kXsv1vaeBz2GbExaP6K25OX_j9MpdhQ8/s320/November.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: center;">
<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">12</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">NUESTRO TIEMPO (Our Time)</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Carlos Reygadas (Messico, Francia, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisdpinOlRivHB0lQb9zs-begWW6MhBdSbzUEVaOBbavdu5JyPrCA1e4evolR9_SOQ8UtkdGwDR4sTszj24lsjfFqBzt1gxcy6WU5LkHfdw3yhxosTpS_lhPwYvQKBDLw3MoaqEG7P_ev4/s1600/Nuestro+Tiempo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisdpinOlRivHB0lQb9zs-begWW6MhBdSbzUEVaOBbavdu5JyPrCA1e4evolR9_SOQ8UtkdGwDR4sTszj24lsjfFqBzt1gxcy6WU5LkHfdw3yhxosTpS_lhPwYvQKBDLw3MoaqEG7P_ev4/s320/Nuestro+Tiempo.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
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<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">11</span></span></b></i></div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">RESTER VERTICAL (Staying Vertical)</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Alain Guiraudie (Francia, 2016)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixsEEd237Srf6x-jHTTYRMobpymzQOa7GuljZP414YzSIq8nh2r-pEripxb2Rz9jc35VIipeT2064FxSL4-wS26Cf4OktJ-x6MAh0PYzjwobnOdMqQewTQN7hpYMR5XMMjTeEST9s-ua4/s1600/Rester+Vertical.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixsEEd237Srf6x-jHTTYRMobpymzQOa7GuljZP414YzSIq8nh2r-pEripxb2Rz9jc35VIipeT2064FxSL4-wS26Cf4OktJ-x6MAh0PYzjwobnOdMqQewTQN7hpYMR5XMMjTeEST9s-ua4/s320/Rester+Vertical.jpg" width="320" /></a></div>
<h2>
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"> </span></span></h2>
</div>
<div style="text-align: center;">
<span style="color: #3d85c6;"><u><span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">TOP 10</span></b></span></u></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: center;">
<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">10</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">ALL YOU CAN EAT BUDDAH</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Ian Lagarde (Canada, 2017)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7gNmo9tLcyMh4hlgR8xfOabOoxAPAua-zzDcpPSHjA4kRjooAoRm-zL57aE_tnN3ZqLT6DE7pSAo8XbMS_vKE-X2xwWP88PWwF6TgYWdcWxB0v-3aDbPwb5mVTgChSvuKh39hEE5VpGQ/s1600/All+you+Can+Eat+Buddah.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7gNmo9tLcyMh4hlgR8xfOabOoxAPAua-zzDcpPSHjA4kRjooAoRm-zL57aE_tnN3ZqLT6DE7pSAo8XbMS_vKE-X2xwWP88PWwF6TgYWdcWxB0v-3aDbPwb5mVTgChSvuKh39hEE5VpGQ/s1600/All+you+Can+Eat+Buddah.jpg" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
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<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">9</span></span></b></i></div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">ALLÈLUIA</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Fabrice Du Welz (Belgio, Francia, 2014)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaeZWBfailDxECygO5s3_7QAxWpWd2VWlU4B8CVAOwU6d8yltj8uHsHzJkOFO09O7fkTwLYx4lJ5F1qkfmv2JXdqp05Z2ru6ecUM5qxIHHzl_oCVRYvljd4mMGleMR8SNwau6zSg-cVNY/s1600/Alleluja.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaeZWBfailDxECygO5s3_7QAxWpWd2VWlU4B8CVAOwU6d8yltj8uHsHzJkOFO09O7fkTwLYx4lJ5F1qkfmv2JXdqp05Z2ru6ecUM5qxIHHzl_oCVRYvljd4mMGleMR8SNwau6zSg-cVNY/s1600/Alleluja.jpg" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: center;">
<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">8</span></span></b></i></div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">AN ELEPHANT SITTING STILL (Da xiang xi di er zuo)</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Hu Bo (Cina, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIIulZFC-XMuIxDV4awv73ufAu19qa8hSwbVHb20tCE5mEXDjxGxJHYRk_Mw7vld1po-AXLTkVWxS-yp_3kOUlk4d3Be47tyZ_6fG1tZh30z_8CwXd1dU8_CDN-df-0i42lxVKt4Km360/s1600/An+Elephant+Sitting+Still.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIIulZFC-XMuIxDV4awv73ufAu19qa8hSwbVHb20tCE5mEXDjxGxJHYRk_Mw7vld1po-AXLTkVWxS-yp_3kOUlk4d3Be47tyZ_6fG1tZh30z_8CwXd1dU8_CDN-df-0i42lxVKt4Km360/s1600/An+Elephant+Sitting+Still.jpg" /></a></div>
</div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: center;">
<b><i><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">7</span></span></i></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"> <b>PARABELLUM</b></span></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Lukas Valenta Rinner (Argentina, Austria, 2015)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoA7y-wivgP4DjcqVC1blAC_2FYTzuPypBt59ido3KWhdIJwnS3CtlKxbxuYky9nqu1fT2tnKRVQoa4JmkolAXYLCPtM77aVPjjFa1uWOwR5GUH-Dpp1dmF6sdbOYyIv0og_FCTeYl-A0/s1600/Parabellum.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoA7y-wivgP4DjcqVC1blAC_2FYTzuPypBt59ido3KWhdIJwnS3CtlKxbxuYky9nqu1fT2tnKRVQoa4JmkolAXYLCPtM77aVPjjFa1uWOwR5GUH-Dpp1dmF6sdbOYyIv0og_FCTeYl-A0/s1600/Parabellum.jpg" /></a></div>
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<div style="text-align: center;">
<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">6</span></span></b></i></div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">YOU WERE NEVER REALLY HERE</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Lynne Ramsay (UK, Francia, 2017)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_IYiE0V9Nk7tUFPPFIU_CnRoB6IfxEgAYT0ZfMhw8HPLSl4ZP0Ie7c-olbwGDWCiBpiEnWXQYno6rNHNb0pwAg1kcyTZ5d8zERHkbDQm_JXT-GVt_zQhSLgCL4Nh4azMf-U00qOiU9Ek/s1600/You+were+never+really+here.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_IYiE0V9Nk7tUFPPFIU_CnRoB6IfxEgAYT0ZfMhw8HPLSl4ZP0Ie7c-olbwGDWCiBpiEnWXQYno6rNHNb0pwAg1kcyTZ5d8zERHkbDQm_JXT-GVt_zQhSLgCL4Nh4azMf-U00qOiU9Ek/s1600/You+were+never+really+here.jpg" /></a></div>
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<div style="text-align: center;">
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<div style="text-align: center;">
<b><i><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">5</span></span></i></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"> <b>I TEMPI FELICI VERRANNO PRESTO</b></span></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Alessandro Comodin (Italia, Francia, 2016)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl27uYw43CKKy-JMcf5CQzVbqggZveJsriTAhayxcvsQwkA7Nsn9s_0QgemWKp42S-KXNrs3wPSEbMdByD-leFfKmoNy8EXPtkNWWnL9egtV_MIDP9U27WJmLjONgq5a_RrrYVAXwaKBo/s1600/Tempi+felici+verranno+presto.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl27uYw43CKKy-JMcf5CQzVbqggZveJsriTAhayxcvsQwkA7Nsn9s_0QgemWKp42S-KXNrs3wPSEbMdByD-leFfKmoNy8EXPtkNWWnL9egtV_MIDP9U27WJmLjONgq5a_RrrYVAXwaKBo/s1600/Tempi+felici+verranno+presto.jpg" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
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<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">4</span></span></b></i></div>
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<a href="http://visionesospesa.blogspot.com/2018/01/phantom-islands.html" target="_blank"><span style="color: #3d85c6;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">PHANTOM ISLANDS</span></span></b></span></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Rouzbeh Rashidi (Irlanda, 2018)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVS1Kk89JTZGXXW5AZawdzQx7cX04ItSX18Bgo0MzKLwJJKFs98lyQa2DxBBHI6BDrUqYIKMcoBkQfRCXPftDH1hFtbrPQIZqc8PLf_TzNNdCAQ1nQ-gVXyuxVr-2sO8gWcWVJMVnHefs/s1600/Phantom+Islands.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVS1Kk89JTZGXXW5AZawdzQx7cX04ItSX18Bgo0MzKLwJJKFs98lyQa2DxBBHI6BDrUqYIKMcoBkQfRCXPftDH1hFtbrPQIZqc8PLf_TzNNdCAQ1nQ-gVXyuxVr-2sO8gWcWVJMVnHefs/s1600/Phantom+Islands.jpg" /></a></div>
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<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">3</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">LAISSEZ BRONZER LES CADAVRES (Let the Corpses Tan)</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Hélène Cattet, Bruno Forzani (Belgio, Francia, 2017)</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
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<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">2</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">INSIDE</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Maximilian Le Cain, Vicky Langan (Irlanda, 2017)</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvEMx6y7wRWWgPWW1nMNFhN1DbDQI8EWyeQ0dZG0cOlA03Xl6c_hcDS-I4tZllGPgw3lhSkh82tOlZQWR1q9r9mGXOT45icbP14H9Ll4PyBLnSayY5wd0DlSqe403KScb3Ytq3AY7D83g/s1600/Inside.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvEMx6y7wRWWgPWW1nMNFhN1DbDQI8EWyeQ0dZG0cOlA03Xl6c_hcDS-I4tZllGPgw3lhSkh82tOlZQWR1q9r9mGXOT45icbP14H9Ll4PyBLnSayY5wd0DlSqe403KScb3Ytq3AY7D83g/s1600/Inside.jpg" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
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<i><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">1</span></span></b></i></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">PIERDETE ENTRE LOS MUERTOS (Drown Among the Dead)</span></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Ruben Gutierrez (Messico, 2018)</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"> </span> </span></div>
ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com0tag:blogger.com,1999:blog-3124748050714619465.post-51559511967644987712018-12-30T13:00:00.000+01:002018-12-30T13:01:27.049+01:00Resoconti VIS 2018 | Archivio Cortometraggi<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiArq4WpZmPLB6FQRdyuOETAwqsapGSVJhc4iqx8fU02z2895de3sHsBfYStFvWg1d_Dm2OZMXhoBmvqRPInVc3iz5CqUAXdT0V_SS-TiTjgnGNsu2mnbzW3rkyB2htuon2-85I-kaQ_74/s1600/Brouillard+passage+14+%2528main+post%2529.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiArq4WpZmPLB6FQRdyuOETAwqsapGSVJhc4iqx8fU02z2895de3sHsBfYStFvWg1d_Dm2OZMXhoBmvqRPInVc3iz5CqUAXdT0V_SS-TiTjgnGNsu2mnbzW3rkyB2htuon2-85I-kaQ_74/s1600/Brouillard+passage+14+%2528main+post%2529.jpg" /></a></div>
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<a name='more'></a><br /></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>SECRET, LIE AND DEATHS</b> - Véronique Sapin (Francia, 2017)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>OPTIMISM</b> - Deborah Stratman (USA, Canada, 2018)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>BIRDS, ONE</b> - Frans Zwartjes (Olanda 1968)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>BERIK</b> - Daniel Joseph Borgman (Danimarca, Russia, 2010)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>ROMA</b> - Elisa Miller (Messico, 2009)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>TEMPTATION</b> - Jonathan Glazer (UK, 2010)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>HISTORY OF FIRE PRAYER OF DEATH GENESIS CREATION AND DESTRUCTION</b> - Irving Gamboa (USA, 2017)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>ACTUA 1</b> - Philippe Garrel (Francia, 1968)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>YOLO</b> - Ben Russell (USA, Sud Africa, 2015)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>ORIGIN OF THE DREAMS</b> - Takashi Makino (Giappone, 2015)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>SIRENOMELIA</b> - Emilija Škarnulytė (Lituania, 2018)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <b>REBIRTH IS NECESSARY</b> - Jenn Nkiru (UK, 2017)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <b>SATURNUS</b> - Ludo Mich (Belgio, 1971)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>ECHOES</b> - Jaimz Asmundson (Canada, 2015)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>DVALEMODUS</b> - Bieke Depoorter, Mattias De Craene (Belgio, Norvegia, 2017)</span></div>
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<u><span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">Eletti</span></b></span></u></div>
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<br /></div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;">CONVERSATION WITH THE DEAD: BIRTH CAUL BARDO</span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Irving Gamboa (USA, 2016) </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_E2K1cPTrt-NXZwcCS7BesIC-VGEGJ3ap5UYwJ8LS1XIF0PbOeEgsPtQBklYAET5TJ1_5Eh2ukib8gUYj6Sta7UZ6V30UcvxBc2xPoAs3RyGgc_hgk3QbHQOmVBLE_Zf6UJc0hQLnLEA/s1600/Conversation+with+the+dead.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_E2K1cPTrt-NXZwcCS7BesIC-VGEGJ3ap5UYwJ8LS1XIF0PbOeEgsPtQBklYAET5TJ1_5Eh2ukib8gUYj6Sta7UZ6V30UcvxBc2xPoAs3RyGgc_hgk3QbHQOmVBLE_Zf6UJc0hQLnLEA/s320/Conversation+with+the+dead.jpg" width="320" /></a></div>
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<br /></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <b>FONT MAGICA</b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Izabella Pruska-Oldenhof (Canada, 2016)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjei2TaLI_enRgiE3OG5lBS26RxP-IUEipBkvDNU292k5q5bVtQKj6kzp7MSmOg7fpo8lqdgDeMUubeNNOAK_iBoi-86byyzMSigSMHrtB-5PhW7_FiyiUiTKfbPNflBRKaS7B3Wkd9Zds/s1600/Font+Magica.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjei2TaLI_enRgiE3OG5lBS26RxP-IUEipBkvDNU292k5q5bVtQKj6kzp7MSmOg7fpo8lqdgDeMUubeNNOAK_iBoi-86byyzMSigSMHrtB-5PhW7_FiyiUiTKfbPNflBRKaS7B3Wkd9Zds/s320/Font+Magica.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;">DESPIERTA</span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Ana Cristina Barragán (Ecuador, 2008)</span></div>
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<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;">THE CLAUSTRUM</span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Jay Rosenblatt (USA, 2014)</span></div>
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<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;">TREES DOWN HERE</span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Ben Rivers (UK, 2018)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <b>LE NÈGRE (Il negro)</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Klaverna (Italia, 2018)</span></div>
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<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;">GOOD MORNING CARLOS</span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Gurcius Gewdner (Brasile, 2015)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigfgZfsHbEIfqu7Lh1oyF4ogCrvD4NCUH1I3jOTu_TmwpRbFcVs1evKube2Ov8s7h1Y9wLogpLVQPk2y31PMkWhLTuRlICYSGd29wZvtiT4ZfJkDF3TS18bgLKLvFvTn_cBm2mAi2rgnA/s1600/Good+Morning+Carlos.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigfgZfsHbEIfqu7Lh1oyF4ogCrvD4NCUH1I3jOTu_TmwpRbFcVs1evKube2Ov8s7h1Y9wLogpLVQPk2y31PMkWhLTuRlICYSGd29wZvtiT4ZfJkDF3TS18bgLKLvFvTn_cBm2mAi2rgnA/s320/Good+Morning+Carlos.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;">ULTRA PULPE (Apocalypse After)</span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Bertrand Mandico (Francia, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCzGyPgf2LZt9ivt-P697erFcTJ5_Z8494D9AMWNjjPHr2MjxjPunXbckqJi3AN_0bK3x35enkDwGX_mwaTjFwUzePjORSkyYRKeJKQpmI-vbJLXp4tKaTTojNCyuC3_d2dppsmQpgkTA/s1600/Ultra+Pulpe.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCzGyPgf2LZt9ivt-P697erFcTJ5_Z8494D9AMWNjjPHr2MjxjPunXbckqJi3AN_0bK3x35enkDwGX_mwaTjFwUzePjORSkyYRKeJKQpmI-vbJLXp4tKaTTojNCyuC3_d2dppsmQpgkTA/s320/Ultra+Pulpe.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;">OF TIDES / TO DISTILL</span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Courtney Verwold (Canada, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5PaS6hmg_DbnyJ3pgb1YZd-MDqoMDSTKisYEWL9at3IhHio8rV8ZuihHpVmuC8PPADnslRc0IYFg-ByajA1TznSnSSoTkPHSaooahV1du2P52X514ij1U-3ubKw2u83R620Sc1NzPZRc/s1600/Of+Tides+to+Distil.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5PaS6hmg_DbnyJ3pgb1YZd-MDqoMDSTKisYEWL9at3IhHio8rV8ZuihHpVmuC8PPADnslRc0IYFg-ByajA1TznSnSSoTkPHSaooahV1du2P52X514ij1U-3ubKw2u83R620Sc1NzPZRc/s320/Of+Tides+to+Distil.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;">LES CLITORIS</span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Lori Malépart-Traversy (Canada, 2016)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzyCN19xuFLzUK16n-_rs3J_tcidwYLR9HEpbu8oT0wm5ylOZAfugS4n-xTpiLBKVOZglQ2xybGZo9zK6Q-hlq7iJ8eUDOs1ePKkpIacdjtH-OLbKgnO14_MfBFPg1R60bGzrQwZMHdoo/s1600/Clitoris.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzyCN19xuFLzUK16n-_rs3J_tcidwYLR9HEpbu8oT0wm5ylOZAfugS4n-xTpiLBKVOZglQ2xybGZo9zK6Q-hlq7iJ8eUDOs1ePKkpIacdjtH-OLbKgnO14_MfBFPg1R60bGzrQwZMHdoo/s320/Clitoris.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;">LE SONGE DES CHEVAUX SAUVAGES (Dream of the Wild Horses)</span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Denys Colomb de Daunant (Francia, 1960)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAWvwI5O8Eko9I0ZmsGtpgLdmWteuUMit6B0n51i9UXyxPd5Cl9pLcuKIsc9aoI6noC-9-gkgE7JAGZ3_Tk7adRe04eTjIpfJji1NKZsopHtQTVM_I7ofoSZ9nQjxkQTg_GMwpsfnZlRI/s1600/Dream+of+the+wild+horses.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAWvwI5O8Eko9I0ZmsGtpgLdmWteuUMit6B0n51i9UXyxPd5Cl9pLcuKIsc9aoI6noC-9-gkgE7JAGZ3_Tk7adRe04eTjIpfJji1NKZsopHtQTVM_I7ofoSZ9nQjxkQTg_GMwpsfnZlRI/s320/Dream+of+the+wild+horses.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;">RECUERDOS DE FLORES MUERTAS</span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Willie Varela (USA, 1982)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVyx_wgeVHjOlrE6xKfMw1CXxBA4sfnwAbw1kwAG1wggNLeCzLlF0BlEN_uBujr-t2msi2NQhEJ2K5jx-GRYrgbvXPQv3UOntElArCPqc4Ymi7ZNvtaONCJzQTpunb-AE59FOZjy7OUDw/s1600/Recuerdos+de+flores+muertas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVyx_wgeVHjOlrE6xKfMw1CXxBA4sfnwAbw1kwAG1wggNLeCzLlF0BlEN_uBujr-t2msi2NQhEJ2K5jx-GRYrgbvXPQv3UOntElArCPqc4Ymi7ZNvtaONCJzQTpunb-AE59FOZjy7OUDw/s320/Recuerdos+de+flores+muertas.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;">BEFORE</span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Cecilia Araneda (Canada, 2016)</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0ZfFHn8nBiOIDPw6UTEfO0wnltJqCqou56rudLB7D3nywId5bch08VHk_mE8sJZTLbNFEhA-pYaVafdd3Z6Oto00a-TdL7-qFX7tFcWcc5RVV2t_1wGR6hdumQEQp859Fg80rusxxJpw/s1600/Before.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0ZfFHn8nBiOIDPw6UTEfO0wnltJqCqou56rudLB7D3nywId5bch08VHk_mE8sJZTLbNFEhA-pYaVafdd3Z6Oto00a-TdL7-qFX7tFcWcc5RVV2t_1wGR6hdumQEQp859Fg80rusxxJpw/s320/Before.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;">EL BECERRO PINTADO</span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">David Pantaleón (Spagna, 2017)</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrwfaaj_5HyiGgb-whMd9ShNIRERLLHtt58GbbugfQRVVgVQId6pwdZGVremqTGLRx-IHBgjDCUD4g4w_btPf4LxaW6ZgJy3JpoIjwY2dYbEnxCUR5vxuURbepU2Bo0qTHJK-9gf9hWZg/s1600/Becerro+pintado.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrwfaaj_5HyiGgb-whMd9ShNIRERLLHtt58GbbugfQRVVgVQId6pwdZGVremqTGLRx-IHBgjDCUD4g4w_btPf4LxaW6ZgJy3JpoIjwY2dYbEnxCUR5vxuURbepU2Bo0qTHJK-9gf9hWZg/s320/Becerro+pintado.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <b>CIPKA (Pussy)</b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Renata Gąsiorowska (Polonia, 2016)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvDwxq4yAIsab2osg43k0Gf7BPixr1YltxGORbydUiU6_Ta_UKbQgw30euEcY5vfIzgVwyNcZpbU_u4DWm0R_VmF9DgbE2ef1TJZJUo8VH-CtDpBcuKJVbed5z5RvteHwhZ456h4AR25Q/s1600/Cipka.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvDwxq4yAIsab2osg43k0Gf7BPixr1YltxGORbydUiU6_Ta_UKbQgw30euEcY5vfIzgVwyNcZpbU_u4DWm0R_VmF9DgbE2ef1TJZJUo8VH-CtDpBcuKJVbed5z5RvteHwhZ456h4AR25Q/s320/Cipka.jpg" width="320" /></a></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <b>INTERMISSION</b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Mikel Guillen (Canada, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvNsRFCQKjTUkC_P6NAPxbD9w9zlAD137pJ2ZryJh2HjXXEqATOVhVSsDeQsascsr0MGSpm6735qBuUg8Dzb_GTcShfguRPlNU3l5hfwT3WLUcZ6MPuY6f0XyAQRr9qJ2slyOkRpPS1nY/s1600/Intermission.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvNsRFCQKjTUkC_P6NAPxbD9w9zlAD137pJ2ZryJh2HjXXEqATOVhVSsDeQsascsr0MGSpm6735qBuUg8Dzb_GTcShfguRPlNU3l5hfwT3WLUcZ6MPuY6f0XyAQRr9qJ2slyOkRpPS1nY/s320/Intermission.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></div>
<div style="text-align: center;">
<span style="color: #3d85c6;"><b><u><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">TOP 5</span></u></b></span></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>5</b></i> </span></div>
<div style="text-align: center;">
<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">ALTIPLANO</span></b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Malena Szlam (Cile, Argentina, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkYE2gktgSf6nRnsFBsVJ9atob2G5O4edm7lzYFnPPNkbNLnglWD3h8yyJhBy4vl4LSoKs8JjUP9IKs1g8D4imqDyGi8Dfvs8Gzh9ZyHpI-TdwAP7xHeGbX6HJIkOWI8BYP26a4S6WJu8/s1600/Altiplano.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkYE2gktgSf6nRnsFBsVJ9atob2G5O4edm7lzYFnPPNkbNLnglWD3h8yyJhBy4vl4LSoKs8JjUP9IKs1g8D4imqDyGi8Dfvs8Gzh9ZyHpI-TdwAP7xHeGbX6HJIkOWI8BYP26a4S6WJu8/s1600/Altiplano.jpg" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>4</b></i></span></div>
<div style="text-align: center;">
<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">ILINX</span></b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Riccardo Vaia, Cristina Pizzamiglio (Italia, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiESnQhgM3tANMVsRp37GM0QSbkoJ6ItTNbJ92VDQG_2hcTb2FtnlCYJrsxUHGMLKMAR_lKsnKy2Jfr4gEMUejSliUztm6ZNz7pMw8iecZvFhGEQwULyomEy0QcDHVw-soCKp9NF7_0BU/s1600/Ilinx.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiESnQhgM3tANMVsRp37GM0QSbkoJ6ItTNbJ92VDQG_2hcTb2FtnlCYJrsxUHGMLKMAR_lKsnKy2Jfr4gEMUejSliUztm6ZNz7pMw8iecZvFhGEQwULyomEy0QcDHVw-soCKp9NF7_0BU/s1600/Ilinx.jpg" /></a></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>3</b> </i> </span></div>
<div style="text-align: center;">
<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: large;">L'ANIMALE FERITO</span></span></b></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Salvatore Arato (Italia, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWcQjIaIB_NkovEQrXvoBtXSNAVkQwQRGfNM-dcJWMDPlU8XNEaLz-XRlGDrmhLVy7fvSRDOlw-zQqtotjQ25MMxeqekchUA2JKMWa4GUCWIED4iicTbfRO1QYQIPE6FZEGGhTQRJvTAE/s1600/Animale+Ferito.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWcQjIaIB_NkovEQrXvoBtXSNAVkQwQRGfNM-dcJWMDPlU8XNEaLz-XRlGDrmhLVy7fvSRDOlw-zQqtotjQ25MMxeqekchUA2JKMWa4GUCWIED4iicTbfRO1QYQIPE6FZEGGhTQRJvTAE/s1600/Animale+Ferito.jpg" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>2</b></i></span></div>
<div style="text-align: center;">
<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">WISHING WELL</span></b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Sylvia Schedelbauer (Germania, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz21KpHCTOC6aBG99ZTewSrW2baD8pgw4RGJQJXb-gI0bZ8wTTXK3a5eOOpQRpCkCU6ERP8YcSiEL16j0IebAccTPv6samRqQZuYyItt-vd_AAQRmKCmHDaxH4tFsXBqOfz9jQAJtWiYQ/s1600/Wishing+Well.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz21KpHCTOC6aBG99ZTewSrW2baD8pgw4RGJQJXb-gI0bZ8wTTXK3a5eOOpQRpCkCU6ERP8YcSiEL16j0IebAccTPv6samRqQZuYyItt-vd_AAQRmKCmHDaxH4tFsXBqOfz9jQAJtWiYQ/s1600/Wishing+Well.jpg" /></a></div>
<div style="text-align: center;">
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>1</b></i> </span></div>
<div style="text-align: center;">
<span style="font-size: large;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">BROUILLARD - PASSAGE #14</span></b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Alexandre Larose (Canada, 2014)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfJYbVXmDLU30KgHcmgU6jl7NcGXSBt_-Bp4rvOOPW5aYPUd8wM-7ktM_YBWhghNhX_3qJLccZEkXxV6ytvHc2hytmKUlCRa3UhJ6jPjHNJ8QgCrAaTVZbEKOb2GbBNzLck5LB2rj_iss/s1600/Brouillard+passage+14.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfJYbVXmDLU30KgHcmgU6jl7NcGXSBt_-Bp4rvOOPW5aYPUd8wM-7ktM_YBWhghNhX_3qJLccZEkXxV6ytvHc2hytmKUlCRa3UhJ6jPjHNJ8QgCrAaTVZbEKOb2GbBNzLck5LB2rj_iss/s1600/Brouillard+passage+14.jpg" /></a></div>
ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com0tag:blogger.com,1999:blog-3124748050714619465.post-90768871461833864182018-02-28T18:07:00.000+01:002018-02-28T18:07:35.882+01:00Echi #31 | The Legend of Hell House<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnwSJnsSZbPdY0QsEZg_8sJw595Rm__CPgCFLvAmbPXkUwf2YHcQj51NnpeIY8cM7ADuC5-rJxhr-dU0GS_cHqasfIprfFQXYUSq2sp6Mhdy2EmjF64PQzxycyEtqJSK8Cv2l_vRlgLrc/s1600/LOHH+Post+235.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnwSJnsSZbPdY0QsEZg_8sJw595Rm__CPgCFLvAmbPXkUwf2YHcQj51NnpeIY8cM7ADuC5-rJxhr-dU0GS_cHqasfIprfFQXYUSq2sp6Mhdy2EmjF64PQzxycyEtqJSK8Cv2l_vRlgLrc/s1600/LOHH+Post+235.jpg" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>John Hough</b><br />UK, 1973<br />96 minuti<br /><i><br />"Ciò che lo spiritista chiama, ectoplasma, proviene quasi interamente dal corpo del medium. Il resto proviene dal pulviscolo, dagli abiti del medium, residui di fibre tessili, particelle di cibo. Ma il nucleo, è materiale organico vivente, il pensiero che prende forma organica: il pensiero, materializzato"</i>. - <span style="font-size: x-small;"><b>Clive Revill (Dr. Barrett)</b></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Rivisto a distanza di anni, in alta definizione, non posso che riaffermarne le sensazioni avute in passato: <b>The Legend of Hell House</b> (in Italia: <b>Dopo la vita</b>) mantiene tutt'ora un proprio fascino e, a detta di chi scrive, rimane tra i migliori horror-soprannaturali britannici di sempre. Benchè se ne dica, il film di Hough è un autentico gioiellino del genere, spesso dimenticato e ingiustamente sottovalutato. Un interessante raffronto tra le leggi della fisica e l'immaterialità dello spirito, al fine di confermarne o meno, la sopravvivenza oltre la morte. Una regia tecnicamente superba tra ambientazione gotica dalle reminiscenze/atmosfere baviane, gestione delle luci, appropriata calibrazione dei tempi e della tensione (che porta almeno in due occasioni, a farti scattare dal divano). Ma soprattutto, avvince nell'imperante utilizzo di un grandangolo ossessivo ed impetuoso, sollecito ad introdursi tra gli spazi ferali, deformando i volti attoniti e i corpi (posseduti; lesi; paralizzati: <i>"Io vedo, terminazioni delle estremità"</i>) dei malcapitati presenti, con la stessa vorticosa ed esoterica forza che invade quel luogo <i>"perverso e nauseabondo"</i> denominato, Villa Inferno... O Villa Belasco, come preferite. In ogni caso, il solito felino nero vi attenderà, accovacciato sul cancello d'entrata, per darvi il benvenuto.<br />Da riscoprire!</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrTN0c3cCxPlsPXba9hYoGXWsyFxzUjMdmRz4ywtpI1Sc0MtIy_uxLLqW4eyuiy-0wGnF8sR_oQIbI0af_tDY4jF6GJhkPkVqY_bKYPCOK30Rth3qAjVCn4wXMVgKYUcm4xV5Z_lP8xi4/s1600/The+Legend+of+Hell+House+1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="171" data-original-width="946" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrTN0c3cCxPlsPXba9hYoGXWsyFxzUjMdmRz4ywtpI1Sc0MtIy_uxLLqW4eyuiy-0wGnF8sR_oQIbI0af_tDY4jF6GJhkPkVqY_bKYPCOK30Rth3qAjVCn4wXMVgKYUcm4xV5Z_lP8xi4/s1600/The+Legend+of+Hell+House+1.jpg" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0tJ1ItAjLlxIzlzhy5LbNfJ6fIXSrSHAwVJAGGvIbvenSwKZ0A7s_8aND5llPloj815vsKVkCXX9K193_HWhRpM-zH1e_jxe0MTTq4qntVDgW8RyR7WSnZznKLYO9hwRvzjrElNPTGOs/s1600/The+Legend+of+Hell+House+2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="171" data-original-width="946" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0tJ1ItAjLlxIzlzhy5LbNfJ6fIXSrSHAwVJAGGvIbvenSwKZ0A7s_8aND5llPloj815vsKVkCXX9K193_HWhRpM-zH1e_jxe0MTTq4qntVDgW8RyR7WSnZznKLYO9hwRvzjrElNPTGOs/s1600/The+Legend+of+Hell+House+2.jpg" /></a></div>
ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com4tag:blogger.com,1999:blog-3124748050714619465.post-76921203757891519202018-01-24T16:32:00.003+01:002018-01-24T16:35:22.289+01:00Note annuali: 47° IFFR International Film Festival Rotterdam (24 gennaio - 4 febbraio)<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjMCAloRlUi5HljJKY7tUAzDQfw6fKTK2S5sBrvzHLltW-UPXLzJnMtES9aYJIquXlyvcc3xEOMj0pqAgu5octXVdK-eK1A1MvB12b6Cc05zg6CE1bIOG5zXLUUrmR8X11VPDqb_wcQEY/s1600/Poss+Post+235.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjMCAloRlUi5HljJKY7tUAzDQfw6fKTK2S5sBrvzHLltW-UPXLzJnMtES9aYJIquXlyvcc3xEOMj0pqAgu5octXVdK-eK1A1MvB12b6Cc05zg6CE1bIOG5zXLUUrmR8X11VPDqb_wcQEY/s1600/Poss+Post+235.jpg" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Ha inizio oggi l'annuale manifestazione cinematografica olandease. E come da prassi, è un appuntamento che si rinnova anche attraverso queste pagine. Non poteva mancare, <i>Rotterdam</i>, poichè per la tipologia di Cinema qui seguito, resta pur sempre una vetrina fondamentale dalla quale fiutare e attingere, scovando, infine, "oggetti" potenzialmente stimolanti e di specifico interesse per il futuro (consapevole che magari, molti di questi passeranno poi a Locarno allo stesso modo di altri, che da <i>Locarno 70</i> sono transitati qui - penso per esempio al suggestivo <b>Meteorlar</b> di <b><i>Gürcan Keltek</i></b>). </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">C'è poco altro da dire se non che, a differenza delle ultime edizioni, almeno sulla carta c'è un capovolgimento di aspettative in quanto la sezione <i>short-film</i>, fino a quest'anno succulenta, in termini di rapporto non lascia poi molto a desiderare. Mentre paiono essere i lungometraggi, piuttosto, a suscitare le maggiori curiosità. E c'è ne sono come minimo cinque, sui quali la spinta all'osservazione è oltremodo rafforzata. Via dunque alla personale lista dei film adocchiati: per quelli che ne dispongono c'è il link al trailer (cliccando sul <span style="color: #3d85c6;"><b>titolo in blu</b></span>). <a href="https://iffr.com/en/programme/2018/a-z" target="_blank"><span style="color: #cc0000;"><i><b>Qui</b></i></span></a>, invece, il programma completo</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><u><b>LUNGOMETRAGGI</b></u><br /><br /><b>Brooklyn Experience</b><br />José Celestino Campusano (Argentina, USA, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaC2W80hU0itWoqmD47dxwcze4GjnR0ew-UXNSjlUiVkby56xglWkOhduh1A4piAgmRPyYxqo3GiuzWfw71dLS8J8Rz7qNFZ8qOuSAFs34boi3JJ_vtAOQfY7SReptHzh84nkicAQfPR0/s1600/Brooklyn+Experience.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaC2W80hU0itWoqmD47dxwcze4GjnR0ew-UXNSjlUiVkby56xglWkOhduh1A4piAgmRPyYxqo3GiuzWfw71dLS8J8Rz7qNFZ8qOuSAFs34boi3JJ_vtAOQfY7SReptHzh84nkicAQfPR0/s320/Brooklyn+Experience.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>O clube dos canibais (The Cannibal Club)</b><br />Guto Parente (Brasile, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK7m7r9HImJhiAVREvAiUbNeBY4m_O2onJdLRq_7V1mzEhKp_RuUQBMo8SbMPv3jTPMeMOFNg3Lw1y9IZyOGIB_mZbfoG7vc_rRPc-wHt_mHGs7cWwhuuj7SU5cCo7PWPAtrNU2E_c1mA/s1600/O+clube+dos+canibais.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="288" data-original-width="513" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK7m7r9HImJhiAVREvAiUbNeBY4m_O2onJdLRq_7V1mzEhKp_RuUQBMo8SbMPv3jTPMeMOFNg3Lw1y9IZyOGIB_mZbfoG7vc_rRPc-wHt_mHGs7cWwhuuj7SU5cCo7PWPAtrNU2E_c1mA/s320/O+clube+dos+canibais.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Ella und Nell</b><br />Aline Chukwuedo (Germania, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhsD6R_oH1mgjgOBIOX7AGbG-vEylHWuaoFYaVMYffZ7RyfAJB6odAXfsxodnxmgk0Y6nodCiTEKf-A-uwS1tnqEh8T-d0PoCcdT5pVpQRPB_ELu4TpGTTYPa7kD81xNmAxInWmlk56zU/s1600/Ella+und+Nell.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhsD6R_oH1mgjgOBIOX7AGbG-vEylHWuaoFYaVMYffZ7RyfAJB6odAXfsxodnxmgk0Y6nodCiTEKf-A-uwS1tnqEh8T-d0PoCcdT5pVpQRPB_ELu4TpGTTYPa7kD81xNmAxInWmlk56zU/s320/Ella+und+Nell.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>La estrella errante (The Wandering Star)</b><br />Alberto Gracia (Spagna, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy91vvq6qA5OVss95tyFq0yOG5momuJOZ1u5Wedlnk19TfYc-BKZcdxvm6kDbDWYG1F3cieWQR-jfO7cPRWm8cjAhYkGTjsJhVR6lWnxNns1pGO7wwE2x0VDSBHm1aUFjmTR7ju1dbAB8/s1600/La+estrella+errante.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy91vvq6qA5OVss95tyFq0yOG5momuJOZ1u5Wedlnk19TfYc-BKZcdxvm6kDbDWYG1F3cieWQR-jfO7cPRWm8cjAhYkGTjsJhVR6lWnxNns1pGO7wwE2x0VDSBHm1aUFjmTR7ju1dbAB8/s320/La+estrella+errante.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><a href="https://www.youtube.com/watch?v=WtJTYhjENlU" target="_blank"><span style="color: #3d85c6;"><b>Les garçons sauvages</b></span></a><br />Bertrand Mandico (Francia, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAIE6VRfFW6SZhUKpIojyZNqT-Qzmr-WSqHDJu0I75Xr7S26DfBIXocAM26Bfh7e2Jt5JvR_BiH-zMJnQiGyvuhq2Y-PVS0oOFWtldhuDzwwEGGf_8ezMdpkzvuO1EONBogDgI6HmOEGs/s1600/Les+gar%25C3%25A7ons+sauvages.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAIE6VRfFW6SZhUKpIojyZNqT-Qzmr-WSqHDJu0I75Xr7S26DfBIXocAM26Bfh7e2Jt5JvR_BiH-zMJnQiGyvuhq2Y-PVS0oOFWtldhuDzwwEGGf_8ezMdpkzvuO1EONBogDgI6HmOEGs/s320/Les+gar%25C3%25A7ons+sauvages.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><a href="https://www.youtube.com/watch?v=1TkiHyXkkPU" target="_blank"><span style="color: #3d85c6;"><b>As boas maneiras (Good Manners)</b></span></a><br />Marco Dutra, Juliana Rojas (Brasile, Francia, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGDqqRRDQCqZJLW8rrPdBgD_MAIn9Sua3ldgq2xSNZqxzft6jTnpTs9JV0xk5VSDjyV1cQbZuV56PsqQCwcTdEacoQrWj8gRKFDMJZ7ArxfFW1fnzW6eaQP5wANHNs1J8G8cGUhZRkFTc/s1600/As+boas+maneiras.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGDqqRRDQCqZJLW8rrPdBgD_MAIn9Sua3ldgq2xSNZqxzft6jTnpTs9JV0xk5VSDjyV1cQbZuV56PsqQCwcTdEacoQrWj8gRKFDMJZ7ArxfFW1fnzW6eaQP5wANHNs1J8G8cGUhZRkFTc/s320/As+boas+maneiras.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><a href="https://www.youtube.com/watch?v=NrpolxGo6H4" target="_blank"><span style="color: #3d85c6;"><b>Gutland</b></span></a><br />Govinda Van Maele (Lussemburgo, Belgio, Germania, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjso9UtSNquWreCEEgmE1bG8065bWSE8sBWHoRXp7B2i_Znhxnf4eOkY3nSQze4f7QhjdniLNYLJtsKCfa-PULyML3QNne3f_4LFdj8PE8X8YhB3UboGf2b8A7CwslvKAnpSgYzFg1bi4A/s1600/Gutland.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjso9UtSNquWreCEEgmE1bG8065bWSE8sBWHoRXp7B2i_Znhxnf4eOkY3nSQze4f7QhjdniLNYLJtsKCfa-PULyML3QNne3f_4LFdj8PE8X8YhB3UboGf2b8A7CwslvKAnpSgYzFg1bi4A/s320/Gutland.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><a href="https://www.youtube.com/watch?v=tQ4hxrS-Qps" target="_blank"><span style="color: #3d85c6;"><b>Insect</b></span></a><br />Jan Svankmajer (Repubblica Ceca, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPxjHV_pU2qruOyUv7NKgnYKJ4hNaMa011tX9rKjaboLyfeiPt-jsu_HL4KL52kQQWNrDYzTpW3xs8JlirFeCCplrsH9E7Fk-NgfGRxv0x0r27bYbkI2SNZax7I7GWnjVs0Vb30Pyg_5w/s1600/Insect.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPxjHV_pU2qruOyUv7NKgnYKJ4hNaMa011tX9rKjaboLyfeiPt-jsu_HL4KL52kQQWNrDYzTpW3xs8JlirFeCCplrsH9E7Fk-NgfGRxv0x0r27bYbkI2SNZax7I7GWnjVs0Vb30Pyg_5w/s320/Insect.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Jimmie</b><br />Jesper Ganslandt (Svezia, Austria, Croazia, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGHW9LH4McaEXZ-rhrWMRqp3mntqwGbbb0PHoztewZb9lBsklnz1GqJYcowSx8Pijx74l3mvOdey7ZpLvJ8uPDi1dUCvyQunmbWX2PVlcvZKObwpH4uHL5DRR4YfJhXQ3d41wMvPIw2O0/s1600/Jimmie.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGHW9LH4McaEXZ-rhrWMRqp3mntqwGbbb0PHoztewZb9lBsklnz1GqJYcowSx8Pijx74l3mvOdey7ZpLvJ8uPDi1dUCvyQunmbWX2PVlcvZKObwpH4uHL5DRR4YfJhXQ3d41wMvPIw2O0/s320/Jimmie.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><a href="https://www.youtube.com/watch?v=xUHrxetGW_c" target="_blank"><span style="color: #3d85c6;"><b>Jonaki</b></span></a><br />Aditya Vikram Sengupta (India, Francia, Singapore, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiItZ-VbbiJDHDvXyABU8zkqZl996yfAcT9zXwtcc5ryjy7SU4nVcB-jHWzsKO3ezJ9C0nWiSbZpVup1WZ0IutRBmaWpH9xUOgiVxfnxbKeSUxfhEc-VBLgwQGdzIKPG4BVtL9cn0EGZSU/s1600/Jonaki.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiItZ-VbbiJDHDvXyABU8zkqZl996yfAcT9zXwtcc5ryjy7SU4nVcB-jHWzsKO3ezJ9C0nWiSbZpVup1WZ0IutRBmaWpH9xUOgiVxfnxbKeSUxfhEc-VBLgwQGdzIKPG4BVtL9cn0EGZSU/s320/Jonaki.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Laissez bronzer les cadavres (Let the Corpses Tan)</b><br />Hélène Cattet, Bruno Forzani (Belgio, Francia, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlAfXKiNKfbUJYUTZuir5SirnRtE64T37sp4A3su3oFIywbjcjcXxyqZKF3XiT995w9bZDqG4xmq2QWHB70mcyDxCcQosDKsAzskeV1twZ-FUPopq4fUQMnT7sQBIddTReIXR_6wh1V2U/s1600/Laissez+bronzer+les+cadavres.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlAfXKiNKfbUJYUTZuir5SirnRtE64T37sp4A3su3oFIywbjcjcXxyqZKF3XiT995w9bZDqG4xmq2QWHB70mcyDxCcQosDKsAzskeV1twZ-FUPopq4fUQMnT7sQBIddTReIXR_6wh1V2U/s320/Laissez+bronzer+les+cadavres.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><a href="https://www.youtube.com/watch?v=-PNtOQMVIdE" target="_blank"><b><span style="color: #3d85c6;">Lamaland (Part I)</span></b></a><br />Pablo Sigg (Messico, Svizzera, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6knfgnyGnBdt-XjADdHvuA47Ky_gzCWcpiEYjcQMT4MxYqIEmru0WQDjQlG7N3JUiyU6jSvHIJq6XcmM9poDP9agufwNgxSS5x82Du8WhSmQzZAet4YByjmGn19869OuBi_ruAR25wz4/s1600/Lamaland.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6knfgnyGnBdt-XjADdHvuA47Ky_gzCWcpiEYjcQMT4MxYqIEmru0WQDjQlG7N3JUiyU6jSvHIJq6XcmM9poDP9agufwNgxSS5x82Du8WhSmQzZAet4YByjmGn19869OuBi_ruAR25wz4/s320/Lamaland.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Lek and the Dogs</b><br />Andrew Kötting (UK, Francia, Cile, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikfi91KdS3Wpo6ejyJDbmXToNMTTRx90i6Uow-L0BFm3XfTsM7rgSZwJZcHTRjJlApRJKJp7maF63J2TskhLxg7OcNot04kxYZDJFUrgl7IFLMxMbJQN07e92IrbzZ5pb-Uh2__jDjP6U/s1600/Lek+and+the+Dogs.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikfi91KdS3Wpo6ejyJDbmXToNMTTRx90i6Uow-L0BFm3XfTsM7rgSZwJZcHTRjJlApRJKJp7maF63J2TskhLxg7OcNot04kxYZDJFUrgl7IFLMxMbJQN07e92IrbzZ5pb-Uh2__jDjP6U/s320/Lek+and+the+Dogs.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><a href="https://www.youtube.com/watch?v=zHVO2T_LSrs" target="_blank"><span style="color: #3d85c6;"><b>La muerte del maestro (The Death of the Master)</b></span></a><br />José María Avilés (Ecuador, Argentina, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYXjg2sVem2nmInI-PeelXK4W-K1MAijGokCqjmxO9VxarWfbAJD42jr5UmMfj8dd8SXkkAHr-kZQbt8q5pdsJhnj03wEH2HJnXWVkiEGc3E6fiVKPrRLpVsw1lcpmkSTHUSdMgJ0vouc/s1600/La+muerte+del+maestro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYXjg2sVem2nmInI-PeelXK4W-K1MAijGokCqjmxO9VxarWfbAJD42jr5UmMfj8dd8SXkkAHr-kZQbt8q5pdsJhnj03wEH2HJnXWVkiEGc3E6fiVKPrRLpVsw1lcpmkSTHUSdMgJ0vouc/s320/La+muerte+del+maestro.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Neomanila</b><br />Mikhail Red (Filippine, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9avwxesBFss9AufBJ-ZwYbHTBWe9T-KoysRJ8j_PIzQNsh3nCcUvBoUre0oxc09Lomw5O3L8OWB7SU_l9Mwt56IrLITzLdqExHIVjlL2vIbppNoaJlf5Kp_im_f0p_bqLFLcJYRo2Vc4/s1600/Neomanila.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9avwxesBFss9AufBJ-ZwYbHTBWe9T-KoysRJ8j_PIzQNsh3nCcUvBoUre0oxc09Lomw5O3L8OWB7SU_l9Mwt56IrLITzLdqExHIVjlL2vIbppNoaJlf5Kp_im_f0p_bqLFLcJYRo2Vc4/s320/Neomanila.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><a href="https://www.youtube.com/watch?v=bXe43vH0O1k" target="_blank"><span style="color: #3d85c6;"><b>Nervous Translation</b></span></a><br />Shireen Seno (Filippine, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw0Tv-OxysApC3LkF97C-L61PaDIuFVlf6nPABgTsDyS2SmwZg_3IMLTOM-21dvGyrGso3PBZR82MNLpjSvmrNiApXOhJMP55KO_3zHqG6WVoXvN9v6isSLpWzP8N_3PCNmRQY3VYXfVc/s1600/Nervous+Translation.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw0Tv-OxysApC3LkF97C-L61PaDIuFVlf6nPABgTsDyS2SmwZg_3IMLTOM-21dvGyrGso3PBZR82MNLpjSvmrNiApXOhJMP55KO_3zHqG6WVoXvN9v6isSLpWzP8N_3PCNmRQY3VYXfVc/s320/Nervous+Translation.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>La nuit a dévoré le monde (The Night Eats the World)</b><br />Dominique Rocher (Francia, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSpaIuwAQdzSgxrRtuH5rPNGljLRTACsdOzuWm3mcSZjtVLp_FTZj7VuTAL3GnRixm9F8Rcu-mv1-Fw6Y76eSdS8jXyAU8CgQ7kCZoYAWuVPg8gEuF8MeH3jenVwvQUbVJ5GXKnTqlRoM/s1600/The+Night+Eats+the+World.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSpaIuwAQdzSgxrRtuH5rPNGljLRTACsdOzuWm3mcSZjtVLp_FTZj7VuTAL3GnRixm9F8Rcu-mv1-Fw6Y76eSdS8jXyAU8CgQ7kCZoYAWuVPg8gEuF8MeH3jenVwvQUbVJ5GXKnTqlRoM/s320/The+Night+Eats+the+World.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Pierdete entre los muertos (Drown Among the Dead)</b><br />Ruben Gutierrez (Messico, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnalUcr0B84hzihNz7lptsSKRu1zyXw3IrRypnEDiqZT2aQzV3wPVR6pw3x8tLPtqE6OTxF0bqvjwSj_bfH1kFSonugQOEHT79qinoyAnXr4eambN1kGgnXLcTvFoSqILYlv0LmjplFuE/s1600/Pierdete+entre+los+muertos.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnalUcr0B84hzihNz7lptsSKRu1zyXw3IrRypnEDiqZT2aQzV3wPVR6pw3x8tLPtqE6OTxF0bqvjwSj_bfH1kFSonugQOEHT79qinoyAnXr4eambN1kGgnXLcTvFoSqILYlv0LmjplFuE/s320/Pierdete+entre+los+muertos.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Possessed</b><br />Metahaven, Rob Schroder (Olanda, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGu-htlVtanxHnYl2Pxq4MegfV1Q7xIrEDxD_FHeG-tQ3QU7MIS-iHm9q1ttGFOrVkZaEF0w6k8SBK8C1t-DGq2KtQ7B3xmUdpL7ZYz6b5d-pDrESY5L3XdGhnWnD532WHWw4OX-pkxHw/s1600/Possessed.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="288" data-original-width="513" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGu-htlVtanxHnYl2Pxq4MegfV1Q7xIrEDxD_FHeG-tQ3QU7MIS-iHm9q1ttGFOrVkZaEF0w6k8SBK8C1t-DGq2KtQ7B3xmUdpL7ZYz6b5d-pDrESY5L3XdGhnWnD532WHWw4OX-pkxHw/s320/Possessed.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Rabot</b><br />Christina Vandekerckhove (Belgio, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgCuLox5zjEodDlbWxfoeAZYfY8cS754GJXTm83mjl1PVywWNZjDr-H9fIcL7Qc8fO3uzzFAEvO2DQAsw52f6n-QaSuxJhJQODfp32aR7FAMiOWD20EpsVbYGQze0ZpH7-z-3U4_UE1yI/s1600/Rabot.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgCuLox5zjEodDlbWxfoeAZYfY8cS754GJXTm83mjl1PVywWNZjDr-H9fIcL7Qc8fO3uzzFAEvO2DQAsw52f6n-QaSuxJhJQODfp32aR7FAMiOWD20EpsVbYGQze0ZpH7-z-3U4_UE1yI/s320/Rabot.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><a href="https://www.youtube.com/watch?v=2d5XV-75UlA" target="_blank"><span style="color: #3d85c6;"><b>Resurrection</b></span></a><br />Kristof Hoornaert (Belgio, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1-rHz7BI9RCQVYJfzh3eQIg-XLPH8Xp1CP5pwPlllZAnbXw4ECBacE4n6d5d2Wy5iJ9NZZb996h-QwKb9e_wB81BrHhVUDcKWACP7KEHDVuMh5NpyYPtNdKUo4lSJ0vrCzARwV4LpwoQ/s1600/Resurrection.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="288" data-original-width="513" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1-rHz7BI9RCQVYJfzh3eQIg-XLPH8Xp1CP5pwPlllZAnbXw4ECBacE4n6d5d2Wy5iJ9NZZb996h-QwKb9e_wB81BrHhVUDcKWACP7KEHDVuMh5NpyYPtNdKUo4lSJ0vrCzARwV4LpwoQ/s320/Resurrection.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Santos #2, Work in Progress</b><br />Antonio Corbal (Spagna, Germania, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1nOfWhjYzhRC1hByK7yt8MLkMO0aOjfCdNRICK0dDaFK3EIIUvElh-loCjY8SLnZ58EIhQmr5RVMjO3WhUPl01ktjjErN_1VimJ9DEIUQLNz8im5_99oYNP-RVQocjxqTQtIwQUgUKkQ/s1600/Santos+2%252C+Work+in+Progress.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1nOfWhjYzhRC1hByK7yt8MLkMO0aOjfCdNRICK0dDaFK3EIIUvElh-loCjY8SLnZ58EIhQmr5RVMjO3WhUPl01ktjjErN_1VimJ9DEIUQLNz8im5_99oYNP-RVQocjxqTQtIwQUgUKkQ/s320/Santos+2%252C+Work+in+Progress.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><a href="https://www.youtube.com/watch?v=1wuQAzvaSGc" target="_blank"><span style="color: #3d85c6;"><b>Satan's Slaves (Pengabdi Setan)</b></span></a><br />Joko Anwar (Indonesia, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYIb6g8Yi5gpCbOxnaG8mCpxCLqKZ3der_477TMovt2eOrEUbmgBgYKTT95JSxdbx105SoaefkdgJ8YhhJL2XERWOB5gtEGAZF3j1C1Wvl9dzDuCbx9pfee5_KIrHsifPVQNVcTYmYuOg/s1600/Satan%2527s+Slaves.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYIb6g8Yi5gpCbOxnaG8mCpxCLqKZ3der_477TMovt2eOrEUbmgBgYKTT95JSxdbx105SoaefkdgJ8YhhJL2XERWOB5gtEGAZF3j1C1Wvl9dzDuCbx9pfee5_KIrHsifPVQNVcTYmYuOg/s320/Satan%2527s+Slaves.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><a href="https://www.youtube.com/watch?v=Mgctcl4ffGU" target="_blank"><span style="color: #3d85c6;"><b>Silent Mist</b></span></a><br />Zhang Miaoyan (Cina, Francia, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIirP0IcrSZbewl_PTDIj6RtiJUCr4szE_lQpXQfd7M0XSuLuhX68ji-dqnv5xqPvEi47873-6ftC652etrGRm1n8Zi42qdwBzEm-4jm90M4NaYh8fT4FdFbPtpiJ65HgEDp89Xz61qRY/s1600/Silent+Mist.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIirP0IcrSZbewl_PTDIj6RtiJUCr4szE_lQpXQfd7M0XSuLuhX68ji-dqnv5xqPvEi47873-6ftC652etrGRm1n8Zi42qdwBzEm-4jm90M4NaYh8fT4FdFbPtpiJ65HgEDp89Xz61qRY/s320/Silent+Mist.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Silent Room</b><br />Simon Heijdens (2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZOSAeEYs4t2Z1aj770Q-x1hZa3MOv-Q-XrQ8vODOu8RCHEbh8x_ImsCU3uFj0Lx1De2lkmJQ9vh-W7WKagvx_Ovaa-aqALG60FMxpSfgIeG8ns53v6u9woDNIF3HCFDmG5Jq0mNhXZeM/s1600/Silent+Room.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="288" data-original-width="513" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZOSAeEYs4t2Z1aj770Q-x1hZa3MOv-Q-XrQ8vODOu8RCHEbh8x_ImsCU3uFj0Lx1De2lkmJQ9vh-W7WKagvx_Ovaa-aqALG60FMxpSfgIeG8ns53v6u9woDNIF3HCFDmG5Jq0mNhXZeM/s320/Silent+Room.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Sol alegria</b><br />Tavinho Teixeira (Brasile, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrX7viXt_qK-MFF9kVmkFB4dAm9n8YvqU3xzbCbViHcDWkjLnjeOXkNxVcGdMY3nBOlRmIGUKS_SGtdPz-1x5qF7rtKnJJbESvDZsme1NnXZuBgb4L0FQcHIrUgGBepCG7etNRUw0NE4w/s1600/Sol+alegria.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrX7viXt_qK-MFF9kVmkFB4dAm9n8YvqU3xzbCbViHcDWkjLnjeOXkNxVcGdMY3nBOlRmIGUKS_SGtdPz-1x5qF7rtKnJJbESvDZsme1NnXZuBgb4L0FQcHIrUgGBepCG7etNRUw0NE4w/s320/Sol+alegria.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Such a Morning</b><br />Amar Kanwar (India, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtql9UNMCcvXCR8b7_-TrGOBGrJ9IpDfAwO6jr-HFuTMscAIQzxVWOwmz541CE060318FHHphhBQdgmejaGtHp-8GuUN5CZutxg9sbQrmB_9JOjngyB9oDSUn_MAf2K-1bts_yT4GpDzc/s1600/Such+a+Morning.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtql9UNMCcvXCR8b7_-TrGOBGrJ9IpDfAwO6jr-HFuTMscAIQzxVWOwmz541CE060318FHHphhBQdgmejaGtHp-8GuUN5CZutxg9sbQrmB_9JOjngyB9oDSUn_MAf2K-1bts_yT4GpDzc/s320/Such+a+Morning.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><a href="https://www.youtube.com/watch?v=sKwy_yr6vc4" target="_blank"><span style="color: #3d85c6;"><b>O termómetro de Galileu (Galileo’s Thermometer)</b></span></a><br />Teresa Villaverde (Portogallo, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv3bcgjckckHpxDBcE-Gq0xbzrgSfD2OF-HM_Rzl1k3BXeWiVtHILYjfEcOyEXxfUQYmEC9Fc1zwfEQdQRhF_8jYKsGtKYoqAkPnoMHna3WcfBtbP-JKa9BjOB3QHjeVOv_BCVcVItOrU/s1600/Galileo%25E2%2580%2599s+Thermometer.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv3bcgjckckHpxDBcE-Gq0xbzrgSfD2OF-HM_Rzl1k3BXeWiVtHILYjfEcOyEXxfUQYmEC9Fc1zwfEQdQRhF_8jYKsGtKYoqAkPnoMHna3WcfBtbP-JKa9BjOB3QHjeVOv_BCVcVItOrU/s320/Galileo%25E2%2580%2599s+Thermometer.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><a href="https://www.youtube.com/watch?v=S-0cYpkAnhU" target="_blank"><span style="color: #3d85c6;"><b>Their Remaining Journey</b></span></a><br />John Clang (Singapore, USA, Taiwan, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguaj8qt1BsANLD7dBeARykr-meRWAbEiYcxDO-fwXk05QgxEtApuhDWWxb0IQxB-U_SCXDqYCAClqbsFA04pkJFCIj290JeSQdoe16umqg-S-d66ZB8KdZs-dFblWUV9YhjGlRieSZo00/s1600/Their+Remaining+Journey.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguaj8qt1BsANLD7dBeARykr-meRWAbEiYcxDO-fwXk05QgxEtApuhDWWxb0IQxB-U_SCXDqYCAClqbsFA04pkJFCIj290JeSQdoe16umqg-S-d66ZB8KdZs-dFblWUV9YhjGlRieSZo00/s320/Their+Remaining+Journey.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Tiempo compartido (Time Share)</b><br />Sebastián Hofmann (Messico, Olanda, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtnx7MuwO4MCoR_fI_hvZq7YG1DVoIDbYxGkhTyheQ_J7LJxrX09cDdAeIzly7kPNVaaGzK0YbYysIhEWKucY8cEY0XcjXUDDSlHYb8_KDUIj_HJO1NU60l9kPchpqc3ClnNiizSLNsDM/s1600/Tiempo+compartido.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtnx7MuwO4MCoR_fI_hvZq7YG1DVoIDbYxGkhTyheQ_J7LJxrX09cDdAeIzly7kPNVaaGzK0YbYysIhEWKucY8cEY0XcjXUDDSlHYb8_KDUIj_HJO1NU60l9kPchpqc3ClnNiizSLNsDM/s320/Tiempo+compartido.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><a href="https://www.youtube.com/watch?v=pVEfIGREIdQ" target="_blank"><span style="color: #3d85c6;"><b>La torre (The Tower)</b></span></a><br />Sebastián Múnera (Colombia, Messico, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMLNnjntnn_PVQK3JPPx0IBy0-wsHu7irxSsC4aUvgtmV4P-FX7IYZk36MESQs7RkwT8hoE_ClUevE5rTJhP2mRHScRXP9dM_41HFAyLYtHstQTSwQXOqW-OHIOMZ4SSDk6aRBOxFTYnA/s1600/La+torre.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="288" data-original-width="513" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMLNnjntnn_PVQK3JPPx0IBy0-wsHu7irxSsC4aUvgtmV4P-FX7IYZk36MESQs7RkwT8hoE_ClUevE5rTJhP2mRHScRXP9dM_41HFAyLYtHstQTSwQXOqW-OHIOMZ4SSDk6aRBOxFTYnA/s320/La+torre.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><u><b>CORTOMETRAGGI</b></u><br /><br /><a href="https://www.youtube.com/watch?v=ByATVViyWzY" target="_blank"><span style="color: #3d85c6;"><b>Antes do lembrar (Stone Engravings and the Three-Colored Chickenpox Tale)</b></span></a><br />Luciana Mazeto, Vinícius Lopes (Brasile, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCyuffb1GcBsUEBZVwRZTRI6bs30rdso-Esz6mwLZT2ar1X7rc4SDQzVYx8YKdzR-W2GJReUR7FtKn_oMYgxRB4Fu51pksWlLJ6xshA1NinbPMnH29KZfNAoQLX0mqjO2a2M6zJpCDxM4/s1600/Antes+do+lembrar.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCyuffb1GcBsUEBZVwRZTRI6bs30rdso-Esz6mwLZT2ar1X7rc4SDQzVYx8YKdzR-W2GJReUR7FtKn_oMYgxRB4Fu51pksWlLJ6xshA1NinbPMnH29KZfNAoQLX0mqjO2a2M6zJpCDxM4/s320/Antes+do+lembrar.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Between Relating and Use</b><br />Nazlı Dinçel (Argentina, USA, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHbz0pq2VgGz5GCIOuMojncyMlNg54rif5ab_LhwC_LkmAnFX2n3ZbbvBXvjy3Wy-v5oC2nSle8xxOAorxil3C5_4Fa4VznMTZenE6KZBFDUHeShLI3b5ako0x7lX4l6KwwazNgwnkYyk/s1600/Between+Relating+and+Use.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="288" data-original-width="513" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHbz0pq2VgGz5GCIOuMojncyMlNg54rif5ab_LhwC_LkmAnFX2n3ZbbvBXvjy3Wy-v5oC2nSle8xxOAorxil3C5_4Fa4VznMTZenE6KZBFDUHeShLI3b5ako0x7lX4l6KwwazNgwnkYyk/s320/Between+Relating+and+Use.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><a href="https://www.youtube.com/watch?v=h-vUlaXoMwc" target="_blank"><span style="color: #3d85c6;"><b>Cavern (Hulrum)</b></span></a><br />Nilas Chamby-Rus (Danimarca, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbcEGne19b2AudBCXrIAio4eJRbl_5GmQ6wHDwQzFp7isbi_zrNVwdzeiYhNzqR9YytYgloYhzJawZGEMrXQZFLzx2ncNjLwQrOaUoN07xxtPtQf94WPxQb2Dfzdmc3-DxAFwIjDXGMCE/s1600/Cavern.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbcEGne19b2AudBCXrIAio4eJRbl_5GmQ6wHDwQzFp7isbi_zrNVwdzeiYhNzqR9YytYgloYhzJawZGEMrXQZFLzx2ncNjLwQrOaUoN07xxtPtQf94WPxQb2Dfzdmc3-DxAFwIjDXGMCE/s320/Cavern.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>City of Tomorrow</b><br />Gavin Hipkins (India, Nuova Zelanda, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0P1cYRkXbLLtUTI-tb2KWUVfuBq-rH08Zuc-Vh26erJImdh9pXOe4AAj5_1P72MzCVBhNQPotuGVAT0a6i3PBVCiQe1JA-gfpNZ_P8Yhx4Cb5hi6rXgCX7vPm6T8ESAJ5hV7GQdkhsPI/s1600/City+of+Tomorrow.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0P1cYRkXbLLtUTI-tb2KWUVfuBq-rH08Zuc-Vh26erJImdh9pXOe4AAj5_1P72MzCVBhNQPotuGVAT0a6i3PBVCiQe1JA-gfpNZ_P8Yhx4Cb5hi6rXgCX7vPm6T8ESAJ5hV7GQdkhsPI/s320/City+of+Tomorrow.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Comfort Stations</b><br />Anja Dornieden, Juan D. G. Monroy (Germania, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmXZhxfVdiuz7Rnt2_KOt2BCEFfWOX23jv-pxmIW5QjM2DsjGZQWjAFuLeVkuyHFILV9A9ftj3N67cfKLAuqkFblpxeGP2bocxpBNpyokm0riJKViGlyfOH_iosw6zk0kVByVSdAQYgBI/s1600/Comfort+Stations.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="288" data-original-width="513" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmXZhxfVdiuz7Rnt2_KOt2BCEFfWOX23jv-pxmIW5QjM2DsjGZQWjAFuLeVkuyHFILV9A9ftj3N67cfKLAuqkFblpxeGP2bocxpBNpyokm0riJKViGlyfOH_iosw6zk0kVByVSdAQYgBI/s320/Comfort+Stations.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Cosmorama</b><br />Hugo Deverchère (Francia, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj19HL9EndGon-3aFCwWxoSjaa9Eu1TO84GKnu2GQBRCSchCWy1pIahURRpsYk8iD1aikKlEk1AF6aQ_aUp_0QMMD1w8_Uez0Juhm9q7NF2bbHJStoJ7CqsNgCMEHD0yT2SFF8c3RUyjGo/s1600/Cosmorama+513.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj19HL9EndGon-3aFCwWxoSjaa9Eu1TO84GKnu2GQBRCSchCWy1pIahURRpsYk8iD1aikKlEk1AF6aQ_aUp_0QMMD1w8_Uez0Juhm9q7NF2bbHJStoJ7CqsNgCMEHD0yT2SFF8c3RUyjGo/s320/Cosmorama+513.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>The Distance Between Us</b><br />Jan Locus (Belgio, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgf0VgOvPU1bfwMl5Uho0YHKkObhjWwjtbLONE_eDUVRoALHJAafvUHsB6gE9rda9Y5wFIdjBxvS76xEQynQTgCblTdG5UORivKmJoitsRWg1vWGPN6u7NmcSfd9N9XAP1z_c_XEDUh8rQ/s1600/The+Distance+Between+Us.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgf0VgOvPU1bfwMl5Uho0YHKkObhjWwjtbLONE_eDUVRoALHJAafvUHsB6gE9rda9Y5wFIdjBxvS76xEQynQTgCblTdG5UORivKmJoitsRWg1vWGPN6u7NmcSfd9N9XAP1z_c_XEDUh8rQ/s320/The+Distance+Between+Us.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><a href="https://www.youtube.com/watch?v=pXPbniJu6_M" target="_blank"><span style="color: #3d85c6;"><b>Eating Secrets</b></span></a><br />Stephan Lugbauer (Austria, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE9YSHKKNgRtDH0mAPDmkMhCHsk6QpqwZYubaPpx6BspyJLIKLwpd0Iul_HtQ5bCNa-jn4eOUfMrlzPqGze3OtwD0-rRUQXSHR-pcJvtF0dPcbbyuudlPjC7adW9WGTcepIzTF0NAMfA0/s1600/Eating+Secrets.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE9YSHKKNgRtDH0mAPDmkMhCHsk6QpqwZYubaPpx6BspyJLIKLwpd0Iul_HtQ5bCNa-jn4eOUfMrlzPqGze3OtwD0-rRUQXSHR-pcJvtF0dPcbbyuudlPjC7adW9WGTcepIzTF0NAMfA0/s320/Eating+Secrets.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Entangled Nightvisions</b><br />Aura Satz (UK, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqgqd4m9ONuqaDFxB0CMbIVXM8ABtPQJmBTNFNpcyN8FYQ_ugwgy0MTHZsPBu0L06x6mXOpIoMVXFUlqcY5U00tqVbNpwug7_yiD6I_uZLMkCdpFOFX9iE90Iagk3-VGFGgm7xbLWgpU0/s1600/Entangled+Nightvisions.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqgqd4m9ONuqaDFxB0CMbIVXM8ABtPQJmBTNFNpcyN8FYQ_ugwgy0MTHZsPBu0L06x6mXOpIoMVXFUlqcY5U00tqVbNpwug7_yiD6I_uZLMkCdpFOFX9iE90Iagk3-VGFGgm7xbLWgpU0/s320/Entangled+Nightvisions.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>An Eye for an Eye (Oko za oko)</b><br />Artur Żmijewski (Polonia, 1998)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-TX0AAzv-7-RnFLjuUpgtQCjtvYldCncBa0sQqyLCTqWHyLdWKZnUa6Dk5kFckOGhOWNY4wEhKeM6fdIwjRTxzOLGPcvzP8aMrMJ9WM9-rJN_JyVDASAmMPDEG0reInkFh_B8hFxF1yE/s1600/Oko+za+oko.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="288" data-original-width="513" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-TX0AAzv-7-RnFLjuUpgtQCjtvYldCncBa0sQqyLCTqWHyLdWKZnUa6Dk5kFckOGhOWNY4wEhKeM6fdIwjRTxzOLGPcvzP8aMrMJ9WM9-rJN_JyVDASAmMPDEG0reInkFh_B8hFxF1yE/s320/Oko+za+oko.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Extrastellar Evaluations III: Entropy: 25800</b><br />Chen Yin-ju (Taiwan, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjmOrexm3whNYu7KKyPbSjdzPjLPdcmdMbFHJ8gxntpRjKShdPwdIv5W4FZEd7wWBAT-oS9SbeRqvCN9n1TlKU3QJIGBZteKbQGCXLuP4smDgaGbtGwuLPoHmvzXBpBSp4Lu9JL93I_Rg/s1600/Extrastellar+Evaluations+III.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjmOrexm3whNYu7KKyPbSjdzPjLPdcmdMbFHJ8gxntpRjKShdPwdIv5W4FZEd7wWBAT-oS9SbeRqvCN9n1TlKU3QJIGBZteKbQGCXLuP4smDgaGbtGwuLPoHmvzXBpBSp4Lu9JL93I_Rg/s320/Extrastellar+Evaluations+III.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Forest Paths</b><br />Michiel van Bakel</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3hFmUvpUnNbXxhhCaDgKikgc18DRA4lPcyWEMjNsRHPaTduTObHm57sK0rRFUjlo5jQNKkiwUHT9yYS0PpZkEQp6mjopmjeXBf-YHRXEAwYiiIo5QQBaFWO_Gr5jNfIp0EV9qwblDwTE/s1600/Forest+Paths.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3hFmUvpUnNbXxhhCaDgKikgc18DRA4lPcyWEMjNsRHPaTduTObHm57sK0rRFUjlo5jQNKkiwUHT9yYS0PpZkEQp6mjopmjeXBf-YHRXEAwYiiIo5QQBaFWO_Gr5jNfIp0EV9qwblDwTE/s320/Forest+Paths.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>History Bleeds Under Your Fingernails</b><br />Azar Saiyar (Finlandia, 2016)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmydiMapLOEA77G_MnXO7O8GHe33_7GOPzTjZl19-8wtByf-yIOLZBol2CRRd23X4zWFiig0xi52g637WitSMQWlnsaYbz4H6x-Wc-fIa3WlfGwuPrJdTLglhfFKLzsOww43C0f4I-ZR8/s1600/History+Bleeds+Under+Your+Fingernails.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmydiMapLOEA77G_MnXO7O8GHe33_7GOPzTjZl19-8wtByf-yIOLZBol2CRRd23X4zWFiig0xi52g637WitSMQWlnsaYbz4H6x-Wc-fIa3WlfGwuPrJdTLglhfFKLzsOww43C0f4I-ZR8/s320/History+Bleeds+Under+Your+Fingernails.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>An Infinite Loop for Resistance</b><br />Michael Woods (USA, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG0JZd-FnIDmVqnC1bStmQ4CcFbp61WoqInd8zR-Cpu7i-cVgzZwVLVLq5MZbqj0lBsTtnqtoE3pgcY-67CEe5358qD6aPBanLf_63P-i6UBVTYIlv_IhmdDvtNKX6uXesRQME83PvsUI/s1600/An+Infinite+Loop+for+Resistance.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG0JZd-FnIDmVqnC1bStmQ4CcFbp61WoqInd8zR-Cpu7i-cVgzZwVLVLq5MZbqj0lBsTtnqtoE3pgcY-67CEe5358qD6aPBanLf_63P-i6UBVTYIlv_IhmdDvtNKX6uXesRQME83PvsUI/s320/An+Infinite+Loop+for+Resistance.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Interregnum</b><br />Adrian Paci (Albania, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPvrOkZnrXWvhKicbOfWmIcO5fu8TLvPP7wJQ_dS_KtatrzruO30KEB8h19_0qo52eqQOT_kwTO2S5Jj2yBGX8bAsqJ9RI49-wyYjIYpRPThNW-n01YUMDJH3V5GTo0sz7vekA1GwDODs/s1600/Interregnum.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="288" data-original-width="513" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPvrOkZnrXWvhKicbOfWmIcO5fu8TLvPP7wJQ_dS_KtatrzruO30KEB8h19_0qo52eqQOT_kwTO2S5Jj2yBGX8bAsqJ9RI49-wyYjIYpRPThNW-n01YUMDJH3V5GTo0sz7vekA1GwDODs/s320/Interregnum.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Je suis un monstre (I Am a Monster)</b><br />Tanguy De Donder (Belgio, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0lB-w2DXdDQK41nHFtKb7mEGLsKW04HTq6t1elAZ5YaxVyjKCyn9X3vzk0h0dHcb8ql6SUNXo9a7l0JS8gmGE8ZSBKl9KOatveMKCR1GsUIycaad-uX__lamgCy396yhERQGB4kFG3Ac/s1600/I+Am+a+Monster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0lB-w2DXdDQK41nHFtKb7mEGLsKW04HTq6t1elAZ5YaxVyjKCyn9X3vzk0h0dHcb8ql6SUNXo9a7l0JS8gmGE8ZSBKl9KOatveMKCR1GsUIycaad-uX__lamgCy396yhERQGB4kFG3Ac/s320/I+Am+a+Monster.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Ligne noire (Black Line)</b><br />Mark Olexa, Francesca Scalisi (Svizzera, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCmPtvhVpscwEguG03Py8Ir3diWgTEhTy1KQlRMtzUxadR04500nHYuWswzCHW5NXdxCc1VpA7EZY1J_qRHXGy-MAGmVjqYKcNC8OLfbEXrGYOS5j4nw6CQ9uw9N7YWFVj4Il5HvCT-Cg/s1600/Ligne+noire.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCmPtvhVpscwEguG03Py8Ir3diWgTEhTy1KQlRMtzUxadR04500nHYuWswzCHW5NXdxCc1VpA7EZY1J_qRHXGy-MAGmVjqYKcNC8OLfbEXrGYOS5j4nw6CQ9uw9N7YWFVj4Il5HvCT-Cg/s320/Ligne+noire.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Living Inside</b><br />Sadie Benning (USA, 1989)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyZSLoKIFK7WNNc8wE2cjP51FraKfxp7rcQyMxusrVJg7unk21X2Yl7CIL0ugmTmTuMNESo0P8udIQf7RflmUwucry-zmoKc1RbJpz9jgze0cUhKFR25FrCVbablvTVD_mRKe-EDX-Cgg/s1600/Living+Inside.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyZSLoKIFK7WNNc8wE2cjP51FraKfxp7rcQyMxusrVJg7unk21X2Yl7CIL0ugmTmTuMNESo0P8udIQf7RflmUwucry-zmoKc1RbJpz9jgze0cUhKFR25FrCVbablvTVD_mRKe-EDX-Cgg/s320/Living+Inside.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Looking for the Moon</b><br />Moira Sweeney (UK, 1986)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkSoRd80Q_jgYK7N_04oUvHZqmmjhR4c-cihlbqmY96ZBNlP7alaqFDFB6TmJ6v379SHgET-c7Mzg-Ip36tWGyPVVB_Dlm_xRlJWM3xDE_fLuNm6G-lAPxo0oJu4OJNwMyVJy12aOudVw/s1600/Looking+for+the+Moon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkSoRd80Q_jgYK7N_04oUvHZqmmjhR4c-cihlbqmY96ZBNlP7alaqFDFB6TmJ6v379SHgET-c7Mzg-Ip36tWGyPVVB_Dlm_xRlJWM3xDE_fLuNm6G-lAPxo0oJu4OJNwMyVJy12aOudVw/s320/Looking+for+the+Moon.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Le macaour</b><br />Roman Ermolaev (Olanda, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWqKuXwXiEKnEtm2eqP7gNg3AmN1GkUYkPXewDAqICMi2brrlny_Q-HrQenqIKUPfGD_sYpJTpE6r4BJyhLi7L0fzR6ZxxnoAk3nBn1iVUMlmECZH_Ts-yeAEN8g_bd8kFbCprnkyTKcE/s1600/Le+macaour.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWqKuXwXiEKnEtm2eqP7gNg3AmN1GkUYkPXewDAqICMi2brrlny_Q-HrQenqIKUPfGD_sYpJTpE6r4BJyhLi7L0fzR6ZxxnoAk3nBn1iVUMlmECZH_Ts-yeAEN8g_bd8kFbCprnkyTKcE/s320/Le+macaour.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Mi amado, las montañas (My Beloved, the Mountains)</b><br />Alberto Martín Menacho (Svizzera, Spagna, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHYRLS77x5GEzHvFmDorN12ZNZCC6JFRF2skdhxBo4A_iI5DBgumUCH2CtuesOLWbpdGE5iRfKrTtPd9nTarI7q_CD50-loRD0-sd5rLh4kRpyI6hHY7oww0Cs6HIhqKFS_fuv1NxxSzo/s1600/My+Beloved%252C+the+Mountains.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHYRLS77x5GEzHvFmDorN12ZNZCC6JFRF2skdhxBo4A_iI5DBgumUCH2CtuesOLWbpdGE5iRfKrTtPd9nTarI7q_CD50-loRD0-sd5rLh4kRpyI6hHY7oww0Cs6HIhqKFS_fuv1NxxSzo/s320/My+Beloved%252C+the+Mountains.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Painting with History in a Room Filled with People with Funny Names 4</b><br />Korakrit Arunanondchai (Tailandia, Sud Africa, UK, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2Jq9HsY9rQwFIxGeVxk3_XvHUiJmeJdcuUF_fi8IKaBIQd2g44G8wPzvZTPhjeuUyjdQ5YWfJhFzKt0hok9nGrdNrDtXj4ZD_CJfuFZRO7Z59OukegBrj1ZO35i-KR77WIOlF6pE4Vdg/s1600/Painting+with+History+in+a+Room.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2Jq9HsY9rQwFIxGeVxk3_XvHUiJmeJdcuUF_fi8IKaBIQd2g44G8wPzvZTPhjeuUyjdQ5YWfJhFzKt0hok9nGrdNrDtXj4ZD_CJfuFZRO7Z59OukegBrj1ZO35i-KR77WIOlF6pE4Vdg/s320/Painting+with+History+in+a+Room.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>A passagem do cometa (The Passage of the Comet) </b><br />Juliana Rojas (Brasile, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixrB7zkPOJX53eImiqvVWttwiecu9VINGjknMXAyRY7y7MEJjrU8ve3xNrc0jJL3VXuyMl0tTjCdvQ4oCxBGZF0GUwxkAd4QZ5LTUZS1xsHV7hIpB9vctzLJQ6hIWhl9ZnFzzLwGwt8Og/s1600/A+passagem+do+cometa.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixrB7zkPOJX53eImiqvVWttwiecu9VINGjknMXAyRY7y7MEJjrU8ve3xNrc0jJL3VXuyMl0tTjCdvQ4oCxBGZF0GUwxkAd4QZ5LTUZS1xsHV7hIpB9vctzLJQ6hIWhl9ZnFzzLwGwt8Og/s320/A+passagem+do+cometa.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><a href="https://www.youtube.com/watch?v=lWXPF8ncpeE" target="_blank"><span style="color: #3d85c6;"><b>Poor Magic</b></span></a><br />Jon Rafman (Canada, 2018)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvxEsAf1vEo0xNdx6TwKEXo_14v7ZTwCgbXgpDkzUrbteac-oocx4xDFkOwsdABiZSFYu1QrcuzxJoG4k1LdbzS_P5cHQjzX46VbrKzCTn4eMbgWQ9WZHpFPxWkpG9FH1hAngkacgNtnc/s1600/Poor+Magic.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvxEsAf1vEo0xNdx6TwKEXo_14v7ZTwCgbXgpDkzUrbteac-oocx4xDFkOwsdABiZSFYu1QrcuzxJoG4k1LdbzS_P5cHQjzX46VbrKzCTn4eMbgWQ9WZHpFPxWkpG9FH1hAngkacgNtnc/s320/Poor+Magic.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Résistance</b><br />Laurence Favre (Svizzera, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXQ7M8kkKbvANRxO4g554P89gjsvsn27O8CNDXdsOktvwLfy8oy9IQ8rEDaeMemkjnRlbd37Jlsp8Od8tbw4eVwnLw8K_OOUFk4MDa2Cb4VAfscl0Go6qxgP-Nc4wF7BuhiTXdQxycw0A/s1600/R%25C3%25A9sistance.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="288" data-original-width="513" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXQ7M8kkKbvANRxO4g554P89gjsvsn27O8CNDXdsOktvwLfy8oy9IQ8rEDaeMemkjnRlbd37Jlsp8Od8tbw4eVwnLw8K_OOUFk4MDa2Cb4VAfscl0Go6qxgP-Nc4wF7BuhiTXdQxycw0A/s320/R%25C3%25A9sistance.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Riverred</b><br />Eva Heldmann (Germania, 2012)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-tetyIbECZUGBe_vgRo9rqGdhOyfU5AOr-SG3cx0cBZEQbwc0zb5M_OZb-lDwZ70uyvNmLRNaZXWI0wpfNQ2FiYGn8hzaFYb8US3rjFygX5xm0Z47RYAMZQQpEb-hYPLO8DFR0PtZsZo/s1600/Riverred.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-tetyIbECZUGBe_vgRo9rqGdhOyfU5AOr-SG3cx0cBZEQbwc0zb5M_OZb-lDwZ70uyvNmLRNaZXWI0wpfNQ2FiYGn8hzaFYb8US3rjFygX5xm0Z47RYAMZQQpEb-hYPLO8DFR0PtZsZo/s320/Riverred.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><span style="color: #3d85c6;"><b>Saint Bathans Repetitions</b></span><br />Alexandre Larose (Canada, 2016)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaKPjnryWRAZTggL__QjN4EgvyCLkBb2Ur_Nh9EmPI-jZ0hIddp0rxVguQYU7o8hyphenhyphennygbH8y-MEC4GPF5MYTCqRsYEmY3qTykwOElgrfsfg-nOdcgMlCWU6oVbuedYKgsyCL85HiIqQXw/s1600/Saint+Bathans+Repetitions.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaKPjnryWRAZTggL__QjN4EgvyCLkBb2Ur_Nh9EmPI-jZ0hIddp0rxVguQYU7o8hyphenhyphennygbH8y-MEC4GPF5MYTCqRsYEmY3qTykwOElgrfsfg-nOdcgMlCWU6oVbuedYKgsyCL85HiIqQXw/s320/Saint+Bathans+Repetitions.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><a href="https://www.youtube.com/watch?v=OuJFDV5otjg" target="_blank"><span style="color: #3d85c6;"><b>Scape</b></span></a><br />Erik Fox (USA, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8hO49e7KgpzXY6k8Werho5LJtFIVj6KkqtCp2Lkllf3-MC-Xd2XsVAD2Vke5UM2eFtGb2L_j1ANK_zcWEC0whB_pDry1MdHASyr93Nw9m-9VRKfmTt0ekXjpTlb7YbKbMGlHHOQn5xkY/s1600/Scape.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8hO49e7KgpzXY6k8Werho5LJtFIVj6KkqtCp2Lkllf3-MC-Xd2XsVAD2Vke5UM2eFtGb2L_j1ANK_zcWEC0whB_pDry1MdHASyr93Nw9m-9VRKfmTt0ekXjpTlb7YbKbMGlHHOQn5xkY/s320/Scape.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Song X</b><br />Pathompon Tesprateep (Tailandia, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqJ4cZPB5NxWmt3pza5f2U6bbaCSPGrU96KXiAoxBQ4wYUM8XfKaIIl-ZqptA7b7IR41MLwg5e7pEBQFGTwjAYtUyxwHsr6wAtm_t7TT77dnNJsFYpIPMrfHAFeV6UB4WrnDIXrUs-ftQ/s1600/Song+X.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqJ4cZPB5NxWmt3pza5f2U6bbaCSPGrU96KXiAoxBQ4wYUM8XfKaIIl-ZqptA7b7IR41MLwg5e7pEBQFGTwjAYtUyxwHsr6wAtm_t7TT77dnNJsFYpIPMrfHAFeV6UB4WrnDIXrUs-ftQ/s320/Song+X.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Stomach of the World</b><br />Eva Kot'átková (Grecia, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrseE-Sp4jMQCVIr8uad8aB7AeA62hzwfLPrS4kH9RzgsayPqOjT6SA9_6sKsxV0rxYAD0r__AXTcHVGekgwltFqkJK3tPN60bowATSIZF2WipD7DG_CZR2tJKPXVAtL5sjxDphYocACY/s1600/Stomach+of+the+World.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrseE-Sp4jMQCVIr8uad8aB7AeA62hzwfLPrS4kH9RzgsayPqOjT6SA9_6sKsxV0rxYAD0r__AXTcHVGekgwltFqkJK3tPN60bowATSIZF2WipD7DG_CZR2tJKPXVAtL5sjxDphYocACY/s320/Stomach+of+the+World.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Thirza Cuthand Is an Indian Within the Meaning of the Indian Act</b><br />Thirza Cuthand (Canada, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip6O46PkSLagBSYfYBKQZDSivFFHuHZQMHFv1M8dJ_3ESmz6IQ0yw_uhOO7lddLnxpLCeDiw0dtNTrABIMd15kbNlxyxt6fy9PcRYKGH43WvcqktNcH1u6tfEq-zJ62W_Op_9xcADjJfw/s1600/Thirza+Cuthand+Is+an+Indian+Within.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="289" data-original-width="513" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip6O46PkSLagBSYfYBKQZDSivFFHuHZQMHFv1M8dJ_3ESmz6IQ0yw_uhOO7lddLnxpLCeDiw0dtNTrABIMd15kbNlxyxt6fy9PcRYKGH43WvcqktNcH1u6tfEq-zJ62W_Op_9xcADjJfw/s320/Thirza+Cuthand+Is+an+Indian+Within.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><a href="https://www.youtube.com/watch?v=FYotD6vvl4o" target="_blank"><span style="color: #3d85c6;"><b>The Walker</b></span></a><br />Su Hui-yu (Taiwan, 2018)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><a href="https://www.youtube.com/watch?v=1q7COZnRdrE" target="_blank"><span style="color: #3d85c6;"><b>When You Return I'll Be Living by the Waterside</b></span></a><br />Petra Noordkamp (Olanda, 2018)</span></div>
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ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com0tag:blogger.com,1999:blog-3124748050714619465.post-6330266926365076662018-01-21T21:09:00.000+01:002018-01-21T21:11:10.759+01:00Phantom Islands<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Rouzbeh Rashidi</b><br />Irlanda, 2018<br />86 minuti<br /><br />Fare Cinema per Rashidi significa anzitutto parlare di Cinema, di come esso possa rapportarsi con quanto definiamo reale: come, insomma, un cineasta moderno possa sviluppare determinati concetti, insinuandosi in quella piega che fa da confine tra un approccio documentaristico ed uno, al contrario, prettamente di finzione.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><i>"A Pictorial Film"</i></span><span style="font-family: "arial" , "helvetica" , sans-serif;">Così cita l'introduzione nella press-kit promozionale dell'ultima opera di <i><b>Rouzbeh Rashidi</b></i>. Ed è proprio il caso di confermarlo: pittorica, appunto. In quanto l'immagine rappresentativa del paesaggio irlandese e delle sue isole (ritratte in un continuo (dif)fondersi, tra emergere e svanire), già di per sé ammaliante, sembra acquisire ulteriore fascino sotto l'originale tratteggio artistico dipinto dal cineasta originario di Teheran. Potremmo quindi definire le opere dell'autore quadri e la struttura utilizzata tipicamente trittica. <b>Phantom Islands</b> riapre dunque un discorso che, dopo le conclusioni volutamente definitive (parliamo di <i>'Trailers'</i> e dell'apocalisse inscenata) fornite in precedenza, pareva decisamente concluso. Ma, del resto, RR mette in chiaro fin da subito che l'analisi svolta verterà su quesiti leggermente differenti dai soliti. In questo caso, infatti, viene preso in considerazione e approfondito, in rapporto a quanto detto finora, un soggetto molto simile a quello dell' <i>'Inside'</i> del duo Langan - Le Cain (membri dell'EFS), ovverosia l'instabilità psicologica, le sue cause e i suoi sviluppi all'interno di una coppia isolata, smarrita nel tempo e nello spazio. Qui, però, il tutto non si riduce al mero proporre una circostanza, bensì sfrutta la stessa proiettando i soggetti all'interno di uno spazio ben definito, di un'ambientazione precisa (che non nasconde una certa nostalgia verso gli ameni sfondi nel Cinema di <b><i>Jean Epstein</i></b>, rimando ancor più chiaro se pensiamo al suo <i>'Finis Terrae'</i>): cercando di capire quanto il criterio registico influisca sull'effettiva natura del soggetto stesso.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Ad impressione di chi scrive, giunti verso le ultime inquadrature di <b>Phantom Islands</b>, dove l'occhio si perde cercando di seguire il dispersivo vagare della coppia protagonista (due amanti alla deriva, spinti in un ritiro elaborativo/esistenziale a probabile seguito di una crisi) verso un orizzonte del quale, oramai, non si ha più percezione, la mente non può che ricorrere al primo <i><b>Philippe Garrel</b></i>. Quasi una riformulazione in chiave contemporanea de <a href="http://visionesospesa.blogspot.it/2013/02/la-cicatrice-interieure.html" target="_blank"><span style="color: #3d85c6;"><b>La cicatrice intérieure</b></span></a>, dove, <i>"figure in colluttazione o al contrario in armonia le une con le altre"<span style="font-size: small;"><b>*</b></span></i> si perdono tra l'incanto e la sopraffazione; visivamente scolpite al centro di uno spazio, la cui alterazione della cornice ottica tende ad allontanare la realtà tangibile, producendo un effetto simile a quanto già sperimentato da <i><b>Carlos Reygadas</b></i> in <b>Post Tenebras Lux</b>. Da un lato, quindi, abbiamo l'estatica austerità di un ambiente esposto ad un'iridescenza che ne sospende le deformanti geografie tra immaginario onirico e ancestrale luogo di "origini". Dall'altro, la sovrastante influenza che esso può esercitare sull'essere umano, fino ad assorbirne corpo e anima, facendolo proprio: complementandolo alla propria Natura. Al contempo però, appare già chiaro dopo qualche minuto come risalti anche l'importanza del linguaggio gestuale e della sua enfatizzazione melodrammatica (a tratti, portata ad un'estremizzazione della rappresentazione) in un film che, proprio come nel garreliano <a href="http://visionesospesa.blogspot.it/2013/02/le-revelateur.html" target="_blank"><span style="color: #3d85c6;"><b>Le Révélateur</b></span></a>, opera sostanzialmente sull'assenza della parola delineando il proprio percorso sui binari strutturali del Cinema degli albori. </span><span style="font-family: "arial" , "helvetica" , sans-serif;"><i>"Il tentativo di regressione ad un linguaggio delle origini"</i></span><span style="font-family: "arial" , "helvetica" , sans-serif;"><i><b>**</b></i> appunto, spoglia di qualsiasi dialogo e punteggiata oltremodo da frequenti schermate nere che scandiscono la visione, agendo - con la stessa modalità delle diapositive - alla stregua di un otturatore fotografico.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Lo stesso mezzo che, azionato nelle mani della protagonista, sembra cercare in qualsiasi modo (e frangente) di imprimere in sé un'immagine di quel paesaggio sfuggente, della stessa materia filmica nel momento in cui l'obiettivo si rivolge diritto verso il nostro sguardo (da qui, il concetto alla base dell'opera descritta da Rashidi: riflettere sulle possibilità del mezzo nell'affrontare quel confine, spesso indistinguibile, tra documentario e Cinema di finzione). Ma di fatto - e in definitiva - si potrebbe anche parlare di immagine trattenuta in quanto inevitabilmente legata al tempo (tornando al discorso sull'origine) e della necessità di preservare, attraverso l'utilizzo del piano fisso, la scultorea plasticità di quei corpi alla deriva: ora disorientati e insonni, ora cullati dalle soffuse conformità di quel paesaggio evanescente, come in una sorta di abbandono letargico.<br /><br /><i><b>* </b></i><span style="font-size: x-small;"><b>Il corpo e l'immagine (il primo cinema di Philippe Garrel)</b> <i>- 2008 - Valentina Domenici</i></span> <br /><b><i>**</i></b> <i><span style="font-size: x-small;">Gilles Deleuze</span></i><br /><br /><i>Articolo scritto in collaborazione con <a href="https://cinepaxy.wordpress.com/" target="_blank"><span style="color: #3d85c6;"><b>Cinepaxy</b></span></a></i></span></div>
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ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com0tag:blogger.com,1999:blog-3124748050714619465.post-44363601586004297562017-12-31T19:43:00.000+01:002017-12-31T19:45:32.287+01:00Resoconti VIS 2017 | Archivio lungometraggi<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Spezzo solo per un attimo, in occasione di quest'ultimo giorno dell'anno, la pausa che mi sono prefissato. Lunga probabilmente, ne sono consapevole, ma necessaria per un periodo come quello trascorso dove la mente richiedeva di orientarsi verso altri territori, concentrarsi su altre cose alle quali ho voluto, infine, dare priorità. Non so ancora quando riprenderò con gli articoli, spero presto. Il consueto elenco dei film visionati durante l'anno (anche se in numero ridotto rispetto al passato), ad ogni modo, non poteva assolutamente mancare. Anzi, ora direi che si addice ancor più alla piega antologica che questo blog sta prendendo: uno spazio d'archiviazione nel tempo.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Lasciandovi alla consultazione del "listone", comprensivo dei venti preferiti visti in questo 2017, un augurio dei migliori, al 2018!<br /><a href="http://visionesospesa.blogspot.it/2017/12/resoconti-vis-2017-archivio.html" target="_blank"><span style="color: #cc0000;"><i><b>qui</b></i></span></a>, la selezione dei cortometraggi.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br />DER NACHTMAHR (THE NIGHTMARE) - Akiz (Germania, 2015) <br />LA LUNGHEZZA DI PLANK - Riccardo Vaia, Andrea Piazza (Italia, 2015) <br />IL PRATO MACCHIATO DI ROSSO - Riccardo Ghione (Italia, 1975) <br />A VIDA INVISIVEL - Vitor Goncalves (Portogallo, 2014) <br />MRS. FANG - Wang Bing (Cina, Francia, 2017) <br />SUN DON'T SHINE - Amy Seimetz (USA, 2012) <br />MILLA - Valerie Massadian (Francia, Portogallo, 2017) <br />HYPNOSIS DISPLAY - Paul Clipson (USA, 2014) <br />BLIND LOVES - Juraj Lehotsky (Slovacchia, 2008) <br />I REMEMBER NOTHING - Diane Sara Bouzgarrou (Francia, 2017) <br />A CURE FOR WELLNESS - Gore Verbinski (USA, 2016) <br />ARIANNA - Claudio Lavagna (Italia, 2015) <br />THE EYES OF MY MOTHER - Nicolas Pesce (USA, 2016) <br />EASY - Andrea Magnani (Italia, 2017) <br />SECONDS (OPERAZIONE PAURA) - John Frankenheimer (USA, 1966) <br />SONG TO SONG - Terrence Malick (USA, 2017) <br />A STRANGE NEW BEAUTY - Shelly Silver (USA, 2017) <br /><a href="http://visionesospesa.blogspot.it/2017/06/boris-sans-beatrice.html" target="_blank"><span style="color: #cc0000;"><b>BORIS SANS BEATRICE</b></span></a> - Denis Cotè (Canada, 2016) <br /><a href="http://visionesospesa.blogspot.it/2017/02/digressioni-6-arrival-e-limportanza-del.html" target="_blank"><span style="color: #cc0000;"><b>ARRIVAL</b></span></a> - Denis Villeneuve (USA, 2016) <br />RAW - Julia Ducournau (Francia, 2016)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">TONI ERDMANN - Maren Ade (Germania, Austria, 2016) <br />ANIMAL POLITICO - Tião (Brasile, 2016) <br />FILMUS - Clement Safra (Francia, 2017) <br />STATIONS OF THE CROSS (Kreuzweg) - Dietrich Bruggemann (Germania, 2014) <br />PIELES (SKINS) - Eduardo Casanova (Spagna, 2017) <br />MESSIAH OF EVIL - William Huyck, Gloria Katz (USA, 1973) <br />BLADE RUNNER 2049 - Denis Villeneuve (USA, 2017) <br />LUCIFER - Gust Van Den Berghe (Messico, Belgio, 2014) <br />CHRISTINE - Antonio Campos (USA, 2016) <br />SANGUIVOROUS - Naoki Yoshimoto (Giappone, 2011) <br />MOTEL WOODSTOCK - Ang Lee (USA, 2009) <br />MOTHER! - Darren Aronofsky (USA, 2017) <br />DARLING - Mickey Keating (USA, 2015) <br /> </span></div>
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<b><u><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Menzioni Speciali</span></u></b></div>
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;">IL ROSSO SEGNO DELLA FOLLIA</span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Mario Bava (Italia, 1970)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Anton Corbijin (UK, USA, 2007)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><u><b><span style="font-size: large;">Semifinalisti</span></b></u></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><b>IMMORTALITY FOR ALL: A FILM TRILOGY OF RUSSIAN COSMISM</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Anton Vidokle (Kazakhstan, Russia, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhydCTooSx2YqlAGLS032mRsvoo2QPmiu5bgrTU0-1L8Rfji8romI02q3lMnIq_5O5b1VYtu7JN6kCTIT9Rt-hkpKHi9Jjwqp9U-pcryZqsY66RpEF0Y7FtzZNNhTSsC8KiwCJjAl8Fgo/s1600/Immortality+for+All.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhydCTooSx2YqlAGLS032mRsvoo2QPmiu5bgrTU0-1L8Rfji8romI02q3lMnIq_5O5b1VYtu7JN6kCTIT9Rt-hkpKHi9Jjwqp9U-pcryZqsY66RpEF0Y7FtzZNNhTSsC8KiwCJjAl8Fgo/s320/Immortality+for+All.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><b>SURBILES</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Giovanni Columbu (Italia, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtCegX3qkZTQs7Sypx4GuYKo2WhTX6D2ZNxM3U70PHx7dbI63rHzEXur_KYrrXaCfjeiQHSp-ypuRbNetZRMQHjOaKs30YCilK6A6q_eTefrKfYBJTy_FN1le9sHn9rXGNwf0hIy9NHAw/s1600/Surbiles.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtCegX3qkZTQs7Sypx4GuYKo2WhTX6D2ZNxM3U70PHx7dbI63rHzEXur_KYrrXaCfjeiQHSp-ypuRbNetZRMQHjOaKs30YCilK6A6q_eTefrKfYBJTy_FN1le9sHn9rXGNwf0hIy9NHAw/s320/Surbiles.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><b>MAI MORIRE</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Enrique Rivero (Messico, 2013)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><b>METEORLAR</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Gürcan Keltek (Turchia, Olanda, 2017)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><b>IMAGENS DO SILENCIO</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Luiz Rosemberg Filho (Brasile, 1973)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyTrFOo9xasnjpX03XXthitEj4cDLTluuvprJ30wtlr1T8IJz8fqHHgNznuKmcYbK2u8JxDxPNln6FoVfVPGrvO0zqhwXD0whd-O441tsyv6XDtwiB9SQuZd31j1Aib_b_N_OZCJAPlNY/s1600/Imagens+do+silencio.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyTrFOo9xasnjpX03XXthitEj4cDLTluuvprJ30wtlr1T8IJz8fqHHgNznuKmcYbK2u8JxDxPNln6FoVfVPGrvO0zqhwXD0whd-O441tsyv6XDtwiB9SQuZd31j1Aib_b_N_OZCJAPlNY/s320/Imagens+do+silencio.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><b>AMIJIMA</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Jorge Suarez-Quinones Rivas (Spagna, 2016)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie-QLRoj6EHjDeAx6NpUbGR-MlnjSmcTs9PV_06yHfZrkGgEd5dVGvNTaW4ty23ywqQeHi8cjPtQvViqlKrgLIYX_w3uH6LWO13Mmvn8X7qTqbafwBUA7qtMR3L_YlbGKtZ6q8GgmH0AU/s1600/Amijima.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie-QLRoj6EHjDeAx6NpUbGR-MlnjSmcTs9PV_06yHfZrkGgEd5dVGvNTaW4ty23ywqQeHi8cjPtQvViqlKrgLIYX_w3uH6LWO13Mmvn8X7qTqbafwBUA7qtMR3L_YlbGKtZ6q8GgmH0AU/s320/Amijima.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><b>CANIBA</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Lucien Castyng-Taylor, Verena Paravel (Francia, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkaMKJnSM51eFHj8pwXcGPnOZAP3wryIqsSDpEgJKxIdP4x5w-BfmApX1q1LcTmZ6xsroBGPw080S4niU_d6DyKhBn_tOxjZ426PO_08WeA9z8PhmCAyGcARnXKOqn9MvDogOFzwzUeJs/s1600/Caniba.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkaMKJnSM51eFHj8pwXcGPnOZAP3wryIqsSDpEgJKxIdP4x5w-BfmApX1q1LcTmZ6xsroBGPw080S4niU_d6DyKhBn_tOxjZ426PO_08WeA9z8PhmCAyGcARnXKOqn9MvDogOFzwzUeJs/s320/Caniba.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><b>DEUX FOIS</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Jackie Raynal (Francia, 1968)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgONLZTbD8Fwc0HbIM9tD_tq0MJ5ax4TfoxD1NzEMcavZ6JNFIIM5WbSpjXcdB5v7GY1zt7ekhmI1TOC9NMtdxH4752tWtnNCeRoXYw7U1OalEzEr90VSxJRhMZdEZGHuWzKxmGXvEFDGc/s1600/Deux+Fois.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgONLZTbD8Fwc0HbIM9tD_tq0MJ5ax4TfoxD1NzEMcavZ6JNFIIM5WbSpjXcdB5v7GY1zt7ekhmI1TOC9NMtdxH4752tWtnNCeRoXYw7U1OalEzEr90VSxJRhMZdEZGHuWzKxmGXvEFDGc/s320/Deux+Fois.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><b><u><span style="font-size: large;">TOP 10</span></u></b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><b>NOCTURAMA</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Bertrand Bonello (Francia, Germania, 2016)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAIGE7cHOjrzIW6CLiyZnDPhXDisQGr6FDN4HDdMiChLgL4ePMQItM4pUrYP_AcNIdtiZu5MNbpUBbxjWxXaTQ4q2FGedHU_qDon2Hg_TTHes1E7R4Ux40s2g6zqfGhzOEW7qn_TK-GPg/s1600/Nocturama.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAIGE7cHOjrzIW6CLiyZnDPhXDisQGr6FDN4HDdMiChLgL4ePMQItM4pUrYP_AcNIdtiZu5MNbpUBbxjWxXaTQ4q2FGedHU_qDon2Hg_TTHes1E7R4Ux40s2g6zqfGhzOEW7qn_TK-GPg/s320/Nocturama.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><a href="http://visionesospesa.blogspot.it/2017/02/all-cities-of-north-svi-severni-gradovi.html" target="_blank"><span style="color: #cc0000;"><b>ALL THE CITIES OF THE NORTH</b></span></a></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Dane Komljen (Serbia, Bosnia and Herzegovina, 2016)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3jNBb91TasBVZ9IipnTirt3Hh6ZoSeq6djKYm-2gr-hhaIIjcKm8cn66etSabGOpT3qIR19vqYK6zx7K6_J0JCkz5OG0wuBRiDTBCSoXq5NgI7IbEhrRpmtw2DybbzB0NbRuKuhlODNY/s1600/All+the+cities+of+the+North.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3jNBb91TasBVZ9IipnTirt3Hh6ZoSeq6djKYm-2gr-hhaIIjcKm8cn66etSabGOpT3qIR19vqYK6zx7K6_J0JCkz5OG0wuBRiDTBCSoXq5NgI7IbEhrRpmtw2DybbzB0NbRuKuhlODNY/s320/All+the+cities+of+the+North.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><b>LOS DECENTES (A DECENT WOMAN)</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Lukas Valenta Rinner (Austria, Sud Corea, 2016)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOFVtW5pJOuj_gHrX44ndFfzPl6Ub1C75eXqQy4DTZ9guhyphenhyphen6HLY8obHKt0w6zBTDmDcScEl7vp3RndfNMrVNM8dup3VhFjFJJMqc6pC8fPOjBmiR9lKFU-dsDoIv1PkH2lUJa-TpdCot8/s1600/Decentes.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOFVtW5pJOuj_gHrX44ndFfzPl6Ub1C75eXqQy4DTZ9guhyphenhyphen6HLY8obHKt0w6zBTDmDcScEl7vp3RndfNMrVNM8dup3VhFjFJJMqc6pC8fPOjBmiR9lKFU-dsDoIv1PkH2lUJa-TpdCot8/s320/Decentes.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><a href="http://visionesospesa.blogspot.it/2017/01/sleep-has-her-house.html" target="_blank"><span style="color: #cc0000;"><b>SLEEP HAS HER HOUSE</b></span></a></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Scott Barley (UK, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhneD-l7uxwcika2irzo84vjK3MCjGTNv0zVFbe84rdV6tcSBsIjSWpfPmCb_tUBZBcxk3lVC4_meIPMbOTJMVC3gZaBmcKiifyyIlUpncVsQZAFQ8yR0-0jHqIrHTGI2PBN46I_U7qhDU/s1600/Sleep+has+her+house.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhneD-l7uxwcika2irzo84vjK3MCjGTNv0zVFbe84rdV6tcSBsIjSWpfPmCb_tUBZBcxk3lVC4_meIPMbOTJMVC3gZaBmcKiifyyIlUpncVsQZAFQ8yR0-0jHqIrHTGI2PBN46I_U7qhDU/s320/Sleep+has+her+house.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><b>JEANNETTE: THE CHILDHOOD OF JOAN OF ARC</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Bruno Dumont (Francia, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh27U9N8gH_P2KwUQAWfRXQEX99i440Ye_6YTNC04WoavBLxHUFGhfcPNN-DBnJ1nhGWi5eLzRMtnxDnEmEHoAh8EwmcLr7eIEBqLuH0_YIXWuu744LzqjeC0Vo27uHM5eg-qdA-g2m4tE/s1600/Jeannette.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh27U9N8gH_P2KwUQAWfRXQEX99i440Ye_6YTNC04WoavBLxHUFGhfcPNN-DBnJ1nhGWi5eLzRMtnxDnEmEHoAh8EwmcLr7eIEBqLuH0_YIXWuu744LzqjeC0Vo27uHM5eg-qdA-g2m4tE/s320/Jeannette.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><b>THE KILLING OF A SACRED DEER</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Yorgos Lanthimos (UK, Irlanda, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_JpFHnd1_jYqnLAEYn2VNjFkM_IVWw5L69nF0dbBzD_YJdx2M6oknuEMh8MQhdj32kfn2wVNgIJKmpxW_AG1dEKycv8WOBVVWoWwRENDvNG7wZQwwJlgvkbckLy328g_YPg1DkErJPzg/s1600/Killing+of+a+Sacred+Deer.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_JpFHnd1_jYqnLAEYn2VNjFkM_IVWw5L69nF0dbBzD_YJdx2M6oknuEMh8MQhdj32kfn2wVNgIJKmpxW_AG1dEKycv8WOBVVWoWwRENDvNG7wZQwwJlgvkbckLy328g_YPg1DkErJPzg/s320/Killing+of+a+Sacred+Deer.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><b>SU RE</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Giovanni Columbu (Italia, 2012)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnyhOZxMZ7AmPA3Y4j44Zu2bWf_9HteCTLXsQbdiCnoJAooyKiMekhGhfMpwPNj8WTofl4NbJnkIUft5XaUBBN4VbiZyZ4ogeTyN5JOpWAm_iEKZeW8govkauCYyi4HQgokblidzLLAhg/s1600/Su+Re.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnyhOZxMZ7AmPA3Y4j44Zu2bWf_9HteCTLXsQbdiCnoJAooyKiMekhGhfMpwPNj8WTofl4NbJnkIUft5XaUBBN4VbiZyZ4ogeTyN5JOpWAm_iEKZeW8govkauCYyi4HQgokblidzLLAhg/s320/Su+Re.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><a href="http://visionesospesa.blogspot.it/2017/06/tracce-35-tenemos-la-carne-we-are-flesh.html" target="_blank"><span style="color: #cc0000;"><b>TENEMOS LA CARNE (WE ARE THE FLESH)</b></span></a></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Emiliano Rocha Minter (Messico, 2016)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYuu9BVbY6kKEejVVOJ_yOVAp8CrKswGV7pU4j0hgpuDRh2593guK-NwyBkLMCXoJ_o67hyphenhyphenzag9jrQ4DNGsp0dz9EgBz6dk7Od4hLa4_5yeG7Rg3bWh_9KOxCSgtYxLdAGuy_fqhAgyCA/s1600/Tenemos+la+carne.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYuu9BVbY6kKEejVVOJ_yOVAp8CrKswGV7pU4j0hgpuDRh2593guK-NwyBkLMCXoJ_o67hyphenhyphenzag9jrQ4DNGsp0dz9EgBz6dk7Od4hLa4_5yeG7Rg3bWh_9KOxCSgtYxLdAGuy_fqhAgyCA/s320/Tenemos+la+carne.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><b>LA TIERRA AUN SE MUEVE (STILL THE EARTH MOVES)</b></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Pablo Chavarria Gutierrez (Messico, 2017)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><b>NIGHT AWAKE</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="font-family: "arial" , "helvetica" , sans-serif;">Sandy Ding (Cina, 2016)</span></div>
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ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com0tag:blogger.com,1999:blog-3124748050714619465.post-46785933370339254432017-12-31T17:01:00.001+01:002018-01-02T09:14:49.355+01:00Resoconti VIS 2017 | Archivio Cortometraggi<div style="text-align: left;">
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<a name='more'></a><span style="font-family: "arial" , "helvetica" , sans-serif;">FISH STORY - Charlie Lyne (UK, 2017) <br />BOOMERANG - David Bouttin (Francia, 2017) <br />PLAY BOYS - Vincent Lynen (Belgio, 2016) <br />THE CUT UPS - Antony Balch, William S. Burroughs (USA, 1966) <br />SLEEPING DISTRICT - Tinne Zenner (Danimarca, Russia, 2014) <br />SOL NEGRO - Laura Huertas Millan (Colombia, Francia, 2016) <br />BEYOND THE MOUNTAINS - Miguel Moraes Cabral (Portogallo, 2017) <br />SHMAMA - Miki Polonski (Israele, 2017) <br />THE MURALS - Jonathan Perel (Argentina, 2010) <br />CARNE - Carlos Conceicao (Portogallo, 2010) <br />STATEN ISLAND - Vivienne Dick (USA, 1978) <br />RESTRICTED - Jay Rosenblatt (USA, 1999) <br />A CHILD GOES BURYING DEAD INSECT - Rey Hayama (Giappone, 2009) <br />FRAGMENTS OF DISSOLUTION - Travis Wilkerson (USA, 2012) <br />LOS PERROS DE AMUNDSEN - Rafael Ramirez (Cuba, 2017) <br />A NECESSARY MUSIC - Beatrice Gibson (USA, 2008) <br />LAPS - Charlotte Wells (USA, 2017) <br />CILAOS - Camilo Restrepo (Francia, 2016) <br />THE EDGE OF DAGENHAM - Peter Wareing (UK, 2016) <br />A PRIVATE COLLECTION - Walerian Borowczyck (Francia, 1973) <br />ORANGE TRILL - G. Anthony Svatek (USA, 2015) <br />BRIGHT MIRROR - Paul Clipson (USA, 2013) <br />PRISMS - Sandy Ding (Cina, 2012) <br />GAZE (NEGAH) - Farnoosh Samadi (Iran, 2017) <br />XUN - Lichun Tseng (Olanda, 2017) <br />MING GREEN - Gregory J. Markopoulos (USA, 1966) <br />EL PALACIO - Nicolas Pereda (Messico, 2013) <br />BLACK AND WHITE FILM - Robert Huot (USA, 1968) <br />VITAL SIGNS - Barbara Hammer (USA, 1991) <br />A DISTANT EPISODE - Ben Rivers (UK, 2015) <br />A SONG FROM THE FUTURE - Tommaso Donati (Svizzera, 2017) <br />ZIRDZIN, HALLO! (HELLO, HORSE!) - Laila Pakalnina (Latvia, 2017) <br />GHOST OF OT 301 - Takashi Makino (Giappone, 2014) <br />ESTATE - Ronny Trocker (Francia, Belgio, 2016) <br />SARAH WINCHESTER, PHANTOM OPERA - Bertrand Bonello (Francia, 2016) <br />THE LOST WORLD - Steven Woloshen (Canada, 2013) <br />VULGAR FRACTIONS - Peter Bo Rappmund (USA, 2012) <br />DECORADO - Alberto Vazquez (Spagna, Francia, 2016) <br />SERTRES - Ainara Vera (Spagna, 2014) <br />RIVER IN THE CASTLE - Sandy Ding (Cina, 2016) <br />WAYWARD FRONDS - Fern Silva (USA, 2014) <br />THE PROCEDURE - Calvin Lee Reeder (USA, 2016) <br />MISSONI - Kenneth Anger (USA, 2010) <br />INVOCATION OF MY DEMON BROTHER - Kenneth Anger (USA, 1969) <br />KAIROS - Stefano Canapa, Elisa Ribes (Francia, Grecia, 2016) <br />O NEGATIVE - Steven McCarthy (Canada, 2015) <br />SEA CHILD - Kim Min-Ha (UK, 2015) <br />TSHWEESH - Feyrouz Serhal (Lebanon, Germania, 2017)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="color: #cc0000;"><u><span style="font-size: large;">Eletti</span></u> </span></b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />Y TODO EL CIELO CUPO EN EL OYO DE LA VACA MUERTA</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Francisca Alegria (Cile, USA, 2016)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUfgTM7ChcYBF44Qk-IgGDbCGRVMs-PE1QtlD53XKciLkPNVxz9jhODwk2r91lbL3X-2mGHt1N0A-ZyYb_5qOdvT2a-68DrgHlJwkX8T6ZEXkHiNtgXhOQJqZZbLTIQo9p6U8NOmgX-pI/s1600/Y+todo+el+cielo+cupo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUfgTM7ChcYBF44Qk-IgGDbCGRVMs-PE1QtlD53XKciLkPNVxz9jhODwk2r91lbL3X-2mGHt1N0A-ZyYb_5qOdvT2a-68DrgHlJwkX8T6ZEXkHiNtgXhOQJqZZbLTIQo9p6U8NOmgX-pI/s320/Y+todo+el+cielo+cupo.jpg" width="320" /></a><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />ORIGIN</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Paul Clipson (USA, 2012)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />MANCOON</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Sandy Ding (Cina, 2007)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />WATER SPELL</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Sandy Ding (Cina, 2007)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />ABSENT IX</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Anders Weberg (Svezia, 2016) </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />RE AD PO</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">Klaverna (Italia, 2017)</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;">SEED</span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Naomi Kawase (Giappone, 2016) </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />WHAT HAPPENS TO THE MOUNTAIN</span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Christin Turner (USA, 2017)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />HARBOUR CITY</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Simon Liu (UK, Hong Kong, 2015)</span></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />EMBLEM</span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Rey Hayama (Giappone, 2012)</span></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />SIN DIOS NI SANTA MARIA (NEITHER GOD NOR SANTA MARIA)</span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Helena Giron, Samuel M. Delgado (Spagna, 2015) </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDhQxII5weh3j9jZ6-SohcrLK3aGyGKMfM9gPQ090vJ69USGrcxpg3C4FlvImOg7WVmy88XZqP8PSJay9ETGy7WOSFOxj284vUqZrwCFXExkUMm2kEV0-47k6237ZVRdt-rmaFZmSRbbU/s1600/Sin+dios+ni+santa+maria.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDhQxII5weh3j9jZ6-SohcrLK3aGyGKMfM9gPQ090vJ69USGrcxpg3C4FlvImOg7WVmy88XZqP8PSJay9ETGy7WOSFOxj284vUqZrwCFXExkUMm2kEV0-47k6237ZVRdt-rmaFZmSRbbU/s320/Sin+dios+ni+santa+maria.jpg" width="320" /></a></span></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">PLUS ULTRA</span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Helena Giron, Samuel M. Delgado (Spagna, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoZr6qKVzsGH0Wm8mt27XFZk0xCmlduJbgSyxwE5vl_qrLV0G5ekebXdQIEPyWW2vx7P2vBYegp1tGMOTpE8JlzU9cUPTt6AJXIGLD3RGEEzgp84xEcz9vrVRBL1PuOC0pscXCrTiQYKk/s1600/Plus+Ultra+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoZr6qKVzsGH0Wm8mt27XFZk0xCmlduJbgSyxwE5vl_qrLV0G5ekebXdQIEPyWW2vx7P2vBYegp1tGMOTpE8JlzU9cUPTt6AJXIGLD3RGEEzgp84xEcz9vrVRBL1PuOC0pscXCrTiQYKk/s320/Plus+Ultra+2.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />TRAVELLING FIELDS</span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Inger Lise Hansen (Norvegia, 2010)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglv36bqKUPVsC2d8tkeoSN5ej3PNNheAKCVhBmQIO3A0bR8Yy3H4YWrtnuXMJ87fi4Nyn14i00OuzY2Qv85X37nVXSafWJ72eHo8I3zW4QgrxcLwASyd-XJZH2NOj6MiS5nKSCpi6WGB8/s1600/Travelling+Fields.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglv36bqKUPVsC2d8tkeoSN5ej3PNNheAKCVhBmQIO3A0bR8Yy3H4YWrtnuXMJ87fi4Nyn14i00OuzY2Qv85X37nVXSafWJ72eHo8I3zW4QgrxcLwASyd-XJZH2NOj6MiS5nKSCpi6WGB8/s320/Travelling+Fields.jpg" width="320" /></a></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #cc0000;"><b><span style="color: black;"><u><span style="font-size: large;">Semifinalisti</span></u></span> </b> </span><br /> </span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">CHACARITA</span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Guillermina Buzio (Canada, 2016) </span></div>
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<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />SALAMMBO'</span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Bertrand Mandico (Francia, 2014)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGNf2L_GCrDCtjcOxWFDYFRPaAZYAxxP50pQzh3NcicwxWN0fGzL8gvtXUyhfFpuLWmY3r7FAYSZodXCr-2W5wQSL0wkCvmjv72nctPNFXvKy8IxHSX306LZofBy9XyXHSJq_u2QnONok/s1600/Salammbo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGNf2L_GCrDCtjcOxWFDYFRPaAZYAxxP50pQzh3NcicwxWN0fGzL8gvtXUyhfFpuLWmY3r7FAYSZodXCr-2W5wQSL0wkCvmjv72nctPNFXvKy8IxHSX306LZofBy9XyXHSJq_u2QnONok/s320/Salammbo.jpg" width="320" /></a></div>
<div style="text-align: center;">
<br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">INTERMISSION</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">Mikel Guillen (Canada, 2017)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib35TqSe7rB4nVy0qTOy-RB1FAdHnyL9ZIBzdVLGG_RD34YvG_s61eCMK7yP8RC2E9XtQHi4jRgwxT7PQ8PQSeYsZHzdnaIUoog08VcFR2HItp1va4Kk1E4uAU4PnLN_pBAerlJ1LXcww/s1600/Intermission.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib35TqSe7rB4nVy0qTOy-RB1FAdHnyL9ZIBzdVLGG_RD34YvG_s61eCMK7yP8RC2E9XtQHi4jRgwxT7PQ8PQSeYsZHzdnaIUoog08VcFR2HItp1va4Kk1E4uAU4PnLN_pBAerlJ1LXcww/s320/Intermission.jpg" width="320" /></a></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />PHANTASIESATZE (FANTASY SENTENCES)</span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Dane Komljen (Germania, Danimarca, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw1l43LFI4eUiWl3X16-8cC698mISo_IFhZFZtbu4sF3iar2QFDnyHdZP0axop2ySNrNvn1KYQI6e7WF9ipjVM55VN7RAv8e8k1SIfm0hxdCSapULL9BM8ToRr9v3vGx7Do2HN0udw7Uc/s1600/Fantasy+sentecies.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw1l43LFI4eUiWl3X16-8cC698mISo_IFhZFZtbu4sF3iar2QFDnyHdZP0axop2ySNrNvn1KYQI6e7WF9ipjVM55VN7RAv8e8k1SIfm0hxdCSapULL9BM8ToRr9v3vGx7Do2HN0udw7Uc/s320/Fantasy+sentecies.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />LIMBO</span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Konstantina Kotzamani (Grecia, Francia, 2016)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyQcXcwpP1732IGr_cD20z8wxZAdNUzabLX-sRhGFmrsdneUOtEKsdkUralc3lFjpfhTrwLKYA9ObKisWNT8XASvVEpcvNW9mFGRXRaJH6TvvughwidT4sjEbDnBx6sMPjDDzlxU8P_0s/s1600/Limbo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyQcXcwpP1732IGr_cD20z8wxZAdNUzabLX-sRhGFmrsdneUOtEKsdkUralc3lFjpfhTrwLKYA9ObKisWNT8XASvVEpcvNW9mFGRXRaJH6TvvughwidT4sjEbDnBx6sMPjDDzlxU8P_0s/s320/Limbo.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />KILLING KLAUS KINSKI</span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Spiros Stathoulopoulos (Colombia, Olanda, 2016)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9Mk9wEVfGfG2DfZGYkirJB1E6_FIPhquxcFtr_ZCxaoZTn_3QI5GdyVfWv3n3scqhduXY60ES_kcks_0Fk5Fp9DRsAhwiqFiDWQQDhvaa-MBAGJ9VEbfnfJokTsYZpou4z0DPozi3e98/s1600/Killing+Klaus+Kinski.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9Mk9wEVfGfG2DfZGYkirJB1E6_FIPhquxcFtr_ZCxaoZTn_3QI5GdyVfWv3n3scqhduXY60ES_kcks_0Fk5Fp9DRsAhwiqFiDWQQDhvaa-MBAGJ9VEbfnfJokTsYZpou4z0DPozi3e98/s320/Killing+Klaus+Kinski.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><a href="http://visionesospesa.blogspot.it/2017/05/womb.html" target="_blank"><span style="color: #cc0000;">WOMB</span></a></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Scott Barley (UK, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij0q7rTByKa1fcybsGqBIdq_9sD6VxJH2Fjqrmi177GU_F5_EAbj4m73sOGNhPIna9UGcLVlD2fh7tdgkMAQuRK7Bx6Htd4fyV8o9atH-pqE7-WVUvs9XAMkAztwmqbX2e7XzS09xlWuI/s1600/Womb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij0q7rTByKa1fcybsGqBIdq_9sD6VxJH2Fjqrmi177GU_F5_EAbj4m73sOGNhPIna9UGcLVlD2fh7tdgkMAQuRK7Bx6Htd4fyV8o9atH-pqE7-WVUvs9XAMkAztwmqbX2e7XzS09xlWuI/s320/Womb.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />MUE(S)</span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Frederique Menant (Francia, 2015)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRI7PeLcNQ22cjvfeF7P_jCBmIPh1f8QhSyblmGU_rRwIBr-ynk_ir2oBRa8-UUy68rCjB_cutC0obK7ku7I8HZQS3XbInTNdeJr9AWk9H3CWOyZbntbTYorvgWchkcTLk8njPv-i2Gq4/s1600/Mue%2528s%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRI7PeLcNQ22cjvfeF7P_jCBmIPh1f8QhSyblmGU_rRwIBr-ynk_ir2oBRa8-UUy68rCjB_cutC0obK7ku7I8HZQS3XbInTNdeJr9AWk9H3CWOyZbntbTYorvgWchkcTLk8njPv-i2Gq4/s320/Mue%2528s%2529.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />THE EXQUISITE CORPUS</span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Peter Tscherkassky (Austria, 2015)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB3Ph_gq0oS0-dyzZnaKXHakYnTIKwItz3NEZcXHTKSyR3Y08Z3CfblIJdnijMVpdkNiqtDpdpr4lNWCzqU7L_lcy1tBHigyMppExpOfXXq400tDHqfjtKi7Hpzai2faOzq9-Ve1_mvZU/s1600/Exquisite+Corpus.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB3Ph_gq0oS0-dyzZnaKXHakYnTIKwItz3NEZcXHTKSyR3Y08Z3CfblIJdnijMVpdkNiqtDpdpr4lNWCzqU7L_lcy1tBHigyMppExpOfXXq400tDHqfjtKi7Hpzai2faOzq9-Ve1_mvZU/s320/Exquisite+Corpus.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br />MONTANAS ARDIENTES QUE VOMITAN FUEGO</span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Helena Giron, Samuel M. Delgado (Spagna, 2016)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLck7M9OFEyHqXuVPqT2j30Cf1Cjrd9K1A54R5FUhFueiZuWNPIm-I2iKJ0aCVTwaZP5ZCqe4brMPVwTxECT2mtLSu0NorfUPAVKJrqb-Rz6ESrZstqdninhmXqz4uXoqIGLPby2vUqSk/s1600/Montanas+ardientes.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLck7M9OFEyHqXuVPqT2j30Cf1Cjrd9K1A54R5FUhFueiZuWNPIm-I2iKJ0aCVTwaZP5ZCqe4brMPVwTxECT2mtLSu0NorfUPAVKJrqb-Rz6ESrZstqdninhmXqz4uXoqIGLPby2vUqSk/s320/Montanas+ardientes.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />FAJR</span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Lois Patino (Spagna, Marocco, 2017) </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLNrf6fn0FQR40EyAtA614NUjzapAjrlNnUrJ9PB0zAlOiRXaEj7HeZAY4EJBTomuuAEM4w-Oq_0q55ds0Qvxq3_BF-uiBIuYMZC8r0yLXXbO9jGO8j9YpAZuYgoY_TWRrW4EdV-wSF-E/s1600/Fajr.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLNrf6fn0FQR40EyAtA614NUjzapAjrlNnUrJ9PB0zAlOiRXaEj7HeZAY4EJBTomuuAEM4w-Oq_0q55ds0Qvxq3_BF-uiBIuYMZC8r0yLXXbO9jGO8j9YpAZuYgoY_TWRrW4EdV-wSF-E/s320/Fajr.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b><u><span style="font-size: large;">TOP 10</span></u> </b> <br /> </span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">CENTAUR</span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Aleksandra Niemczyk (Polonia, 2015)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixCeZn76NIO4GZJ1w6nfv33e-tNRFfDHZKqnZTWg5zWPDcfJy3lEcQgr4tViXlzEri3oeK2deLGb4ac_LEI1XZabZ6XNN1EsEj2fQ82w_2HclHK8V_iNJhtXQYNRaofnrwrdDdKux0Eyc/s1600/Centaur.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixCeZn76NIO4GZJ1w6nfv33e-tNRFfDHZKqnZTWg5zWPDcfJy3lEcQgr4tViXlzEri3oeK2deLGb4ac_LEI1XZabZ6XNN1EsEj2fQ82w_2HclHK8V_iNJhtXQYNRaofnrwrdDdKux0Eyc/s320/Centaur.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />AI (LOVE)</span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Takahiko Iimura (Giappone, 1962)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXemBI9GbmrWJiyY0X9_OtvkvO9-u93xy5biXlLAJSgkNstWLAqRnqjiRNH_XTlch-4cuSgR6FBMe9rWLdwUO4Zrn4MY5UmM473SXzSoLP8FC8jmv8mQpjtQvroDTE2F31MYJhSOO3qgg/s1600/Ai+%2528Love%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXemBI9GbmrWJiyY0X9_OtvkvO9-u93xy5biXlLAJSgkNstWLAqRnqjiRNH_XTlch-4cuSgR6FBMe9rWLdwUO4Zrn4MY5UmM473SXzSoLP8FC8jmv8mQpjtQvroDTE2F31MYJhSOO3qgg/s320/Ai+%2528Love%2529.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />KOLIJEVA (THE CRADLE)</span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Sandy Ding (Cina, Croazia, 2016)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6kqTVjweUMb5qwRu5I-tDFMqZcVeXjiO5vL9loLUo1mXYw2TRdkli6n-k9ILRfxrmcF-Fun5Hmdc0ti-0Qzvz98rJhjETDfWTja6WZICjCM35tygkNV2umoCMuvUan4jF7fraIsvqU6A/s1600/Cradle+%2528Kolijeva%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6kqTVjweUMb5qwRu5I-tDFMqZcVeXjiO5vL9loLUo1mXYw2TRdkli6n-k9ILRfxrmcF-Fun5Hmdc0ti-0Qzvz98rJhjETDfWTja6WZICjCM35tygkNV2umoCMuvUan4jF7fraIsvqU6A/s320/Cradle+%2528Kolijeva%2529.jpg" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br /><a href="http://visionesospesa.blogspot.it/2017/03/echi-30-kenneth-anger-su-lucifer-rising.html" target="_blank"><span style="color: #cc0000;">LUCIFER RISING</span></a></span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Kenneth Anger (UK, Germania, 1972)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="font-family: "arial" , "helvetica" , sans-serif;">A MANIFESTO FOR THE UN-COMMUNAL</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> Syllas Tzoumerkas (Germania, Israele, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUuziGKrD-nzs0x0KQmAwHOFvk4XB-NLgguVLOwFFBil7Y8hx3KYtPiHxQFZrU_gT4yHZw8VGL9wn2SpB-KlPmuKWNmWp63CbhQ0RKh3tpUSKwKhtYMvuBCBga75AJiUemxvx2dMnK1Dc/s1600/A+Manifesto+for+the+un-communal.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUuziGKrD-nzs0x0KQmAwHOFvk4XB-NLgguVLOwFFBil7Y8hx3KYtPiHxQFZrU_gT4yHZw8VGL9wn2SpB-KlPmuKWNmWp63CbhQ0RKh3tpUSKwKhtYMvuBCBga75AJiUemxvx2dMnK1Dc/s320/A+Manifesto+for+the+un-communal.jpg" width="320" /></a></div>
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<a href="http://visionesospesa.blogspot.it/2017/01/vita-brevis-hannah-et-le-fleuve.html" target="_blank"><span style="color: #cc0000;"><span style="font-family: "arial" , "helvetica" , sans-serif;">VITA BREVIS</span></span></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Thierry Knauff (Belgio, 2015)</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />UNREST</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Philippe Grandrieux (Francia, 2017)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSHtVyWGVrMzY1Suw3c2M0oi2ZsTwEuVuFeK50hyphenhyphenat5Flsnx4VeewvHLcy_Fk3C7DhnECoeo2WPRtOY-6TDDnXYVOSVox7kEmKaF-yRzL2nTEEJDbBN5qug0UozXwOZwAermI1ItHfKlQ/s1600/Unrest.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSHtVyWGVrMzY1Suw3c2M0oi2ZsTwEuVuFeK50hyphenhyphenat5Flsnx4VeewvHLcy_Fk3C7DhnECoeo2WPRtOY-6TDDnXYVOSVox7kEmKaF-yRzL2nTEEJDbBN5qug0UozXwOZwAermI1ItHfKlQ/s320/Unrest.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />DREAM ENCLOSURE</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Sandy Ding (Cina, 2014)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGO80dDAAZYX2zBlC3n3bEoA0ZV5YM2eOWgiID0dedl7ry7CX1PjJGaNNJcUt6gYmIi0l9ihBOSIfORI9Lgir4GUdRonRpqbZncwsHpQzTM01zKR9Cjd9Sua-g99q4MXE27lD4jKWEgzw/s1600/Dream+Enclosure.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGO80dDAAZYX2zBlC3n3bEoA0ZV5YM2eOWgiID0dedl7ry7CX1PjJGaNNJcUt6gYmIi0l9ihBOSIfORI9Lgir4GUdRonRpqbZncwsHpQzTM01zKR9Cjd9Sua-g99q4MXE27lD4jKWEgzw/s320/Dream+Enclosure.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <br />PSICOPOMPO </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Morgan Menegazzo, Mariachiara Pernisa (Italia, 2015)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJYSXxV2t0dryvrbbl2ElsPhVFqYfYuvullpxG7ygz2hWe2BuHa8QyPl2U8iUJZxaJH_Q3nFlLiyQbqYjQkumbZTc730Az3LMB6FhsDMKWy09ZWLO4yUUShlgC6VIx4BkLERBLB9nBi_U/s1600/Psicopompo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="178" data-original-width="425" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJYSXxV2t0dryvrbbl2ElsPhVFqYfYuvullpxG7ygz2hWe2BuHa8QyPl2U8iUJZxaJH_Q3nFlLiyQbqYjQkumbZTc730Az3LMB6FhsDMKWy09ZWLO4yUUShlgC6VIx4BkLERBLB9nBi_U/s320/Psicopompo.jpg" width="320" /></a><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">THE RESONANT ISLANDS</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">(Juruna Mallon (Francia, Brasile, 2017) </span></span></div>
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ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com0tag:blogger.com,1999:blog-3124748050714619465.post-21302938379886601462017-06-07T19:11:00.000+02:002017-06-08T06:55:08.528+02:00Tracce #35: Tenemos la carne (We Are the Flesh)<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3tXn13hBx-G_dIfM_HmZ1em97Je-ClM4LuLbvwWc48ZedhMwTPrOKzqJ2ZoFcNKgmaIpTszaSfmJzVfHcl9xuYdFJ1HO2NFzXedjxj4qYsFZ__0emVo4vNhbCVoPYpIAwos68o8xpgag/s1600/TLC+Post+235.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="214" data-original-width="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3tXn13hBx-G_dIfM_HmZ1em97Je-ClM4LuLbvwWc48ZedhMwTPrOKzqJ2ZoFcNKgmaIpTszaSfmJzVfHcl9xuYdFJ1HO2NFzXedjxj4qYsFZ__0emVo4vNhbCVoPYpIAwos68o8xpgag/s1600/TLC+Post+235.jpg" /></a></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Emiliano Rocha Minter</b><br />Messico, Francia, 2016<br />80 minuti<br /><br />Giusto due annotazioni a caldo sull'esordio al lungometraggio di <i><b>Emiliano Rocha Minter </b></i>dopo l'interessante <b>Dentro</b> (2013), poichè mi sento già di condividere le medesime impressioni/sensazioni riportate <a href="http://pensieriframmentati.blogspot.it/2017/01/we-are-flesh.html" target="_blank"><span style="color: #cc0000;"><i><b>qui</b></i></span></a>, nell'esaustivo articolo di <i>Oltre il fondo</i>: il consiglio è quindi di leggerlo. Qui, invece, mi limito a segnalare relazioni, una manciata di fotogrammi e una possibile origine scatenante al caleidoscopico sottomondo messo vistosamente in scena dal giovane Rocha Minter. </span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Ovvero, l'infernale universo di <i><b>Josè Mojica Marins (Zè do Caixao)</b></i> trasportato nel cinema contemporaneo, in sostanza: questo è <b>Tenemos la carne</b>. E a mio vedere, è questa la basilare e complessiva fonte d'ispirazione. Dopo di che, è palese che all'autore nativo di Città del Messico piaccia giocare con altri citazionismi che possono far storcere il naso (e in un modo che può anche sembrare autocompiaciuto) ma chi se ne frega, alla fine. I vari Grandrieux, D'Agata o Zulawski tirati in ballo, se guardiamo a quell'aspetto, sono solo alcuni tra i molteplici riferimenti che ognuno di noi può cogliere. Visivamente parlando allora si potrebbero fare altrettanti paralleli, allargandosi a nomi quali Doillon, Yuzna o Dolan. Si, il Dolan di </span><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #cc0000;"><b><a href="http://visionesospesa.blogspot.it/2014/04/tom-la-ferme.html" target="_blank"><span class="st">Tom à la ferme</span></a> </b></span>se proprio vogliamo puntualizzare: per quel rapporto-aspetto che si modifica nel corso del film, stringendo e soffocando in questo caso sui sessi, fulcro centrale di morte e rinascita su cui in sintesi ruota tutto. Ma se al contrario guardiamo al globale contesto scenico, al décor nel quale sono inseriti, i citati riferimenti poco ci azzeccano, e credo invece vada riconosciuta a Rocha Minter una creatività sovversiva e impudica non da poco, in tempi come questi. Il messicano vuole semplicemente abbattere la razionalità per inscenare un <i>chaos</i> parodico-visivo del quale, permettetemi, raramente si può ormai fruire, dove follia e surrealismo si compenetrano con violenta efficacia; un averno gravidico celato agli occhi del benpensante mondo esterno. Una bolgia che sarà anche fumo sparato negli occhi, ma padroneggiata da un Noé Hernández a far d'autentico<i> villain</i> e predisposto a reincarnare una figura carismatica come quella, appunto, del brasiliano <i><b>Zè do Caixao</b></i>, artefice dello stesso inferno visivo ancora a partire dai lontani Sessanta. E personalmente, è una bolgia dalla quale non sono riuscito a sottrarmi ma bensì, farmi travolgere con soddisfazione, come poche altre volte durante il corso dell'anno. E per ora mi accontento.</span></div>
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ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com2tag:blogger.com,1999:blog-3124748050714619465.post-88327136498805877802017-06-05T20:54:00.000+02:002017-06-05T20:54:52.112+02:00Boris sans Béatrice<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Denis Côté</b><br />Canada, 2016<br />93 minuti<br /><br />Con il gran numero di film archiviati sui quali si potrebbero spendere due parole, perchè scrivere di Côté e un film (presentato alla 66a Berlinale) come <b>Boris sans Béatrice</b>? Non brilla di certo come il miglior Côté (ma nemmeno il peggiore, a dirla tutta, e poi ci arriviamo) quindi, la quasi certezza è un lapsus dell'inconscio dove piccole schegge del film hanno comunque lavorato durante il sonno. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Alla stregua del "sonno della ragione" che ha colpito l'inerte Béatrice; ministro del governo canadese e moglie del fedifrago Boris, ricco e protervo imprenditore che, imputato della malattia della consorte da un misterioso personaggio, verrà presto chiamato a patti con la propria coscienza... <br />Di sicuro non è mai stato il racconto a spingere nel cinema di Côté, in quanto è più l'ineccepibile impostazione formale a prevalere. Il canadese resta a suo modo un regista interessante ma che per inclinazioni del sottoscritto non ha mai raggiunto pieni favoritismi. Eccezion fatta per <a href="http://visionesospesa.blogspot.it/2013/07/bestiaire.html" target="_blank"><span style="color: #cc0000;"><b>Bestiaire</b></span></a> (2012) che però, attenzione, va considerato a tutti gli effetti come un outsider nella sua filmografia, in quanto di matrice documentaristica e quindi, alquanto lontano dall'abituale campionario puramente finzionale di film come <b>Vic+Flo Saw a Bear</b> (2013), <b>Elle veut le chaos</b> (2008), <b>Curling</b> (2010) o il qui presente <b>BsB</b>, i quali, diciamolo, stanno più o meno tutti allineati lì sullo stesso binario, al limite della sufficienza insomma. Non vale quindi nel discorso qui intessuto, sostanzialmente, su un autore che di norma indugia "sospeso" o (in)sospeso, al centro di quell'asse oramai sempre più labile posta a distinzione dei generi; tra l'art-house e il thriller (e ancora ritornano: <b>Vic+Flo</b> / <b>Elle veut le chaos</b>, forse i film più vicini a questo <b>BsB</b>) e tra i quali finisce spesso per confondersi, perdersi, senza trovare una più incisiva direzione. Ma un Côté lo si fruisce sempre volentieri, anche se per svolte diegetiche appare come chi lancia il sasso e poi ritira la mano. Si è comunque spinti a proseguire con la visione quasi per influsso magico, poichè segnali di un certo estro visionario è possibilie scorgerli. Peccato questi finiscano poi per scivolare sotto la patina dell'inespresso, non si completino e si arrestino lì. Anche <b>BsB</b> dunque, come gli altri lavori, non valica oltre determinate soglie; non osa e non eccede, non trascende l'immaginario personale (e il comune contesto di un cinema improntato alla sottrazione, non vale come scusante per non azzardare). Specie quando la storia all'origine può concederlo o peggio, per menzionato appunto, farlo immaginare (date in mano un soggetto come <b>BsB</b> a un Reygadas, per ipotesi, e conteremo senz'altro con gioia le sorprese), poichè soffocata da una linearità strutturale fondamentalmente travestita, la quale finisce per alimentare miraggi della mente. Per la sequenza conclusiva della "scoperta/confronto", ad esempio, considerati i precedenti caricaturali di Boris, era anche lecito aspettarsi qualcosa di più obliquo e/o maliziosamente "peccaminoso" ma tutto si risolve in maniera alquanto insipida (o ripensando al peggior Cronenberg, quello di <b>Cosmopolis</b>) con uno sfibrante monologo dell'ormai onnipresente <i><b>Denis Lavant</b></i>; anche lui stanco, invecchiato (paiono passati vent'anni da <b>Holy Motors</b>!), una maschera privata del suo innato potenziale. Esso non riconferma altro che quell'assenza d'empatia, purtroppo, con i personaggi che da sempre popolano il cinema di Côté; cinema che pare ora convogliare nel manifesto di <b>BsB</b> (il protagonista "scolpito" su sfondo marmoreo/lapideo) a totale rappresentazione di sè stesso. L'emotività non può che scivolare anch'essa nelle crepe della catatonia integrandosi con l'altolocata sterilità degli ambienti scansionati, dove Boris e Béatrice cercano di rianimare un rapporto incrinato e logoro, i cui unici "pezzi di vita" sono intrappolati nella grana analogica di frammentarie immagini-ricordo, piazzate un pò lì, come lo stesso autore, nell'orizzonte dell'incertezza. Ma un Côté, dicevamo, alla fine lo si fruisce sempre di buon grado, e il ricordo di questo <b>BsB</b> rimarrà tuttavia impresso per quella stilizzazione dei simbolismi; allegorici (le inquietanti maschere al museo) o autoreferenziali che siano (il "bestiario" onirico che ritorna, stavolta nella mente di una Béatrice eburnea ripresa fuori fuoco, al margine inferiore dello schermo) poco importa: d'immagini si forma il cinema, e tanto basta per riservargli un piccolo spazio nella memoria.</span></div>
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ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com0tag:blogger.com,1999:blog-3124748050714619465.post-51687069521677804602017-05-11T22:32:00.000+02:002017-05-11T22:47:48.979+02:00Womb<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Scott Barley</b><br />Uk, 2017<br />17 minuti</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Nell'"anatomizzare" <b>Womb</b>, l'ultimo cortometraggio di <b><i>Scott Barley</i></b>, e il suo movimento di corpi lividi sospesi nel buio, è opportuno partire fin dal principio evidenziando un parallelo che per marcata affinità estetica con lo stile visivo di un autore quale <b><i>Philippe Grandrieux</i></b> e i suoi film-installazione più sperimentali (nello specifico, <b>White Epilepsy</b>), potrà anche far storcere il naso a qualcuno o sembrare inglorioso, ma che a modesto avviso risulta essenziale per discernerne con migliore cognizione le finalità. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Senza contare, oltretutto, del comune interesse dimostrato per i visionari affreschi di <b><i>Francis Bacon</i></b>, il termine ultimo di Barley è legittimato da una coerenza con il suo antecedente <i>modus operandi</i> che non può dar luogo a equivoci; tant'è che basterebbe ripensare per un attimo al trentottesimo minuto di <a href="http://visionesospesa.blogspot.it/2017/01/sleep-has-her-house.html" target="_blank"><span style="color: #cc0000;"><b>Sleep Has Her House</b></span></a> (a partire da quello spazio nero costellato di microstelle, per intenderci), per avere una riconferma di come l'oscurità presente nei suoi film cerchi, comunque vada, una direzione attraverso l'alto, un'elevazione verso la luce e quindi, verso l'illimitatezza del cosmo e alla costante riflessione perseguita su di esso. Un'ascesa, dove all'opposto, l'opera del francese (alla quale si fa riferimento <i><b><a href="http://visionesospesa.blogspot.it/2016/10/meurtriere.html" target="_blank"><span style="color: #cc0000;">qui</span></a></b></i>, nell'articolo su <b>Meurtrière</b>) appare assai come una discesa agli inferi, o un'originare dagli stessi; dai profondi abissi dell'ancestrale umano dove i corpi, lottano, danzano e si compenetrano come posseduti da istinti ferini. Al contrario invece, <b>Womb</b>, fa in modo di generare/partorire le sue creature notturne proprio da un'angolazione antitetica come può esserla quella del cielo, manifestandone la "nascita" attraverso un'immagine-costellazione che diviene immediatamente simbolo universale del ventre materno. Un varco dalla forma ovale che si profila al centro dello spazio stellato finchè, allargandosi, lascia campo a una processione/cerimonia dell'indistinto (pre)umano. Corpi che nella loro diafanità appaiono tali solo apparentemente, per quanto ancora precocemente accostabili a primitive forme organiche scivolate e fluttuanti in uno spazio amniotco. E in definitiva, non c'è poi molto da percepire oltre all'abbuiamento uterino-dimensionale nel quale, essi, lentamente acquistano primaria coscienza attraverso un moto quasi metamorfico, cercando di attivare ogni minima funzione dei propri muscoli, della propria nervatura, "radiografata" con millimetrica precisione da un'occhio-obiettivo che d'impatto finisce per illuminare il dettaglio... Per l'appunto, come sopraddetto, fonte luminosa che ancora una volta nell'operato di Barley riesce a trapassare l'imperscrutabile, e verso la quale, ora, una mano protende con graduale distinzione: tunnel embrionale che conduce come per magia alla vita, e dinnanzi alla quale, presto, l'intero organismo raffigurato potrà rivelarsi.</span></div>
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ViShttp://www.blogger.com/profile/11682335213674485447noreply@blogger.com0